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Vittorio Storaro, the award-winning cinematographer who won Oscars for "Apocalypse Now (1979)", "Reds (1981)" and "The Last Emperor (1987)". He was born on June 24, 1940 in Rome, where his father was a projectionist at the Lux Film Studio. At the age of 11, he began studying photography at a technical school. He enrolled at C.I.A.C (Italian Cinemagraphic Training Centre) and subsequently continued his education at the state cinematography school Centro Sperimentale di Cinematografia. When he enrolled at the school at the age of 18, he was one of its youngest students ever.
At the age of 20, he was employed as an assistant cameraman and was promoted to camera operator within a year. Storaro spent several years visiting galleries and studying the works of great painters, writers, musicians and other artists. In 1966, he went back to work as an assistant cameraman on Before the Revolution (1964), one of the first films directed by Bernardo Bertolucci. Storaro earned his first credit as a cinematographer in 1968 for "Giovinezza, giovinezza". His third film was "The Spider's Stratagem (1970)" which began his long collaboration with Bertolucci. He also shot "The Conformist (1970)", "Last Tango in Paris (1972)", "Luna (1979)", "The Sheltering Sky (1990)_", "Little Buddha (1993)," for Bertolucci.
He won his first Oscar for the cinematography of "Apocalypse Now (1979)", for which director Francis Ford Coppola gave him free rein to design the visual look of the picture. Storaro originally had been reluctant to take the assignment as he considered Gordon Willis to be Coppola's cinematographer, but Coppola wanted him, possibly because of his having shot "Last Tango in Paris (1972), which had starred Marlon Brando. Brando's performance in the film had been semi-improvised, and Coppola has planned on a similar tack for his scenes in the jungle with Brando's character Colonel Kurtz.
The results of their collaboration were masterful, and he later shot the 3-D short "Captain EO (1986)", the feature films "One from the Heart (1981)" and "Tucker: The Man and His Dream (1988)," and the "Life without Zoe" segment of "New York Stories (1989)" for Coppola. He won his second Oscar as the director of photography on Warren Beatty's "Reds (1981)" and subsequently shot "Dick Tracy (1990)" and "Bulworth (1998)" for Beatty He won his third Oscar as the director of photography on Bertolucci's Best Picture Academy Award-winner "The Last Emperor (1987)".
"All great films are a resolution of a conflict between darkness and light," Storaro says. "There is no single right way to express yourself. There are infinite possibilities for the use of light with shadows and colors. The decisions you make about composition, movement and the countless combinations of these and other variables is what makes it an art."
According to Storaro, "Some people will tell you that technology will make it easier for one person to make a movie alone but cinema is not an individual art." Storaro disagrees. "It takes many people to make a movie. You can call them collaborators or co-authors. There is a common intelligence. The cinema never has the reality of a painting or a photograph because you make decisions about what the audience should see, hear and how it is presented to them. You make choices which super-impose your own interpretations of reality."
Storaro believes that, "It is our obligation to defend the audiences' rights to see the images and to hear the sounds the way we have expressed ourselves as artists,".
During the 1970s, the metaphor of cinematography as 'painting with light' took hold. Storaro, however, adds motion to the mix. Cinematography, to the great D.P., is writing with light and motion, the literal translation of the word cinematography, which derives from Greek
"It describes the real meaning of what we are attempting to accomplish," Storaro says. "We are writing stories with light and darkness, motion and colors. It is a language with its own vocabulary and unlimited possibilities for expressing our inner thoughts and feelings."
As a cinematographer, he is highly innovative. He had Rosco International fabricate a series of custom color gels for his lighting, which he used to implement his theories about emotional response to color. The "Storaro Selection" of color gels is available for other cinematographers from Rosco.
He created the "Univision" film system, which is a 35mm format based on film stock with three perforation that provides an aspect ratio of 2:1, which Storaro feels is a good compromise between the 2.35:1 and 1.85:1 wide-screen ratios favored by most filmmakers. Storaro developed the new technology with the intention of 2:1 becoming the universal aspect ratio for both movies and television in the digital age. He first shot the television mini-series "Dune" with the Univision system.
Storaro is the youngest person to receive the American Society of Cinematographer's Lifetime Achievement Award, and only the second recipient after Sven Nykvist not to be a U.S. citizen.- Cinematographer
- Camera and Electrical Department
- Actor
Jordan Cronenweth was born on 20 February 1935 in Los Angeles, California, USA. He was a cinematographer and actor, known for Blade Runner (1982), Peggy Sue Got Married (1986) and Altered States (1980). He was married to Carolyn June Ervin. He died on 29 November 1996 in Los Angeles, California, USA.- Cinematographer
- Camera and Electrical Department
- Additional Crew
Roger Deakins is an English cinematographer best known for his work on the films of the Coen brothers, Sam Mendes, and Denis Villeneuve.
He is a member of both the American and British Society of Cinematographers.
Deakins' first feature film in America as cinematographer was Mountains of the Moon (1990). He began his collaboration with the Coen brothers in 1991 on the film Barton Fink. He received his first major award from the American Society of Cinematographers for his outstanding achievement in cinematography for the internationally praised major motion picture The Shawshank Redemption (1994).
He is also known for his work in The Assassination of Jesse James by the Coward Robert Ford (2007), No Country for Old Men (2007), True Grit (2010), Skyfall (2012), Sicario (2015), and Blade Runner 2049 (2017).
