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Talented. Beautiful. Modest. These three words described R&B singer-turned-actress Aaliyah perfectly.
Aaliyah Dana Haughton was born in Brooklyn, New York, to Diane (Hankerson) and Michael Haughton. Her uncle was music manager Barry Hankerson and her brother is director Rashad Haughton. Aaliyah was raised in Detroit. She got her first major exposure appearing on the syndicated television series Star Search (1983), where she awed the audience with her amazing voice and talent, singing "My Funny Valentine", a song which her mother had sung years earlier. At age 11, she sang with Gladys Knight in a five-night stint in Las Vegas. Withdrawing from the celebrity scene for a few years, Aaliyah lived the life of a normal teenage girl, attending Detroit's Performing Arts High School, where she majored in dance. It was around this same time that Aaliyah met singer/composer R. Kelly. Kelly assisted Aaliyah with the production of her debut album "Age Ain't Nothing But A number", which scored several number hits, specifically "Back and Forth." The album's title was a brief reference to her short-lived marriage to R. Kelly (she was 15 years of age at the time, and he was in his 20s). Thir marriage was annulled due to her status as a minor.
During her senior year, Aaliyah went on to record "One In A Million", which featured the songwriting talents of major R&B producers/writers Missy Elliott and Timbaland. The album was a major success and sealed Aaliyah's fame forever.
Aaliyah recorded the single 'Journey to the past' for the Anastasia (1997) soundtrack. After seeing her at an awards show and in the video for her hit song "Are You that Somebody?" (from the Eddie Murphy film Doctor Dolittle (1998)), film producer Joel Silver (producer of The Matrix (1999) and other major actor films) asked Aaliyah to audition for a role in an romance/action film, Romeo Must Die (2000). With her determination and sex appeal, Aaliyah won Silver over and was cast in her first major film role. Romeo Must Die (2000) was a hit at the box office. This film led to her being cast as one of the stars of the film based on Anne Rice's Queen of the Damned (2002), and in the two sequels to the major box office hit, The Matrix (1999), The Matrix Reloaded (2003) and The Matrix Revolutions (2003).
During the busy schedule of her film career, Aaliyah took time to record her third album, the self-titled "Aaliyah". July 2001 was a busy time for Aaliyah. After the success of her song "Try Again", for which she was nominated for a Grammy Award and won several MTV Video Awards, Aaliyah finally released her "Aaliyah" album. Debuting at number two on the Billboard charts, "Aaliyah" was a sales success, despite some lackluster reviews.
In August 2001, Aaliyah took time off from her busy album promotional tour to fly to the Bahamas to film a video for the song "Rock the Boat". The video, filmed on Abaco Island, was directed by Hype Williams, a major music video director known for his style and wit.
On August 25, 2001, after filming the video, Aaliyah and about 9-11 of her entourage took off from Marsh Harbour airport at 6:50pm EDT in a small Cessna 404 en route to Opa-Locka, Florida. A few minutes after take-off, the plane crashed about 200 feet from the runaway, killing Aaliyah and many others instantly. Four passengers were pulled alive from the wreckage, and one later died at a hospital in Nassau. Aaliyah was only 22 years old. Her funeral was held on Friday August 31st in New York, and 22 white doves were flown to celebrate each year of her life. Soon after her death, the hit singles 'More Than a woman' and 'Rock The Boat' were released, from her third album. In 2002, the film Queen of the Damned (2002) was released, in which Aaliyah played Queen Akasha. She was nominated for best Villain at the MTV Movie Awards 2002.
Aaliyah's short-lived, but brilliant career, was a true success story for a young African-American woman who went against all odds to be herself in an industry where originality is scarce. Truly missed by her family, friends, and fans, her music and film contributions will live forever. It's no wonder that her name means 'Highest, most ex-halted one; the best' in Hebrew. She had achieved so much in her twenty-two years.- Fu'ad Aït Aattou was born on 2 November 1980 in France. He is an actor, known for The Last Mistress (2007), Horsehead (2014) and What the Day Owes the Night (2012).
- Actor
- Soundtrack
Simon Abkarian was born Simone Abkarian on March 5, 1962, in Gonesse, a northeastern suburb of Paris, France, into a French - Armenian family. Young Simon Abkarian grew up in a trilingual environment, he learned French at school in addition to his native Armenian, and also learned English by watching American films since he was a kid. He spent most of his childhood in France until the age of nine, then went with his parents to Beirut, Lebanon.
From 1971 to 1977 young Abkarian lived with his mother and father in Lebanon. He studied dancing with the Lori Dance Ensemble in Beirut. There he attended Armenian school and also studied French and English. In 1977, his father went to war in Lebanon, and 15-year-old Abkarian with his mother moved back to Paris. A few years later he moved to New York and continued his studies of dancing and acting at the Antranik company in New York, then moved to Los Angeles, California. In 1983-1985 he studied acting and joined the Armenian Theatre Company Artavadzt of the AGBU under the leadership of director Gerald Papazian. In 1984, he joined the workshop at renown Theatre du Soleil on tour in Los Angeles during the Olympics Art Festival. Abkarian took a month-long acting workshop from Mnouchkine's mask-maker, Georges Bigot, then was auditioned by Ariane Mnouchkine who invited him to join the company. In 1985 Abkarian returned to Paris, France. There he resumed a successful stage acting career, and had an eight-year-long collaboration with Ariane Mnouchkine, the legendary director of Théâtre du Soleil. There he played leading roles in Greek tragedies and became known for his charismatic performances. He also directed several stage plays in Paris, including Shakespeare's 'Love's Labour Lost' at the Bouffles du Nord, and Aeschylus's 'The Last Song of Troy' at Bobigny, among others. In 2001 Abkarian won the highest award in French theatre for an actor - the Prix Molière, for his performance in 'Une Bête Sur La Lune' (aka.. Beast on the Moon). Since 1993, Abkarian and his actress-director wife, Catherine Schaub-Abkarian, started their own theatre T.E.R.A. (Theatre Espace Recherche Acteur) in Paris. There he has been playing and directing classical and contemporary plays. In the season of 2005-2006, he was brought by The Actors' Gang to direct Shakespeare's 'Love's Labor's Lost' in Los Angeles.
Abkarian made his film debut in 1989, in a short film Ce qui me meut (1989) by director Cédric Klapisch. During his early film career, Abkarian enjoyed a fruitful collaboration with Cédric Klapisch in 6 French films, becoming noticed in the award winning When the Cat's Away (1996). He earned critical acclaim for his portrayal of painter Archil Gorky in Atom Egoyan's award winning epic Ararat (2002). Simon Abkarian won awards for his performance as Eliahou in Ve'Lakhta Lehe Isha (2004) by director Ronit Elkabetz. That same year Abkarian gave a stellar performance in his first leading role in English, co-starring as He, a passionate Lebanese doctor turned cook who is in love with an American woman (Joan Allen) in Yes (2004) directed by Sally Potter. He made a step forward in his film career with the supporting role as Alex Dimitros in Casino Royale (2006), playing in several powerful scenes opposite Daniel Craig.
Simon Abkarian has been generously involved in the humanitarian causes of the Armenian people across the world. He has been a frequent participant, host and presenter at numerous charitable events and ceremonies related to the Armenian causes. He was also a member of French President Jacques Chirac's delegation to Armenia in October of 2006.- Producer
- Writer
- Music Department
Jeffrey Jacob Abrams was born in New York City and raised in Los Angeles, the son of TV producer parents. At 15, he wrote the music for Don Dohler's Nightbeast (1982). In his senior year of college, he and Jill Mazursky teamed up to write a feature film, which became Taking Care of Business (1990). He went on to write and produce Regarding Henry (1991) and Forever Young (1992). He also co-wrote Gone Fishin' (1997) with Mazursky. Along with other Sarah Lawrence alumni, he experimented with computer animation and was contracted to develop pre-production animation for Shrek (2001).
Abrams worked on the screenplay for Armageddon (1998) and co-created (as well as composing the opening theme of) Felicity (1998), which ran for four seasons. He founded the production company Bad Robot in 2001 with Bryan Burk. He created and executive-produced Alias (2001) and Lost (2004), composing the theme music for both, and co-writing episodes of "Lost". He also co-wrote and produced thriller Joy Ride (2001). He made his feature directing debut with Mission: Impossible III (2006), reinvigorating the series. He produced the hit mystery film Cloverfield (2008) and co-created Fringe (2008).
He directed the Star Trek (2009) reboot, proving successful with fans and newcomers to the franchise. He next directed Super 8 (2011), co-produced by Steven Spielberg and produced Mission: Impossible - Ghost Protocol (2011). He returned to direct the follow-up to his reboot, Star Trek Into Darkness (2013). Disney and Lucasfilm announced J.J. as their choice for director of the first episode in the new 'Star Wars' trilogy, Star Wars: Episode VII - The Force Awakens (2015). He initially resisted, as he didn't want to travel away from his family to London, but Kathleen Kennedy convinced him that his voice would be the best to reinvigorate this franchise, as he had done with two others before. He also produced Mission: Impossible - Rogue Nation (2015) and Star Trek Beyond (2016), and executive-produced Star Wars: Episode VIII - The Last Jedi (2017). When it was announced that Colin Trevorrow would no longer direct Star Wars: Episode IX - The Rise of Skywalker (2019), it was announced that J.J. would return to complete the trilogy he started.- Producer
- Writer
- Director
Maren Ade was born in Karlsruhe on 12 December 1976 to a couple of teachers.She studied cinema at Munich's Hochschule für Fernsehen und Film. As of 2001 she co-founded, together with Janine Jackowski, a fellow graduate from HFF, the "Komplizen" film company. It is through Komplizen that Maren would later co-produce, among others, "Arabian Nights", Miguel Gomes' masterpiece. After two shorts in 2000 and 2001 made under the auspices of her film school, she co-produced, wrote and and directed Der Wald vor lauter Bäumen (2003), her first feature. A grueling drama about the difficult beginnings of a new teacher, the movie impressed both audiences and critics. Incidentally, it is of interest to specify that its school scenes were entirely shot within the walls of the educational institution where her mother was teaching at the time. This promising effort was followed six years later by Everyone Else (2009), which although taking place in a totally different setting (the Sardinian seaside in the glory of Summer) also concerns characters unsure of themselves. A taut drama as well, it revolves around two holiday making newly married couples and describes in a Roman Polanski-like manner the wicked relationships they share. But her greatest success came in 2015 and 2016 with Toni Erdmann (2016), an offbeat comedy with a philosophical approach, which enthused the festival-goers at Cannes, allegedly making them "roar with laughter", and later making unexpected profit in art houses throughout the world. And it is true that a father playing dirty tricks on his daughter (meant to make her realize she is wasting her life) is no ordinary entertainment. As a matter of fact, after only three full-length movies to her credit, Maren Ade has become a name that counts in today's German cinema.- Producer
- Actor
- Writer
Benjamin Géza "Ben" Affleck-Boldt was born on August 15, 1972 in Berkeley, California and raised in Cambridge, Massachusetts, to mother Chris Anne (Boldt), a school teacher, and father Timothy Byers "Tim" Affleck, a social worker. Ben has a younger brother, actor Casey Affleck, who was born in 1975. He is of mostly English, Irish, German, and Scottish ancestry. His middle name, Géza, is after a Hungarian family friend who was a Holocaust survivor.
Affleck wanted to be an actor ever since he could remember, and his first acting experience was for a Burger King commercial, when he was on the PBS mini-series, The Voyage of the Mimi (1984). It was also at that age when Ben met his lifelong friend and fellow actor, Matt Damon. They played little league together and took drama classes together. Ben's teen years consisted of mainly TV movies and small television appearances including Hands of a Stranger (1987) and The Second Voyage of the Mimi (1988). He made his big introduction into feature films in 1993 when he was cast in Dazed and Confused (1993). After that, he did mostly independent films like Kevin Smith's Mallrats (1995) and Chasing Amy (1997) which were great for Ben's career, receiving renowned appreciation for his works at the Sundance film festival. But the success he was having in independent films didn't last much longer and things got a little shaky for Ben. He was living in an apartment with his brother Casey and friend Matt, getting tired of being turned down for the big roles in films and being given the forgettable supporting ones. Since Matt was having the same trouble, they decided to write their own script, where they could call all the shots. So, after finishing the script for Good Will Hunting (1997), they gave it to their agent, Patrick Whitesell, who showed it to a few Hollywood studios, finally being accepted by Castle Rock. It was great news for the two, but Castle Rock wasn't willing to give Ben and Matt the control over the project they were hoping for. It was friend Kevin Smith who took it to the head of Miramax who bought the script giving Ben and Matt the control they wanted and, in December 5, 1997, Good Will Hunting (1997) was released, making the two unknown actors famous. The film was nominated for 9 Academy Awards and won two, including Best Original Screenplay for Ben and Matt. The film marked Ben's breakthrough role, in which he was given for the first time the chance to choose roles instead of having to go through grueling auditions constantly.
Affleck chose such roles in the blockbusters Armageddon (1998), Shakespeare in Love (1998), and Pearl Harbor (2001). In the early years of the 2000s, he also starred in the box office hits Changing Lanes (2002), The Sum of All Fears (2002), and Daredevil (2003), as well as the disappointing comedies Gigli (2003) and Surviving Christmas (2004). While the mid 2000s were considered a career downturn for Affleck, he received a Golden Globe nomination for his performance in Hollywoodland (2006). In the several years following, he played supporting roles, including in the films Smokin' Aces (2006), He's Just Not That Into You (2009), State of Play (2009), and Extract (2009). He ventured into directing in 2007, with the thriller Gone Baby Gone (2007), which starred his brother, Casey Affleck, and was well received. He then directed, co-wrote, and starred in The Town (2010), which was named to the National Board of Review Top Ten Films of the year. For the political thriller Argo (2012), which he directed and starred in, Affleck won the Golden Globe Award and BAFTA Award for Best Director, and the Academy Award, Golden Globe Award, and BAFTA Award for Best Picture (Affleck's second Oscar win).
In 2014, Affleck headlined the book adaptation thriller Gone Girl (2014). He starred as Bruce Wayne/Batman in the superhero film Batman v Superman: Dawn of Justice (2016), Suicide Squad (2016), and Justice League (2017). He reprised the role in Zack Snyder's Justice League (2021) and he will next appear as Batman in Aquaman and the Lost Kingdom (2023) and The Flash (2023).
Recently he has given praise-worthy performances in The Way Back (2020) as a recovering alcoholic, The Last Duel (2021) (notably he also co-wrote the script), and a scene-stealing golden globe nominated performance in The Tender Bar (2021).- Actor
- Director
- Writer
Casey Affleck is a renowned American actor, filmmaker, and producer recognized for his captivating performances and commitment to independent cinema. With an Academy Award under his belt and a reputation as a powerful leading man, Casey Affleck has established himself as one of the most compelling and versatile actors in contemporary cinema. Throughout his career, he has consistently delivered performances of exceptional depth and nuance in a wide range of film genres.
