Mount Sinai Los Angeles, CA
The men and women who were interred at Mount Sinai Memorial Park in Los Angeles, California.
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- Producer
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By the early 1950s, future movie mogul Samuel Z. Arkoff was a brash 30-ish lawyer scratching out a living by representing his in-laws and the Hollywood fringe, which included many of now infamous director/angora-clad transvestite Edward D. Wood Jr.'s social circle. As a shark, Arkoff was physically imposing and capable of scaring the snot out of anyone who opposed him. One of his penny ante clients was Alex Gordon, a screenwriter who had submitted an unsolicited script to Realart Pictures, an outfit that was profitably re-releasing 20-year-old movies, often under new titles conjured up by its owner, Jack Broder. One such film, Man Made Monster (1941), had just been re-issued as "The Atomic Monster", coincidentally the same title of Gordon's screenplay. Arkoff, smelling blood in the water, paid Broder a visit and, incredibly, obtained a $500 settlement. Broder's sales manager, James H. Nicholson, was dumbfounded by Arkoff's ability to extract a dime, let alone $500, out of his notoriously tightfisted boss. He met with Arkoff and proposed a partnership, which led to the formation of American Releasing Corp. in 1954. The company's first release was Monster from the Ocean Floor (1954), a low-budget feature by 29-year-old producer'Roger Corman'. Made for less than $50,000, it netted $850,000 and Corman was brought into the fold as a silent partner. By 1955 the company was renamed American-International Pictures, generally known as AIP in the industry. Initially focusing on westerns on the premise that shooting on location was cheaper than renting space in a studio. Although the films were profitable, Arkoff was unhappy with the returns and solicited theater owners for advice on what types of films filled seats.
By the mid-'50s, thanks to television, movie audience numbers had dwindled considerably, with the key demographic now teenagers and young adults, who craved horror movies and, especially, drive-ins (where they could gather together without their parents). AIP jumped into the horror genre with both feet and made a fortune. Under the aegis of Nicholson and Arkoff, the company survived in a constricting industry by catering to the whims of the teenage trade and adapting to trends. AIP's long (350-plus) roster of kitsch classics, running the gamut from horror to rock-'n'-roll, from juvenile delinquency to Italian muscle men and from Edgar Allan Poe to Annette Funicello, have formed their own unique niche in film history. His company became infamous for clever advertising schemes that were often more entertaining than the films themselves. Arkoff never tolerated egos and his films were more often than not profitable, thanks to tight budgets and a clear understanding of the company's target market. After Nicholson's 1972 resignation, Arkoff assumed full control of the company and remained in charge until the 1979 merger with Filmways prompted his own departure. He then became the head of Arkoff International Pictures.Plot: Zion 5- Bambi Allen was born on 2 May 1938 in Illinois, USA. She was an actress, known for Hell's Bloody Devils (1970), Satan's Sadists (1969) and Angels Die Hard (1970). She died on 21 January 1973 in Los Angeles, California, USA.Plot: Maimonides 17, L-6130, space 3
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A graduate of New York's Columbia School of Journalism, Irwin Allen was a magazine editor, the producer/director of a radio show and the owner of an advertising agency before entering film production in the 1950s. His documentary, The Sea Around Us (1953), won an Academy Award. A successful TV series producer (The Time Tunnel (1966), Lost in Space (1965)), Allen was nicknamed "The Master of Disaster" in the 1970s due to the tremendous success of his two special effects-laden epics, The Poseidon Adventure (1972) and The Towering Inferno (1974).- Art Aragon was born on 13 November 1927 in Belen, New Mexico, USA. He was an actor, known for Fat City (1972), Off Limits (1952) and To Hell and Back (1955). He died on 25 March 2008 in Northridge, Los Angeles, California, USA.
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John Alderman was a talented, prolific, and ubiquitous actor in numerous low-budget exploitation features who appeared in everything from 1960s softcore items to 1970s drive-in fare to 1980s hardcore porn throughout the course of his long and diverse career.
Alderman was born on June 12, 1934, in Syracuse, New York. His father was a prominent lawyer. Alderman attended Syracuse University as a theater major. He first began acting in both films and TV shows alike in the late 1950s, alternating between lead and co-starring roles. His most memorable parts include pathetic twitchy heroin addict Jimmy Devlin in the gloriously lurid The Hard Road (1973), antsy hoodlum Lattimer in This Is a Hijack (1973), a flunky for Shelley Winters in Jack Starrett's delightful blaxploitation blast Cleopatra Jones (1973), stuttering drug dealer Cockroach in The Black Godfather (1974), uptight all-girls school principal Dr. Baxter in the amusing Delinquent School Girls (1975) and coldly rational researcher Dr. Frank Rogers in the nifty sci-fi doomsday thriller The Alpha Incident (1978). Alderman appeared in four softcore movies for legendary schlockmeister David F. Friedman: Starlet! (1969), Thar She Blows! (1968), The Erotic Adventures of Zorro (1972) and Trader Hornee (1970). Although he primarily worked in maverick independent cinema productions, he nonetheless did manage to pop up in the occasional mainstream film like Escape from the Planet of the Apes (1971) and The Stunt Man (1980).
In the early 1980s Alderman acted in a handful of hardcore X-rated porno films for director Gary Graver, under the pseudonym Frank Hallowell. Among the TV shows Alderman appeared on are Hunter (1984), Dynasty (1981), The Fall Guy (1981), Starsky and Hutch (1975), Iron Horse (1966), 12 O'Clock High (1964), The Lieutenant (1963), Checkmate (1960), Wanted: Dead or Alive (1958), Hawaiian Eye (1959), Wagon Train (1957) and Gunsmoke (1955). He directed the crime opus Lisa's Folly (1970) and co-wrote the script for the lowbrow comedy romp C.B. Hustlers (1976).
John Alderman died at age 52 of an apparent heart attack on January 12, 1987, in Hollywood, California.Plot: Maimonides 13, L-7277, space 2- Writer
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Danny Arnold was born on 23 January 1925 in New York City, New York, USA. He was a writer and producer, known for Barney Miller (1975), My World and Welcome to It (1969) and That Girl (1966). He was married to Donna Cooke and Joanne Gilbert. He died on 19 August 1995 in Los Angeles, California, USA.Plot: Courts of Heritage, Crypt 29-J- Actress
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Eleanor Audley was an American actress, with a distinctive voice that helped her find work as a voice actress in radio and animation. She is primarily remembered as the first actress to voice Lady Tremaine and Maleficent, two of the most memorable Disney villains.
Audley's real name was Eleanor Zellman, and she was from New York City. She was Jewish, but little is known about her family background and she apparently never married.
She made her acting debut in 1926, aged 20, at the Broadway production of "Howdy, King". She remained primarily a theatrical actress through the 1920s and the 1930s. During the 1940s, Audley started playing a number of prominent roles in radio serials. Among them was mother-in-law Leticia Cooper in "My Favorite Husband" (1948-51), receptionist Molly Byrd in "The Story of Dr. Kildare" (1949-51), and neighbor, Elizabeth Smith in "Father Knows Best" (1949-54).
Audley was hired by Disney to play the role of wealthy widow Lady Tremaine in the animated feature film "Cinderella" (1950). Audley was also used as the live-action model of the character, and her facial features were used by the animators who designed the character. In the film, Lady Tremaine is depicted as the abusive stepmother of Cinderella (voiced by Ilene Woods) and the domineering mother of Anastasia Tremaine (voiced by Lucille Bliss) and Drizella Tremaine (voiced by Rhoda Williams). The film was a box office hit, and its profits helped rescue the Disney studio from a financial decline that had lasted for almost a decade.
For the rest of the decade, Audley appeared regularly in supporting roles in film, and guest roles in television. She returned to animation when hired to voice the evil fairy Maleficent in "Sleeping Beauty" (1959). As before, Audley was also used as a live-action model for the character. During the film's production, Audley was struggling with tuberculosis, While nominally the villain, Maleficent received more screen-time in the finished film than titular protagonist Princess Aurora (voiced by singer Mary Costa).
"Sleeping Beauty" had box office receipts of more than $51 million in the U.S. and Canada, against a budget of $6 million. It finished the year second in ticket sales, behind the number one film, "Ben-Hur." Audrey was not invited to voice other villains. The film earned critical and popular acclaim through later re-releases, and Maleficent has been revived many times by Disney. But never with her original voice actress.
In the 1960s, Audley played supporting roles in then-popular television series. Among her most prominent roles were Irma Lumpk in "The Many Loves of Dobie Gillis", Peggy Billings in "The Dick Van Dyke Show", Millicent Schuyler-Potts in "The Beverly Hillbillies" , Aunt Martha in "Mister Ed", Jenny Teasley in "Pistols 'n' Petticoats", Eunice Douglas in "Green Acres", and Beatrice Vincent in "My Three Sons".
Audley worked with Disney again to voice psychic medium Madame Leota in the Haunted Mansion attractions in Disneyland and Walt Disney World. Leota is depicted as a ghost who communicates with the living, and other actresses have since voiced the character.
Her long career ended prematurely in the 1970s, due to increasingly poor health. She lived in retirement until her death in 1991, at the age of 86. The cause of death was respiratory failure. Audley was interred at the Mount Sinai Memorial Park Cemetery in Los Angeles. Her character of Madame Leota received its own tombstone in 2001. The epitaph reads: "Dear sweet Leota, beloved by all. In regions beyond now, but having a ball."Plot: Kedron 10, L-7191, space 4- Actor
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Dave Barry was a trailblazing stand-up comedian who began his comedy, acting and voice-over career at age 17. He played his first professional gig at New York's old Palace Theater in April of 1935. The young comedic talent (born Dave Siegel, and then changing legally to Dave Barry in the early 1940s) was the son of a furniture store owner in Brooklyn, calling himself an "amateur cartoonist and sign painter" when he made his debut in April 1935 on the radio talent show "Major Edward Bowes and the Original Amateur Hour." Bowes radio show encouraged listeners to vote for favorite acts either by calling the station in New York or sending in a postcard. The act that gained the most votes won the opportunity to go on a road tour with one of Major Bowes' touring "units," making $50 weekly plus meals. Barry was a hit with listeners, winning several contests and Major Bowes signed him to a contract for live shows. Bowes became Barry's first mentor, schooling him on showbiz and suggesting that Barry hang out by the New York docks to soak up the funny sounds and things he heard.
Barry next cut his comedic chops on the vaudeville stage, touring for almost 7 years with Major Bowes units, handling emcee chores and featured in a nightly comedy slot among a troupe of variety acts doing 35 shows a week across the 48 states, including Mexico and Canada. Constant work followed during which he played theaters nationwide with acts such as Paul Winchell, Jack Carter, George Liberace, Beverly Sills, Glen Gray, Jimmy Dorsey, and Charlie Barnet. Dave Barry was given a headline spot in Bowes unit #1 in June 1935, opening in Houston Texas and learning the showbiz ropes, surrounded by many future luminaries. It was on the road that he met beautiful singer Ginny Wayne (Ginger Seiden), who was also working the same unit. The two married while touring in 1940, garnering a standing rousing ovation from their fellow performers during a ceremony in between shows. They had their first son (Alan) while on the road in August 1941, just a few months before the attack at Pearl Harbor and the beginning of WW2.
Barry built up a reputation as a dependable stand-up comic and impersonator, entertaining troops during his military service in World War II while serving at Camp Roberts CA where he became an army sergeant in June 1944. He performed on radio often (Command Performance USO, Major Bowes, The Connee Boswell show) and while attached to the army's Special Services Unit he spent his short stint in the war doing what he did best - entertaining servicemen and women at home & overseas with luminaries such as Red Skelton, Eddie Cantor, Mary Pickford, Jimmy Durante, The Mills Brothers, Frank Sinatra and Bob Hope. In 1945 he came to Hollywood landing a spot at Billy Gray's Band Box, a popular comedy club and dinner bistro on Fairfax Blvd. His drawl humor and smart impersonations scored immediately with the Band Box crowd, and Barry was held over for months. It was here that his work attracted the attention of local radio and film execs, bringing the lad plenty of radio appearances and finally a permanent berth on the Jimmy Durante radio show.