Deakins also worked as one of the visual consultants for Pixar's animated feature WALL-E.
In 2018 he won an Oscar for best cinematographer for his work in Blade Runner 2049.- Cinematographer
- Camera and Electrical Department
- Additional Crew
Robert Richardson has won three Academy Awards and earned seven Academy Award nominations for his cinematography. His work on director Oliver Stone's JFK earned him his first Oscar. His second and third came with The Aviator and Hugo directed by Martin Scorsese. These two films also garnered him BAFTA nominations for Best Cinematographer.
Prior to regularly collaborating with well-known directors like Oliver Stone and Quentin Tarantino, Richardson served an apprenticeship shooting second unit on Repo Man while filming television documentaries for PBS and the BBC. His work in television led Stone to hire Richardson to shoot both Salvador and Platoon. From there, he worked almost exclusively with Stone, filming Wall Street, Born on the Fourth of July and The Doors, while occasionally branching out to shoot films like John Sayles' Eight Men Out and City of Hope.
Richardson also shot Stone's Natural Born Killers, Nixon and U-Turn. He then began collaborating with Martin Scorsese and Quentin Tarantino. Scorsese chose him as DP on 1999's Bringing Out the Dead, while Tarantino snapped him up for Kill Bill, Vol. 1 and Kill Bill, Vol. 2.
Richardson continued to make his mark as Tarantino's DP on 2012's Django Unchained and 2015's The Hateful Eight, as well as on Ben Affleck's 2016 film Live By Night. He shot Director Andy Serkis's 2017 Breathe starring Andrew Garfield and Claire Foy; 2018's Adrift for Director Balthasar Kormakur starring Shailene Woodley and Sam Claflin for STX, and 2018's A Private War for Director Matthew Heineman starring Rosamund Pike. Richardson then shot Tarantino's 2020 hit Once Upon a Time in Hollywood, which starred Leonardo DiCaprio and Brad Pitt, and 2021's Venom 2 for Sony/Director Andy Serkis.
Recent credits include 2022's Emancipation again with Fuqua for Apple Studios, 2023's Air directed by Ben Affleck for Amazon Studios, and The Equalizer 3 for Director Antoine Fuqua and for Columbia Pictures.- Cinematographer
- Producer
- Director
Lubezki began his career in Mexican film and television productions in the late 1980s. His first international production was the 1993 independent film Twenty Bucks (1993), which followed the journey of a single twenty-dollar bill.
Lubezki is a frequent collaborator with fellow Mexican filmmaker Alfonso Cuarón. The two have been friends since they were teenagers and attended the same film school at the National Autonomous University of Mexico. Together they have worked on six motion pictures: Love in the Time of Hysteria (1991), A Little Princess (1995), Great Expectations (1998), And Your Mother Too (2001), Children of Men (2006), and Gravity (2013). His work with Cuarón on Children of Men (2006), has received universal acclaim. The film utilized a number of new technologies and distinctive techniques. The "roadside ambush" scene was shot in one extended take utilizing a special camera rig invented by Doggicam systems, developed from the company's Power Slide system. For the scene, a vehicle was modified to enable seats to tilt and lower actors out of the way of the camera. The windshield of the car was designed to tilt out of the way to allow camera movement in and out through the front windscreen. A crew of four, including Lubezki, rode on the roof. Children of Men (2006) also features a seven-and-a-half-minute battle sequence composed of roughly five seamless edits.
Lubezki has been nominated for eight Academy Awards for Best Cinematography, winning three, for Gravity (2013), Birdman or (The Unexpected Virtue of Ignorance) (2014), and The Revenant (2015). He is the first cinematographer in history to win three consecutive Academy Awards.- Cinematographer
- Director
- Actor
Rodrigo Prieto is a Mexican cinematographer. He is best known for Brokeback Mountain (2005), Babel (2006), Argo (2012), The Wolf of Wall Street (2013), and Silence (2016).
He also worked with Alejandro González Iñárritu on the acclaimed Amores perros (2000), 21 Grams (2003), and Biutiful (2010).
Pietro was nominated for two Academy Award for Best Cinematography, first in Brokeback Mountain and later in Silence.- Cinematographer
- Visual Effects
- Camera and Electrical Department
Robert Elswit is an American cinematographer. He is best known for Boogie Nights (1997), Magnolia (1999), Good Night, and Good Luck (2005), There Will Be Blood (2007), Mission: Impossible - Ghost Protocol (2011), Inherent Vice (2014), and Nightcrawler (2014).
Elswit frequently works with director Paul Thomas Anderson and has worked with George Clooney several times. He shot Clooney's black and white, multiple-Oscar nominated film Good Night, and Good Luck. Notably, Elswit shot the film in color, then converted the film into black and white in post production.
He received his first Academy Award nomination for Best Cinematography in 2006 for his work on the movie Good Night, and Good Luck. Two years later, he would again be nominated and this time win the Oscar for Best Cinematography, for his work on There Will Be Blood.- Cinematographer
- Camera and Electrical Department
- Director
Janusz Kaminski is a Polish cinematographer and film director. He has established a partnership with Steven Spielberg, working as a cinematographer on his movies since 1993. He won the Academy Award for Best Cinematography for his work on Schindler's List (1993) and Saving Private Ryan (1998).