Affleck's breakout role came in Andrew Dominik's critically acclaimed character drama, "The Assassination of Jesse James by the Coward Robert Ford" (2007). His performance as Robert Ford, a young man consumed by a complex cocktail of admiration and resentment for the notorious outlaw Jesse James (portrayed by Brad Pitt), earned him widespread recognition, including Academy Award, Golden Globe, and Screen Actors Guild Award nominations.
He solidified his critical acclaim with a starring role in his brother Ben Affleck's directorial debut, "Gone, Baby, Gone" (2007). This gripping neo-noir followed two Boston-based private detectives searching for an abducted young girl. Affleck's performance, showcasing both vulnerability and determination, further cemented his reputation as a rising dramatic force.
The following decade saw Affleck continue to diversify his roles, venturing outside the realm of independent drama to blockbuster productions. He was seen in Christopher Nolan's ambitious sci-fi epic "Interstellar" (2014) alongside an ensemble cast including Matthew McConaughey and Anne Hathaway. Affleck also appeared in Scott Cooper's gritty crime thriller, "Out of the Furnace" (2013), where he shared the screen with Christian Bale.
His versatility continued to shine with his performance in the independent film "Ain't Them Bodies Saints" (2013), showcasing a quieter, more brooding side to his acting talents. That same year, Affleck turned his attention to production, establishing The Affleck/Middleton Project with John Powers Middleton as a platform to develop and produce a diverse array of film and television projects.
Affleck's directorial work came to fruition with the release of the mockumentary "I'm Still Here" (2010), which he directed, wrote, and produced, featuring Joaquin Phoenix in a performance art piece that blurred the lines between fiction and reality. This experimental project demonstrated Affleck's willingness to challenge conventional storytelling formats.
In 2016, Affleck returned to the spotlight with his career-defining performance in Kenneth Lonergan's profoundly moving drama, "Manchester by the Sea." His portrayal of Lee Chandler, a grief-stricken man coping with immense loss, earned him the Academy Award for Best Actor. This raw and unforgettable performance cemented Affleck's status as one of the industry's finest dramatic actors.
2016 also saw Affleck star in several other notable films, including the action thriller "Triple 9" (2016) and Disney's historical drama, "The Finest Hours." He further expanded his range with roles in independent films like David Lowery's "A Ghost Story" (2017), a meditative exploration of loss and the passage of time.
Affleck has continued to take on challenging projects that have pushed his boundaries as an actor. Most recently, he starred opposite Elisabeth Moss in the psychological thriller "Light of My Life" (2019), which he also wrote and directed.
His upcoming projects include a pivotal role in Christopher Nolan's highly-anticipated "Oppenheimer" (2023), where he portrays theoretical physicist Robert Oppenheimer himself. Affleck is also slated to star in "Slingshot" (2024), a science fiction thriller set in space.
Casey Affleck's talent for embodying complex, flawed characters with profound authenticity has made him one of the most sought-after actors in the industry. With his captivating performances, dedication to his craft, and his discerning eye for unique storytelling projects, the future remains bright for this remarkable actor.- Writer
- Director
- Actor
Woody Allen was born on November 30, 1935, as Allen Konigsberg, in The Bronx, NY, the son of Martin Konigsberg and Nettie Konigsberg. He has one younger sister, Letty Aronson. As a young boy, he became intrigued with magic tricks and playing the clarinet, two hobbies that he continues today.
Allen broke into show business at 15 years when he started writing jokes for a local paper, receiving $200 a week. He later moved on to write jokes for talk shows but felt that his jokes were being wasted. His agents, Charles Joffe and Jack Rollins, convinced him to start doing stand-up and telling his own jokes. Reluctantly he agreed and, although he initially performed with such fear of the audience that he would cover his ears when they applauded his jokes, he eventually became very successful at stand-up. After performing on stage for a few years, he was approached to write a script for Warren Beatty to star in: What's New Pussycat (1965) and would also have a moderate role as a character in the film. During production, Woody gave himself more and better lines and left Beatty with less compelling dialogue. Beatty inevitably quit the project and was replaced by Peter Sellers, who demanded all the best lines and more screen-time.
It was from this experience that Woody realized that he could not work on a film without complete control over its production. Woody's theoretical directorial debut was in What's Up, Tiger Lily? (1966); a Japanese spy flick that he dubbed over with his own comedic dialogue about spies searching for the secret recipe for egg salad. His real directorial debut came the next year in the mockumentary Take the Money and Run (1969). He has written, directed and, more often than not, starred in about a film a year ever since, while simultaneously writing more than a dozen plays and several books of comedy.
While best known for his romantic comedies Annie Hall (1977) and Manhattan (1979), Woody has made many transitions in his films throughout the years, transitioning from his "early, funny ones" of Bananas (1971), Love and Death (1975) and Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972); to his more storied and romantic comedies of Annie Hall (1977), Manhattan (1979) and Hannah and Her Sisters (1986); to the Bergmanesque films of Stardust Memories (1980) and Interiors (1978); and then on to the more recent, but varied works of Crimes and Misdemeanors (1989), Husbands and Wives (1992), Mighty Aphrodite (1995), Celebrity (1998) and Deconstructing Harry (1997); and finally to his films of the last decade, which vary from the light comedy of Scoop (2006), to the self-destructive darkness of Match Point (2005) and, most recently, to the cinematically beautiful tale of Vicky Cristina Barcelona (2008). Although his stories and style have changed over the years, he is regarded as one of the best filmmakers of our time because of his views on art and his mastery of filmmaking.- Writer
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Is the son of a Spanish mother and a Chilean father. His family moved back to Spain when he was 1 year old, and he grew up and studied in Madrid. He wrote, produced and directed his first short film La cabeza at the age of 19, and he was 23 when he directed his feature debut Thesis (1996). His film Open Your Eyes (1997) was a huge success in Spain and was distributed worldwide. It was remade in Hollywood by Cameron Crowe as Vanilla Sky (2001), starring Tom Cruise, Penelope Cruz (also the star of the original version) and Cameron Diaz. The Others (2001) is Amenábar's first English language film.- Writer
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Paul W.S. Anderson gained a fair bit of notoriety in his native England when he directed the ultra-violent Shopping (1994) (which he also wrote), starring Jude Law and Sean Pertwee in a story about thieves who steal by ramming a car into storefronts. The film was banned in some cinemas in England, and became a direct-to-video slightly edited release in the United States.
Shopping (1994) allowed Anderson to get the chance to direct Mortal Kombat (1995), an adaptation of the hit video game, which showcased his directorial trademarks - visually stunning scenery and quick-cut editing. The film did well enough for him to choose his next project, which was Soldier (1998) with Warner Bros., with Kurt Russell in the lead. Unfortunately, Russell decided at the time to go on hiatus, pushing the release date of that film into 1998. In the meantime, Anderson directed Event Horizon (1997) from a script by Philip Eisner, which featured Anderson regulars Sean Pertwee and Jason Isaacs. The science fiction/horror film, a Gothic horror version of Solaris (1972), was stylish and scary, but was critically panned and did not do well in the box office, which Anderson blamed on studio-enforced cuts to the story. (Anderson has promised a Director's Cut, though none has been announced as of yet).
Soldier (1998) didn't fare well with critics and box office either, and Anderson's planned 2000 remake of Death Race 2000 (1975) was canceled. This forced him to think smaller, which led to The Sight (2000), a supernatural mystery movie that was a minor hit. He then resurfaced to direct another video game adaption, Resident Evil (2002). Long rumored among fans to be a choice comeback vehicle for zombie grandfather George A. Romero, the writing and directing credits eventually transferred to Anderson. He next was given the helm for the long-awaited film adaption of the popular Dark Horse comic book, Alien vs. Predator (2004).- Director
- Writer
- Producer
Wesley Wales Anderson was born in Houston, Texas. His mother, Texas Ann (Burroughs), is an archaeologist turned real estate agent, and his father, Melver Leonard Anderson, worked in advertising and PR. He has two brothers, Eric and Mel. Anderson's parents divorced when he was a young child, an event that he described as the most crucial event of his brothers and his growing up. During childhood, Anderson also began writing plays and making super-8 movies. He was educated at Westchester High School and then St. John's, a private prep school in Houston, Texas, which was later to prove an inspiration for the film Rushmore (1998).
Anderson attended the University of Texas in Austin, where he majored in philosophy. It was there that he met Owen Wilson. They became friends and began making short films, some of which aired on a local cable-access station. One of their shorts was Bottle Rocket (1993), which starred Owen and his brother Luke Wilson. The short was screened at the Sundance Film Festival, where it was successfully received, so much so that they received funding to make a feature-length version. Bottle Rocket (1996) was not a commercial hit, but it gained a cult audience and high-profile fans, which included Martin Scorsese.
Success followed with films such as Rushmore (1998), The Life Aquatic with Steve Zissou (2004), The Royal Tenenbaums (2001) and an animated feature, Fantastic Mr. Fox (2009). The latter two films earned Anderson Oscar nominations.- Actress
- Soundtrack
Her artistic dreams came early in life and were further supported by her older sister Gerd Andersson who became a ballet dancer at the Royal Opera and made her acting debut in 1951. Bibi, on the other side, had to make do with bit parts and commercials. She debuted in Dum-Bom (1953), playing against Nils Poppe. Eventually, she was able to start at the Royal Dramatic Theatre's acting school in 1954. A brief relationship with Ingmar Bergman made her quit school and follow him to the Malmö city theatre, where he was a director, performing in plays by August Strindberg and Hjalmar Bergman. Bergman also gave her a small part in his comedy Smiles of a Summer Night (1955), and larger roles in his Wild Strawberries (1957) and The Seventh Seal (1957). From the the 1960s she got offers from abroad, with best result in I Never Promised You a Rose Garden (1977). During the civil war in Yugoslavia she has worked with several initiatives to give the people of Sarajevo theatre and other forms of culture.- Actress
- Soundtrack
Discovered at age 20 by celebrated director Ingmar Bergman, she became part of Bergman's regular stable of performers; in fact, he wrote Summer with Monika (1953) especially for her breakthrough. Extraordinary and versatile as an actress, her roles have ranged from the naive young wife in Sawdust and Tinsel (1953) to the mad visionary in Through a Glass Darkly (1961). Andersson also appeared in Fanny and Alexander (1982), Bergman's last film. After that she has appeared in a number of feature films and TV series in Sweden. Her autobiography was published in 2005.- Actress
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Julia Elizabeth Wells was born on October 1, 1935, in England. Her mother, Barbara Ward (Morris), and stepfather, both vaudeville performers, discovered her freakish but undeniably lovely four-octave singing voice and immediately got her a singing career. She performed in music halls throughout her childhood and teens, and at age 20, she launched her stage career in a London Palladium production of "Cinderella".
Andrews came to Broadway in 1954 with "The Boy Friend", and became a bona fide star two years later in 1956, in the role of Eliza Doolittle in the unprecedented hit "My Fair Lady". Her star status continued in 1957, when she starred in the TV-production of Cinderella (1957) and through 1960, when she played "Guenevere" in "Camelot".
In 1963, Walt Disney asked Andrews if she would like to star in his upcoming production, a lavish musical fantasy that combined live-action and animation. She agreed on the condition if she didn't get the role of Doolittle in the pending film production of My Fair Lady (1964). After Audrey Hepburn was cast in My Fair Lady, Andrews made an auspicious film debut in Walt Disney's Mary Poppins (1964), which earned her an Academy Award for Best Actress.
Andrews continued to work on Broadway, until the release of The Sound of Music (1965), the highest-grossing movie of its day and one of the highest-grossing of all time. She soon found that audiences identified her only with singing, sugary-sweet nannies and governesses, and were reluctant to accept her in dramatic roles in The Americanization of Emily (1964) and Alfred Hitchcock's thriller Torn Curtain (1966). In addition, the box-office showings of the musicals Julie subsequently made increasingly reflected the negative effects of the musical-film boom that she helped to create. Thoroughly Modern Millie (1967) was for a time the most successful film Universal had released, but it still couldn't compete with Mary Poppins or The Sound of Music for worldwide acclaim and recognition. Star! (1968) and Darling Lili (1970) also bombed at the box office.
Fortunately, Andrews did not let this keep her down. She worked in nightclubs and hosted a TV variety series in the 1970s. In 1979, Andrews returned to the big screen, appearing in films directed by her husband Blake Edwards, with roles that were entirely different from anything she had been seen in before. Andrews starred in 10 (1979), S.O.B. (1981) and Victor/Victoria (1982), which earned her an Oscar nomination for Best Actress in a Leading Role.
She continued acting throughout the 1980s and 1990s in movies and TV, hosting several specials and starring in a short-lived sitcom. In 2001, she starred in The Princess Diaries (2001), alongside then-newcomer Anne Hathaway. The family film was one of the most successful G-Rated films of that year, and Andrews reprised her role as Queen Clarisse Renaldi in The Princess Diaries 2: Royal Engagement (2004). In recent years, Andrews appeared in Tooth Fairy (2010), as well as a number of voice roles in Shrek 2 (2004), Shrek the Third (2007), Enchanted (2007), Shrek Forever After (2010), and Despicable Me (2010).- Actress
- Writer
Anémone was born on 9 August 1950 in Paris, France. She was an actress and writer, known for Lautrec (1998), The Grand Highway (1987) and Death in a French Garden (1985). She was married to Philippe Galland and X. She died on 30 April 2019 in Poitiers, Vienne, France.- Director
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Jean-Jacques Annaud is a French film director, screenwriter and producer, best known for directing Quest for Fire (1981), The Name of the Rose (1986), The Lover (1992), Seven Years in Tibet (1997) and Wolf Totem (2015). Annaud has received numerous awards for his work, including four César Awards, one David di Donatello Award, and one National Academy of Cinema Award. Annaud's first film, Black and White in Color (1976), received an Academy Award for Best Foreign Language Film.- Writer
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Together with Fellini, Bergman and Kurosawa, Michelangelo Antonioni is credited with defining the modern art film. And yet Antonioni's cinema is also recognized today for defying any easy categorization, with his films ultimately seeming to belong to their own distinctive genre. Indeed, the difficulty of precisely describing their category is itself the very quintessence of Antonioni's films. Among the most-cited contributions of Antonioni's cinema are their striking descriptions of that unique strain of post-boom ennui everywhere apparent in the transformed life and leisure habits of the Italian middle and upper classes. Detecting profound technological, political and psychological shifts at work in post-WWII Italy, Antonioni set out to explore the ambiguities of a suddenly alienated and dislocated Italy, not simply through his oblique style of narrative and characters, nor through any overt political messaging, but instead by tearing asunder the traditional boundaries of cinematic narrative in order to explore an ever shifting internal landscape expressed through architecture, urban space and the sculptural, shaping presence of objects, shapes and emotions invented by camera movement and depth of focus.