Jimmy Durante became Barry's mentor, bringing him under his wings for his 1947-1948 radio broadcasts, with Barry regularly appearing in cameos doing gags and sounds, and as "Mr Ripple," the Commissioner of Waterways. On some episodes, his six year old son Alan Barry would chime in as his youthful cherub "Trickle." Guest stars on Durante's popular show included Bob Hope, Van Johnson, Rose Marie, and Frank Morgan - the well known Wizard in The Wizard of Oz (1939). Barry also did a short lived "Hollywood Showcase" radio show with Mickey Rooney in July of 1947. All the while, Barry was also working his stage show jokes & gags - honing and testing them for bigger laughs. In December of 1948 Barry made his very first TV appearance on "Toast Of The Town" with Ed Sullivan, just as the new TV medium was about to begin its golden age.
Barry excelled at mimicry and mastered an endless stream of accents/dialects and offbeat sounds (in fact at the start of his stage work he advertised himself as an impressionist). He based his routines on the everyday happenings of "Mr. Average" -things that happen at home, problems with money, and the trials and tribulations with the wife and kids. When Barry moved to Hollywood, he sought out more cartoon voice work and signed contracts with Columbia, Warner Brothers, Disney, Republic Pictures, and Screen Gems. He was initially sought-after as an animation voice artist in the 1930's at the age of just 18, hired by the legendary Warner Bothers (Merrie Melodies) mogul Leon Schlesinger with the Hollywood themed The CooCoo Nut Grove (1936) where he voiced actor Ned Sparks, Porky's Road Race (1937) and then a year later with Disney with the star studded Mother Goose Goes Hollywood (1938). Barry partnered with the most creative minds of early animation, and cartoon voice work (especially celebrities) became a lucrative side gig supplementing his comedy résumé. During a 1942 Miami stand-up performance, he was doing his act at a hotel when a man from the audience (who worked for the Miami based Famous Studios) approached him at the bar after the show. He said they needed a deeply baritone voice for Popeye's arch nemesis Bluto in a series of Popeye features. Barry got the Miami cartoon job starting with Kickin' the Conga Round (1942). Ultimately Barry provided the swaggering voice for Bluto between 1942 and 1944, and worked on six Popeye features.
Barry's cartoon work grew along with his reputation, voicing more than 50 credited (and mostly uncredited) features . His most sought-after skills were foreign dialects and uncannily impersonating celebrities of the period including Groucho Marx, Humphrey Bogart, Cary Grant, James Cagney and Clark Gable, which he did with gusto in countless Looney Tunes and Merrie Melodies cartoons. He also voiced Elmer Fuddstone in Pre-Hysterical Hare (1958), standing in for Arthur Q. Bryan when he was taken ill and was not able to voice him. For Looney Tunes, Dave Barry became best known for numerous appearances of Humphrey Bogart and other classic celebrities in cartoons such as "Bacall to Arms (1946)," "8 Ball Bunny (1950)" and the star studded "Hollywood Steps Out (1941)." He also voiced many nameless background characters.
Barry also performed a bevy of distinctive radio voices for the famous "Marilyn Monroe Is Getting Married" radio episode on the Edgar Bergen show, aired October 26th 1952 with Marilyn Monroe and Bergen's ventriloquist dummy Charlie McCarthy.
Barry continued to find his sweet spot with clean but punchy jokes about the everyday guy or gal; hilarious stories about wives who can't drive straight, long-haired kids who won't get a haircut and sexy bald men like himself who get stopped by the cops after a few too many drinks. Barry's comedic stage work in Las Vegas started around 1945, just as the dessert town became a magnet for top entertainment. Starting at the newly opened El Rancho and Dessert Inn Hotels, Barry became a fixture in Vegas for over 5 decades. In these early Vegas days before the strip (with junket buses bringing in gamblers from nearby Los Angeles), Barry performed in luxurious smoke-filled showrooms with singers Marilyn Maxwell, Sunny Skylar, Betty Grable, Ethel Smith, Frank Sinatra, Anna Maria Alberghetti, Peggy Lee, Lena Horne, Nat 'King' Cole, Liberace and Jane Powell. During his decades in Vegas, he played at nearly every resort including The Dunes, The Stardust, The Royal Nevada, The Riviera, and what was originally known as The Last Frontier. In the 1950s he performed his impressions and fast-paced gags at the El Cortez and newly opened Flamingo opened by the infamous mobster Bugsy Siegel (no relation to Barry). While at The Flamingo, Barry performed comedy opening for soprano Tony Martin and Rose Marie.
In addition to Vegas, Barry also appeared in comedy clubs (nightery dates) across the USA: Chicago (Chez Paree), San Francisco (Bimbo 365), New York (The Paramount), Austin TX (The Paramount), Florida (The Americana) Palm Springs (The Chi Chi and Palm House), and Los Angeles (Billy Grays Band Box. The Moulin Rouge, Cocoanut Grove, Ciros).
Constant back-to-back nightclub work across the USA paired Barry with glittering names of the period including Sammy Davis Jr., Judy Garland, Della Reese, Frank Sinatra, Liberace, The Four Step Brothers, Gypsy Rose Lee and Tommy Dorsey. In June 1949 Barry was flown in for a one month engagement at the London Palladium paired with The Marx Brothers (Harpo Marx and Chico Marx).
Voice-over work, inevitably, came second to his growing vocation as a busy Vegas comedian and entertainer. In the early 1950's Barry pivoted from stage and radio to the new medium of television and garnered appearances during TV's golden age including The Colgate Comedy Hour (1950), The Jackie Gleason Show (1952), Perry Como's Kraft Music Hall (1948) and appearing eight separate times on The Ed Sullivan Show (1948) - including the third highly anticipated USA appearance by The Beatles in February 1964 in a prerecorded segment. He appeared in 1952 with Eddie Cantor in a Colgate Comedy Hour Maxie The Taxi sketch with the immensely popular Eddie Cantor at the time. From there he appeared as himself doing his stand up-act or skits in numerous shows including "All Star Revue (1950)," and "The Jackie Gleason Show (1952) ."
As Dave Barry's confidence grew, he was offered film roles. His first cameo role was as tough guy Eddie Steele in the 1947 picture Joe Palooka in the Knockout (1947), playing a carnival barker who gets quickly knocked off. The next year in 1948 Barry was cast as the smartly dressed (but odd) interior decorator "Mr. Ripple" in Marilyn Monroe's third feature film, Ladies of the Chorus (1948) using his distinctive gurgle voice that he was using on Durante's radio show. Other movies followed, including Playgirl (1954) with Shelley Winters where Barry played the sneezing Photographer Jonathan Hughes. Barry morphed into his hilarious role of the pianist Señor Palumbo in the popular Bowery Boys High Society (1955). For this more physically comedic role, Barry played a cross-eyed candelabra impression of Liberace, which he had been using to great effect as a stage gag.
Barry also began to get some serious roles for a variety of TV series - playing a gangster kingpin on death row in 87th Precinct (1961), a bookie in a barbershop Going My Way (1962), or as a jewel thief in M Squad (1957).
But Dave Barry's most iconic movie role landed by happenstance in 1959 with Billy Wilder's hilarious romp Some Like It Hot (1959) where he played the bespectacled "Bienstock," the manager of the all-girl band with Marilyn Monroe, Tony Curtis, and Jack Lemmon. It was this role that marked the pinnacle of all his work in a movie widely called one of the funniest comedies of all time,
"What is this part?" Barry asked his agent, trying out initially for a minor part in the film. "It will be four days in a great movie," the agent promised. However at the audition, director Billy Wilder watched Barry's performance and took a moment, then looked at writer I.A.L. Diamond and announced, "Its Bienstock!" Diamond agreed, "Bienstock!"
Barry called his agent and quizzically asked, "What the hell is a Bienstock?" "Dave that's four paid weeks in the movie!" his agent explained.
In 1966 Barry also made a brief cameo appearance with the legendary Elvis Presley as his manager Harry in the movie Spinout (1966). He was also heard in Roger Corman film "The Raven (1963)," making sounds for the title character and dubbing voices for Peter Lorre and Vincent Price.
On November 30, 1965 Dave Barry opened for legendary singer Judy Garland at the Sahara Congo Room for a 2 week engagement of sold out shows, backed by the 30-piece Louis Basil orchestra. In 1966 Barry was signed as the headliner for the Desert Inn's lavish musical revue "Hello America." Highlights of the Donn Arden produced Vegas show included the sinking of the Titanic, a recreation of the San Francisco earthquake, and a mid-air butterfly ballet. One of the newly hired showgirls was a young unknown actress by the name of Goldie Hawn, who was apparently fired by producer Arden after only three weeks. The long running show was popular, and when "Hello America" closed at the Crystal Room in March of 1967, it had reportedly entertained over a million people.
"I'm the kind of comic who fits here," Barry told The New York Times about his 5 decades in Vegas. "My jokes are short and punchy. I give the audience no time to think. They've been saturated with free drinks in the casino - to give them cerebral comedy would be deadly. I think the people from Keokuk Iowa want to hear something they don't hear there - something a little risqué, a little salty, but not too much."
For nearly a decade in Vegas, Dave Barry provided opening act laughs for legendary "Midnight Idol" Wayne Newton working in the early 1970's at all of the Howard Hughes owned hotels including The Sands, The Desert Inn and The Frontier. He was also a founding member of the Friars Club in Beverly Hills, and for decades roasted longtime showbiz pals like Phyllis Diller, George Jessel, Phil Silvers, Arnold Schwarzenegger and Milton Berle.
Barry continued to do stand-up well into the late 1990's, plying his craft in Las Vegas at the Comedy Store, on cruise ships and as a member of the cast of The Fabulous Palm Springs Follies, a throwback to the Ziegfeld Follies replete with vaudeville acts, lavish production numbers and a bevy of statuesque over 60 showgirls in feathers and rhinestones.
Dave Barry's trademark one liners lasted until the final gags. At one of his last shows lamenting a gig on a cruise ship, Barry recalled "Some of those people were so old I didn't know whether to say hello or goodbye! The late show was at 2 o'clock. Anybody with their own teeth was overdressed."Plot: Garden of Heritage, Main Level, South Wall- André Baruch was born on 20 August 1908 in Paris, France. He was an actor, known for On the Wing (1938), Skating Lady (1946) and Antique Antics (1952). He was married to Bea Wain. He died on 15 September 1991 in Beverly Hills, California, USA.Plot: Gardens of Heritage, Main Level, Crypt 104B
- Wolfe Barzell was born on 1 September 1897 in Staszów, Poland, Russian Empire [now Staszów, Swietokrzyskie, Poland]. He was an actor, known for Atlantis: The Lost Continent (1961), Frankenstein's Daughter (1958) and The Blue Angel (1959). He died on 14 February 1969 in Acapulco, Mexico.Plot: Moses 19, L-5356, space 1
- Cute, tiny, and prolific little old lady character actress Frances Bay worked constantly in both films and TV shows alike after making her debut at the age of 59 in life with a small part in the comedy Foul Play (1978) in 1978.
She frequently portrayed eccentric elderly women and good-hearted grandmothers in all kinds of pictures and television programs. Frances acted several times for David Lynch: she's Kyle MacLachlan's sweet doddery aunt in Blue Velvet (1986), a gruff, profane whorehouse madam in Wild at Heart (1990), and the spooky Mrs. Tremond in the cult TV series Twin Peaks (1990) and its spin-off feature Twin Peaks: Fire Walk with Me (1992). Frances popped up in two movies for director Stuart Gordon: she's a kind witch in The Pit and the Pendulum (1991) and a fortune teller in Edmond (2005).
Other notable film roles include a snippy librarian in The Attic (1980), a mysterious blind nun in the offbeat Nomads (1986), another librarian in In the Mouth of Madness (1994), and Adam Sandler's loving grandmother in the hit comedy Happy Gilmore (1996). Frances had the unique distinction of guesting on the final episodes of the TV shows Happy Days (1974), Who's the Boss? (1984), and Seinfeld (1989).
Among the many TV series Bay had guest spots on are Charmed (1998), ER (1994), Matlock (1986), The X-Files (1993), Murder, She Wrote (1984), The Commish (1991), L.A. Law (1986), Hill Street Blues (1981), Touched by an Angel (1994), The Golden Girls (1985), and Amazing Stories (1985).
She won a Gemini Award for her performance in the Disney TV program Avonlea (1990). Frances was also in the music video for Jimmy Fallon's "Idiot Boyfriend." In addition to her substantial movie and TV credits, Bay also acted in both Off-Broadway stage productions and regional theater; these plays include "Finnegan's Wake," "Grease," "Genuis," "The Caucasion Chalk Circle," "Number Our Days," "Uncommon Women," "Sarcophagus," and "The Pleasure of His Company." Frances won two DramaLogue Awards and was nominated for a Los Angeles Dramatic Critics' Award.