His other film's as an cinematographer includes Amistad (1997), A.I. Artificial Intelligence (2001), Catch Me If You Can (2002), The Diving Bell and the Butterfly (2007), War Horse (2011), Lincoln (2012), Bridge of Spies (2015), The BFG (2016), and Ready Player One (2018).- Cinematographer
- Camera and Electrical Department
Dan Laustsen is a Danish cinematographer. He is best known for Crimson Peak (2015), John Wick: Chapter 2 (2017) and The Shape of Water (2017) for which he received an Academy Award nomination.
He studied at the National Film School of Denmark from 1976 to 1979, to pursue a career of cinematography. Laustsen has been involved in the production of feature films, documentaries, and advertisements, and is a member of the Danish Society of Cinematographers.- Cinematographer
- Camera and Electrical Department
- Composer
Hoyte Van Hoytema was born in Horgen, Switzerland. Van Hoytema is a Dutch-Swedish director of photography known for his work on The Fighter (2010), Her (2013), Interstellar (2014), and Dunkirk (2017). Van Hoytema always wanted to be a filmmaker, therefore he wished to attend a film school in The Netherlands, but was rejected twice. After the rejection, Van Hoytema worked in a soap factory, carpentry factory and even played in a band. Hoyte and his brother decided to go to Poland to visit their roots, considering their grandpa was Polish. He eventually went on to attend the Polish film school in Lodz, which has been attended by other notable film makers, with the most notable being Andrzej Wajda, Roman Polanski, and Krzysztof Kieslowski. At the later stages of Hoyte's education at the Lodz film school, Kieslowski was a professor there, who even supervised one of Hoyte's last projects. Hoyte left the Lodz film school early without having received a degree, but with many credentials. He started out with making documentaries. He later met someone who asked him to shoot a very low-budget film in Norway, which he accepted to do. This let Hoyte to film another film in Norway which was led by a a producer who was very active in Sweden. The producer offered Hoyte to work on a television show and another feature film. This started off Hoyte's career. He started to become a notable film maker in Sweden. His film 'Let the right one in' made him more known internationally.- Cinematographer
- Camera and Electrical Department
- Producer
Larry Fong is a cinematographer based in Los Angeles, CA. He graduated from UCLA with a degree in Linguistics, and from Art Center College of Design (Pasadena, CA) with a film degree. After graduation he started shooting music videos, including REM's 'Losing My Religion', winner of MTV's Music Video of the Year. TV commercials followed as did episodic television (JJ Abram's 'Lost'). His first studio film, '300', began a long running collaboration with director Zack Snyder, most recently Warner Bros' 'Batman v Superman'.
His recent work with Universal, Paramount, Legendary, Disney, Amazon, and Netflix include 'Kong: Skull Island', 'The Tomorrow War', 'Rescue Rangers', 'Secret Headquarters', and 'Damsel'.- Cinematographer
- Director
- Camera and Electrical Department
Gordon Willis was an American cinematographer. He's best known for his work on Francis Ford Coppola's Godfather films, as well asWoody Allen's Annie Hall (1977) and Manhattan (1979).
His work on the first two Godfather films turned out to be groundbreaking in its use of low-light photography and underexposed film, as well as in his control of lighting and exposure to create the sepia tones that denoted period scenes in The Godfather Part II (1974).
In the seven-year period up to 1977, Willis was the director of photography on six films that received among them 39 Academy Award nominations, winning 19 times, including three awards for Best Picture. During this time he did not receive a single nomination for Best Cinematography.
He directed one film of his own, Windows (1980). His last film as a cinematographer was The Devil's Own (1997), directed by Alan J. Pakula.
Willis died of cancer on May 18, 2014, ten days before his 83rd birthday, at the age of 82.- Cinematographer
- Camera and Electrical Department
- Writer
Born in Tahiti, the son of writer James Norman Hall, author of "Mutiny on the Bounty," Conrad Hall studied filmmaking at USC. He and two classmates formed a production company and sold a project to a local television station. Hall's company branched out into making industrial films and TV commercials. They were hired to shoot location footage for several feature films, including's Disney's The Living Desert (1953). In the early 1960s, Hall was hired as a camera assistant on several features and worked his way up to camera operator. He received his first cinematographer credit in 1965. Hall won acclaim for his rich and complex compositions, especially for In Cold Blood (1967) and won an Academy Award for Butch Cassidy and the Sundance Kid (1969). He won two more Oscars, for American Beauty (1999), in 2000, and Road to Perdition (2002).- Cinematographer
- Camera and Electrical Department
- Actor
Darius Khondji was born on 21 October 1955 in Tehran, Iran. He is a cinematographer and actor, known for Amour (2012), Se7en (1995) and Delicatessen (1991). He is married to Marianne Khondji. They have three children.- Cinematographer
- Actor
- Director
Christopher Doyle was born on 2 May 1952 in Sydney, New South Wales, Australia. He is a cinematographer and actor, known for Paranoid Park (2007), Hero (2002) and 2046 (2004).- Cinematographer
- Camera and Electrical Department
- Director
Bruno Delbonnel was born in 1957 in Nancy, Meurthe-et-Moselle, France. He is a cinematographer and director, known for The Tragedy of Macbeth (2021), A Very Long Engagement (2004) and Inside Llewyn Davis (2013).- Cinematographer
- Camera and Electrical Department
- Director
Dion Beebe is an Australian-South African cinematographer. He is best known for his collaboration with Rob Marshall in the films Chicago (2002), Memoirs of a Geisha (2005), Nine (2009), Into the Woods (2014) and Mary Poppins Returns (2018);
Beebe also worked with Michael Mann in Collateral (2004) and Miami Vice (2006).