Antonioni deftly manipulates the quieter, indirect edges of cinematic structure, often so discretely that his existential puzzles are felt before they can be intellectualized. The negative space is as prominent as the positive, silence as loud as noise, absence as palpable as presence, and passivity as driving a force as direct action. Transgressing unspoken cinematic laws, Antonioni frequently focuses on female protagonists while refusing to sentimentalize or morally judge his characters and placing them on equal footing with the other elements within his total dynamic system, like sounds or set pieces. And he violates spoken rules with unconventional cutting techniques, fractured spatial and temporal continuity, and a camera that insistently lingers in melancholy pauses, long after the actors depart, as if drifting just behind an equally distracted, dissipating narrative. Leaving questions unanswered and plot points irresolute, dispensing with exposition, suspense, sentimentality and other cinematic security blankets, Antonioni releases the viewer into a gorgeous, densely layered fog to contemplate and wrestle with his characters' imprecise quandaries and endless possibilities. Culminating in tour de force endings that often reframe the narrative in a daring, parting act of deconstruction, Antonioni's rigorously formal, yet open compositions allow his great, unwieldy questions to spill over into the world outside the cinema and outside of time.
Born into a middle-class family in the northern Italian town of Ferrara, Antonioni studied economics at the University of Bologna where he also co-founded the university's theatrical troupe. While dedicating himself to painting, writing film reviews, working in financial positions and in different capacities on film productions, Antonioni suffered a few false starts before expressing his unique directorial vision and voice in his first realized short film, Gente del Po, a moving portrait of fisherman in the misty Po Valley where he was raised. Uncomfortable with the neo-realist thrust of Italian cinema, Antonioni directed a series of eccentric and oblique documentary shorts that, in retrospect, reveal his desire to investigate the psyche's mysterious interiors. In his first fictional feature, Story of a Love Affair, Antonioni immediately subtly challenged traditional plot and audience expectation in ways that anticipate the formal and emotional expressionist dynamic that would fully flower within the groundbreaking L'Avventura (1960).
Reversing its raucous 1960 premiere to an infuriated Cannes audience, L'Avventura was rapturously lauded by fellow artists and filmmakers and awarded a special Jury Prize "for its remarkable contribution toward the search for a new cinematic language." It also presented the controlled ambivalence of Monica Vitti, who would become his partner, muse and psychological constant throughout his famed trilogy of L'Avventura, La Notte (1961) and L'Eclisse (1962) in addition to the exquisite Red Desert (1964), a film that marked another significant shift toward expressive color, male leads and working with soft focus and faster cuts. After the phenomenal commercial success of the MGM-produced Blow-Up (1966), Antonioni was devastated by the anti-climactic box office disaster of Zabriskie Point (1970) and returned to documentary. Invited to make Chung Kuo China by the Chinese government, Antonioni delivered a mesmerizing yet unsentimental four-hour tour of China which was vehemently rejected by its solicitors. A few years later, Antonioni returned to fictional form in his last masterpiece, The Passenger (1975), an enigmatic fable of vaporous identity that offers a bold companion piece to L'Avventura. Aside from the thematically retrospective Identification of a Woman (1982) and a period film made for television, The Mystery of Oberwald (1980) in which he conducted unusual experiments with color and video, Antonioni closed out his career with mostly short films, many of which were made after he suffered a stroke in 1985.
Tremendously influential yet largely taken for granted, Antonioni made difficult, abstract cinema mainstream. Embracing an anarchic geometry, Antonioni turned the architecture of narrative filmmaking inside-out in the most eloquent way possible, with many of his iconic scenes eternally preserved in the depths of the cinema's psyche. Observing modern maladies without judgment - sexism, dissolution of family and tradition, ecological/technological quandaries and the eternal questions of our place in the cosmos - Antonioni's prescience continues to resonate deeply as we find our way in the quickly moving fog.- Actress
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Fanny Ardant was the youngest of five children born to a cavalry officer and his wife. She was raised in Monte Carlo where she was educated at a convent school. A voracious reader, she discovered Proust when she was 15, and felt as though his writings were for her.
When she was 17 her father died, and the shock of his loss never left her. Shortly before his death Ardant began acting on stage. However, following her father's death she followed his advice and went to university in Aix-en-Provence where she read Political Science. Upon graduating, she took a job working for the French embassy in London; she was sacked from this, for poor timekeeping and being dishevelled. The latter was attributed to the social whirl that she enjoyed in London.
Ardant continued working odd jobs in London before deciding, almost on a whim, to go to drama school. She returned to France for her studies, and before long began acting on stage and then on television. At the age of 31 she was contacted by Francois Truffaut who had spotted her in a television drama and wanted to cast her in his film The Woman Next Door (1981).
While working together Ardant and Truffaut fell in love, and in 1983 she gave birth to their daughter Josephine. Truffaut died a year later from a brain tumour.- Actress
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Asia Argento was born in Rome, Italy, into a family of actors and filmmakers, both occupations which she has herself pursued. She made her debut when she was only nine years old in Sergio Citti's Sogni e bisogni (1985). In 1988 she had the leading role in Cristina Comencini's first film, Zoo (1988), and was part of the cast of The Church (1989), directed by Michele Soavi. The following year she played Nanni Moretti's daughter in Red Wood Pigeon (1989) (also directed by Moretti).
It was with Close Friends (1992), written and directed by Michele Placido, that Asia's career really took off and she was able to move on from playing very young girls to more mature, complex roles. The movie was well-received at the Cannes International Film Festival. In Trauma (1993), she worked for the first time with her father, famed Italian horror director Dario Argento (her mother is one of Argento's favorite actresses, Daria Nicolodi, playing an anorexic girl in search of her parents' killer. The Phantom of the Opera (1998) is the third film she has made with her father, the others being Trauma (1993) (filmed in the US) and The Stendhal Syndrome (1996).
Asia's absorbed, intense style of acting was well-used in Giuseppe Piccioni's Condannato a nozze (1993). In 1993 she co-starred in Carlo Verdone's Perdiamoci di vista (1994) in which she played Arianna, a physically disabled girl--an intricate, difficult role that won her the David di Donatello for best actress (1993-1994). She also had a featured role in the international cast of Queen Margot (1994), directed by Patrice Chéreau. In 1995 she worked with Michel Piccoli in Peter Del Monte's Traveling Companion (1996), which again won her a David di Donatello and a Grolla d'oro.
In 1994 Asia turned her hand to directing and turned out two short films: "Prospettive" (an episode of the film DeGeneration (1994)) and "A ritroso". In 1996 she directed a documentary on her father and, in 1998, one on cult director Abel Ferrara, Abel/Asia (1998), which won an award at the Rome Film Festival. In 1999 Asia made her feature-directing debut with Scarlet Diva (2000), in which she was the leading actress and author of the screenplay. The film was released in May 2000 in Italy and the rest of the world. It won an award at the Williamsburg Film Festival in Brooklyn, New York. In 2001, after directing a number of music videos, she gave birth to her first daughter, Anna Lou. In 2002 she starred in The Red Siren (2002) by Olivier Megaton with Jean-Marc Barr and the action thriller xXx (2002), directed by Rob Cohen, with Vin Diesel.
Asia is also the author of a number of short stories published in many prestigious magazines such as "Dynamo," "L'Espresso," "Sette," and "Village," Her first novel, "I Love You, Kirk," was published in Italy by Frassinelli Editrice in October 1999 and in France by Florent Massot in 2001.- Writer
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Dario Argento was born on September 7, 1940, in Rome, Italy, the first-born son of famed Italian producer Salvatore Argento and Brazilian fashion model Elda Luxardo. Argento recalls getting his ideas for filmmaking from his close-knit family from Italian folk tales told by his parents and other family members, including an aunt who told him frighting bedtime stories. Argento based most of his thriller movies on childhood trauma, yet his own--according to him--was a normal one. Along with tales spun by his aunt, Argento was impressed by stories from The Grimm Brothers, Hans Christian Andersen and Edgar Allan Poe. Argento started his career writing for various film journal magazines while still in his teens attending a Catholic high school. After graduation, instead of going to college, Argento took a job as a columnist for the Rome daily newspaper "Paese Sera". Inspired by the movies, he later found work as a screenwriter and wrote several screenplays for a number of films, but the most important were his western collaborations, which included Cemetery Without Crosses (1969) and the Sergio Leone masterpiece Once Upon a Time in the West (1968). After its release Argento wrote and directed his first movie, The Bird with the Crystal Plumage (1970), which starred Tony Musante and and British actress Suzy Kendall. It's a loose adoption on Fredric Brown's novel "The Screaming Mimi", which was made for his father's film company. Argento wanted to direct the movie himself because he did not want any other director messing up the production and his screenplay.
After "The Bird With the Crystal Plumage" became an international hit, Argento followed up with two more thrillers, The Cat o' Nine Tails (1971), starring 'Karl Madlen' (qv" and 'James Fransiscus', and Four Flies on Grey Velvet (1971) ("Four Flies On Black Velvet"), both backed by his father Salvatore. Argento then directed the TV drama Testimone oculare (1973) and the historical TV drama The Five Days (1973). He then went back to directing so-called "giallo" thrillers, starting with Deep Red (1975), a violent mystery-thriller starring David Hemmings that inspired a number of international directors in the thriller-horror genre. His next work was Suspiria (1977), a surreal horror film about a witch's coven that was inspired by the Gothic fairy tales of the Grimm Brothers and Hans Christian Anderson, which he also wrote in collaboration with his girlfriend, screenwriter/actress Daria Nicolodi, who acted in "Profondo Rosso" ("Deep Red") and most of Argento's films from then to the late 1980s. Argento advanced the unfinished trilogy with Inferno (1980), before returning to the "giallo" genre with the gory Tenebrae (1982), and then with the haunting Phenomena (1985).
The lukewarm reviews for his films, however, caused Argento to slip away from directing to producing and co-writing two Lamberto Bava horror flicks, Demons (1985) and Demons 2 (1986). Argento returned to directing with the "giallo" thriller Opera (1987), which according to him was "a very unpleasant experience", and no wonder: a rash of technical problems delayed production, the lead actress Vanessa Redgrave dropped out before filming was to begin, Argento's father Salvatore died during filming and his long-term girlfriend Daria broke off their relationship. After the commercial box-office failure of "Opera", Argento temporarily settled in the US, where he collaborated with director George A. Romero on the two-part horror-thriller Two Evil Eyes (1990) (he had previously collaborated with Romero on the horror action thriller Dawn of the Dead (1978)). While still living in America, Argento appeared in small roles in several films and directed another violent mystery thriller, Trauma (1993), which starred his youngest daughter Asia Argento from his long-term relationship with Nicolodi.
Argento returned to Italy in 1995, where he made a comeback in the horror genre with The Stendhal Syndrome (1996) and then with another version of "The Phantom of the Opera", The Phantom of the Opera (1998), both of which starred Asia. Most recently, Argento directed a number of "giallo" mystery thrillers such as Sleepless (2001), The Card Player (2003) and Do You Like Hitchcock? (2005), as well as two gory, supernatural-themed episodes of the USA TV cable anthology series Masters of Horror (2005).
Having always wanted to make a third chapter to his "Three Mothers" horror films, Argento finally completed the trilogy in 2007 with the release of Mother of Tears (2007), which starred Asia Argento as a young woman trying to identify and stop the last surviving evil witch from taking over the world. In addition to his Gothic and violent style of storytelling, "La terza madre" has many references to two of his previous films, "Suspiria" (1997) and "Inferno" (1980), which is a must for fans of the trilogy.
His movies may be regarded by some critics and opponents as cheap and overly violent, but second or third viewings show him to be a talented writer/director with a penchant for original ideas and creative directing.- Actress
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Before Arlette-Leonie Bathiat went to the movies she was a secretary and had posed several times as a model for different painters and photographers. In 1920 she debuted on stage at a theatre. She only began to work in movies after 1930. After World War II she was condemned to prison for having been the lover of a German official during the ocupation of France. In 1963 she had an accident which left her almost blind. Her most important movies were filmed and directed by Marcel Carné ("Hotel du Nord (1938)" or "Enfants du Paradis, Les (1945)").- Writer
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Fred Astaire was born in Omaha, Nebraska, to Johanna (Geilus) and Fritz Austerlitz, a brewer. Fred entered show business at age 5. He was successful both in vaudeville and on Broadway in partnership with his sister, Adele Astaire. After Adele retired to marry in 1932, Astaire headed to Hollywood. Signed to RKO, he was loaned to MGM to appear in Dancing Lady (1933) before starting work on RKO's Flying Down to Rio (1933). In the latter film, he began his highly successful partnership with Ginger Rogers, with whom he danced in 9 RKO pictures. During these years, he was also active in recording and radio. On film, Astaire later appeared opposite a number of partners through various studios. After a temporary retirement in 1945-7, during which he opened Fred Astaire Dance Studios, Astaire returned to film to star in more musicals through 1957. He subsequently performed a number of straight dramatic roles in film and TV.- Actress
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Ali Astin was born on 27 November 1996 in California, USA. She is an actress, known for The Lord of the Rings: The Return of the King (2003), Bad Kids of Crestview Academy (2017) and Matter of Time.- Actor
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Sean Patrick Astin (né Duke; February 25, 1971) is an American actor, voice actor, screenwriter, director, producer, family man, author, marathon runner, political activist and philanthropist who is well known for his film debut portraying Mikey in Steven Spielberg's The Goonies (1985), for playing the title role in the critically acclaimed Rudy (1993), and for his role as the beloved Sam Gamgee in the Academy Award winning trilogy, The Lord of the Rings: The Fellowship of the Ring (2001), The Lord of the Rings: The Two Towers (2002), and The Lord of the Rings: The Return of the King (2003).
Astin was born Sean Patrick Duke on February 25, 1971 in Santa Monica, California. His mother was actress Patty Duke. At the time of his birth, his biological father was believed to be entertainer Desi Arnaz Jr., but Astin discovered through a DNA test in the 1990s that his biological father is music promoter Michael Tell, who was married to Patty Duke in 1970. Sean was raised by his stepfather, actor John Astin, who married Patty Duke in 1972 and whose surname Sean took. Sean's mother was of Irish and more distant German ancestry, and Sean's biological father is of Austrian Jewish and Polish Jewish descent.