In 2002 Bay was the unfortunate victim of an automobile accident which resulted in having part of her right leg amputated. Her husband Charles sadly died in 2002 as well.
In real life Frances Bay was a very practical and unassuming woman with an avid love for jazz music. - Actor
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The character actor Herschel Bernardi was born into a theatrical family on October 30, 1923, in New York, New York. The Yiddish-language theater in the United States was centered in New York City's Lower East Side, on Second Avenue, and the Bernardi family were stage people who plied their craft in Yiddish, as did the Adler Family (Jacob and his children Luther and Stella), Paul Muni and the young Sidney Lumet. The young Herschel was a trouper and appeared on the stage as a child and as a teenager. As a teen, he appeared in the movies Green Fields (1937) and Yankel the Blacksmith (1939), which were shot in Yiddish and directed by future Hollywood B-movie director Edgar Ulmer.
The adult Bernardi, who briefly used the name "Harold" professionally in place of the more ethnic-sounding "Herschel," appeared in bit parts in Hollywood B pictures. In the early 1950s, his movie and television career suffered when he was blacklisted for alleged communist sympathies. After being cleared, Bernardi began to work steadily on TV, in the movies and on the stage.
In 1958, he made his first impact on popular American culture as Lieutenant Jacoby, the hapless policeman who was a friend of Craig Stevens's eponymous private detective Peter Gunn (1958) in Blake Edwards' influential TV series. "Peter Gunn" was heavily indebted to film noir, German expression, and California cool jazz, and the contrast of the harassed Jacoby with the coolly patrician Gunn was part of the dynamic that drove the series. For his role as Lt. Jacoby, Herschel Bernardi received his sole Emmy nomination, in 1959.
Possessed of a resonant voice, Bernardi did a lot of voice over work on television, providing the "Ho ho ho!" of the Jolly Green Giant and the voice of Charley the Tuna in TV commercials. Most famously, he used his singing voice to take over for Zero Mostel as Tevye the milkman in the Broadway musical Fiddler on the Roof (1971), which was a smash hit when it debuted in 1964. In addition to two stints on Broadway, in both the original show and the revival, Bernardi played Tevye in several road show tours. He was nominated for a Tony in the Broadway revival. He received his first Tony nomination in 1969 for playing the lead in the musical "Zorba."
Off the Broadway stage, Herschel Bernadi was a supporting character owing to his average face. Yet in 1970, Bernardi finally played a leading man in a filmed entertainment when he was cast as Arnie Nuovo, an ethnic blue-collar worker who is promoted off of the loading dock into management by an eccentric business owner. As the eponymous Arnie (1970), Bernardi was twice nominated for a Golden Globe. The series was canceled after two seasons.
Bernardi continued to find steady work as a character actor, mostly on TV. In 1976, he appeared in support of Woody Allen in Martin Ritt's The Front (1976), a movie about the Hollywood blacklist that also featured another of the Big Three Tevyes, Zero Mostel. (Both Bernardi and Mostel were beaten out for the role in the Fiddler on the Roof (1971) movie by Topol, who received an Oscar nomination in the role and took over Bernardi's place as Tevye in traveling road shows of "Fiddler on the Roof" after Bernardi's death.) Mostel, like Ritt, had been blacklisted in the 1950s.
Herschel Bernardi died on May 9, 1986, at the age of 62, still a working actor whose services had been in demand from childhood.Plot: Courts of TaNaCH, Crypt 52250- Actress
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This accomplished voice actress with an ear for accents, first made her mark on Jack Benny's radio program in the dual role of wisecracking, gum-chewing telephone operator Mabel Flapsaddle and Jack's plumber girlfriend Gladys. Brunette Sara Berner's real name was Lillian Herdan and she was born in Albany, New York, in January 1912. Her family moved to Oklahoma where she studied drama for two years at Tulsa University. Before she came to notice with the Major Bowes Amateur Hour on radio to embark on nationwide tours with their all-girl unit, Sara's instinctive talents sometimes got her into trouble -- such as being fired from an earlier job as a salesgirl at a Philadelphia department store for mimicking the customers. Of course, this turned out to be a blessing. Job offers in the entertainment industry abounded in the 1930's and 40's for those who possessed genuine talent, and, above all, versatility. As both a comedienne and a natural dialectician, Sara went on to earn five times the salary she would have made in retail. Her stock in trade were exaggerated ethnic dialects, her gallery of voices including Hillbilly, Yiddish (Mrs. Horowitz in "Life with Luigi"), Italian (Mrs. Mataratza on "The Jimmy Durante Show"), Spanish (Chiquita on the Gene Autry program), Greek, Polish and Armenian (to get the hang of this one, she resorted to telephoning assorted Armenian rug dealers!). By 1950, Sara had her own comedy detective series on network radio -- "Sara's Private Caper" -- as a former police secretary, turned sleuth. Sadly, despite the assemblage of a good supporting cast, the show flopped (then again, this was something even the great Mel Blanc had experienced four years earlier).
Beginning in 1933, Sara worked extensively in Hollywood -- primarily in animation -- though rarely receiving screen credit. She was particularly successful mimicking Katharine Hepburn's voice, which she first did to much acclaim on the "Eddie Cantor Show". This led to a spate of cartoon roles with Walt Disney (Mother Goose Goes Hollywood (1938)); Walter Lantz (Hollywood Bowl (1938)) and Leon Schlesinger at Warner Brothers (Daffy Duck in Hollywood (1938)). Perhaps her 'signature voice' from those years was that of Beaky Buzzard's Italian Mamma, first heard on The Bashful Buzzard (1945). That same year, she also voiced the cartoon mouse Jerry, dancing with Gene Kelly in Anchors Aweigh (1945). According to a 1949 news article -- shortly after the movie was broadcast -- Sara received a parcel with an assortment of cheeses from a Wisconsin admirer. Such can be the fringe benefits of fame.
Her subsequent work in animation encompassed providing the voices for Andy Panda and cartoon penguin Chilly Willy for Walter Lantz's studio. There was also regular work as a small-part supporting player in films and television. Sara repeated her Mabel role on The Jack Benny Program (1950). Other than that, she was destined to round off her career in no-name parts, cameos and walk-ons, most memorably as the dog-owning upstairs neighbour in Alfred Hitchcock's Rear Window (1954). Sara made her final TV appearance in 1967 and died just two years later in Van Nuys, California, aged 57.Plot: Canaan 8, L-2474, space 2- Actress
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Lovely, lithe and light-haired Zina Bethune, noted ballet dancer, choreographer and teacher, also had a promising acting career during the late 1950s and 1960s.
The native New Yorker was born on February 17, 1945, the daughter of William Charles Bethune (who died in 1950 when Zina was 5) and established actress Ivy Bethune (née Vigner) of General Hospital (1963) fame. Zina's mother was a Russian Jewish immigrant, born in Sevastopol.
Formally trained in dance from age 6, she was a student at George Balanchine's School of American Ballet, and performed with the New York City Ballet as a teen despite the fact she was diagnosed at various times with scoliosis, lymphedema and hip dysplasia.
As an adolescent, she appeared in several daytime TV dramas, including a breakthrough part (1956-1958) as the first "Robin Lang" on the serial Guiding Light (1952). Over time, she joined the cast of other soaps, including a lengthy running part on Love of Life (1951) from 1965-1971 and, many years later, a recurring part on Santa Barbara (1984). Zina co-starred with Shirl Conway on the TV drama The Doctors and the Nurses (1962) [best known as "The Nurses," the series was later entitled "The Doctors and the Nurses"], and won touching reviews for her naive student nurse role. She also played the sensitive role of "Amy" in one of several TV adaptations of Louisa May Alcott's beloved Little Women (1958). As a young adult, she continued to demonstrate a formidable dramatic flair on such popular shows as Route 66 (1960), Naked City (1958), Gunsmoke (1955), Lancer (1968), The Invaders (1967), Emergency! (1972) and CHiPs (1977).
Making her first movie appearance as one of the Roosevelt children in Sunrise at Campobello (1960) starring Ralph Bellamy and Greer Garson, she did not make as indelible a mark in film as promised, but did earn semi-cult notice for her moving streetwise role opposite Harvey Keitel in Martin Scorsese's autobiographical feature-length debut Who's That Knocking at My Door (1967) [aka Who's That Knocking at My Door?], a notable predecessor to his acclaimed star-maker Mean Streets (1973).
Zina graced many musicals as a singer/dancer and made her Broadway debut at age 11 playing "Tessie" in "The Most Happy Fella". A number of touring productions came her way in the form of "Sweet Charity", "Oklahoma!", "Damn Yankees!", "Carnival", "Carousel" and "The Unsinkable Molly Brown". Non-musical offerings came in the form of "The Member of the Wedding", "Barefoot in the Park" and "The Owl and the Pussycat". In 1992, Zina returned to Broadway as a replacement in "Grand Hotel" in which she portrayed Russian ballerina "Elizaveta Grushinskaya".
Ms. Bethune's ultimate passion and commitment, however, has remained in the art of dance...and on many levels. In her prime, she was a highly-regarded prima ballerina. Among her many credits were "Swan Lake", "Le Corsair", "Romeo and Juliet", "Black Swan", "Giselle", "Don Quixote" and "Sleeping Beauty", not to mention Balanchine's own "Tchaikovsky Pas de Deux". A guest artist with The Royal Danish Ballet, Nevada Dance Theatre and San Francisco Ballet Theatre, she went on to form her own New York-based company in 1969 -- Zina Bethune and Company. Her career as a dance director and choreographer has encompassed over 50 plays, films, videos and ballets.
Bethune was sporadically seen on camera in later years, including small roles in the film The Boost (1988) as a dance choreographer, the TV movie Nutcracker: Money, Madness & Murder (1987) and the TV series "Santa Barbara" and "Party of Five." Throughout her life, she has remained steadfast in her contribution to children with physical and mental disabilities. Helping them embrace the art of dance as a means of self-expression and therapy, she was prompted by her own physical ailments diagnosed while growing up. In addition to the Theatredanse (aka Theature Bethune) dance performance company she founded in 1980, she also organized Dance Outreach (now known as Infinite Dreams) in 1982, which continues to enroll disabled young children in dance-related activities throughout Southern California.