He studied cinematography at the Australian Film Television and Radio School from 1987 to 1989.
For his work on Memoirs of a Geisha he won an Oscar for best achievement in cinematography.- Cinematographer
- Camera and Electrical Department
- Director
Phedon Papamichael, an award winning Cinematographer, was born in Athens, Greece and moved with his family to Germany, where in 1982 he completed his education in Fine Arts, in Munich. Working as a photojournalist brought Phedon to NYC in 1983, where he started crossing over into cinematography.
His first short film, the 35mm black & white SPUD, earned him the Award for Best Cinematography at the Cork Film Festival in Ireland. Following a call from John Cassavetes, his cousin and later collaborator, Phedon moved to Los Angeles. While continuing to work on short and experimental films, he began his feature career as a Director of Photography for Roger Corman, for whom he photographed seven films within two years.
Phedon now counts over 40 feature films to his credit as Director of Photography, including the early block-busters While You Were Sleeping starring Sandra Bullock and Cool Runnings, as well as Phenomenon, starring John Travolta, all directed by Jon Turteltaub.
His credits include many critically acclaimed films, such as Unstrung Heroes (Un Certain Regard, Cannes 1995), directed by Diane Keaton, and Unhook the Stars, starring Gena Rowlands and directed by Nick Cassavetes.
The Million Dollar Hotel, directed by Wim Wenders, was chosen as the Opening Film of the 2000 Berlin Film Festival and won the Grand Jury Prize, the Silver Bear, as well as the Golden Camera. The European co-production, 27 Missing Kisses, directed by Oscar nominated filmmaker Nana Djordjadze, premiered at Directors Fortnight in Cannes 2000. It garnered the Grand Prix Award at the 2000 New York/Avignon Film Festival, the Audience Award at the 2000 Montpellier Film Festival, as well as the Kodak Vision Award for Best Cinematography. In 2000 both films received a Camerimage nomination, for Best Cinematography.
In 2001 Phedon shot Moonlight Mile (Berlinale, 2003), directed by Brad Silberling, starring Dustin Hoffman, Susan Sarandon and Holly Hunter. It was followed by Identity, directed by James Mangold, and the Oscar-nominated Sideways, directed by Alexander Payne.
His credits continued with The Weatherman, directed by Gore Verbinski, starring Nicolas Cage and Michael Caine and Walk the Line, again directed by Mangold and starring Joaquin Phoenix and Reese Witherspoon.
Phedon shot the Academy Award nominated western 3:10 to Yuma, directed by James Mangold, starring Russell Crowe and Christian Bale, and the blockbuster Pursuit of Happyness. In 2008 he photographed Oliver Stone's W. and then re-teamed again with James Mangold on Knight and Day, starring Tom Cruise and Cameron Diaz, which shot all over the world.
He shot two of the most award-winning films of 2011: Alexander Payne's The Descendants and The Ides of March, directed by George Clooney. This is 40, directed by Judd Apatow was released in 2012 and won Comedy of the Year from the Hollywood Film Festival.
For his gorgeous B&W lensing on the highly acclaimed Nebraska, which received 6 Academy Award nominations and was directed by Alexander Payne, Phedon received an Oscar nomination, a BAFTA nomination and an ASC nomination amongst other honors. His latest film is The Monuments Men, a period film directed by George Clooney, and starring Matt Damon, Bill Murray, John Goodman, Cate Blanchett and Jean Dujardin which was shot in Germany and England.
In addition to his feature work, Phedon has shot and/or directed over 100 commercials for such clients as Nespresso, BMW, Audi, and Nextel.
On the music video side, his work includes The Ground Beneath Her Feet, Eelectrical Storm, directed by Anton Corbijn.
Papamichael's work also includes several forays into television. He received an ASC Award Nomination for Best Cinematography for Oliver Stone's innovative mini-series Wild Palms, as well as his second ASC Award Nomination for Best Cinematography for the Francis Ford Coppola-produced pilot White Dwarf.
Phedon resides in Los Angeles and Athens, Greece and speaks fluent English, German, French and Greek. He holds German, Greek and U.S. citizenship.- Cinematographer
- Camera and Electrical Department
Salvatore Totino was born in 1964 in Brooklyn, New York, USA. He is a cinematographer, known for Everest (2015), 65 (2023) and Spider-Man: Homecoming (2017).- Cinematographer
- Camera and Electrical Department
- Second Unit Director or Assistant Director
Dariusz Wolski is a Polish film and music video cinematographer. He is best known for Crimson Tide (1995), Dark City (1998), the Pirates of the Caribbean film series, Sweeney Todd: The Demon Barber of Fleet Street (2007), The Martian (2015) and All the Money in the World (2017).
Many of his collaborations include working with film directors like Ridley Scott, Rob Marshall, Tony Scott, Gore Verbinski and Tim Burton.