At age nine, Sean starred with his mother in the after-school special Please Don't Hit Me, Mom (1981). Followed by Sean's feature debut The Goonies (1985) and since then, he has had a steady stream of roles. Starring in Toy Soldiers (1991), Where the Day Takes You (1992), Rudy (1993) and Harrison Bergeron (1995). He directed and co-produced the short film Kangaroo Court (1994), which was nominated in the best short film category at The 67th Annual Academy Awards (1995). Sean's adoptive father John Astin was nominated for the same award in 1969.
Sean experienced another career breakthrough with his role as the epitome of loyal sidekicks, Samwise Gamgee, in Peter Jackson's "The Lord of the Rings" trilogy, released in 2001, 2002 and 2003. Along with the many awards bestowed upon the trilogy (particularly its final installment The Return of the King), Sean received nominations for his own performance. He took home the Saturn Award for Best Supporting Actor, and awards from the Las Vegas Film Critics Society, the Seattle Film Critics, the Utah Film Critics Association, and the Phoenix Film Critics Society. As an ensemble, the Return of the King cast received awards from the National Board of Review of Motion Pictures and the Screen Actors Guild. In 2004, Sean authored the NY Times best seller "There and Back Again: An Actor's Tale," chronicling his acting career with emphasis on his experiences filming the Lord of the Rings trilogy.
Sean has been a long-distance runner since his teens. His marathons include the 2014 Marine Corps Marathon in Washington, DC, where he had the honor of officially starting the race, the 2015 Boston Marathon as a member of charity fund-raising team MR8, and the New York City Marathon in 2016. He has done numerous half marathons and countless 5Ks, 10Ks, and races of other distances. He successfully completed the Ironman World Championship Triathlon in Kona, Hawaii, in October 2015; the grueling event consisted of a 2.4 mile open ocean swim, a 112 mile bike race and a 26.2 mile marathon.
In 2012, while training for the LA Marathon, he began a Twitter campaign using #Run3rd, a way to dedicate his runs to causes and ideas that mattered not just to him, but to others. The principle of #Run3rd is that Sean runs first for himself, since running is ultimately a solitary act, second for his ever-patient and supportive family, and third for others. #Run3rd has grown to include a team of runners, walkers, and others who dedicate their activities to the causes of others. A $25,000 grant from the Ironman Foundation will allow the charity to fund after school running programs for children in under-served school districts. More information on #Run3rd, including sponsored 5Ks, is available at run3rd.com.
Sean has served as a philanthropist on the board of several non-profit organizations, including the Creative Coalition, National Center for Family Literacy, and Los Angeles Valley College's Patrons Association and Arts Council. He is a vocal advocate on many issues including literacy, mental health awareness and civic engagement. After the passing of his mother in late March 2016, Sean began fund-raising to create a foundation to carry on her life's work as an advocate for mental health
Politically, Sean has been very active having served in two non-partisan Presidential appointments. Sean also hosts a live weekly 2 hour in-studio bi-partisan political radio talk show, 'Vox Populi Radio' which was made possible by a successful crowdfunding campaign in 2013. In 2004, Sean broke into the publishing world and authored the NY Times Best Selling release of There and Back Again a memoir of his film career (co-written with Joe Layden).
In addition to acting in live action films and television, Sean is also an accomplished voice actor. He has voiced several different characters in animated series, cartoons, animated movies, anime dubs and video games. His voice is also familiar to many. He narrated the Animal Planet series "Meerkat Manor" (2006-2007), and voiced the title characters in the animated Disney Channel series "Special Agent Oso" (2009-2012) and the animated feature film "Ribbit" (2014). He was the voice of Raphael in Nickelodeon's popular "Teenage Mutant Ninja Turtles" (2012-2017) as well as it's video games. He voiced the paranoid Siamese cat Chester in "Bunnicula" (2016-2018), a Warner Brothers produced series based on children's books by James Howe and narrates "The Epic Tales of Captain Underpants" (2018-2019) a series on Netflix, based on the Dav Pilkey's children's books. He can be heard in a plethora of other animated shows, anime dubs, video games, audio dramas and narrations. More recently, Sean was the Narrator of the Documentary called Remember the Sultana, which released on March 1st, 2018.
After four decades in front of camera or microphone, Sean has ventured in front of a theater audience, first as Joseph Stalin in a multimedia stage production of "Shostakovich and the Black Monk: A Fantasy," (2018-2019) and then as Dr. Moricet in "Bang Bang!" (2018), John Cleese's adaptation of a 19th century French farce.
Sean is also comfortable behind the camera, directing episodic TV and serving as producer on several films. He directed and co-produced with his wife Christine the short film "Kangaroo Court," nominated for an Academy Award for Best Live Action Short Film in 1995. While working on "The Lord of the Rings," Sean made "The Long and Short of It." The film premiered at the 2003 Sundance Film Festival and appears on the DVD for "The Lord of the Rings: The Two Towers," along with a making-of video. He is currently working to bring "Number the Stars," based on Lois Lowry's Newbery Award winning children's classic, to the big screen.
While maintaining a career as a professional actor (in live action films and television) and a voice actor for characters in animated series, cartoons, animated movies, anime dubs and video games, Sean is also a political activist. Sean has been actively engaged in the political world since early in his life. He served in two non-partisan Presidential appointments. In 1995, under President Bill Clinton, he became a Civilian Aide to the Secretary of the Army, serving for 10 years under six secretaries in two administrations. He was appointed by President George W. Bush to his Council on Service and Civic Participation, whose mission was to promote a culture of volunteerism and civic engagement. He campaigned for presidential candidates John Kerry in 2004, and Hillary Clinton in 2008 and 2016. He also served as campaign manager for his friend, Dan Adler, in a special election for California's 36th congressional district race in 2011.
Sean attended Crossroads High School for the Arts and studied with the famous Stella Adler. He graduated with honors from UCLA; B.A. in History & B.A. in English American Literature and Culture. Sean is married to Christine Astin, his co-producer on Kangaroo Court (1994). He resides in Los Angeles, CA with his wife Christine Louise and daughters Alexandra (Ali) Louise, Elizabeth Louise, and Isabella (Bella) Louise. All of his daughters attend Harvard University.- Director
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Emily Atef was born on 6 May 1973 in Berlin, Germany. She is a director and writer, known for More Than Ever (2022), 3 Days in Quiberon (2018) and Das Fremde in mir (2008).- Actress
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Aure Atika was born on 12 July 1970 in Monte Estoril, Portugal. She is an actress and director, known for The Night Manager (2016), The Beat That My Heart Skipped (2005) and OSS 117: Cairo, Nest of Spies (2006).- Actor
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Daniel Auteuil was born on 24 January 1950 in Algiers, Alger, France [now Algeria]. He is an actor and director, known for Caché (2005), Jean de Florette (1986) and The Well-Digger's Daughter (2011). He has been married to Aude Ambroggi since 22 July 2006. They have one child. He was previously married to Emmanuelle Béart and Anne Jousset.- Actress
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Sabine Azéma was born on 20 September 1949 in Paris, France. She is an actress and director, known for Mélo (1986), A Sunday in the Country (1984) and Private Fears in Public Places (2006).- Actor
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Christian Charles Philip Bale was born in Pembrokeshire, Wales, UK on January 30, 1974, to English parents Jennifer "Jenny" (James) and David Bale. His mother was a circus performer and his father, who was born in South Africa, was a commercial pilot. The family lived in different countries throughout Bale's childhood, including England, Portugal, and the United States. Bale acknowledges the constant change was one of the influences on his career choice.
His first acting job was a cereal commercial in 1983; amazingly, the next year, he debuted on the West End stage in "The Nerd". A role in the 1986 NBC mini-series Anastasia: The Mystery of Anna (1986) caught Steven Spielberg's eye, leading to Bale's well-documented role in Empire of the Sun (1987). For the range of emotions he displayed as the star of the war epic, he earned a special award by the National Board of Review for Best Performance by a Juvenile Actor.
Adjusting to fame and his difficulties with attention (he thought about quitting acting early on), Bale appeared in Kenneth Branagh's 1989 adaptation of Shakespeare's Henry V (1989) and starred as Jim Hawkins in a TV movie version of Treasure Island (1990). Bale worked consistently through the 1990s, acting and singing in Newsies (1992), Swing Kids (1993), Little Women (1994), The Portrait of a Lady (1996), The Secret Agent (1996), Metroland (1997), Velvet Goldmine (1998), All the Little Animals (1998), and A Midsummer Night's Dream (1999). Toward the end of the decade, with the rise of the Internet, Bale found himself becoming one of the most popular online celebrities around, though he, with a couple notable exceptions, maintained a private, tabloid-free mystique.
Bale roared into the next decade with a lead role in American Psycho (2000), director Mary Harron's adaptation of the controversial Bret Easton Ellis novel. In the film, Bale played a murderous Wall Street executive obsessed with his own physicality - a trait for which Bale would become a specialist. Subsequently, the 10th Anniversary issue for "Entertainment Weekly" crowned Bale one of the "Top 8 Most Powerful Cult Figures" of the past decade, citing his cult status on the Internet. EW also called Bale one of the "Most Creative People in Entertainment", and "Premiere" lauded him as one of the "Hottest Leading Men Under 30".
Bale was truly on the Hollywood radar at this time, and he turned in a range of performances in the remake Shaft (2000), Captain Corelli's Mandolin (2001), the balmy Laurel Canyon (2002), and Reign of Fire (2002), a dragons-and-magic commercial misfire that has its share of defenders.
Two more cult films followed: Equilibrium (2002) and The Machinist (2004), the latter of which gained attention mainly due to Bale's physical transformation - he dropped a reported 60+ pounds for the role of a lathe operator with a secret that causes him to suffer from insomnia for over a year.
Bale's abilities to transform his body and to disappear into a character influenced the decision to cast him in Batman Begins (2005), the first chapter in Christopher Nolan's definitive trilogy that proved a dark-themed narrative could resonate with audiences worldwide. The film also resurrected a character that had been shelved by Warner Bros. after a series of demising returns, capped off by the commercial and critical failure of Batman & Robin (1997). A quiet, personal victory for Bale: he accepted the role after the passing of his father in late 2003, an event that caused him to question whether he would continue performing.
Bale segued into two indie features in the wake of Batman's phenomenal success: The New World (2005) and Harsh Times (2005). He continued working with respected independent directors in 2006's Rescue Dawn (2006), Werner Herzog's feature version of his earlier, Emmy-nominated documentary, Little Dieter Needs to Fly (1997). Leading up to the second Batman film, Bale starred in The Prestige (2006), the remake of 3:10 to Yuma (2007), and a reunion with director Todd Haynes in the experimental Bob Dylan biography, I'm Not There (2007).
Anticipation for The Dark Knight (2008) was spun into unexpected heights with the tragic passing of Heath Ledger, whose performance as The Joker became the highlight of the sequel. Bale's graceful statements to the press reminded us of the days of the refined Hollywood star as the second installment exceeded the box-office performance of its predecessor.
Bale's next role was the eyebrow-raising decision to take over the role of John Connor in the Schwarzenegger-less Terminator Salvation (2009), followed by a turn as federal agent Melvin Purvis in Michael Mann's Public Enemies (2009). Both films were hits but not the blockbusters they were expected to be.
For all his acclaim and box-office triumphs, Bale would earn his first Oscar in 2011 in the wake of The Fighter (2010)'s critical and commercial success. Bale earned the Best Supporting Actor award for his portrayal of Dicky Eklund, brother to and trainer of boxer "Irish" Micky Ward, played by Mark Wahlberg. Bale again showed his ability to reshape his body with another gaunt, skeletal transformation.
Bale then turned to another auteur, Yimou Zhang, for the epic The Flowers of War (2011), in which Bale portrayed a priest trapped in the midst of the Rape of Nanking. Bale earned headlines for his attempt to visit with Chinese civil-rights activist Chen Guangcheng, which was blocked by the Chinese government.
Bale capped his role as Bruce Wayne/Batman in The Dark Knight Rises (2012); in the wake of the Aurora, Colorado tragedy, Bale made a quiet pilgrimage to the state to visit with survivors of the attack that left theatergoers dead and injured. He also starred in the thriller Out of the Furnace (2013) with Crazy Heart (2009) writer/director Scott Cooper, and the drama-comedy American Hustle (2013), reuniting with David O. Russell.
Bale will re-team with The New World (2005) director Terrence Malick for two upcoming projects: Knight of Cups (2015) and an as-yet-untitled drama.
In his personal life, he devotes time to charities including Greenpeace and the World Wildlife Foundation. He lives with his wife, Sibi Blazic, and their two children.- Actress
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Mireille Balin was one the most glamorous and best loved actresses of pre-war French cinema. She appeared in two of the best remembered French films of the 1930s: Pépé le Moko (1937) and Lady Killer (1937), both opposite Jean Gabin. After the German occupation of France and her separation from her long-time fiancé, the singer/actor Tino Rossi in 1942, she starred in several films and became the idol of the Paris High Society where she met the love of her life, Birl Desbok, an officer in the Wehrmacht. In the summer of 1944, as Paris was about to be liberated, she and Desbok fled Paris and tried to reach the Italian border but on September 28th, 1944 they were arrested by the FFI in Beausoleil (near Nice). Separated from Desbok, who was probably executed (she never knew what really happened to him), she was beaten and raped before being taken to Nice prison. She was soon transferred to Fresnes prison (near Paris) where she stayed until her release on bail on 3rd January 1945. She was forbidden to work for a year but once this restriction lifted, she went back to the studios to appear in what proved to be her last film La dernière chevauchée (1947), her frail constitution prevented her from appearing in any other films. She died in 1968, forgotten and broke.- Actor
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Eric Bana was born Eric Banadinovic on August 9, 1968, in Melbourne, Victoria, Australia. He is the younger of two brothers. His father, named Ivan Banadinovic, came from Zagreb, Croatia, and worked as a manager for Caterpillar Inc. His mother, named Eleanor Banadinovic, came from a German family and was a hairdresser.
Young Bana grew up in suburban Melbourne. He was popular among his schoolmates for his talent of making comic impressions of his teachers. At that time, he was fond of Mel Gibson in Mad Max (1979) and also decided to become an actor. He moved to Sydney and worked odd jobs to support himself. In 1991, he began a career as a stand-up comedian, while working as a barman at Melbourne's Castle Hotel. In 1993, Bana made his television debut on Steve Vizard's Tonight Live with Steve Vizard (1990) talk show, then joined the Full Frontal (1993) TV-series. He gained popularity for making impressions of Arnold Schwarzenegger, Sylvester Stallone, Tom Cruse and "Columbo". In 1996, he started his own show titled Eric (1997), then launched a comedy series titled The Eric Bana Show Live (1997). The show was canceled for the lack of substantial audience. However, in 1997, Bana received the Logie Award for "Most Popular Comedian" for his work on The Eric Bana Show Live (1997).