On February 12, 2012, Bethune was killed in an apparent hit-and-run accident while visiting the Griffith Park area in Los Angeles. She was five days short of her 67th birthday. She was survived by her husband, technical/visual effects artist 'Sean Feeley and mother Ivy.- Preston Black is known for Guilty Innocence (2010).Plot: Courts of TaNaCH, Crypt 55310
- Actress
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She was was born in London's East End, the daughter of a Russian immigrant family who settled in Britain at the turn of the century. During WWII she was evacuated to South Wales where Welsh choirs fascinated her and she remembers the miners harmonising which made her want to sing professionally. Her first engagement at 17 was at London's Stork Club where she sang Blues numbers. She got steady work in cabaret and on the variety circuit. Tiring of all the touring in 1956 she auditioned for and got a part in the production of 'The Threepenny Opera at the Royal Court which transferred to the Aldwych Theatre in the West End and then to New York. When that closed she got the offer of singing in a Hollywood night club but that was a disaster. She returned to New York broke and destitute then she got a message that London Television wanted to do a programme about her.She was then asked to record some songs for a new show called 'The Lily White Boys'which she stared in with Albert Finney at the Royal Court. After that she was cast as Nancy in 'Oliver' which she played in London and New York for 4 years earning the London Critics Award and a New York Tony Award nomination. She was, needless to say, disappointed at not getting the role in the film version. She returned to London for Lionel Bart's 'Maggie May' then made her film debut in 'The Fixer'Plot: Zion 1, L-3058, space 1- Director
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Edward Buzzell was born in Brooklyn, NY, and became a musical comedy star on Broadway. He went to Hollywood in 1929 to star in the movie version (Little Johnny Jones (1929)) of the old George M. Cohan stage show "Little Johnny Jones" in 1929. He starred also in Vitaphone shorts, where he started his career as director. Subsequently he directed shorts for Columbia Pictures before he started directing features in 1933. Later he came to MGM, where he made his best remembered films with the Marx Brothers ( At the Circus (1939), Go West (1940)), Eleanor Powell (Ship Ahoy (1942), Honolulu (1939)) and Esther Williams (Neptune's Daughter (1949)).Plot: Courts of Tanach 1, Lot 1400, Space 6- Actress
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Songwriter ("Love Is a Simple Thing") and author, educated at Hollywood High School in California. She wrote songs for films and for the Broadway revues "Who's Who", "New Faces of 1952", and "New Faces of 1956". Joining ASCAP in 1952, her chief musical collaborators include Arthur Siegel and Richard Lewine. Her other popular-song compositions include "Penny Candy", "Monotonous", "The Boy Most Likely to Succeed", "Let's Hold Hands", "I Want You to Be the First to Know", "He Takes Me Off His Income Tax" and "Rinka Tinka Man".Plot: Court of Tanach, Crypt 54251- Writer
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Sidney Carroll was born on 25 May 1913 in Brooklyn, New York, USA. He was a writer, known for The Hustler (1961), The United States Steel Hour (1953) and Gambit (2012). He was married to June Carroll. He died on 3 November 1988 in Los Angeles, California, USA.Plot: Courts of TaNaCH, Crypt 54252- Music Department
- Producer
- Composer
Composer, songwriter ("Bei Mir Bist Du Schon," "Until the Real Thing Comes Along," "Anniversary Song"), pianist, conductor, arranger, author and producer, educated at the NYU School of Commerce. As a young man, he joined an orchestra as pianist, and Sammy Cahn was in that orchestra as a violinist. He joined ASCAP in 1936 and came to Hollywood in 1941. His chief musical collaborators included Sammy Cahn and Johnny Mercer. His other popular-song compositions include "Rhythm Is Our Business" (the Jimmy Lunceford theme), "Shoe Shine Boy," "Rhythm In My Nursery Rhymes," "Please Be Kind," "If It's the Last Thing I Do," "Joseph, Joseph," "Posin'," "Dedicated to You," "Inspiration," "Tell Me Why," "You Wonderful You," and "Pipes of Pan."Plot: Ramah 11, L-3718, space 3- Actor
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Sidney Clute was born on 21 April 1916 in Brooklyn, New York, USA. He was an actor, known for And Justice for All (1979), McCloud (1970) and Battlestar Galactica (1978). He died on 2 October 1985 in Los Angeles, California, USA.Plot: Moses 3, L-9396- Actor
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Lee J. Cobb, one of the premier character actors in American film for three decades in the post-World War II period, was born Leo Jacoby in New York City's Lower East Side on December 8, 1911. The son of a Jewish newspaper editor, young Leo was a child prodigy in music, mastering the violin and the harmonica. Any hopes of a career as a violin virtuoso were dashed when he broke his wrist, but his talent on the harmonica may have brought him his first professional success. At the age of 16 or 17 he ran away from home to Hollywood to try to break into motion pictures as an actor. He reportedly made his film debut as a member of Borrah Minevitch and His Harmonica Rascals (their first known movie appearance was in the 1929 two-reeler Boyhood Days), but that cannot be substantiated. However, it's known that after Leo was unable to find work he returned to New York City, where he attended New York University at night to study accounting while acting in radio dramas during the day.
An older Cobb tried his luck in California once more, making his debut as a professional stage actor at the Pasadena Playhouse in 1931. After again returning to his native New York, he made his Broadway debut as a saloonkeeper in a dramatization of Fyodor Dostoevsky's Crime and Punishment, but it closed after 15 performances (later in his career, Dostoevsky would prove more of a charm, with Cobb's role as Father Karamazov in The Brothers Karamazov (1958) garnering him his second Oscar nomination),
Cobb joined the politically progressive Group Theater in 1935 and made a name for himself in Clifford Odets' politically liberal dramas Waiting for Lefty and Til the Day I Die, appearing in both plays that year in casts that included Elia Kazan, who later became famous as a film director. Cobb also appeared in the 1937 Group Theater production of Odets' Golden Boy, playing the role of Mr. Carp, in a cast that also included Kazan, Julius Garfinkle (later better known under his stage name of John Garfield), and Martin Ritt, all of whom later came under the scrutiny of the House Un-American Activities Committee during the heyday of the McCarthy Red Scare hysteria more than a decade later. Cobb took over the role of Mr. Bonaparte, the protagonist's father, in the 1939 film version of the play, despite the fact that he was not yet 30 years old. The role of a patriarch suited him, and he'd play many more in his film career.
It was as a different kind of patriarch that he scored his greatest success. Cobb achieved immortality by giving life to the character of Willy Loman in the original 1949 Broadway production of Arthur Miller's Death of a Salesman. His performance was a towering achievement that ranks with such performances as Edwin Booth as Richard III and John Barrymore as Hamlet in the annals of the American theater. Cobb later won an Emmy nomination as Willy when he played the role in a made-for-TV movie of the play (Death of a Salesman (1966)). Miller said that he wrote the role with Cobb in mind.
Before triumphing as Miller's Salesman, Cobb had appeared on Broadway only a handful of times in the 1940s, including in Ernest Hemingway's The Fifth Column (1940), Odets' "Clash by Night" (1942) and the US Army Air Force's Winged Victory (1943-44). Later he reprised the role of Joe Bonaparte's father in the 1952 revival of Golden Boy opposite Garfield as his son, and appeared the following year in The Emperor's Clothes. His final Broadway appearance was as King Lear in the Repertory Theatre of Lincoln Center's 1968 production of Shakespeare's play.
Aside from his possible late 1920s movie debut and his 1934 appearance in the western The Vanishing Shadow (1934), Cobb's film career proper began in 1937 with the westerns North of the Rio Grande (1937) (in which he was billed as Lee Colt) and Rustlers' Valley (1937) and spanned nearly 40 years until his death. After a hiatus while serving in the Army Air Force during World War II, Cobb's movie career resumed in 1946. He continued to play major supporting roles in prestigious A-list pictures. His movie career reached its artistic peak in the 1950s, when he was twice nominated for Best Supporting Actor Academy Awards, for his role as Johnny Friendly in On the Waterfront (1954) and as the father in The Brothers Karamazov (1958). Other memorable supporting roles in the 1950s included the sagacious Judge Bernstein in The Man in the Gray Flannel Suit (1956), as the probing psychiatrist Dr. Luther in The Three Faces of Eve (1957) and as the volatile Juror #3 in 12 Angry Men (1957).
It was in the 1950s that Cobb achieved the sort of fame that most artists dreaded: he was called before the House Un-American Activities Committee on charges that he was or had been a Communist. The charges were rooted in Cobb's membership in the Group Theater in the 1930s. Other Group Theater members already investigated by HUAC included Clifford Odets and Elia Kazan, both of whom provided friendly testimony before the committee, and John Garfield, who did not.
Cobb's own persecution by HUAC had already caused a nervous breakdown in his wife, and he decided to appear as a friendly witness in order to preserve her sanity and his career, by bringing the inquisition to a halt. Appearing before the committee in 1953, he named names and thus saved his career. Ironically, he would win his first Oscar nomination in On the Waterfront (1954) directed and written by fellow HUAC informers Kazan and Budd Schulberg. The film can be seen as a stalwart defense of informing, as epitomized by the character Terry Malloy's testimony before a Congressional committee investigating racketeering on the waterfront.
Major films in which Cobb appeared after reaching his career plateau include Otto Preminger's adaptation of Leon Uris' ode to the birth of Israel, Exodus (1960); the Cinerama spectacle How the West Was Won (1962); the James Coburn spy spoofs, Our Man Flint (1966) and In Like Flint (1967); Clint Eastwood's first detective film, Coogan's Bluff (1968); and legendary director William Wyler's last film, The Liberation of L.B. Jones (1970).
In addition to his frequent supporting roles in film, Cobb often appeared on television. He played Judge Henry Garth on The Virginian (1962) from 1962-66 and also had a regular role as the attorney David Barrett on The Young Lawyers (1969) from 1970-71. Cobb also appeared in made-for-TV movies and made frequent guest appearances on other TV shows. His last major Hollywood movie role was that of police detective Lt. Kinderman in The Exorcist (1973).
Lee J. Cobb died of a heart attack in Woodland Hills, California, on February 11, 1976, at the age of 64. He is buried in Mount Sinai Memorial Park Cemetery in Los Angeles, California. Though he will long be remembered for many of his successful supporting performances in the movies, it is as the stage's first Willy Loman in which he achieved immortality as an actor. Bearing in mind that the role was written for him, it is through Willy that he will continue to have an influence on American drama far into the future, for as long as Death of a Salesman is revived.Plot: Garden of Shemot 1, Lot 421- Writer
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Martin Cohan was born on 4 July 1932 in San Francisco, California, USA. He was a writer and producer, known for Who's the Boss? (1984), The Mary Tyler Moore Show (1970) and Diff'rent Strokes (1978). He was married to Dawn Aldredge and Monica Nyquist. He died on 19 May 2010 in Pacific Palisades, California, USA.- Writer
- Producer
Ronald M. Cohen was born on 23 December 1939 in Chicago, Illinois, USA. He was a writer and producer, known for The Exile (1991), American Dream (1981) and Call to Glory (1984). He died on 21 April 1998 in Los Angeles, California, USA.Plot: Garden of Moriah 1, L-1920, space 1- Cinematographer
- Camera and Electrical Department
- Visual Effects
Stanley Cortez was born Samuel Krantz in New York City, New York, the son of Sarah (Lefkowitz) and Moses/Morris Krantz, Austrian Jewish immigrants. His famous actor brother, born Jacob Krantz, changed his name to Ricardo Cortez in order to acquire a more suitably romantic Hollywood image. Stanley changed his name accordingly. After studies at New York University he embarked on a photographic career, first as assistant to noted portrait photographers Streichan and Bachrach (he designed many of their lavish background sets), then as camera assistant for Pathé Revue and for various Manhattan-based film companies. Grabbing the chance to join Gloria Swanson Productions, Stanley then spent a lengthy apprenticeship in the 1920s and early 1930s learning the intricacies of his craft from such established Hollywood cinematographers as Lee Garmes and Hal Mohr. After moving from studio to studio, either as a camera assistant or shooting screen tests, he was signed to a seven-year contract by Universal in 1936, albeit consigned to its "B" unit. His first film as full director of photography was Four Days Wonder (1936). During World War II, he was assigned to the Army Pictorial Service of the Signals Corps.
Much of his subsequent career was spent on fairly routine and undistinguished second features and it was not until he started working for charismatic filmmakers like Orson Welles and David O. Selznick that he was able to fully develop some of his experimental techniques. One of his low-budget outings, a gothic old-dark-house horror/comedy entitled The Black Cat (1941), rather impressed the genial Mr. Welles who promptly hired him for The Magnificent Ambersons (1942). This was the first of two Cortez films generally regarded as visual masterpieces, with beautiful lighting effects, clever angles and lingering close-ups. Of particular note are the staircase scene and the famous long shot -- via hand-held camera -- of the abandoned mansion. Despite critical plaudits, "Ambersons" was a financial disaster for RKO (it cost $1,1 million and lost $624,000 at the box office) and Cortez was partly blamed for costly delays and extravagant scenes, some 40-50 minutes of which were cut by direct orders from studio boss George Schaefer without consulting either Welles or Cortez. The latter ended up being indirectly censured by receiving lesser assignments. What remained of "Ambersons" has become more appreciated as a sublime visual experience with the passing of time.
The second outstanding Cortez contribution was the chillingly dark, haunting thriller The Night of the Hunter (1955)--a brilliant allegory of good versus evil masterminded by Charles Laughton in his sole directorial effort. Cortez's lighting and use of irises are reminiscent of German expressionist cinema, or, at least, the work of Karl Struss and Charles Rosher on Sunrise (1927). Among many indelible images are the flowing hair of drowned Shelley Winters in the underwater current and the lights flickering across the water in what is an almost surreal nightly landscape.