Wolski has also worked on several music videos with artists such as Elton John, Eminem, David Bowie, Sting, Aerosmith, and Neil Young.- Cinematographer
- Camera and Electrical Department
- Director
Rob Hardy ASC BSC is a British Cinematographer known for his ground breaking work on Mission Impossible: Fallout, and his ongoing collaboration with Alex Garland: Ex-Machina, Annihilation, Devs, Men and most recently, the visceral epic Civil War.
He also won the BAFTA for cinematography on the beautiful and controversial drama Boy A which was swiftly followed by the influential & hallucinatory Red Riding 1974.
Other credits include James Marsh's atmospheric Shadow-Dancer and the beautiful period piece Invisible Woman for Ralph Fiennes.- Cinematographer
- Camera and Electrical Department
- Director
John Mathieson came up through the traditional camera ranks. Before his start as a cinematographer in feature films he shot many music videos, documentaries and TV commercials. He also worked in cutting rooms and has always considered himself as a film maker, interested in all areas of the process, rather than a dedicated cinematographer.- Cinematographer
- Camera and Electrical Department
- Director
Michael Seresin is a New Zealand cinematographer, best known for several collaborations with the British director Alan Parker.
His work as a cinematographer also include films like Angel Heart (1987), Harry Potter and the Prisoner of Azkaban (2004), Dawn of the Planet of the Apes (2014), and War for the Planet of the Apes (2017).
As a film director, Seresin directed Homeboy (1988), starring and written by Mickey Rourke.- Cinematographer
- Camera and Electrical Department
- Director
Adam Arkapaw is known for his work on films such as Macbeth (2015 - ASC spotlight award) Animal Kingdom (2010 - Camerimage Cinematographer Debuts Competition winner) The Snowtown Murders (2011) Light Between the Oceans (2016) Lore (2011) and Assassin's Creed (2016). He is also the Emmy Award-winning cinematographer of Top of the Lake (2013) and True Detective Season 1 (2014). Born in Bowral, a small town south of Sydney, Australia. Arkapaw studied at Melbourne's Victorian College of the Arts, getting his start making shorts and commercials.- Cinematographer
- Camera and Electrical Department
- Cinematographer
- Camera and Electrical Department
- Director
SEAMUS McGARVEY (Director of Photography) has collected two Academy Award nominations for his cinematography: on Joe Wright's 2007 WWI drama "Atonement," and his 2012 adaptation of Tolstoy's classic, "Anna Karenina." In addition to the Oscar nominations, McGarvey won the British Society of Cinematographers (B.S.C.) award for "Anna Karenina" and "Nocturnal Animals" as well as a nomination for "Atonement," and also earned BAFTA and A.S.C. nods for both projects. "Atonement" also earned him nominations for the British Independent Film Award, the Chicago Film Critics Association and the Online Film Critics Society, while walking off with the top honor from the Phoenix Film Critics Society. McGarvey has also won three Evening Standard British Film Awards for "Atonement," "Anna Karenina" and Stephen Daldry's "The Hours"; and five Irish Film & Television Awards for "Atonement," "Anna Karenina," "Sahara" "We Need to Talk About Kevin" and "Nocturnal Animals". He was Emmy nominated in 2017 for the dystopian TV drama "Black Mirror: Nosedive" Dir. Joe Wright. In 2004, he was awarded the Royal Photographic Society's prestigious Lumière medal for contributions to the art of cinematography, sharing the company of such pioneers as Jack Cardiff, Freddie Francis, Roger Deakins and Sir Ridley Scott, McGarvey hails from Armagh, Northern Ireland, and began his career as a stills photographer before attending film school at the University of Westminster in London. Upon graduating in 1988, he began shooting short films and documentaries, including "Skin," which was nominated for a Royal Television Society Cinematography Award, and "Atlantic," directed by Sam Taylor-Wood. The latter project, an experimental, three-screen projected film created in 1997, earned Taylor-Wood a nomination for the 1998 Turner Prize, and would lead to an ongoing collaboration between McGarvey and the director. His four dozen credits as director of photography include Joss Whedon's superhero epic "Marvel's The Avengers," the industry record holder for highest opening weekend box office upon its release in May 2012, and the fourth highest-grossing film of all time; Lynne Ramsay's "We Need to Talk About Kevin"; Oliver Stone's "World Trade Center," which earned an IFTA nomination; Gary Winick's "Charlotte's Web"; John Hamburg's "Along Came Polly"; Stephen Frears' "High Fidelity"; Mike Nichols' "Wit"; Michael Apted's "Enigma"; Michael Winterbottom's "Butterfly Kiss," McGarvey's first feature film credit; and two projects marking actors' directorial debuts: Tim Roth's "The War Zone" and Alan Rickman's "The Winter Guest." He also served as cinematographer on the pilot for the BBC/HBO TV series "The No. 1 Ladies Detective Agency," directed by Anthony Minghella. He reunited with director Wright for his 2009 drama "The Soloist," and filmmaker Sam Taylor-Wood (now Sam Taylor-Johnson) on her acclaimed 2008 drama, "Nowhere Boy," her 2011 short, "James Bond Supports International Women's Day" and the "Death Valley" segment of the 2006 erotic drama "Destricted." Following his work on "Godzilla" Dir. Gareth Edwards he reteamed with Taylor-Johnson on her big screen adaptation and Hollywood directorial debut of the bestselling phenomenon "Fifty Shades of Grey." "The Accountant," from director Gavin O'Connor. "Nocturnal Animals", from director Tom Ford. "LIFE" dir. Daniel Espinosa. "The Greatest Showman" Dir Michael Gracey and "Bad Times at the El Royale" Dir: Drew Goddard are his latest projects. His documentary work includes "Lost Angels: Skid Row Is My Home," which followed his work on Wright's "The Soloist," and filmed in the same locales; "Harry Dean Stanton: Partly Fiction"; "Rolling Stones: Tip of the Tongue"; and "The Name of This Film Is Dogme95." Supplementing his work on features and telefilms, McGarvey has also photographed and directed over 100 music videos, for such artists as PJ Harvey, Coldplay, Paul McCartney, Dusty Springfield, The Rolling Stones, U2, and Robbie Williams.- Cinematographer