He made his film debut in The Castle (1997), in a supporting comic role. That same year, he was cast to portray Mark "Chopper" Read, the notorious Australian underworld figure. For the role, Bana gained 30 pounds, by eating junk food; he also spent a few days with Read in prison, in order to perfect his mimicry. Bana completely transformed himself into a bald, plump, disturbed criminal. He would arrive on the film set at four in the morning, spending several hours in makeup, being tattooed exactly like Read. Chopper (2000) became an international success and won three Australian Film Institute Awards. Bana won the Best Actor at the 2000 Stockholm Film Festival and also the AFI 2000 Best Actor Award. Then he co-starred in Black Hawk Down (2001), then starred in Hulk (2003). In 2002, he was cast as the Trojan Prince Hector in the historical epic Troy (2004), after being recommended by Brad Pitt, who admired Bana for his work in Chopper (2000). In 2005, Bana co-starred with Daniel Craig and Geoffrey Rush in the political drama Munich (2005) directed by Steven Spielberg.
In 1995, he began dating Rebecca Gleeson, a publicist and daughter of Australian High Court Chief Justice Murray Gleeson. The following year, he was named "Bachelor of the Year" by Cleo magazine, and won a trip for two to the United States. He invited Gleeson, and proposed to her during that romantic trip. In 1997, the two were married; their son, Klaus, was born in 1999, their daughter, Sophia, was born in 2002. He currently resides in Melbourne with his wife and their two children. Bana is a passionate supporter of Australian football. He was appointed Member of the Order of Australia at the 2019 Queen's Birthday Honours for his services to the performing arts and to charitable organisations.- Actor
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Antonio Banderas, one of Spain's most famous faces, was a soccer player until breaking his foot at the age of fourteen; he is now an international movie star known for playing Zorro in the eponymous movie series.
He was born José Antonio Domínguez Banderas on August 10, 1960, in Málaga, Andalusia, Spain. His father, Jose Dominguez, was a policeman in the Spanish civil guards. His mother, Doña Ana Banderas Gallego, was a school teacher. Young Banderas was brought up a Roman Catholic. He wanted to play soccer professionally and made much success playing for his school team until the age of 14, albeit his dream ended when he broke his foot. At that time, he developed a passion for theatre after seeing the stage production of "Hair". Banderas began his acting studies at the School of Dramatic Arts in Málaga, and made his acting debut at a small theatre in Málaga. He was arrested by the Spanish police for performance in a play by Bertolt Brecht, because of political censorship under the rule of General Francisco Franco. Banderas spent a whole night at the police station, he had three or four such arrests while he was working with a small theatre troupe that toured all over Spain and was giving performances in small town theatres and on the street.
In 1979, at age 19, he moved to Madrid in pursuit of an acting career. Being a struggling young actor, he also worked as a waiter and took small modeling jobs. At that time, he joined the troupe at the National Theatre of Spain, becoming the youngest member of the company. Banderas' stage performances caught the attention of movie director Pedro Almodóvar, who cast the young actor in his movie debut Labyrinth of Passion (1982). Banderas and Almodovar joined forces in making innovative and sexually provocative movies during the 1980s. In 1984, Banderas made headlines in Spain with his performance as a gay man, making his first male-to-male on-screen kiss in Almodovar's Law of Desire (1987). Banderas' long and fruitful collaboration with Pedro Almodóvar eventually prepared him for international recognition that came with his work in the Academy Award-nominated film Women on the Verge of a Nervous Breakdown (1988). In 1991, he appeared as an object of Madonna's affection in Madonna: Truth or Dare (1991).
In 1992, Banderas made his Hollywood debut with The Mambo Kings (1992). Because he did not speak English at that time, his dialogue for the movie was taught to him phonetically. Banderas shot to international fame with his sensitive performance as a lover of Tom Hanks' AIDS-infected lawyer in Philadelphia (1993), then played opposite Tom Cruise and Brad Pitt in Interview with the Vampire: The Vampire Chronicles (1994). Banderas further established himself as one of Hollywood's leading men after co-starring in Evita (1996) opposite Madonna in the title role. In 1998, he won acclaim for his portrayal of Zorro, opposite Anthony Hopkins and Catherine Zeta-Jones, in The Mask of Zorro (1998). For the role as Zorro, Banderas took training with the Olympic national fencing team in Spain, and practiced his moves with real steel swords, then he used the lighter aluminum swords in the movie. He also took a month-long course of horse-riding before the filming. He later returned to the role in The Legend of Zorro (2005). In 1999, Banderas made his directorial debut in Crazy in Alabama (1999), starring his wife, Melanie Griffith. He received critical acclaim for his portrayal of Mexican artist David Alfaro Siqueiros opposite Salma Hayek in Frida (2002). He voiced Puss in Boots in the Shrek franchise.
Banderas established himself as internationally known Latin heartthrob with charismatic looks, and was chosen as one of the 50 most beautiful people in the world by People magazine in 1996. He won numerous awards and nominations for his works in film, including three ALMA awards and three Golden Globe nominations, among many other. From 1996 to 2014, Banderas was married to American actress Melanie Griffith and the couple have one daughter, Stella (born 1996). Outside of his acting profession, Banderas has been a passionate soccer fan and a staunch supporter of the Real Madrid Football Club. He shares time between his two residencies, one in the United States, and one in the South of Spain.- Actor
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Jean-Marc Barr was born on 27 September 1960 in Bitburg, Rhineland-Palatinate, Germany. He is an actor and producer, known for The Big Blue (1988), Lovers (1999) and Big Sur (2013).- Actor
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Javier Bardem belongs to a family of actors that have been working on films since the early days of Spanish cinema.
He was born in Las Palmas de Gran Canaria, Spain, to actress Pilar Bardem (María del Pilar Bardem Muñoz) and businessman José Carlos Encinas Doussinague. His maternal grandparents were actors Rafael Bardem and Matilde Muñoz Sampedro, and his uncle is screenwriter Juan Antonio Bardem. He got his start in the family business, at age six, when he appeared in his first feature, "El picaro" (1974) (A.K.A. The Scoundrel). During his teenage years, he acted in several TV series, played rugby for the Spanish National Team, and toured the country with an independent theatrical group. Javier's early film role as a sexy stud in the black comedy, Jamón, Jamón (1992) (aka Ham Ham) propelled him to instant popularity and threatened to typecast him as nothing more than a brawny sex symbol. Determined to avert a beefcake image, he refused similar subsequent roles and has gone on to win acclaim for his ability to appear almost unrecognizable from film to film. With over 25 movies and numerous awards under his belt, it is Javier's stirring, passionate performance as the persecuted Cuban writer, Reynaldo Arenas, in Before Night Falls (2000) that will long be remembered as his breakthrough role. He received five Best Actor awards and a Best Actor Oscar nomination for his portrayal.- Director
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Bartabas was born on 2 June 1957. He is a director and writer, known for Mazeppa (1993), Shaman (1996) and Tunka el guerrero (1984).- Actor
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Patrick Nicolas Jean Sixte Ghislain Bauchau was born in Brussels, Belgium. His father, Henry Bauchau, is a noted author, psychoanalyst, and philosopher, while his mother was an educator who also helped operate a publishing company. Coming from an intellectual family, it's not surprising that Bauchau won an academic scholarship to Oxford University, where he received a degree in Modern Languages. In the early '60s, Bauchau became interested in film, and worked with French filmmaker Eric Rohmer; this led to Bauchau being cast in the leading role as Adrien in Rohmer's 1967 "moral tale," La Collectionneuse. Bauchau and his fellow leading actors Haydee Politoff and Daniel Pommereulle were also credited with the film's dialogue. While this got Bauchau's acting career off to an impressive start, his naturalistic performance left many believing that Bauchau was simply playing himself. After "Tuset Street" (also released in 1967), Bauchau temporarily moved away from acting and worked with Salvador Dali constructing large pillow-like animal sculptures.
In 1980, Bauchau re-launched his film career in Robert Kramer's "Guns", and in 1982, Wim Wenders cast him in the leading role of "The State of Things". In 1984, Bauchau made his American film debut in Alan Rudolph's eccentric, romantic comedy "Choose Me", and through much of the rest of the decade he worked regularly on both sides of the Atlantic. In 1991, Bauchau scored an impressive role in Michael Tolkin's superb drama "The Rapture", and four years later the same director gave him a meaty role in "The New Age". Bauchau plays the villain the Bond flick, "A View to a Kill" and has starring roles in Entre Nous and The Music Teacher, both nominated for the Academy Award for Best Foreign Film In 1996. Bauchau was cast in the television series "Kindred: The Embraced" as a patriarch of the living dead; while the series lasted only a few weeks, it did lead to the series regular role of Sydney in "The Pretender", which debuted the same year and ran for four seasons on NBC. Bauchau's higher profile in television helped him win notable roles in high-profile films such as "Clear and Present Danger", "The Cell", "Ray" and "Panic Room". Bauchau also plays notable roles in the independent features "The Five Obstructions", "Twin Falls Idaho", "The Secretary", "Boy Culture" and "The Gray Man" among several others. Bauchau is a series regular playing the blind seer Lodz on the HBO hit show "Carnivale" and recurs in NBC's "Revelation" and ABC's "Alias". He guest stars on numerous television shows including "Castle", "CSI", "How to Make It In America", "Numbers", "Women's Murder Club", "House", "Dead Zone" and "24" among many others. More recently in Europe Bauchau finished shooting the feature films "Ladrones" in Spain, "Suzanne" (France), "Glenn" (Belgium), "Chrysalis" (Italy) and Michel Houellebecq's "Possibility Of an Island" also filmed in Spain. Bauchau currently stars in the hit French TV series" Mystere". More recently in the USA Bauchau appears in Roland Emmerich's "2012", the Polish Brothers film "The Sweet Smell Of Success" and "Extraordinary Measures" with Harrison Ford. He recently returned from filming in Vera Cruz, Mexico on "How I Spent My Summer Vacation" with Mel Gibson.
Bauchau speaks at least 6 languages fluently and has acted in films in different languages throughout the world. He holds passports in 3 countries including the USA.
When not busy with acting, Bauchau lives in a small village outside Paris, and, in Malibu Lake, California, where he is an avid gardener, reader and art collector. He's married to Mijanou Bardot, Brigitte's sister, who also appears in La Collectionneuse. They have 5 dogs, and an adult daughter that lives in Rome.- Actress
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Marie Bäumer was born on 7 May 1969 in Düsseldorf, North Rhine-Westphalia, West Germany. She is an actress and writer, known for In the Face of Crime (2010), The Counterfeiters (2007) and 3 Days in Quiberon (2018).- Actor
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Sean Bean's career since the eighties spans theatre, radio, television and movies. Bean was born in Handsworth, Sheffield, South Yorkshire, to Rita (Tuckwood) and Brian Bean. He worked for his father's welding firm before he decided to become an actor. He attended RADA in London and appeared in a number of West End stage productions including RSC's "Fair Maid of the West" (Spencer), (1986) and "Romeo and Juliet" (1987) (Romeo) , as well as "Deathwatch" (Lederer) (1985) at the Young Vic and "Killing the Cat" (Danny) (1990) at the Theatre Upstairs.
This soulful, green-eyed blonde's roles are so varied that his magnetic persona convincing plays angst-ridden villains, as in Clarissa (1991), passionate lovers like Mellors in Lady Chatterley (1993), rough-and-ready soldiers such as Richard Sharpe, heart wrenching warriors as the emotionally torn Boromir in "The Lord of the Rings," and noble Greeks, like Odysseus in Troy (2004), where his very presence in the film adds grace and validity to the rest of the movie. Recently, he did a turn in Shakespeare's "Macbeth," where as the principal lead, he so transfixed the audience that the show was extended in London and critically acclaimed. Bean, however, remains himself, a man's man, and in the glitzy world of movies this is a rare thing indeed. Bean resides in London where he enjoys raising his beautiful daughters, his beloved football, and the occasional pint.
Bean has three daughters, Lorna, Molly and Evie.- Actress
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Emmanuelle Béart was born August 14, 1963, in Gassin, France. She lived with her mother, brothers, and sister on a farm not far from Saint-Tropez in Provence (southern France), because her father, singer and poet Guy Béart, did not want his children to be affected by the glamour world of Paris. When Emmanuelle was thirteen, she saw Romy Schneider in the movie Mado (1976). From that time on, she wanted to be an actress. In Emmanuelle's teens, her parents sent her to Montreal, Quebec, Canada, for four years, so she could learn English. There, she was engaged for a Robert Altman movie that was never made. After returning to France, she took drama classes and got her first TV role, in Raison perdue (1984). David Hamilton, the photographer/director, was impressed by her beauty and gave her a role in First Desires (1983). She met her spouse-to-be, Daniel Auteuil, while making Love on the Quiet (1985). The film that made her famous in France was Manon of the Spring (1986), in which she played the role of a blonde shepherd dancing nude in the fields. Director Tom McLoughlin chose her out of 5,000 candidates for her first Hollywood picture, Date with an Angel (1987). Emmanuelle is a very sensitive and a perfectionist. For the part of Camille in the film A Heart in Winter (1992), she took violin lessons for a whole year. Her biggest success was as a nude model in the art film La Belle Noiseuse (1991), which starred Michel Piccoli and was directed by Jacques Rivette.- Actor
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Described by top film critic Mark Kermode as an "unbelievably versatile" actor, Jamie Bell was born in 1986 in Billingham, Stockton-on-Tees, County Durham, England, UK, to Eileen (Matfin) and John Bell, a toolmaker. He comes from a family of dancers including his grandmother, mother, aunt, and sister. It was at his sister's dance practices that he would stand outside the door and imitate the movements of the dancers inside. At age six, he was encouraged to step inside the door and, thus, his dance career began. His own story parallels that of Billy Elliot (2000) in that Jamie kept his dancing a secret from his friends at school. His mother had him when she was 16 and, unfortunately, he never knew his father.