A third Cortez effort deserving of mention is the superior psychological drama The Three Faces of Eve (1957), his differential lighting for the face of schizophrenic Eve White (Joanne Woodward) effectively contrasting the multiple personalities within her psyche. Sadly, by the end of the decade Cortez's career went into a decline. It continued that way through the 1960s, the quality of his assignments fluctuating wildly between the occasional "A" picture (The Bridge at Remagen (1969)) and Z-grade turkeys like The Ghost in the Invisible Bikini (1966) and The Navy vs. the Night Monsters (1966).Plot: Psalms 9, L-2924, space 1- Additional Crew
Warren Cowan was born on 13 May 1921 in New York City, New York, USA. He is known for Shade (2003), The Secret Agent (1996) and One Man's Hero (1999). He was married to Barbara Cowan, Josette Banzet, Barbara Rush and Rhoda (Ronnie) Marion Noyer. He died on 14 May 2008 in Los Angeles, California, USA.- Producer
- Production Manager
- Director
Barry Crane was born on 10 November 1927 in Detroit, Michigan, USA. He was a producer and production manager, known for Mission: Impossible (1966), Mannix (1967) and The DuPont Show with June Allyson (1959). He died on 5 July 1985 in Studio City, California, USA.Plot: Ramah, Lot 1856, Space 3- Actress
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Mina Cunard was born on 16 December 1894 in Columbus, Ohio, USA. She was an actress, known for The Broken Coin (1915), Lord John's Journal (1915) and Graft (1915). She was married to Harry Seymour. She died on 9 August 1978 in Woodland Hills, Los Angeles, California, USA.Plot: Moses 13, L-7027, space 4- Writer
- Producer
- Music Department
Stan Daniels was born on 31 July 1934 in Toronto, Ontario, Canada. He was a writer and producer, known for Taxi (1978), The Mary Tyler Moore Show (1970) and Monkey House (1991). He was married to Alene Kamins. He died on 6 April 2007 in Encino, California, USA.- Music Department
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Composer, songwriter ("Cherry Pink and Apple Blossom White", "Bimbombey", "Blue and Sentimenta") and author, educated at Cornell University and St. John's University Law School. He wrote many themes for television and films. Joining ASCAP in 1934, his chief musical collaborators included Jerry Livingston, Al Hoffman, Alex Kramer, Joan Whitney, Frankie Carle, Count Basie, Burt Bacharach, Ernest Gold, Elmer Bernstein, Frank De Vol and Henry Mancini. His other popular-song compositions include "Oh, Oh, What Do You Know About Love?", "Just a Kid Named Joe", "Moon Love", "On the Isle of May", "Bermuda Buggyride", "Falling Leaves", "A Sinner Kissed an Angel", "It's Love, Love, Love", "Lili Marlene", "I'm Just a Lucky So-And-So", "Candy", "Spellbound", "Chi-Baba Chi-Baba", "At a Candlelight Cafe", "Sunflower", "La Vie en Rose", "A Dream Is a Wish Your Heart Makes", "I Don't Care If the Sun Don't Shine", "It Only Hurts for a Little While", "I Like It, I Like It", "The Call of the Faraway Hills", "My Own True Love", "Baby, It's You", "So This Is Love", "The Unbirthday Song", "The Willow", "Room for One More", "Take Me", and "Young Emotions".- Writer
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- Script and Continuity Department
Lou Derman was born on 27 September 1914 in New York, New York, USA. He was a writer and producer, known for All in the Family (1971), Good Times (1974) and The Gale Storm Show: Oh! Susanna (1956). He died on 15 February 1976 in Los Angeles, California, USA.Plot: Garden of Shemot, Crypt 62118- Actor
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- Director
Alan DeWitt was born on 6 May 1921 in Canton, Ohio, USA. He was an actor and director, known for Gas! -Or- It Became Necessary to Destroy the World in Order to Save It. (1970), The Prisoner of Second Avenue (1975) and The Loretta Young Show (1953). He died on 2 June 1976 in Los Angeles, California, USA.Plot: Court of the Psalms 2, L-2015, space 3- Producer
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David Dortort was born on 23 October 1916 in Brooklyn, New York City, New York, USA. He was a producer and writer, known for Bonanza (1959), The High Chaparral (1967) and The Lusty Men (1952). He was married to Rose Seldin. He died on 5 September 2010 in Los Angeles, California, USA.- Born Nathan Margolis in Boston Massachusetts, he was comedian best remembered for the role of Rodney Victor on the television comedy series "Sanford and Son". He began his career as a stand-up comic appearing on the "The Ed Sullivan Show" in the 1950s. He soon became a popular figure on "The Jackie Gleason Show", "The Dean Martin Comedy Hour" and "The Tonight Show Starring Johnny Carson". For many years in the 1970's he performed in Las Vegas and opened for acts such as Tom Jones, Englebert Humperdink, Tony Martin, and Vic Damone. As a character actor, he appeared on numerous TV series including "Cheyenne", "The Good Guys", "Get Smart", "The Courtship of Eddie's Father", "He and She", and "Too Close for Comfort". He also played minor rolls in the films "Sex Kittens Go to Hollywood" (1960) and "Norman, Is That You? (1976). He died at age 64 in Los Angeles, California.
- Actress
Helene Drake was born on 28 January 1922 in Brooklyn, New York, USA. She was an actress. She died on 24 July 1997 in North Hollywood, California, USA.Plot: Zion 5, L-4022, space 1- Producer
- Actor
Maurice Duke was born on 27 October 1910 in New York, USA. He was a producer and actor, known for Campus Sleuth (1948), Sabu and the Magic Ring (1957) and Bela Lugosi Meets a Brooklyn Gorilla (1952). He was married to Evelyn Duke. He died on 30 October 1996 in Los Angeles, California, USA.Plot: Courts of the Psalms 6, L-1027, space 4- Actress
- Soundtrack
Cass Elliot was born Ellen Naomi Cohen on September 19, 1941, in Baltimore, Maryland. She grew up in the Washington D.C. environs and in her senior year of high school, performed in a summer stock production of "The Boyfriend" at the Owings Mills Playhouse, where she played the French nurse who sings "It's Nicer, Much Nicer in Nice." After this experience, even though her family anticipated her seeking a college education in pursuit of a career, Cass forged ahead in the performing arts. She made a splash in New York and began an acting career, competing with Barbra Streisand for the Miss Marmelstein part in "I Can Get It for You Wholesale" in 1962.
She toured in a production of Meredith Willson's "The Music Man." Elliot also produced a play at Cafe La Mama in New York. However, by early 1963 she had met up with Tim Rose and John Brown and formed a folk trio initially dubbed The Triumvirate, but later known as The Big 3 when Brown was replaced by James Hendricks. The Big 3 were a progressive and innovative folk trio who recorded two albums and made appearances on The Tonight Show Starring Johnny Carson (1962), Hootenanny (1963) and The Danny Kaye Show (1963). In 1964 the group had begun to fall apart and it metamorphosized into a foursome called "Cass Elliot and The Big Three" which included Canadians Denny Doherty and Zal Yanovsky (Rose had left at this point). Soon this foursome became The Mugwumps who operated out of The Shadows nightclub in Washington. They released a single for Warner Brothers and stayed together through the end of 1964, until they, too, began to disintegrate. Cass began to work as a solo single in Washington, D.C.
At this point Doherty had joined John Phillips and Michelle Phillips and the three were performing as The New Journeymen. Soon they left for the Virgin Islands, where Cass subsequently joined them, and the four began to sing together in mid-1965--thus, the superstar group The Mamas and The Papas was born. From 1965 to 1968 the Mamas and Papas recorded a series of top-ten hits including "Monday, Monday," "California Dreamin'," "I Saw Her Again," and "Dedicated to the One I Love."
The group's last hit was a launching number for Cass Elliot. "Dream A Little Dream Of Me" became her theme song and, beginning in 1968, she embarked on her own short-lived but solid solo career. Her distinct voice had always emerged from the groups in which she sang. In 1969 she scored big with "It's Getting Better" and 1970 yielded the hits "Make Your Own Kind of Music" and "New World Coming." In 1970, Elliot also appeared in the film Pufnstuf (1970) and recorded an album with rock singer Dave Mason. Recently, the issue of the soundtrack of Monte Walsh (1970) turned up four different versions of her theme song, "The Good Times Are Coming", composed by John Barry and Hal David.
Elliot had two prime-time television specials of her own in 1969 and 1973, but most people remember her scores of television appearances throughout the early 1970s with Mike Douglas, Julie Andrews, Andy Williams, Johnny Cash, Red Skelton, Ed Sullivan, Tom Jones, Carol Burnett and others. She guest-hosted "The Tonight Show", had successful stints in Las Vegas and continued to record for RCA during these years, too. Cass had one daughter, Owen Vanessa, in April 1967 and she was married twice, first (1963-68) to fellow Big Three and Mugwumps member Jim Hendricks and second to Baron Donald von Wiedenman (1971). In 1974, she traveled to London where she had a two-week engagement at the London Palladium. After performing to sellout crowds and basking in repeated ovations, Cass tragically succumbed to a heart attack on July 29, 1974 in London, following this successful concert tour (and NOT, as is commonly believed, from choking on a sandwich).
In 1998, The Rock and Roll Hall of Fame inducted Cass Elliot and her fellow band-mates from The Mamas and The Papas into that institution. Her daughter Owen represented her mother and accepted her award.Plot: Court of Tanach, Lot 5000, Grave 2F- Famed trumpeter, composer ("And the Angels Sing"), and conductor, a member of the orchestras of Benny Goodman and Tommy Dorsey between 1936 and 1943. He served in the US Army Air Corps during World War II, then rejoined the Dorsey orchestra in 1945 (to 1947). Later he formed his own orchestra, and appeared in films and made many records. Joining ASCAP in 1961, his chief musical collaborator was Johnny Mercer, and his other popular-song compositions include "Forgive My Heart" and "Zaggin With Zig".Plot: Courts of Machpelah, wall crypt #121
- Producer
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- Production Manager
Jon Epstein was born on 7 March 1928 in New York City, New York, USA. He was a producer and production manager, known for The Rat Patrol (1966), Rich Man, Poor Man (1976) and McMillan & Wife (1971). He died on 24 November 1990 in Los Angeles, California, USA.Plot: Ramah 10, L-1319, space 2- Paul Erangey was born on 18 September 1966 in London, England, UK. He was an actor, known for Brendon Chase (1980), Penmarric (1979) and The Magic Shop (1982). He died on 1 April 2004 in Santa Monica, California, USA.
- Producer
- Animation Department
Jack Farren was born on 17 November 1922 in New York City, New York, USA. He was a producer, known for Fuzz (1972), Get the Message (1964) and Concentration (1958). He was married to Vivian Farren. He died on 25 January 1997 in Surger, Louisiana, USA.Plot: Ramah 14, L-2034, space 1B- Actress
Vivian Farren was born on 10 July 1926 in New York City, New York, USA. She was an actress, known for 10 (1979), The Other Woman (1983) and Corey: For the People (1977). She was married to Jack Farren. She died on 3 May 1990 in Los Angeles, California, USA.Plot: Ramah 14, L-2034, space 1A- Actor
- Additional Crew
- Production Manager
Fritz Feld was born on 15 October 1900 in Berlin, Germany. He was an actor and production manager, known for Bringing Up Baby (1938), Hello, Dolly! (1969) and Out Where the Stars Begin (1938). He was married to Virginia Christine and Idea Wickham Von Koppen. He died on 18 November 1993 in Los Angeles, California, USA.Plot: Moses 16, L-6520, space 2- Virginia has a long career as a character actress on the screen, but she will always be best remembered as the Swedish "Mrs. Olsen", who somehow knew everything about making coffee, and we somehow always found her in the kitchen of some hapless young housewife who just couldn't seem to make good coffee. Mrs. Olsen taught these women how to do so, as long as it involved using "Mountain Grown" Folger's brand Coffee. For some reason only Mrs. Olsen knew, no other kind of coffee you could buy was any good. And if you believe her, I have some land you'll be interested in!
Virginia was born in the small Iowa town of Stanton, which later converted its water tower to resemble a coffee pot in honor of its most famous citizen. When her family moved to Los Angeles, Virginia worked in radio while attending the University of California, Los Angeles. She was trained for a theatrical career by actor/director Fritz Feld, whom she married in 1940. In 1942, she signed a contract with Warner Bros. and started appearing in various films. Her first film was, Edge of Darkness (1943), in which she played a Norwegian peasant girl called "Miss Olson". Over the years, she appeared in prestigious films such as High Noon (1952) and Judgment at Nuremberg (1961) - to horror in The Mummy's Curse (1944) and Invasion of the Body Snatchers (1956). She was a favorite of Stanley Kramer, appearing in a number of his films. But her greatest fame came in the 1960's when she started her 21-year stint as the matronly "Mrs. Olsen", who always had comforting words for young married couples while pouring Folger's Coffee in the TV ads.Plot: Moses 16, L-6520, space 3 - Actor
- Soundtrack
Norman Fell was born in Philadelphia, Pennsylvania in 1924. He graduated from Temple University with a bachelor's degree in drama. During World War II, he was an Air Force tail gunner in the Pacific. After the war, he studied acting and obtained small parts in television and on stage. His first regular TV appearance was in the comedy series Joe & Mabel (1956). His best known TV role was that of Stanley Roper, the landlord in the very popular Three's Company (1976), which debuted in 1977, and its short lived spin-off, The Ropers (1979).