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- Writer
- Cinematographer
- Camera and Electrical Department
- Director
Newton Thomas Sigel was born in August 1955 in Detroit, Michigan, USA. He is a cinematographer and director, known for Cherry (2021), Da 5 Bloods (2020) and Bohemian Rhapsody (2018). He is married to Lisa Chang.- Cinematographer
- Camera and Electrical Department
- Cinematographer
- Camera and Electrical Department
- Actor
Xavi Giménez was born in 1970 in Barcelona, Spain. He is a cinematographer and actor, known for The Machinist (2004), Agora (2009) and Transsiberian (2008).- Cinematographer
- Camera and Electrical Department
- Actor
Cinematographer Bojan Bazelli, ASC is a master image maker who leads the way with his visually groundbreaking work. He's currently filming with director David Lowery on Peter Pan. Previously, Bazelli lensed 6 Underground, Netflix's largest budgeted feature to date, helmed by director Michael Bay and starring Ryan Reynolds.The movie was released on December13, and Underwater, director William Eubank's subterranean thriller starring Kristen Stewart, Vincent Cassel and T.J. Miller, hitting theaters January 10, 2020. He also shot director Gore Verbinski's Cure for Wellness. The director-DP duo previously collaborated on The Lone Ranger, starring Johnny Depp and Armie Hammer, and on the psychological horror film The Ring. 2016 saw the release of two films for Bazelli: Disney's critically acclaimed, live-action remake of Pete's Dragon, directed by David Lowery; and Spectral, a sci-fi thriller tracking a special ops team dispatched to fight supernatural beings who have taken over New York City. Bazelli's long list of credits also include iconic movie-musicals: director Adam Shankman's musical Rock of Ages, starring Tom Cruise, Alec Baldwin, Catherine Zeta-Jones, Paul Giamatti, Russell Brand and Mary J. Blige; Burlesque, starring pop superstars Cher and Christina Aguilera; and the blockbuster hit Hairspray for Shankman. Bazelli's signature aesthetic stylings are also on view in Mr. and Mrs. Smith for director Doug Liman, starring Brad Pitt and Angelina Jolie. Acknowledged for Best Cinematography in both 1996 and 1998 at the prestigious American Independent Commercial Producers (AICP) show, Bazelli's contribution to the evolution of the art and technique of the American television commercial is profound. He is one of the few cinematographers to have received the honor twice since the event's inception and is also the proud owner of a Gold and a Silver CLIO award. He graduated prestigious Praque film school FAMU. He is a member the Academy of Motion Picture Arts and Sciences (AMPAS) and the American Society of Cinematographers (ASC),- Cinematographer
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Caleb Deschanel is an American film cinematographer and film/television director. He has been nominated for six Academy Awards, each time in the field of cinematography. The first nomination came in 1983 for the film The Right Stuff (1983). His second was in 1984 for The Natural (1984), the third in 1996 for Fly Away Home (1996), the fourth in 2000 for The Patriot (2000), the fifth for The Passion of the Christ (2004), and the sixth for Never Look Away (2018).
He is the father of actresses Emily Deschanel and Zooey Deschanel.- Cinematographer
- Camera and Electrical Department
- Actor
Andrew Lesnie was an Australian cinematographer who frequently worked with Peter Jackson. He did the photography for The Lord of the Rings and The Hobbit film trilogies. He also did the photography for Babe, King Kong, Rise of the Planet of the Apes, I Am Legend and The Lovely Bones. He passed away in April 2015 due to a heart attack.- Cinematographer
- Camera and Electrical Department
- Additional Crew
Sean Bobbitt was born on 29 November 1958 in Corpus Christi, Texas, USA. He is a cinematographer, known for 12 Years a Slave (2013), Hunger (2008) and Shame (2011).- Cinematographer
- Producer
- Camera and Electrical Department
Greig Fraser was born on 3 October 1975 in Melbourne, Australia. He is a cinematographer and producer, known for Dune (2021), Rogue One: A Star Wars Story (2016) and Zero Dark Thirty (2012). He is married to Jodie Fried. They have three children.- Cinematographer
- Director
- Second Unit Director or Assistant Director
Pierre Gill is known for Percy Jackson and the Olympians (2023), Upside Down (2012) and Dune: The Prophecy (2024).- Cinematographer
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Paul Cameron, ASC's visually groundbreaking work as a director and a director of photography has helped shape the craft of cinematography in the 21st century. Cameron recently directed multiple episodes of "Special Ops: Lioness", created by Taylor Sheridan for Paramount+, as well as multiple episodes of HBO's acclaimed "Westworld" series. Previously, Cameron was Cinematographer on "Reminiscence", starring Hugh Jackman and Rebecca Ferguson, "21 Bridges", and "The Commuter", starring Liam Neeson. His other DP credits include: "Pirates of the Caribbean: Dead Men Tell No Tales", "Man on Fire", "Déjà Vu", "Collateral", "Dead Man Down", "Total Recall", "Swordfish", and "Gone in Sixty Seconds", among others. Cameron is on the Board of Governors for The Academy of Motion Picture Arts and Sciences, has won both Clio and AICP awards, and is represented by DDA.- Cinematographer