When he met Stephen Daldry, director of Billy Elliot (2000), Jamie adopted him as his father. Once the word about his dancing got out, he was harassed, but this only made him more determined to prove that dancing wasn't just for girls. He has proven a lot by landing the title role of Billy Elliot (2000), winning the role in an audition that included more than 2,000 boys from the northeast of England. His ensuing performance certainly justified the selection since he has not only won the hearts of moviegoers all over the world, he has also been nominated for and won a number of awards, including a Best Newcomer Award and then a Best Male Performance at the BAFTA awards.2- Actress
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Marisa Berenson was born on 15 February 1947 in New York City, New York, USA. She is an actress, known for Cabaret (1972), Barry Lyndon (1975) and Cinéman (2009). She was previously married to Aaron Richard Golub and Jim Randall.- Writer
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Ernst Ingmar Bergman was born July 14, 1918, the son of a priest. The film and T.V. series, The Best Intentions (1992) is biographical and shows the early marriage of his parents. The film Sunday's Children (1992) depicts a bicycle journey with his father. In the miniseries Private Confessions (1996) is the trilogy closed. Here, as in 'Den Goda Viljan' Pernilla August play his mother. Note that all three movies are not always full true biographical stories. He began his career early with a puppet theatre which he, his sister and their friends played with. But he was the manager. Strictly professional he begun writing in 1941. He had written a play called 'Kaspers död' (A.K.A. 'Kaspers Death') which was produced the same year. It became his entrance into the movie business as Stina Bergman (not a close relative), from the company S.F. (Swedish Filmindustry), had seen the play and thought that there must be some dramatic talent in young Ingmar. His first job was to save other more famous writers' poor scripts. Under one of that script-saving works he remembered that he had written a novel about his last year as a student. He took the novel, did the save-poor-script job first, then wrote a screenplay on his own novel. When he went back to S.F., he delivered two scripts rather than one. The script was Torment (1944) and was the fist Bergman screenplay that was put into film (by Alf Sjöberg). It was also in that movie Bergman did his first professional film-director job. Because Alf Sjöberg was busy, Bergman got the order to shoot the last sequence of the film. Ingmar Bergman is the father of Daniel Bergman, director, and Mats Bergman, actor at the Swedish Royal Dramatic Theater. Ingmar Bergman was also C.E.O. of the same theatre between 1963-1966, where he hired almost every professional actor in Sweden. In 1976 he had a famous tax problem. Bergman had trusted other people to advise him on his finances, but it turned out to be very bad advice. Bergman had to leave the country immediately, and so he went to Germany. A few years later he returned to Sweden and made his last theatrical film Fanny and Alexander (1982). In later life he retired from movie directing, but still wrote scripts for film and T.V. and directed plays at the Swedish Royal Dramatic Theatre for many years. He died peacefully in his sleep on July 30, 2007.- Actress
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Ingrid Bergman was one of the greatest actresses from Hollywood's lamented Golden Era. Her natural and unpretentious beauty and her immense acting talent made her one of the most celebrated figures in the history of American cinema. Bergman is also one of the most Oscar-awarded actresses, tied with Meryl Streep and Frances McDormand, all three of them second only to Katharine Hepburn.
Ingrid Bergman was born on August 29, 1915 in Stockholm, Sweden, to a German mother, Frieda Henrietta (Adler), and a Swedish father, Justus Samuel Bergman, an artist and photographer. Her mother died when she was only two and her father died when she was 12. She went to live with an elderly uncle.
The woman who would be one of the top stars in Hollywood in the 1940s had decided to become an actress after finishing her formal schooling. She had had a taste of acting at age 17 when she played an uncredited role of a girl standing in line in the Swedish film Landskamp (1932) in 1932 - not much of a beginning for a girl who would be known as "Sweden's illustrious gift to Hollywood." Her parents died when she was just a girl and the uncle she lived with didn't want to stand in the way of Ingrid's dream. The next year she enrolled at the Royal Dramatic Theatre School in Stockholm but decided that stage acting was not for her. It would be three more years before she would have another chance at a film. When she did, it was more than just a bit part. The film in question was The Count of the Old Town (1935), where she had a speaking part as Elsa Edlund. After several films that year that established her as a class actress, Ingrid appeared in Intermezzo (1936) as Anita Hoffman. Luckily for her, American producer David O. Selznick saw it and sent a representative from Selznick International Pictures to gain rights to the story and have Ingrid signed to a contract. Once signed, she came to California and starred in United Artists' 1939 remake of her 1936 film, Intermezzo (1939), reprising her original role. The film was a hit and so was Ingrid.
Her beauty was unlike anything the movie industry had seen before and her acting was superb. Hollywood was about to find out that they had the most versatile actress the industry had ever seen. Here was a woman who truly cared about the craft she represented. The public fell in love with her. Ingrid was under contract to go back to Sweden to film Only One Night (1939) in 1939 and June Night (1940) in 1940. Back in the US she appeared in three films, all well-received. She made only one film in 1942, but it was the classic Casablanca (1942) opposite Humphrey Bogart.
Ingrid was choosing her roles well. In 1943 she was nominated for an Academy Award for her role in For Whom the Bell Tolls (1943), the only film she made that year. The critics and public didn't forget her when she made Gaslight (1944) the following year--her role of Paula Alquist got her the Oscar for Best Actress. In 1945 Ingrid played in Spellbound (1945), Saratoga Trunk (1945) and The Bells of St. Mary's (1945), for which she received her third Oscar nomination for her role of Sister Benedict. She made no films in 1947, but bounced back with a fourth nomination for Joan of Arc (1948). In 1949 she went to Italy to film Stromboli (1950), directed by Roberto Rossellini. She fell in love with him and left her husband, Dr. Peter Lindstrom, and daughter, Pia Lindström. America's "moral guardians" in the press and the pulpits were outraged. She was pregnant and decided to remain in Italy, where her son was born. In 1952 Ingrid had twins, Isotta and Isabella Rossellini, who became an outstanding actress in her own right, as did Pia.
Ingrid continued to make films in Italy and finally returned to Hollywood in 1956 in the title role in Anastasia (1956), which was filmed in England. For this she won her second Academy Award. She had scarcely missed a beat. Ingrid continued to bounce between Europe and the US making movies, and fine ones at that. A film with Ingrid Bergman was sure to be a quality production. In her final big-screen performance in 1978's Autumn Sonata (1978) she had her final Academy Award nomination. Though she didn't win, many felt it was the most sterling performance of her career. Ingrid retired, but not before she gave an outstanding performance in the mini-series A Woman Called Golda (1982), a film about Israeli prime minister Golda Meir. For this she won an Emmy Award as Best Actress, but, unfortunately, she did not live to see the fruits of her labor.
Ingrid died from cancer on August 29, 1982, her 67th birthday, in London, England.- Ballard Berkeley made his professional stage debut in 1928, and performed for many years in London's West End and in New York theatres. He is best remembered as Major Gowen in the British television series "Fawlty Towers" (1975).
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Thierry Binisti is known for Le livre de minuit (1996), Maternal Love (2002) and Drôles de clowns (1999).- Actress
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Juliette Binoche was born in Paris, France, to Monique Yvette Stalens, a director, teacher, and actress, and Jean-Marie Binoche, a sculptor, director, and actor. Her mother was born in Czestochowa, Poland, of French, Walloon Belgian, and Polish descent, while her father is French. Juliette was only 23 when she first attracted the attention of international film critics with The Unbearable Lightness of Being (1988). Roger Ebert, Chicago Sun-Times film critic with an international following of his books on film and TV reviews, wrote that she was "almost ethereal in her beauty and innocence". That innocence was gone by the time Binoche completed Louis Malle's Damage (1992) (aka "Fatale"). In an interview after the film was released, Binoche said: "Malle was trying direct and wanted something more sophisticated". A year later, Krzysztof Kieslowski's Three Colors: Blue (1993) was added to her film credits. After a sabbatical from film-making to become a mother in 1994, Binoche was selected as the heroine of France's most expensive ($35 million) movie ever: The Horseman on the Roof (1995). More recently, she has made The English Patient (1996), for which she won an Oscar for 'Best supporting actress' and Chocolat (2000).- Actor
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Being the son of an acting father, Oscar Johanson, it isn't surprising that he wanted to be an actor already as a child. However, he first worked as a baker's apprentice, in a barber shop or in the docks. After the conscription he got his first role, a bit part on the theater Lilla Teatern in Stockholm, while he took acting lessons. One of his early roles was against Gösta Ekman, one of the best Swedish actors of that day. In the autumn 1933 he became a student at the Royal Dramatic Theater's acting school, along with Ingrid Bergman, Signe Hasso and the girl who was to become his lifelong wife, Lillie Björnstrand. After graduation they found employment at the Swedish Theater in Vasa, Finland. After two years of stage acting they returned to Sweden and outmost poverty. Besides small time stage acting he was only offered bit parts in the movies. In 1943 he made his breakthrough debut with Night in the Harbor (1943). During WW2 he also made his first work with Ingmar Bergman on the theater: August Strindberg's play Spöksonaten. He mainly appeared in light comedies until the movies that made him internationally famous: Ingmar Bergman's Sawdust and Tinsel (1953), A Lesson in Love (1954) and Smiles of a Summer Night (1955). He became a close friend of Mr. Bergman. The 1960s was less successful and when his contract with Svensk Filmindustri (SF) ended, it wasn't renewed. Instead he made TV-theater, theater in Sweden and movies in Italy almost until his death. Other interesting movies with him are Kristin kommenderar (1946), Soldat Bom (1948) and Secrets of Women (1952).- Actress
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Cate Blanchett was born on May 14, 1969 in Melbourne, Victoria, Australia, to June (Gamble), an Australian teacher and property developer, and Robert DeWitt Blanchett, Jr., an American advertising executive, originally from Texas. She has an older brother and a younger sister. When she was ten years old, her 40-year-old father died of a sudden heart attack. Her mother never remarried, and her grandmother moved in to help her mother.
Cate graduated from Australia's National Institute of Dramatic Art in 1992 and, in a little over a year, had won both critical and popular acclaim. On graduating from NIDA, she joined the Sydney Theatre Company's production of Caryl Churchill's "Top Girls", then played Felice Bauer, the bride, in Tim Daly's "Kafka Dances", winning the 1993 Newcomer Award from the Sydney Theatre Critics Circle for her performance. From there, Blanchett moved to the role of Carol in David Mamet's searing polemic "Oleanna", also for the Sydney Theatre Company, and won the Rosemont Best Actress Award, her second award that year. She then co-starred in the ABC Television's prime time drama Heartland (1994), again winning critical acclaim. In 1995, she was nominated for Best Female Performance for her role as Ophelia in the Belvoir Street Theatre Company's production of "Hamlet". Other theatre credits include Helen in the Sydney Theatre Company's "Sweet Phoebe", Miranda in "The Tempest" and Rose in "The Blind Giant is Dancing", both for the Belvoir Street Theatre Company. In other television roles, Blanchett starred as Bianca in ABC's Bordertown (1995), as Janie Morris in G.P. (1989) and in ABC's popular series Police Rescue (1994). She made her feature film debut in Paradise Road (1997).
Cate married writer Andrew Upton in 1997. She had met him a year earlier on a movie set, and they didn't like each other at first. He thought she was aloof, and she thought he was arrogant, but then they connected over a poker game at a party, and she went home with him that night. Three weeks later he proposed marriage and they quickly married before she went off to England to play her breakthrough role in films: the title character in Elizabeth (1998) for which she won numerous awards for her performance, including the Golden Globe for Best Actress in a Drama. Cate was also nominated for an Academy Award for the role but lost out to Gwyneth Paltrow. 2001 was a particularly busy year, with starring roles in Bandits (2001), The Shipping News (2001), Charlotte Gray (2001) and playing Elf Queen Galadriel in the "Lord Of The Rings" trilogy. She also gave birth to her first child, son Dashiell, in 2001. In 2004, she gave birth to her second son Roman.
Also, in 2004, she played actress Katharine Hepburn in Martin Scorsese's film The Aviator (2004), for which she received an Academy Award as Best Supporting Actress. Two years later, she received an Academy Award nomination as Best Supporting Actress for playing a teacher having an affair with an underage student in Notes on a Scandal (2006). In 2007, she returned to the role that made her a star in Elizabeth: The Golden Age (2007). It earned her an Oscar nomination as Best Actress. She was nominated for another Oscar that same year as Best Supporting Actress for playing Bob Dylan in I'm Not There (2007). In 2008, she gave birth to her third child, son Ignatius. She and her husband became artistic directors of the Sydney Theatre Company, choosing to spend more time in Australia raising their three sons. She also purchased a multi-million dollar home in Sydney, Australia and named it Bulwarra and made extensive renovations to it. Because of her life in Australia, her film work became sporadic, until Woody Allen cast her in the title role in Blue Jasmine (2013), which won her the Academy Award as Best Actress. She ended her job as artistic director of the Sydney Theatre Company, while her husband continued there for two more years before he too resigned.
In 2015, she adopted her daughter Edith in her father's homeland of the United States. That same year, she and her husband sold their multi-million dollar home in Australia at a profit and moved to America. Reasons varied from her wanting to work more in America to wanting to familiarize herself with her late father's American heritage. She played the title role of Carol (2015), a 1950s American housewife in a lesbian affair with a younger woman, for which she received an Oscar nomination as Best Actress. While most actresses might slow down in their forties, Blanchett did the opposite by stretching her boundaries even further, such as when she played 13 different characters in Manifesto (2015) and then making her Broadway debut in 2017 in "The Present", which is her husband's adaptation of Chekhov's play "Platonov" for which she earned a Tony nomination as Best Actress in a Play. Also in 2017, she was selected for the highest honor in her birth country: the Companion of the Order of Australia (AC).- Actress
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Salomé Blechmans is known for FLA (Faire: l'amour) (2014), Qui de nous deux (2006) and Victoire, ou la douleur des femmes (2000).- Actor
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Orlando Jonathan Blanchard Copeland Bloom was born on January 13, 1977 in Canterbury, Kent, England. His mother, Sonia Constance Josephine Bloom (née Copeland), was born in Kolkata, India, to an English family then-resident there. The man he first knew as his father, Harry Bloom, was a legendary political activist who fought for civil rights in South Africa. But Harry died of a stroke when Orlando was only four years old. After that, Orlando and his older sister, Samantha Bloom, were raised by their mother and family friend, Colin Stone. When Orlando was 13, Sonia revealed to him that Colin is actually the biological father of Orlando and his sister; the two were conceived after an agreement by his parents, since Harry, who suffered a stroke in 1975, was unable to have children.
Orlando attended St. Edmund's School in Canterbury but struggled in many courses because of dyslexia. He did embrace the arts, however, and enjoyed pottery, photography and sculpturing. He also participated in school plays and was active at his local theater. As a teen, Orlando landed his first job: he was a clay trapper at a pigeon shooting range. Encouraged by his mother, he and his sister began studying poetry and prose, eventually giving readings at Kent Festival. Orlando and Samantha won many poetry and Bible reciting competitions. Then Orlando, who always idolized larger-than-life characters, gravitated towards serious acting. At the age of 16, he moved to London and joined the National Youth Theatre, spending two seasons there and gaining a scholarship to train with the British American Drama Academy. Like many young actors, he also auditioned for a number of television roles to further his career, landing bit parts in British television shows Casualty (1986), Midsomer Murders (1997) and Smack the Pony (1999). He also appeared in the critically acclaimed movie Wilde (1997).