Norman Fell died at the Motion Picture and Television Fund's retirement home in Woodland Hills CA, aged 74, survived by two daughters.Plot: Garden of Heritage, Columbarium of Tradition, Niche 1601A- Director
- Producer
Mel Ferber was born on 2 October 1922 in New York City, New York, USA. He was a director and producer, known for 'Way Out (1961), The Herb Shriner Show (1949) and McMillan & Wife (1971). He was married to Betty Lou Robinson. He died on 19 June 2003 in Los Angeles, California, USA.- Actress
- Soundtrack
Totie Fields was born on 7 May 1927 in Hartford, Connecticut, USA. She was an actress, known for That's Life (1968), Medical Center (1969) and Rowan & Martin's Laugh-In (1967). She was married to George William Johnston. She died on 2 August 1978 in Los Angeles, California, USA.Plot: Gardens of Heritage, Main Level, Crypt 60C- Dick Fishell is known for Gentleman Joe Palooka (1946).Plot: Maimonides 4, L-9254, space 1
- Director
- Animation Department
- Producer
Dave Fleischer was an American film producer and director of animated films. He co-founded the animation studio Fleischer Studios (1929-1942) with his brother Max Fleischer. Dave is primarily remembered for directing the studio's only two feature films: "Gulliver's Travels" (1939) and "Mr. Bug Goes to Town" (1941). They were both among the earliest American animated feature films, and were intended to compete with the productions of the Walt Disney Animation Studios.
Fleischer was born in New York City, and grew up in the impoverished Jewish neighborhood of Brownsville, Brooklyn. In early life, he worked as an usher at the Palace Theater on Broadway. He became familiar with the gags and comic timing required in vaudeville-style comic acts, which were featured in the theater. These familiarity would later influence his output as a director.
At one point, Fleischer worked as a clown for a sideshow amusement in Coney Island. His costume and mannerisms for this job were used as an inspiration for Koko the Clown, the first star character of the Fleischer brothers. In c. 1913, Fleischer was hired as a film cutter for Pathé Exchange. The company was the American subsidiary of the French film production and distribution company Pathé. This was Fleischer's earliest known involvement with the film industry.
In 1921, the Fleischer brothers set up their first animation studio: Out of the Inkwell Films. It was located in midtown Manhattan. Dave served as both the director and the production supervisor of their animated short films. The studio soon became one of the leading production companies in animation, due to introducing a number of technological innovations. In 1924, the Fleischer brothers became partners in the Red Seal Pictures Corporation, a new chain of movie theaters. They soon acquired the rights to use Lee de Forest's Phonofilm system for sound films. The Fleischer brothers produced the earliest animated sound films in 1924.
By 1926, Red Seal owned 56 movie theaters but was not particularly profitable. It soon filed for bankruptcy, but the animation studio of the Fleischer brothers survived for a while due to signing a contract with Paramount Pictures. Following the termination of this contract, Out of the Inkwell filed for bankruptcy in January 1929. In March of the same year, the Fleischer brothers established the new Fleischer Studios. They soon gained a new contract with Paramount, securing their funding.
During the 1930s, Dave supervised the production of two lucrative series of animated short films. One featured Betty Boop, lasting from 1932 to 1939. The other featured Popeye the Sailor, lasting from 1933 to 1942. In 1938, the studio was relocated from New York City to Miami, Florida. By that time, Dave was already working in the production of his first animated feature film, "Gulliver's Travels" (1939). The film earned about 3.3 million dollars at the domestic box office, but Paramount received the lion's share of the profits. It also requested the Fleischer Studios to pay a penalty fee for going over budget. Leaving the animation studio in debt.
In the early 1940s, Dave launched production of several new animated series in hopes of keeping the studio afloat. "Stone Age Cartoons" (1940) anachronistically featured elements of modern life in prehistory. "Gabby" (1940-1941) featured a supporting character from "Gulliver's Travels" as its main star. "Animated Antics" (1940-1941) was an anthology series, often showcasing the supporting characters of "Gulliver's Travels". All these series were commercial flops, met with indifference by theater owners and the general audience. Max eventually secured a contract to produce a superhero animated series featuring Superman. This lasted from 1941 to 1942, and was better received by the public. The Superman short films had a higher budget than previous productions of the studio.
Dave soon went to work in directing and producing his second feature film, "Mr. Bug Goes to Town" (1941). But his personal and professional relationship with his brother had increasingly deteriorated since the late 1930s, and Dave decided to resign from the studio prior to the film's release. He resigned in late November 1941, though his resignation was not officially announced until December 31. The financially declining Fleischer Studios was soon acquired by Paramount, which turned it into the subsidiary company Famous Studios (1942-1967).
By April 1942, Dave had been hired as a producer by another animation studio. He was working for Screen Gems, a subsidiary of Columbia Pictures. Fleischer soon replaced Frank Tashlin (1913-1972) as the new studio head. He supervised the production of "The Fox and the Crow" (1941-1950), which soon became the studio's most popular series. He also produced an animated film series based on the comic strip "Li'l Abner", and continued the low-budget anthology series "Phantasies" (1939-1948). In 1944, Fleischer was fired by Harry Cohn (1891-1958), the then-studio head of Columbia. The reasons for his termination are unclear, but Fleischer was replaced by Henry Binder.
In the mid-1940s, Fleischer developed an elf-like new character, called Snippy. He tried to secure funding for a new animated series from Republic Pictures, but the project ended in development hell. Republic instead hired Fleischer to provide animation sequences for its B-movies. Fleischer resurfaced in the 1950s, as an employee of Filmack Trailer. He was put to work in animating a series of Technicolor theatrical snipes. The most famous of these was the musical advertisement "Let's All Go to the Lobby" (1957), which continued to be used for decades.
At a later point, Fleischer was hired as a "Technical Specialist" by Universal Pictures. His job required him to work as a special-effects expert and general problem-solver for various live-action films. His most famous film in this position was the natural horror film "The Birds" (1963), where he collaborated with veteran animator and technician Ub Iwerks. Universal also asked Fleischer to supervise the English language dubbing of the Soviet animated feature film "The Snow Queen" (1957).
Fleischer's last work as a technical adviser was in the live-action film "Thoroughly Modern Millie" (1967), a period piece set in the 1920s. He then permanently retired. He spend the last decades of his life living at the Peyton Hall apartment complex on Hollywood Boulevard. In June 1979, Fleischer suffered a stroke. He died shortly after, at the age of 84. Though long gone, Dave Fleischer is fondly remembered by fans of traditional animation. Several of his works became available at the home video market, introducing his style to new generations of animation fans.Plot: Maimonides 5, L-8696, space 1- Actress
- Soundtrack
Brunette Helen Forrest was born Helen Fogel in Atlantic City, New Jersey. She loved singing from early childhood and keenly listened to recordings by all the major female jazz and blues vocalists of the day. At the age of ten, Helen competed in a dance marathon and sang with her brother's band in Washington, D.C. By the time she reached her mid-teens, was a salaried employee of CBS radio and WNEW (New York), singing under the pseudonyms Bonnie Blue, Blue Lady and Marlene. In 1937, she was invited for a guest spot with the orchestra of Bunny Berigan. Clarinettist and bandleader Artie Shaw witnessed her performance and was so impressed that he promptly hired her as main female vocalist to perform alongside the great Billie Holiday.
Though their styles and repertoire differed considerably, Billie was very supportive and became a powerful (though sadly short-lived) influence on young Helen. When Billie was forced to leave the band in October 1938 due to race-related issues (much to Shaw's disgust), Helen was thrust into the limelight as the band's sole vocal star. Performing out of the Blue Room of New York's Hotel Lincoln, she recorded the first of some 40 sides with Shaw, including two tracks that made it to Number 1 in the U.S. charts: "They Say" and "Thanks for Everything". Though Helen was not, perhaps, a jazz singer in the truest sense, she brought to her songs a wistful 'girl-next-door' quality that no other singer of the time possessed in equal measure. The femininity and warmth of her voice and the clear, emotional phrasing of her lyrics were never more effectively expressed than in the Tin Pan Alley ballads showcased by the Shaw orchestra, notably Rodgers & Hart's "I Didn't Know What Time It Was", "What's New", Jimmy Van Heusen's "Deep In A Dream" (which reached Number 3 in the charts) and "Melancholy Mood" (from the Broadway musical 'Very Warm For May').
Helen's vocals contributed in no small measure to the success and popularity of the Artie Shaw orchestra and she herself became a national favorite. However, when Shaw impulsively disbanded the organisation in November 1939, Helen found herself momentarily unemployed. Benny Goodman, who was notorious for his off-hand attitude towards his singers, seized the opportunity for a bargain and hired her at half her previous salary. Thus began the second phase of Helen's career which lasted until 1941. She made 54 recordings with the Goodman band, many of them arranged by the brilliant Eddie Sauter who tailored many songs specifically for her voice, including "How High The Moon", Gershwin's "The Man I Love" and , another Number 1 hit, "Taking A Chance On Love", by Vernon Duke. After two years, Helen felt herself unable to cope any further with Goodman's abuse and left to join trumpet playing bandleader Harry James in what became a very productive collaboration.
Unlike her previous employers, James didn't merely utilize Helen as a band vocalist, but as jazz critic George T. Simon put it, he built "the arrangements around his horn and Helen's voice, establishing warmer moods by slowing down the tempo so that two, instead of the usual three or more choruses, would fill a record ...many an arrangement would build to a closing climax during Helen's vocal, so that she would emerge as its star" (p.270, "The Big Bands", 1968). Helen recorded several top hits with the band, notably "Skylark", "I Don't Want To Walk Without You" and "I've Heard That Song Before". She was frequently paired with the band's main male vocalist, Buenos Aires-born crooner Dick Haymes, performing duets such as "Long Ago And Far Away". At this time, Helen was also showcased in several colourful motion pictures as part of 'Harry James and His Music Makers' , singing one of her most enduring numbers (and the title of her autobiography, co-written with Bill Libby) "I Had The Craziest Dream" in Springtime in the Rockies (1942). The film starred Betty Grable, who eventually became Mrs. Harry James. Helen, who had been romantically involved with James, left the band in late 1943 to pursue a solo career.
During the next few years, Helen free-lanced, playing in clubs and theatres and teaming up with Haymes for a popular radio show. As the big band era drew to a close, she became less active as a recording artist, though, in 1955, Helen briefly rejoined the James orchestra to record some of their earlier hits together on a new compendium LP, entitled 'Harry James in Hi Fi'. In the early 60's, she went on tour with the Sam Donahue-led orchestra of Tommy Dorsey, then, in 1964, with Frank Sinatra. Helen had a stroke in 1980, but still went on to work on her final album, 'Now and Forever', which was released in 1983. Rheumatoid arthritis eventually necessitated her retirement and she died in July 1999 at the age of 82. To this day, Helen Forrest is regarded by many as the most outstanding female vocalist of the swing era.Plot: Canaan 8, Lot 2291, Space 3- Music Department
- Composer
- Soundtrack
Ticker Freeman was born on 13 October 1911 in Paterson, New Jersey, USA. He was a composer, known for The Andy Williams Show (1962), The Andy Williams Christmas Show (1967) and The Dinah Shore Show (1951). He died on 30 January 1986 in Woodland Hills, Los Angeles, California, USA.Plot: Garden of Shemot, Columbarium of Remembrance, niche #46- Cinematographer
- Director
- Camera and Electrical Department
Karl Freund, an innovative director of photography responsible for development of the three-camera system used to shoot television situation comedies, was born on January 16, 1890, in the Bohemian city of Koeniginhof, then part of the Austria-Hungarian Empire (now known as Dvur Kralove in the Czech Republic). Freund went to work at the age of 15 as a movie projectionist, and by the age of 17, he was a camera operator shooting shot subjects and newsreels. Subsequently, he was employed at Germany's famous UFA Studios during the 1920s, when the German cinema was the most innovative in the world.