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Sung Fai Choi is known for Crouching Tiger, Hidden Dragon (2000), The Forbidden Kingdom (2008) and Journey to the West: Conquering the Demons (2013).- Cinematographer
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Harris Savides was born on 28 September 1957 in New York City, New York, USA. He was a cinematographer and actor, known for Elephant (2003), Zodiac (2007) and Birth (2004). He was married to Medine Chenet. He died on 9 October 2012 in Manhattan, New York City, New York, USA.- Cinematographer
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Dante Spinotti was born in Tolmezzo, Udine, in the northeastern Italian Region of Friuli. He began his career at RAI (Italian TV), before that he spent lot of time in Kenia as cinematographer for his uncle. In 1985, producer Dino De Laurentiis offered him a chance to work in USA for the first time with Michael Mann for the feature Manhunter (1986). From that experience, Spinotti became one of the most appreciated cinematographer in Hollywood. His particular vision gives a movie a great sense of reality. Among his works are: The Last of the Mohicans (1992) (Academy Nomination), Heat (1995), L.A. Confidential (1997) (Academy Nomination), The Insider (1999) (Academy Nomination), and Wonder Boys (2000). He married his wife Marcella, and they live in Los Angeles, Rome, and Tolmezzo.- Cinematographer
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Linus Sandgren is an Academy Award winning Swedish cinematographer. He is best known for his work with Damien Chazelle on La La Land (2016) and his collaboration with David O Russell on the films American Hustle (2013) and Joy (2015).
He also worked with Gus Van Sant on Promised Land where he shot the film in a unique format, Super 35mm 1.3x anamorphic.
In La La Land he shot in the classic Cinemascope ratio 2.55:1.- Cinematographer
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Yves Bélanger was born on 7 July 1960 in Montréal, Québec, Canada. He is a cinematographer, known for Brooklyn (2015), Dallas Buyers Club (2013) and Wild (2014).- Cinematographer
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Bill Pope was born on 19 June 1952 in Bowling Green, Kentucky, USA. He is a cinematographer and director, known for The Matrix (1999), The Jungle Book (2016) and Bound (1996). He is married to Sharon Oreck. They have one child.- Cinematographer
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Giles Nuttgens was born in 1960. He is a cinematographer and director, known for Hell or High Water (2016), Hallam Foe (2007) and The Deep End (2001).- Cinematographer
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Martin Ahlgren was born in Scotland, UK. He is known for The Plot Against America (2020), Altered Carbon (2018) and House of Cards (2013).- Cinematographer
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Thomas Hardmeier Cinematographer AFC
Thomas was born in Zurich, Switzerland. He is a Swiss-French cinematographer with an international reputation. Since 1994 he works as a cinematographer mostly in France and internationally, in dramas and in commercials. He speaks French, German, and English, and has Swiss and French Citizenship. He won in 2014 the French Cesar's Award for Best Cinematography and at Camerimage 2014 Best 3D Feature Film Award for "The Young and Prodigious T.S.Spivet" directed by Jean-Pierre Jeunet. In 2015 he was again nominated for the French Cesar's Award for Best Cinematography for the movie"Yves-Saint Laurent" directed by Jalil Lespert. In 2019 "Out Stealing Horses" won at the Berlin International Film Festival a Silver Bear for Outstanding Artistic Contribution. During summer 2021 he shot in France the feature of Louis Leterrier called "The Takedown" which was a huge hit on Netflix in may 2022 for a non-English speaking film. He shot also for Netflix "Big Bug" directed by Jean-Pierre Jeunet and "No Limit" directed by David Rosenthal. Since 2006 he's a member of AFC (French Society of Cinematographers). Since 2011 he's a member of the French Cesar's Academy and since 2014 of the EFA (European Film Academy). In 2014 he was member of the jury "Director's Debut" at Camerimage International Filmfestival. Hardmeier is represented by Melting Pot Agency in Paris, France and UTA in Beverly Hills, USA. Hardmeier lives in Geneva, Switzerland.- Cinematographer
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Kim Byung-seo is known for Ashfall (2019), Cold Eyes (2013) and Along With the Gods: The Two Worlds (2017).- Camera and Electrical Department
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Kyung-bo Yeo is known for Memories of Murder (2003), A Tale of Two Sisters (2003) and The Host (2006).- Cinematographer
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Gavin Struthers is a freelance Director of Photography working worldwide. He was accepted for membership of the ASC in 2016 and the BSC in 2018.
Gavin discovered stills photography at an early age, developing and printing his own work before studying Graphics, Fine Art and Photography at UCA (UK).
He began a career as a Cinematographer following his graduation from the National Film & TV School where he was mentored by Freddie Francis BSC.He preceded to shoot a number of documentaries, researching and shooting his first project for Channel Four in 1997.