He then attended the Guildhall School of Music and Drama. It was there, in 1998, that Orlando fell three stories from a rooftop terrace and broke his back. Despite fears that he would be permanently paralyzed, he quickly recovered and returned to the stage. As fate would have it, seated in the audience one night in 1999 was a director named Peter Jackson. After the show, he met with Orlando and asked him to audition for his new set of movies. After graduating from Guildhall, Orlando began work on the "Lord of the Rings" trilogy, spending 18 months in New Zealand bringing to life "Legolas", a part which made him a household name. Today, he is one of the busiest and most sought-after actors in the industry.- Actress
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Romane Bohringer was born on 14 August 1973 in Pont-Sainte-Maxence, Oise, France. She is an actress and director, known for Savage Nights (1992), L'amour flou (2018) and The Apartment (1996).- Actress
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Helena Bonham Carter is an actress of great versatility, one of the UK's finest and most successful.
Bonham Carter was born May 26, 1966 in Golders Green, London, England, the youngest of three children of Elena (née Propper de Callejón), a psychotherapist, and Raymond Bonham Carter, a merchant banker. Through her father, she is the great-granddaughter of former Prime Minister Herbert H. Asquith, and her blue-blooded family tree also contains Barons and Baronesses, diplomats, and a director, Bonham Carter's great-uncle Anthony Asquith, who made Pygmalion (1938) and The Importance of Being Earnest (1952), among others. Cousin Crispin Bonham-Carter is also an actor. Her maternal grandfather, Eduardo Propper de Callejón, was a Spanish diplomat who was awarded the honorific Righteous Among the Nations, by Israel, for helping save Jews during World War II (Eduardo's own father was a Czech Jew). Helena's maternal grandmother, Hélène Fould-Springer, was from an upper-class Jewish family from France, Austria, and Germany, and later converted to her husband's Catholic faith.
Bonham Carter experienced family dramas during her childhood, including her father's stroke - which left him wheelchair-bound. She attended South Hampstead High School and Westminster School in London, and subsequently devoted herself to an acting career. That trajectory actually began in 1979 when, at age thirteen, she entered a national poetry writing competition and used her second place winnings to place her photo in the casting directory "Spotlight." She soon had her first agent and her first acting job, in a commercial, at age sixteen. She then landed a role in the made-for-TV movie A Pattern of Roses (1983), which subsequently led to her casting in the Merchant Ivory films A Room with a View (1985), director James Ivory's tasteful adaptation of E.M. Forster's novel, and Lady Jane (1986), giving a strong performance as the uncrowned Queen of England. She had roles in three other productions under the Merchant-Ivory banner (director Ivory, producer Ismail Merchant, and screenwriter Ruth Prawer Jhabvala): an uncredited appearance in Maurice (1987), and large roles in Where Angels Fear to Tread (1991) and Howards End (1992).
Often referred to as the "corset queen" or "English rose" because of her early work, Bonham Carter continued to surprise audiences with magnificent performances in a variety of roles from her more traditional corset-clad character in The Wings of the Dove (1997) and Shakespearian damsels to the dark and neurotic anti-heroines of Fight Club (1999). Her acclaimed performance in The Wings of the Dove (1997) earned her a Best Actress Academy Award nomination, a Golden Globe Best Actress nomination, a BAFTA Best Actress nomination, and a SAG Awards Best Actress nomination. It also won her a Best Actress Award from the National Board of Review, the Los Angeles Film Critics, the Boston Society Film Critics, the Broadcast Film Critics Association, the Texas Society of Film Critics, and the Southeastern Film Critics Association.
In the late 1990s, Bonham Carter embarked on the next phase of her career, moving from capable actress to compelling star. Audiences and critics had long been enchanted by her delicate beauty, evocative of another time and place. Her late '90s and early and mid 2000s roles included Mick Jackson's Live from Baghdad (2002), alongside Michael Keaton, receiving a nomination for both an Emmy and a Golden Globe; Paul Greengrass' The Theory of Flight (1998), in which she played a victim of motor neurone disease; Trevor Nunn's Twelfth Night (1996), in which she played Olivia; opposite Woody Allen in his Mighty Aphrodite (1995); Mort Ransen's Margaret's Museum (1995); Kenneth Branagh's Frankenstein (1994); and Franco Zeffirelli's Hamlet (1990).
Other notable credits include her appearance with Steve Martin in Novocaine (2001), Tim Burton's remake of Planet of the Apes, in which she played an ape, Thaddeus O'Sullivan's The Heart of Me (2002), opposite Paul Bettany, and Big Fish (2003), her second effort with Tim Burton, in which she appeared as a witch.
In between her films, Helena has managed a few television appearances, which include her portrayal of Jacqui Jackson in Magnificent 7 (2005), the tale of a mother struggling to raise seven children - three daughters and four autistic boys; as Anne Boleyn in the two-parter biopic of Henry VIII starring Ray Winstone; and as Morgan Le Fey, alongside Sam Neill and Miranda Richardson, in Merlin. Earlier television appearances include Michael Mann's Miami Vice (1984) as Don Johnson's junkie fiancée, and as a stripper who wins Rik Mayall's heart in Dancing Queen (1993). Helena has also appeared on stage, in productions of Trelawney of the Wells, The Barber of Seville, House of Bernarda Alba, The Chalk Garden, and Woman in White.
Bonham Carter was nominated for a Golden Globe for the fifth time for her role in partner Tim Burton's film adaptation of the Stephen Sondheim musical, Sweeney Todd: The Demon Barber of Fleet Street (2007), for which Burton and co-star Johnny Depp were also nominated. For the role, she was awarded Best Actress at the Evening Standard British Film Awards 2008. Other 2000s work includes playing Mrs Bucket in Tim Burton's massive hit Charlie and the Chocolate Factory (2005), providing the voices for the aristocratic Lady Campanula Tottington in Wallace & Gromit: The Curse of the Were-Rabbit (2005) and for the eponymous dead heroine in Tim Burton's spooky Corpse Bride (2005), and co-starring in Conversations with Other Women (2005) opposite Aaron Eckhart.
After their meeting while filming Planet of the Apes (2001), Bonham Carter and Tim Burton made seven films together. They lived in adjoining residences in London, shared a connecting hallway, and have two children: Billy Ray Burton, born in 2003, and Nell Burton, who was born in 2007. Ironically, a mutual love of Sweeney Todd was part of the initial attraction for the pair. Bonham Carter has said in numerous interviews that her audition process for the role of Mrs. Lovett was the most grueling of her career and that, ultimately, it was Sondheim who she had to convince that she was right for the role.- Agathe Bonitzer was born on 24 April 1989 in Paris, France. She is an actress, known for A Bottle in the Gaza Sea (2010), The Nun (2013) and Pardon My French (2009).
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Connie Booth was born on 2 December 1940 in Indianapolis, Indiana, USA. She is an actress and writer, known for Monty Python and the Holy Grail (1975), Monty Python's and Now for Something Completely Different (1971) and Fawlty Towers (1975). She has been married to John Lahr since 19 August 2000. She was previously married to John Cleese.- Actor
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Patrick Bouchitey was born on 11 August 1946 in Plancher-les-Mines, Haute-Saône, France. He is an actor and writer, known for Lune froide (1988), Lune froide (1991) and Auntie Danielle (1990).- Christophe Bourseiller was born on 27 September 1957 in Paris, France. He is an actor and writer, known for Pardon Mon Affaire (1976), LOL (Laughing Out Loud) (2008) and Pardon Mon Affaire, Too! (1977).
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For the past 30 years Miguel Bose has been a major force in Latin Music, crossing all genres but always maintaining an electronic beat. He grew up with Picasso and Ernest Hemingway, who where family friends. In 2007 to celebrate his 30 year career he made the album "Papito" in collaboration with major musical stars all over the world: Shakira, Laura Pausini, Michael Stip (REM), Gloria Gaynor, Ricky Martin, Paulina Rubio, to name a few.Dario Argento- Actor
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Billy Boyd was born in 1968 in Glasgow, Scotland, to Mary and William Boyd. The talented young boy, inspired by Star Wars to try acting, got his first taste of it in his school's production of Oliver Twist when he was 10. Boyd's parents were extremely supportive, driving over two hours to get him to the performances, but sadly they passed away when he was 12. He was thereafter raised by his grandmother. He realized that he enjoyed acting very much and told his school counselor that was what he wanted to be, but the counselor discouraged this choice and told him to "keep it secret". When he was 17 he left school and went to work in a book-binding workshop. He worked there 4 years as an apprentice and 2 years as a workman. Ironically, during the years he worked at the book-binders, the Lord of the Rings trilogy was printed and bound there, many copies bound by his hands. After the 6 years as a book-binder, he was thoroughly sick of it. Billy planned on going to America for a year, but before he went he called the Royal Scottish Academy of Music and Drama and asked about applying for when he got back. But it so happened that they still had space for that year and they asked him if he wanted to apply and he did. He was at the drama school in a 3-year course for his bachelor of arts degree, meanwhile studying everything from Shakespeare to puppet-making. During this time Billy had a few small roles in TV series such as "Down Amongst The Boys" and "Taggart". After graduating he performed in many plays like 'The Slab Boys', 'The Diary of Adrian Mole' etc. at The St. Andrews theatre which were his first paying roles. He then received a call from his agent about the Lord of the Rings movies and if he would like to audition for them. He went along not expecting much, but within a few months Peter Jackson came out to Scotland to meet him and to audition him personally. While rehearsing for a show he received a call from his agent who said that the part of Pippin had been offered to him - if he wanted it. The rest is history.- Actor
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John Boyega is a British actor, known for playing Finn in Star Wars: Episode VII - The Force Awakens (2015). Boyega rose to prominence in his native United Kingdom for his role of Moses in the 2011 sci-fi comedy film Attack the Block (2011), before attaining international recognition for his work as Finn in the seventh film of the Star Wars series.
Other credits include historical fiction drama film Half of a Yellow Sun (2013), four episodes of the television series 24: Live Another Day (2014), and the drama films Imperial Dreams (2014), The Circle (2017), and Detroit (2017).- Actor
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Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented Laurence Olivier in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of Tennessee Williams' A Streetcar Named Desire (1951) and a quarter-century after his last great performance as Col. Kurtz in Francis Ford Coppola's Apocalypse Now (1979), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of John Barrymore, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as Paul Muni and Fredric March. Only the luster of Spencer Tracy's reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.
Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister Jocelyn Brando was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown Henry Fonda, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.
Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in Last Tango in Paris (1972) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. Anthony Quinn, his Oscar-winning co-star in Viva Zapata! (1952) told Brando's first wife Anna Kashfi, "I admire Marlon's talent, but I don't envy the pain that created it."
Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School, and was mentored by Stella Adler, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.
Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in Fred Zinnemann's The Men (1950) for producer Stanley Kramer. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni John Garfield, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer Irene Mayer Selznick had chosen to play the lead in a new Tennessee Williams play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." Burt Lancaster was next approached, but couldn't get out of a prior film commitment. Then director Elia Kazan suggested Brando, whom he had directed to great effect in Maxwell Anderson's play "Truckline Café," in which Brando co-starred with Karl Malden, who was to remain a close friend for the next 60 years.
During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as Karl Malden and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young Pauline Kael, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.
The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of Jessica Tandy's Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.
For his part, Brando believed that the audience sided with his Stanley because Jessica Tandy was too shrill. He thought Vivien Leigh, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as Lee Strasberg at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and Stella Adler's husband, Harold Clurman, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience
Interestingly, Elia Kazan believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.
After A Streetcar Named Desire (1951), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in Viva Zapata! (1952), Julius Caesar (1953) and the summit of his early career, Kazan's On the Waterfront (1954). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in The Wild One (1953) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to Jon Voight, unprecedented in its audacious presentation of such a wide range of great acting. Director John Huston said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star John Gielgud, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.
It was this period of 1951-54 that revolutionized American acting, spawning such imitators as James Dean - who modeled his acting and even his lifestyle on his hero Brando - the young Paul Newman and Steve McQueen. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as Warren Beatty in Kazan's Splendor in the Grass (1961). "We are all Brando's children," Jack Nicholson pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like Désirée (1954) and The Teahouse of the August Moon (1956), he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.
In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, Sayonara (1957) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed One-Eyed Jacks (1961) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). Stanley Kubrick had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow Christiane Kubrick, Stanley believed that Brando had wanted to direct the film himself all along.
Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting One-Eyed Jacks (1961), Edward Dmytryk's filming of Irwin Shaw's novel The Young Lions (1958). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.
One-Eyed Jacks (1961) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.
Between the production and release of One-Eyed Jacks (1961), Brando appeared in Sidney Lumet's film version of Tennessee Williams' play "Orpheus Descending," The Fugitive Kind (1960) which teamed him with fellow Oscar winners Anna Magnani and Joanne Woodward. Following in Elizabeth Taylor's trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic Hollis Alpert had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed The Fugitive Kind (1960) finally released. Though Tennessee was hot, with movie versions of Cat on a Hot Tin Roof (1958) and Suddenly, Last Summer (1959) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, The Fugitive Kind (1960) was a failure. This was followed by the so-so box-office reception of One-Eyed Jacks (1961) in 1961 and then by a failure of a more monumental kind: Mutiny on the Bounty (1962), a remake of the famed 1935 film.
Brando signed on to Mutiny on the Bounty (1962) after turning down the lead in the David Lean classic Lawrence of Arabia (1962) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director Carol Reed (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner Lewis Milestone, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President John F. Kennedy asked director Billy Wilder at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.
Brando and Taylor, whose Cleopatra (1963) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's Mutiny on the Bounty (1962)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of The Ten Commandments (1956) and Ben-Hur (1959), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.
While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with Cleopatra (1963) co-star Richard Burton, remained hot until the tanking of her own Tennessee Williams-renamed debacle Boom! (1968), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.
Some of the films Brando made in the 1960s were noble failures, such as The Ugly American (1963), The Appaloosa (1966) and Reflections in a Golden Eye (1967). For every "Reflections," though, there seemed to be two or three outright debacles, such as Bedtime Story (1964), Morituri (1965), The Chase (1966), A Countess from Hong Kong (1967), Candy (1968), The Night of the Following Day (1969). By the time Brando began making the anti-colonialist picture Burn! (1969) in Colombia with Gillo Pontecorvo in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as Arthur Penn, John Huston and the legendary Charles Chaplin, and with such top-drawer co-stars as David Niven, Yul Brynner, Sophia Loren and Taylor.
The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to Laurence Olivier, as his friend William Redfield limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as Rod Steiger tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.
Despite evidence in such films as The Appaloosa (1966) and Reflections in a Golden Eye (1967) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.
Pauline Kael wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of John Barrymore, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious Candy (1968), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor Elia Kazan, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, The Arrangement (1969). However, after the assassination of Martin Luther King, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king Paul Newman in a surefire script, Butch Cassidy and the Sundance Kid (1969), Brando decided to make Burn! (1969) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as Howard Zinn. He subsequently appeared in the British film The Nightcomers (1971), a prequel to "Turn of the Screw" and another critical and box office failure.