At UFA, Freund worked as a cameraman for such illustrious directors as F.W. Murnau and Fritz Lang. For Murnau's The Last Laugh (1924) (aka The Last Laugh), screenwriter Carl Mayer worked closely with Freund to develop a scenario that would employ the moving camera that became a hallmark of Weimar German cinema. One of the most beautiful and critically acclaimed silent films, The Last Laugh (1924) is considered the perfect silent by some critics as the images do most of the storytelling, allowing for a minimal amount of inter-titles. The collaborative genius of Murnau, Mayer, and Freund meant that the images communicated the integral part of the narrative, visualizing and elucidating the protagonist's psyche. Freund filmed a drunk scene with the camera secured on his chest, with a battery pack on his back for balance, enabling him to stumble about and produce vertiginous shots suggesting intoxication.
Director Ewald André Dupont gave credit for the innovative camera work on his masterpiece Variety (1925) (aka Variety) to Freund, praising his ingenuity in an article published in The New York Times. Freund was one of the cameramen and the co-writer (with Carl Mayer and director Walter Ruttmann) on Berlin: Symphony of Metropolis (1927) (Berlin: Symphony of a Great City), an artistic documentary that used a hidden camera to capture the people of the city going about their daily lives. Always technically innovative, Freund developed a high-speed film stock to aid his shooting in low-light situations. This film also is hailed as a classic. Other classic German films that Freund shot were The Golem (1920) (aka The Golem) and Lang's Metropolis (1927).
Now possessing an international reputation, Freund emigrated to the U.S. in 1929, where he was employed by the Technicolor Co. to help perfect its color process. Subsequently, he was hired as a cinematographer and director by Universal Studios, where he cut his teeth, uncredited, as a cinematographer on the great anti-war classic All Quiet on the Western Front (1930), Universal's first Oscar winner as Best Picture.
Universal's bread and butter in the early 1930s were its horror films, and Freund was involved in the production of several classics. Among his Universal assignments, Freund shot Dracula (1931) and Murders in the Rue Morgue (1932), and directed The Mummy (1932). The Mummy (1932) was Freund's first directorial effort, and co-star Zita Johann, who disliked Freund, claimed he was incompetent, which is unfair, seeing as how the film is now considered a classic of its genre. The film uses the undead sorcerer Imhotep's pool with which he can impose his will over the living by spreading some tana leaves on the water, as a visual metaphor for the subconscious. The film is arresting visually due to Freund's cinematic eye that created a sense of "otherness." The film is infused with a dream-like state that seems rooted in the subconscious mind. Freund's other directorial efforts at Universal proved less satisfying.
Moving to MGM, Freund directed just one more motion picture, Mad Love (1935) (aka The Hands of Orlac) a horror classic that utilized the expressionism of his UFA apprenticeship. With the great lighting cameraman Gregg Toland as his director of photography, the collaboration of Freund and Toland created a European sensibility unique for a Hollywood horror film. The compositions of the shots featured arch shapes and utilized the expressive shadows of the best of the European avant-garde films of the 1920s.
But MGM wanted Freund for his genius at camera work. He shot the rooftop numbers for The Great Ziegfeld (1936), another Best Picture Oscar winner, and worked with William H. Daniels, Garbo's favorite cameraman, on "Camille" (1936). He shot Greta Garbo's Conquest (1937) solo, though he never worked with Garbo again. That same year, he was the director of photography on The Good Earth (1937), for which he won an Academy Award for Best Cinematography.
Other major MGM pictures he shot were Pride and Prejudice (1940), for which he received an Academy Award nomination, Tortilla Flat (1942), and A Guy Named Joe (1943). He also worked for other studios, shooting Golden Boy (1939) for Columbia. In 1942, he pulled off a rare double: he was nominated for Best Cinematography in both the black and white and color categories, for The Chocolate Soldier (1941) and Blossoms in the Dust (1941), respectively.
One of the last films he shot for MGM was Two Smart People (1946), starring Lucille Ball. In 1947, he moved on to Warner Bros, where he shot the classic Key Largo (1948) for John Huston. His last film as a director of photography was Michael Curtiz' Montana (1950), which starred Gary Cooper.
Always the technical innovator, Freund founded the Photo Research Corp. in 1944, a laboratory for the development of new cinematographic techniques and equipment. His technical work culminated in his receipt of a Class II Technical Award in 1955 from the Motion Pictures Arts & Sciences for the design of a direct-reading light meter. That same year, he had the honor of representing his adopted country at the International Conference on Illumination in Zurich, Switzerland.
It was perhaps inevitable that the technical and innovation-minded Freund would get to work for a brand new visual medium, television. Lucille Ball, whom he had photographed when she was a contract player at MGM, became his boss when he was hired as the director of photography at Desilu Productions, owned by Ball and her husband, Desi Arnaz. Desilu hired the great Freund as its owners were determined to shoot the show I Love Lucy (1951) on film rather than produce the show live, as was standard in the early 1950s. Most shows were shot live, while a film of the program was simultaneously shot from a monitor, a process that created a "kinescope." The kinescope would be shown in other time zones on the network's affiliates. Desilu's owners disliked the quality of kinescopes, and needed Freund to come up with a solution to their problem of how to maintain the intimacy of a live show on film.
Freund agreed that the show should be shot on film rather than live, as film enabled thorough planning and allowed for cutting, which was impossible with live TV. Freud knew that film would allow Desilu to eliminate the fluffs which were a staple of early television, and would allow the producers to re-shoot scenes to improve the show, if needed.
I Love Lucy (1951) had to be filmed before an audience to retain the immediacy of a live TV show, which meant that the traditional, time-consuming methods of studio production with one camera would not work. Freund decided to shoot I Love Lucy (1951) with three 35mm Mitchell BNC cameras, one of each to simultaneously shoot long shots, medium shots and close-ups. Thus, the editor would have adequate coverage to create the 22 minutes of footage needed for a half-hour commercial network show.
The then-innovative, now-standard technique of simultaneously shooting a situation comedy with three 35mm cameras cut the production time needed to produce a 22-minute program to one-hour. The cameras were mounted on dollies, with the center camera outfitted with a 40mm wide-angle lens, and the side cameras outfitted with 3- and 4-inch lenses. The resulting shots were edited on a Movieola. A script girl in a booth overlooking the stage cued the camera operators. Due to extensive rehearsal time before the show was shot live, the camera operators had floor marks to guide them, but Freund's system was enabled by the script girl overseeing their actions via a 2-way intercom. The system made the shooting, breaking-down, and setting-up process for the next scenes on the three sets of the I Love Lucy (1951) stage very economical in terms of time, averaging one and one-half minutes between shots.
Freund worked out the lighting during the rehearsal period. Almost all of the lighting was overhead, except for portable fill lights mounted above the matte box on each camera. In Freund's system, there were no lighting changes during shooting, other than the use of a dimming board. Since the lighting was mounted overhead on catwalks, power cables were kept off the floor, which facilitated the dollying that was essential for making the system work fluidly.
Freund's solution to the problem of shooting a show on film economically was to make lighting as uniform as possible, taking advantage of adding highlights whenever possible, since a comedy show required high-key illumination. Due to the high contrast of the tubes in the image pickup systems at the television stations, contrast was a potential problem, as any contrast in the film would be exaggerated upon transmission of the film. To keep the film contrast to what Freund called a "fine medium," the sets were painted in various shades of gray. Props and costumes also were gray to promote a uniformity of color and tone that would not defeat Freund's carefully devised illumination scheme.
In a typical workweek, the I Love Lucy (1951) company engaged in pre-production planning and rehearsals on Monday through Thursday. I Love Lucy (1951) was filmed before a live audience at 8:00 o'clock PM on Friday evenings, and Freund's camera crew worked only on that Friday and the preceding Thursday. Freund, however, attended the Wednesday afternoon rehearsal of the cast to study the movements of the players around the sets, noting the blocking and their entrances and exits, in order to plan his lighting and camera work. Thursday morning at 8:00 o'clock AM, Freund and the gaffers would begin lighting the sets, which typically would be done by noon, the time the camera crew was required to report on set to be briefed on camera movements. Then, Freund would rehearse the camera action in order to make necessary changes in the lighting and the dollying of the cameras.
It was during the Thursday full-crew rehearsal that the cues for the dimmer operator were set, and the floor was marked to indicate the cameras' positions for various shots. For each shot, the focus was pre-measured and noted for each camera position with chalk marks on the stage floor. Another rehearsal was held at 4:30 PM with the full production crew. Though a full-dress rehearsal was held at 7:30 PM, with the attendance of the full crew, the cameras were not brought onto the set. The director would take the opportunity to discuss the plan of the show and solicit input from the cast and crew on how to tighten the show and improve its pacing.
The next call for the entire company was at 1:00 PM on Friday to discuss any major changes that were discussed the previous night. After this meeting, the cameras would be brought out onto the stage, and at 4:30 PM, there would be a final dress rehearsal during which Freund would check his lighting and make any required changes.
After a dinner break, the cast and production crew would hold a "talk through" of the show to solicit further suggestions and solve any remaining problems. At 8:00 PM, the cast and production crew were ready to start filming the show before a live audience. Before shooting, one of the cast or a member of the company had briefed the audience on the filming procedure, emphasizing the need for the audience's reactions to be spontaneous and natural.
Shooting was over in about an hour due to the rapid set-ups and break-downs of the crew, which shot the show in chronological order. Due to the thorough planning and rehearsals, retakes were seldom necessary. Camera operators in Freund's system had to make each take the right way the first time, every time, to keep the system working smoothly, and they did. An average of 7,500 feet of film was shot for each show at a cost that was significantly less than a comparable major studio production.
Freund also served as the cinematographer on the TV series Our Miss Brooks (1952), which was shot at Desilu Studios, and Desilu's own December Bride (1954). It was no accident that Desilu productions turned to Karl Freund to realize their dream of creating a high-quality show on film. Freund had the broadest experience of any cameraman of his stature, starting in silent pictures, and then excelling in both B&W and color in the sound era. With his penchant for technical innovation, he was the ideal man to develop solutions for filming a television show. Freund met the challenge of creating high quality filmed images in a young medium still handicapped by its primitive technology.
Freund became the dean of cinematographers in a new medium, with Desilu's I Love Lucy (1951) and its other shows recognized as the gold standard for TV production. His work ensured the fortunes of Desilu Productions, and the personal fortunes of Desilu owners Desi Arnaz and Lucille Ball, as he provided them with quality films of each show that could be easily syndicated into perpetuity, whereas the live shows filmed secondarily off of flickering TV monitors as kinescopes could not.
After retiring as a cinematographer, Freund continued his research at the Photo Research Corp. He died on May 3, 1969.Plot: Moses 20, Lot 5254, Space 3- William J. Ganz was born on 24 February 1894 in Mainz, Germany. William J. was a producer, known for Tropical Fish in N.Y. Aquarium (1921), Europe, Asia and Africa in N.Y. (1921) and Pen and Ink (1921). William J. died in June 1968 in Scarsdale, New York, USA.
- Writer
- Producer
- Director
Author, composer, writer and songwriter, educated at Yale University (BA degree). He joined ASCAP in 1961, and wrote the off-Broadway stage scores for "Living the Life" and "All in Love". His chief musical collaborator was Gene de Paul, and his popular-song compositions included "I Found Him" and "What Can It Be?".- Casting Department
Bonnie Goldberg is known for Mad Fashion (2011).Plot: Gardens of the Proverbs, L-3161, space 2- Director
- Actor
A stage actor and director, Michael Gordon broke into films in 1940 as a dialogue director, then became a film editor. He directed his first feature in 1942. He started out with low-budget crime thrillers, but in the late 1940s and early 1950s turned out several well-crafted dramas, notably Cyrano de Bergerac (1950), which garnered José Ferrer an Academy Award. His career was interrupted, however, by the anti-Communist hysteria in the 1950s, led by Sen. Joseph McCarthy. Because of Gordon's early affiliation with several leftist organizations, he was accused of Communist leanings by the Red-baiting politicians of the era, and found himself blacklisted and unable to obtain work. He made one film in Australia, then returned to the U.S. Gordon started getting jobs again in the late 1950s, and this time, instead of turning out the tight, gritty little dramas he was known for, did a complete 180 and worked on glossy, big-budget mainstream comedies. He was, however, responsible for what is arguably Doris Day's best vehicle, the stylish Pillow Talk (1959).- Actress
- Director
Pamela Gordon was born on 8 April 1937 in Pittsburgh, Pennsylvania, USA. She was an actress and director, known for Weird Science (1985), Poltergeist II: The Other Side (1986) and Bloodlust: Subspecies III (1994). She was married to Marc Wedner. She died on 21 September 2003 in Los Angeles, California, USA.- Actor
- Stunts
Sol Gorss was born on 22 March 1908 in Cincinnati, Ohio, USA. He was an actor, known for Climax! (1954), Flowing Gold (1940) and The Adventures of Huckleberry Finn (1955). He died on 10 September 1966 in Los Angeles, California, USA.Plot: Maimonides 1, L-9526, space 3- Production Manager
- Producer
- Writer
Sherman Grinberg was born on 29 June 1927. He was a production manager and producer, known for Battleline (1963), Untamed Frontier (1967) and Biography (1961). He died on 6 January 1982.Plot: Garden of Eternal Peace 11, space 3A- David Groh's highly anticipated "marriage" to Valerie Harper on the eighth episode of the sitcom Rhoda (1974) was the highest rated episode of that decade, and the second most-watched program of all-time, surpassed only by the birth of 'little Ricky' on I Love Lucy (1951), with more than 50 million viewers watching. It was this co-starring role which situated him squarely on the Hollywood TV map. Rhoda Morgenstern, the single and cynical, highly beloved Bronx-born jokester and best friend of Mary Richards on the The Mary Tyler Moore Show (1970), was given her own spin-off series and landed back in New York City, where she found her dream man. Audiences took to the prospects of having tall, dark, virile, curly-haired blue-collar man Joe Gerard sweep their single heroine off her feet. Cast over 150 other actors despite his lack of comedy experience, David's presence added greatly as Rhoda's husband.