Gavin then moved into drama and commercials. Shooting on both Film and High Definition cameras, he was also the DOP on the BBC's first 3D HD broadcast, shot on Pananvision's Genesis Camera system.
Gavin has shot a diverse range of projects including: Outpost (Sony Pictures), Your Life in Their Hands (RTS award winner), Bafta award winning "Shameless" (C4), "Secret Diary Of A Call Girl" (ITV/Showtime), "Garrow's Law" (BBC/PBS), Golden Globe, Emmy and Bafta award winning "Downton Abbey" (ITV/PBS), "Endeavour" (TV Movie Pilot), "Shetland" (TV Pilot), "Foyles War" and Bafta award winning "Last Tango In Halifax" (BBC/PBS). Recently he has shot "The Alienist" for Paramount/TNT and "Nightflyers" for NBC Universal/Netflix.
Gavin has held Masterclasses in Cinematography in both London (for Arri) and Olso (for the Norwegian Society of Cinematographers).- Cinematographer
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Barry Ackroyd was born on 12 May 1954 in Oldham, Lancashire, England, UK. He is a cinematographer and director, known for The Hurt Locker (2008), Captain Phillips (2013) and United 93 (2006).- Cinematographer
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Woo-hyung Kim is known for Assassination (2015), The Front Line (2011) and 1987: When the Day Comes (2017).- Cinematographer
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Sven Nykvist was considered by many in the industry to be one of the world's greatest cinematographers. During his long career that spanned almost half a century, Nyvist perfected the art of cinematography to its most simple attributes, and he helped give the films he had worked on the simplest and most natural look imaginable. Indeed, Mr. Nykvist prided himself on the simplicity and naturalness of his lighting schemes. Nykvist used light to create mood and, more significantly, to bring out the natural flesh tones in the human face so that the emotion of the scene could be played out on the face without the light becoming intrusive.
Nykvist entered the Swedish film industry when he was 19 and worked his way up to becoming a director of photography. He first worked with the legendary Swedish director Ingmar Bergman on the film Sawdust and Tinsel (1953), but his collaboration with Bergman began in earnest with The Virgin Spring (1960). From that point on, Nykvist replaced the great Gunnar Fischer as Bergman's cameraman, and the two men started a collaboration that would last for a quarter of a century. The switch from Fischer to Nykvist created a marked difference in the look of Bergman's films. In many respects, it was like the difference between Caravaggio and Rembrandt. Fischer's lighting was a study in light and darkness, while Nykvist preferred a more naturalistic, more subtle approach that in many ways relied on the northern light compositions of the many great Scandinavian painters.
Nykvist's work with Bergman is one of the most glorious collaborations in movie history. Nykvist created a markedly different look for each installment of Bergman's Faith Trilogy. Through a Glass Darkly (1961) had an almost suffocating quality to it, and The Silence (1963) hearkened back to the days of German Expressionism. Winter Light (1963), the middle part of the trilogy, may very well be the most perfect work of Nykvist's repertoire. Having studied the light in a real provincial church carefully, he then recreated the subtle changes in the light as the day went on on a Stockholm sound stage. Indeed, it's hard to believe that the film was shot on a stage and not in a real church in Northern Sweden. For Persona (1966), Nykvist relied heavily on Sweden's famous Midnight Sun. In The Passion of Anna (1969), Nykvist was able to capture the chilly, soggy, and melancholy look of Faro, one of Nykvist's first color films. Both Nykvist and Bergman were both very reluctant to film in color. He created a fascinating study of white and red in Cries & Whispers (1972), for which Nykvist won an Oscar. He won an Oscar again for the last feature-length theatrical film that Bergman made, Fanny and Alexander (1982).
During the late 1970s, Nykvist began making films elsewhere in Europe and in the United States, working for directors such as Louis Malle (Pretty Baby (1978)), Philip Kaufman (The Unbearable Lightness of Being (1988)), Bob Fosse (Star 80 (1983)), Nora Ephron (Sleepless in Seattle (1993)), Woody Allen (Another Woman (1988), Crimes and Misdemeanors (1989)), Richard Attenborough (Chaplin (1992)), and fellow Swede Lasse Hallström (What's Eating Gilbert Grape (1993)). The documentary Ljuset håller mig sällskap (2000) paid homage to Nykvist, although it does not grant us any real secrets about his working methods. Nykvist died in 2006.- Cinematographer
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Polly Morgan was born in London and worked internationally as a Camera Assistant before attending The American Film Institute in 2010. Polly was named as one of Variety's Ten Cinematographers to Watch in 2016 and has since become the only woman to be invited to become both an ASC and BSC member.- Cinematographer
Italo Petriccione was born in 1958 in Milan, Lombardy, Italy. He is a cinematographer, known for I'm Not Scared (2003), Nirvana (1997) and Quo Vadis, Baby? (2005).- Cinematographer
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Matthew Libatique is an American cinematographer. He is best known for his work with director Darren Aronofsky on the films Pi (1998), Requiem for a Dream (2000), The Fountain (2006), Black Swan (2010), Noah (2014) and Mother! (2017). He also shot Bradley Cooper's directorial debut film, A Star Is Born (2018).
Libatique also work as an cinematographer in the films Tigerland (2000), Phone Booth (2002), Iron Man (2008), Iron Man 2 (2010) and Venom (2018).
He has received two Academy Awards nominations for Best Achievement in Cinematography, one for Black Swan and the other for A Star Is Born.