Kazan, after a life in film and the theater, said that, aside from Orson Welles, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.
Truman Capote, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.
Charlton Heston, who participated in Martin Luther King's 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As Rod Steiger once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When James Mason' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be George C. Scott, by default.
Paramount thought that only Laurence Olivier would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. Francis Ford Coppola won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, The Godfather (1972), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous Last Tango in Paris (1972) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.
After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in Last Tango in Paris (1972)," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. Pauline Kael, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in Last Tango in Paris (1972) had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with Sam Peckinpah's summation of Pauline Kael: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.
After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after Jack Nicholson in Arthur Penn's The Missouri Breaks (1976), a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries Roots: The Next Generations (1979), portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of Raoni (1978), a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on Superman (1978). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day Harrison Ford set with K-19: The Widowmaker (2002). He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.
Before cashing his first paycheck for Superman (1978), Brando had picked up $2 million for his extended cameo in Francis Ford Coppola's Apocalypse Now (1979) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with George C. Scott and John Gielgud in The Formula (1980), but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in A Dry White Season (1989) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy The Freshman (1990), winning rave reviews. He portrayed Tomas de Torquemada in the historical drama 1492: Conquest of Paradise (1992), but his performance was denounced and the film was another box office failure. He made another comeback in the Johnny Depp romantic drama Don Juan DeMarco (1994), which co-starred Faye Dunaway as his wife. He then appeared in The Island of Dr. Moreau (1996), co-starring Val Kilmer, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.
Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of The Men (1950), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.- Actor
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Pierre Brasseur was born on 22 December 1905 in Paris, France. He was an actor and writer, known for Eyes Without a Face (1960), Children of Paradise (1945) and Gates of the Night (1946). He was married to Lina Magrini and Odette Joyeux. He died on 14 August 1972 in Bruneck, Trentino-Alto Adige, Italy.- Writer
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Catherine Breillat is a Paris based filmmaker and writer who became famous for her distinctively personal films on sexuality, gender trouble and sibling rivalry. Accused of being a "porno auteuriste", Breillat allowed for an unbiased view of sexuality and extended the language of mainstream movies. She is also a best-selling novelist and wrote her first novel, L'Homme Facile, at the age of 17. Breillat acted in Bernardo Bertolucci's Last Tango in Paris (1972) and wrote the screenplay for Maurice Pialat's movie Police (1985) . Since her first own film A Real Young Girl (1976), which was released 23 years after its shooting, Breillat explored critically as well as in an innovative way the perceptions imposed on female sexuality, related family and coming of age issues.- Actor
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Rugged features and a natural charm have worked for Josh Brolin, the son of actor James Brolin. He has played roles as a policeman, a hunter, and the President of the United States.
Brolin was born February 12, 1968 in Santa Monica, California, to Jane Cameron (Agee), a Texas-born wildlife activist, and James Brolin. Josh was not interested at first in the lifestyle of the entertainment business, in light of his parents' divorce, and both of them being actors. However, during junior year in high school, he took an acting class to see what it was like. He played Stanley in "A Streetcar Named Desire" and became hooked. His first major screen role was as the older brother in the film The Goonies (1985), based on a story by Steven Spielberg. He then immediately moved on to work on television, taking roles on such series as Pilot (1987) and The Young Riders (1989). "Private Eye" was a chance for Brolin to play a detective. "The Young Riders" was set just before the Civil War, and was co-directed by Brolin's father, James Brolin.
After The Young Riders (1989), Brolin moved back to the big screen, with mediocre success. He played a supporting role in The Road Killers (1994), but the film was not a success. He followed up with the crime film Gang in Blue (1996), the romantic film Bed of Roses (1996), the thriller film Nightwatch (1997), and appeared with his father in My Brother's War (1997). However, nothing truly stuck out, especially not the box office flop The Mod Squad (1999). The 2000s initially brought no significant change in Brolin's career. He appeared in the independent film Slow Burn (2000), the sci-if thriller Hollow Man (2000) and starred on the television series Mister Sterling (2003). In 2004, he married actress Diane Lane but later divorced in 2013.
It was not until 2007 that Brolin received much acclaim for his films. He took a supporting role in the Quentin Tarantino-written Grindhouse (2007) which was a two-part film accounting two horror stories. He also played two policemen that year: corrupt officer Nick Trupo in the crime epic American Gangster (2007), and an honest police chief in the emotional drama In the Valley of Elah (2007) which starred Tommy Lee Jones and was directed by Paul Haggis. However, it was his involvement in No Country for Old Men (2007) that truly pushed him into the limelight. The film, directed by the Coen brothers, was about a man (Brolin) who finds a satchel containing two million dollars in cash. He is pursued by an unstoppable assassin (Javier Bardem, who won an Oscar for his work) and his friend, a local sheriff (Tommy Lee Jones). The film won four Oscars, including Best Picture and Best Director.
Brolin found high-profile work the next year, being cast as Supervisor Dan White in the film Milk (2008). His performance as the weak and bitter politician earned him an Oscar nomination, and Brolin received more praise for his fascinating portrayal of George W. Bush in the Oliver Stone film W. (2008). Despite the mediocre success of W. (2008), he was recognized as the best part of the film, and Milk (2008) was another triumph, critically and commercially.
Brolin then acted in the smaller comedy Women in Trouble (2009) before landing a number of large roles in 2010. The first of these was the film based on the comic book figure Jonah Hex (2010). The film was a box office flop and critically panned, but Brolin also forged a second collaboration with legendary director Oliver Stone for Wall Street: Money Never Sleeps (2010). Brolin played a large role alongside such young stars as Carey Mulligan and Shia LaBeouf, and older thespians such as Michael Douglas, Eli Wallach, and Frank Langella. Brolin's character was Bretton James, a top banker in the film, and also the film's chief antagonist. Brolin also appeared in Woody Allen's London-based film You Will Meet a Tall Dark Stranger (2010) and a second collaboration with the Coen Brothers, which was a remake of True Grit (1969).
Despite his earlier mediocre success and fame, Brolin has maintained a choosiness in his films and, recently, these choices have paid off profoundly. Hopefully, he continues this streak of good fortune that his talents have finally given him.- Music Artist
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Patrick Bruel was born on May 14, 1959 in Tlemcen, Oran, France as Patrick Benguigui. He is one of the most famous French singer and actor, known for Le prénom (2012), and Un secret (2007). He was married to writer Amanda Sthers from September 2004 to 2008 . They have two children Oscar and Leon.- Producer
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Timothy Walter Burton was born in Burbank, California, to Jean Rae (Erickson), who owned a cat-themed gift shop, and William Reed Burton, who worked for the Burbank Park and Recreation Department. He spent most of his childhood as a recluse, drawing cartoons, and watching old movies (he was especially fond of films with Vincent Price). When he was in the ninth grade, his artistic talent was recognized by a local garbage company, when he won a prize for an anti-litter poster he designed. The company placed this poster on all of their garbage trucks for a year. After graduating from high school, he attended California Institute of the Arts. Like so many others who graduated from that school, Burton's first job was as an animator for Disney.
His early film career was fueled by almost unbelievable good luck, but it's his talent and originality that have kept him at the top of the Hollywood tree. He worked on such films as The Fox and the Hound (1981) and The Black Cauldron (1985), but had some creative differences with his colleagues. Nevertheless, Disney recognized his talent, and gave him the green light to make Vincent (1982), an animated short about a boy who wanted to be just like Vincent Price. Narrated by Price himself, the short was a critical success and won several awards. Burton made a few other short films, including his first live-action film, Frankenweenie (1984). A half-hour long twist on the tale of Frankenstein, it was deemed inappropriate for children and wasn't released. But actor Paul Reubens (aka Pee-Wee Herman) saw Frankenweenie (1984), and believed that Burton would be the right man to direct him in his first full-length feature film, Pee-wee's Big Adventure (1985). The film was a surprise success, and Burton instantly became popular. However, many of the scripts that were offered to him after this were essentially just spin-offs of the film, and Burton wanted to do something new.
For three years, he made no more films, until he was presented with the script for Beetlejuice (1988). The script was wild and wasn't really about anything, but was filled with such artistic and quirky opportunities, Burton couldn't say no. Beetlejuice (1988) was another big hit, and Burton's name in Hollywood was solidified. It was also his first film with actor Michael Keaton. Warner Bros. then entrusted him with Batman (1989), a film based on the immensely popular comic book series of the same name. Starring Michael Keaton and Jack Nicholson, the film was the most financially successful film of the year and Burton's biggest box-office hit to date. Due to the fantastic success of his first three films, he was given the green light to make his next film, any kind of film he wanted. That film was Edward Scissorhands (1990), one of his most emotional, esteemed and artistic films to date. Edward Scissorhands (1990) was also Burton's first film with actor Johnny Depp. Burton's next film was Batman Returns (1992), and was darker and quirkier than the first one, and, while by no means a financial flop, many people felt somewhat disappointed by it. While working on Batman Returns (1992), he also produced the popular The Nightmare Before Christmas (1993), directed by former fellow Disney Animator Henry Selick. Burton reunited with Johnny Depp on the film Ed Wood (1994), a film showered with critical acclaim, Martin Landau won an academy award for his performance in it, and it is very popular now, but flopped during its initial release. Burton's subsequent film, Mars Attacks! (1996), had much more vibrant colors than his other films. Despite being directed by Burton and featuring all-star actors including Jack Nicholson, Glenn Close, Pierce Brosnan and Michael J. Fox, it received mediocre reviews and wasn't immensely popular at the box office, either.
Burton returned to his darker and more artistic form with the film Sleepy Hollow (1999), starring Johnny Depp, Christina Ricci and Casper Van Dien. The film was praised for its art direction and was financially successful, redeeming Burton of the disappointment many had felt by Mars Attacks! (1996). His next film was Planet of the Apes (2001), a remake of the classic of the same name. The film was panned by many critics but was still financially successful. While on the set of Planet of the Apes (2001), Burton met Helena Bonham Carter, with whom he has two children. Burton directed the film Big Fish (2003) - a much more conventional film than most of his others, it received a good deal of critical praise, although it disappointed some of his long-time fans who preferred the quirkiness of his other, earlier films. Despite the fluctuations in his career, Burton proved himself to be one of the most popular directors of the late 20th century. He directed Johnny Depp once again in Charlie and the Chocolate Factory (2005), a film as quirky anything he's ever done.- Actor
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Pierce Brendan Brosnan was born in Drogheda, County Louth, Ireland, to May (Smith), a nurse, and Thomas Brosnan, a carpenter. He lived in Navan, County Meath, until he moved to England, UK, at an early age (thus explaining his ability to play men from both backgrounds convincingly). His father left the household when Pierce was a child and although reunited later in life, the two have never had a close relationship. His most popular role is that of British secret agent James Bond. The death, in 1991, of Cassandra Harris, his wife of eleven years, left him with three children - Christopher and Charlotte from Cassandra's first marriage and Sean from their marriage. Since her death, he has had two children with his second wife, Keely Shaye Brosnan.
Brosnan is most famous for starring in the TV series Remington Steele (1982) as the title character, as well as portraying famous movie character James Bond in GoldenEye (1995), Tomorrow Never Dies (1997), The World Is Not Enough (1999) and Die Another Day (2002).- Director
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Belonging to a well-situated family, Charles Browning fell in love at the age of 16 with a dancer of a circus. Following her began his itinerary of being clown, jockey and director of a variety theater which ended when he met D.W. Griffith and became an actor. He made his debut in Intolerance (1916). Working later on as a director, he had his first success with The Unholy Three (1925) (after about 25 unimportant pictures) which had his typical style of a mixture of fantasy, mystery and horror. His biggest hit was the classic Dracula (1931), in which he also appears as the voice of the harbor master.- Actor
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Daniel Brühl was born in Barcelona, Spain. His father was German TV director Hanno Brühl (1937-2010), who was born in São Paulo, Brazil. His Spanish mother was a teacher. He also has a brother and a sister, Oliver and Miriam. Shortly after his birth, his family moved to Cologne, Germany, where he grew up and attended the Dreikönigsgymnasium. Brought up in a fully multilingual home, he speaks fluent German, English, Portuguese, Spanish, French and Catalan.- Writer
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The father of cinematic Surrealism and one of the most original directors in the history of the film medium, Luis Buñuel was given a strict Jesuit education (which sowed the seeds of his obsession with both religion and subversive behavior), and subsequently moved to Madrid to study at the university there, where his close friends included Salvador Dalí and Federico García Lorca.
After moving to Paris, Buñuel did a variety of film-related odd jobs in Paris, including working as an assistant to director Jean Epstein. With financial assistance from his mother and creative assistance from Dalí, he made his first film, the 17-minute Un chien andalou (1929), in 1929, and immediately catapulted himself into film history thanks to its shocking imagery (much of which - like the sliced eyeball at the beginning - still packs a punch even today). It made a deep impression on the Surrealist Group, who welcomed Buñuel into their ranks.
The following year, sponsored by wealthy art patrons, he made his first feature, the scabrous witty and violent L'Age d'Or (1930), which mercilessly attacked the church and the middle classes, themes that would preoccupy Buñuel for the rest of his career. That career, though, seemed almost over by the mid-1930s, as he found work increasingly hard to come by and after the Spanish Civil War he emigrated to the US where he worked for the Museum of Modern Art and as a film dubber for Warner Bros.
Moving to Mexico in the late 1940s, he teamed up with producer Óscar Dancigers and after a couple of unmemorable efforts shot back to international attention with the lacerating study of Mexican street urchins in The Young and the Damned (1950), winning him the Best Director award at the Cannes Film Festival.
But despite this new-found acclaim, Buñuel spent much of the next decade working on a variety of ultra-low-budget films, few of which made much impact outside Spanish-speaking countries (though many of them are well worth seeking out). But in 1961, General Franco, anxious to be seen to be supporting Spanish culture invited Buñuel back to his native country - and Bunuel promptly bit the hand that fed him by making Viridiana (1961), which was banned in Spain on the grounds of blasphemy, though it won the Palme d'Or at the Cannes Film Festival.
This inaugurated Buñuel's last great period when, in collaboration with producer Serge Silberman and writer Jean-Claude Carrière he made seven extraordinary late masterpieces, starting with Diary of a Chambermaid (1964). Although far glossier and more expensive, and often featuring major stars such as Jeanne Moreau and Catherine Deneuve, the films showed that even in old age Buñuel had lost none of his youthful vigour.
After saying that every one of his films from Belle de Jour (1967) onwards would be his last, he finally kept his promise with That Obscure Object of Desire (1977), after which he wrote a memorable (if factually dubious) autobiography, in which he said he'd be happy to burn all the prints of all his films- a classic Surrealist gesture if ever there was one.