The writers soon felt the CBS's pressure to get Rhoda married. When they finally did, as has happened in other series where marriages occurred, the show had no place to go. After only two seasons, fickle producers decided to break up the happy couple so Rhoda could be single again. Groh was written out of the show. Divorce was a serious issue back then and audiences were perturbed that their beloved Rhoda would end up a divorcée, but all was forgiven and the series ran four more years. Although David never found equal stardom again, he continued to impress on the stage, in guest TV parts and in independent films.
Born David Lawrence Groh in Brooklyn on May 21, 1939, the son of Jewish-Americans Benjamin (an architect) and Mildred Groh, he received his diploma from Brooklyn Technical High School, where he was elected student body president. He subsequently attended Brown University with an early interest in engineering but graduated Phi Beta Kappa with a degree in English literature. He apprenticed for a couple seasons at the American Shakespeare Festival in Stratford, Connecticut, and was a spear carrier in the Katharine Hepburn/Robert Ryan production of "Antony and Cleopatra" in 1960. This early encouragement led to further studies in London -- courtesy of a Fulbright scholarship. David served in the Army for six months in 1963, and a year of reserve duty. Returning to his native New York, he sharpened his technique at the Actors Studio. Appearing around and about in such plays as "The Importance of Being Earnest," he finally marked his TV debut on a 1968 episode of the cult Gothic daytime drama Dark Shadows (1966) and made his film entrance in a prime role in the Italian-made feature Colpo rovente (1970).
While continuing to add on-camera credits to his resume, notably a regular 1972-1973 role in the daytime drama Love Is a Many Splendored Thing (1967), it wasn't until he made the move to Los Angeles in 1974 when his career suddenly accelerated. Within months he was cast as Valerie Harper love interest in Rhoda (1974) and enjoyed two solid seasons as her handsome construction worker hubby who wins then loses her. After he was phased out of the show, David found a sitcom of his own to star in with Another Day (1978) opposite Joan Hackett, but the family-oriented program lasted only a month in April. From then on he focused more and more on heavier dramatics. He portrayed the evil-minded D.L. Brock on the daytime soap opera General Hospital (1963) from 1983 to 1985, and later co-starred in the Roger Corman crime action series Black Scorpion (2001), while finding recurring roles on such programs as Melrose Place (1992), Baywatch (1989), and Law & Order (1990). Although he never made a strong showing on the large screen, David did appear in the films Irish Whiskey Rebellion (1972), Two-Minute Warning (1976) and A Hero Ain't Nothin' But a Sandwich (1977) in between assorted stage and TV assignments.
Groh returned strongly to his theater roots after leaving Rhoda (1974) and played both appealingly charismatic and slick, unsavory types. He made his Broadway debut replacing Judd Hirsch in the winning Neil Simon comedy "Chapter Two" in 1978. Down the road he appeared in an assortment of plays: "King Lear" (1982), "Be Happy for Me" (1986), "Road Show" (1987), "Beyond a Reasonable Doubt" (1989), "The Twilight of the Golds" (1993), "Mizlansky/Zilinsky" (2000), "The Waverly Gallery," "Gangster Planet" (2002) and "Blackout" (2003), to name a few. He was an admired fixture both in New York and on the smaller Los Angeles stages and tried his hand at stage directing with a production of "Mango Mango" at the Lee Strasberg Creative Center Theatre in Los Angeles in 2000.
Later post-"Rhoda" guest appearances on TV included "Trapper John," "Matt Houston," "General Hospital," "Hotel," "Hunter," "Spenser: For Hire," "Equal Justice," "L.A. Law," "Dark Justice," The Equalizer," "Jake and the Fatman," "Murder, She Wrote," "Melrose Place," "JAG," The X Files," "Melrose Place," "Walker, Texas Ranger and "Law and Order," plus recurring roles on V.I.P. (1998) and Black Scorpion (2001). He also added in a few "tough guy" film supports including Hotshot (1986), The Stöned Age (1994), White Cargo (1996), Acts of Betrayal (1997), Swimsuit: The Movie (1997), Spoiler (1998), Blowback (2000), The Confidence Man (2001), Crazylove (2005) and Evilution (2008).
David developed a lifelong passion for early American furniture and folk art (which first blossomed as a youth visiting the Brooklyn and Metropolitan Museums and fully bloomed from his association with an acting teacher who was also a collector). He lived in Los Angeles at the time of his death from kidney cancer at age 68. His last film, a featured role in Jelly (2010), was released posthumously. He was survived by third wife, actress Kristin Andersen, and one son, Spencer from a prior marriage. - Production Designer
- Animation Department
- Art Department
Bernard Gruver was born on 25 June 1923 in Long Beach, California, USA. He was a production designer, known for Snoopy Come Home (1972), A Boy Named Charlie Brown (1969) and Bon Voyage, Charlie Brown (and Don't Come Back!!) (1980). He died on 14 June 1985 in Sherman Oaks, California, USA.Plot: Garden of Shemot, Columbarium of Remembrance, niche 833- Billy Halop's show business career started on radio in the 1920s and carried over to stage work on Broadway. There, in 1937, he and other teenage cast members of the stage hit "Dead End" were brought to Hollywood by Samuel Goldwyn for the film version of the play, which was a tremendous hit. Halop and some of the other teenage cast members went on to do a series of films at Universal as the Dead End Kids/Little Tough Guys while some of the others worked at Monogram in a series as the East Side Kids. Halop left the group in the early 1940s to seek a career on his own, but could only land parts in B pictures. His career was also hampered by a long string of marital and financial problems and a lifelong struggle against alcoholism. Toward the end of his career, he had a recurring role as Munson, the owner of the cab company where Archie Bunker worked part time, in All in the Family (1971). His last years were spent making a living as a male nurse.Plot: Garden of Shemot, Crypt 64181
- Additional Crew
Bozo the Clown is known for Poodle Samizdat (2006), The 26th Annual Macy's Thanksgiving Day Parade (1952) and Hollywood Christmas Lane Parade of the Stars (1960).- Cinematographer
- Actor
- Camera and Electrical Department
Buddy Harris was born on 28 March 1891 in Scranton, Pennsylvania, USA. He was a cinematographer and actor, known for The Little Bugler (1914), Uncle Moses (1932) and Unmasked (1929). He died on 5 September 1971 in Los Angeles, California, USA.Plot: Moses 3, L-9385, space 4- Actor
- Soundtrack
Johnny Haymer was born on 19 January 1920 in St. Louis, Missouri, USA. He was an actor, known for And Justice for All (1979), Annie Hall (1977) and The Transformers (1984). He was married to Helen Sylivia Graff. He died on 18 November 1989 in Los Angeles, California, USA.- Writer
- Producer
- Additional Crew
Nat Hiken was born on 23 June 1914 in Chicago, Illinois, USA. He was a writer and producer, known for The Phil Silvers Show (1955), Car 54, Where Are You? (1961) and The Ballad of Louie the Louse (1959). He was married to Ambur Arvilla Dana. He died on 7 December 1968 in Brentwood, California, USA.Plot: Courts of the Psalms, wall crypt #43258- Actor
- Soundtrack
Bern Hoffman was born on 17 February 1913 in Baltimore, Maryland, USA. He was an actor, known for Nocturne (1946), Li'l Abner (1959) and Kiss Me, Stupid (1964). He was married to Diana Victory Kraft. He died on 15 December 1979 in Sherman Oaks, California, USA.Plot: Maimonides 27, L-4041, space 4- Music Department
- Soundtrack
Songwriter ("Arizona" [state song] ), conductor and author, educaed at the Buffalo Teachers College and the University of California. He was a bandleader in night clubs and hotels in New york, and joined ASCAP in 1952. His chief musical collaborators included Jimmy McHugh, Jimmy MacDonald, Bebe Blake, and Elliott Lewis. His popular-song compositions include "I Wanna Be a Soldier in the Army" (the official US Army recruiting song), "A Smile Is a Good Beginning", "I Thanl God", "Go Down to the Beach and Get Into the Ocean", "Dreamboat", "One Step Toward the Lord", and "The Navy Swings" (the official US Navy recruiting song).Plot: Gardens of Heritage, Upper Level, Crypt 96K- Producer
- Music Department
Gregg Hoffman was born on 11 June 1963 in Phoenix, Arizona, USA. He was a producer, known for Saw (2004), Saw X (2023) and Dead Silence (2007). He was married to Lucienne Hoffman. He died on 4 December 2005 in Los Angeles, California, USA.- Fred Holliday was born on 1 January 1936 in Pittsburgh, Pennsylvania, USA. He was an actor, known for The Fall Guy (1981), Galactica 1980 (1980) and That Girl (1966). He was married to Nancy King. He died on 21 November 1995 in Los Angeles, California, USA.
- Famed nightclub owner Herman Hover dropped out of Columbia Law School in the 1930s to manage a speakeasy. He then got into "show business" as a publicity agent for Broadway producer Earl Carroll (he took credit for coming up with the motto for Carroll's Broadway and Hollywood theaters, "Through these portals pass the most beautiful girls in the world").
In 1942 he bought Ciro's, a nightclub on Los Angeles' Sunset Strip that was on its last legs. He turned it into a success by shrewdly hiring the top stars in Hollywood--and paying top dollar for them--to perform at his club, such as Frank Sinatra, Nat 'King' Cole and Édith Piaf, among many others (he once hired famous stripper Lili St. Cyr, whose show was so "hot" it was shut down by the authorities for "lewdness").
By the mid-'50s, however, with competition from Las Vegas, Ciro's fell on hard times (a slew of lawsuits and tax problems didn't help matters, either) and resulted in Hover closing the club and declaring bankruptcy in 1959. In 1976 the building was bought and turned into The Comedy Store, which itself has passed into Hollywood lore.Plot: Courts of Tanach, Crypt 54230 - Peter Hurkos was born on 21 May 1911 in Dordrecht, Zuid-Holland, Netherlands. He was an actor, known for Bitter Heritage (1979), Matt Houston (1982) and Boxoffice (1982). He was married to Stephany Hurkos. He died on 1 June 1988 in Los Angeles, California, USA.
- Producer
- Writer
- Actress
Ellen Idelson was born on 13 June 1961 in Los Angeles, California, USA. She was a producer and writer, known for Grosse Pointe (2000), Will & Grace (1998) and Dream On (1990). She died on 19 September 2003 in Los Angeles, California, USA.- Script and Continuity Department
- Writer
- Additional Crew
Milt Josefsberg was born on 29 June 1911 in New York, USA. He was a writer, known for All in the Family (1971), The Jack Benny Program (1950) and The Lucy Show (1962). He died on 14 December 1987 in Burbank, California, USA.- Santy Josol was born on 7 November 1938 in Newark, New Jersey, USA. He was an actor, known for The Lord of the Rings (1978), The Beachcomber (1962) and The Wild Wild West (1965). He died on 24 January 1980 in Los Angeles, California, USA.Plot: Garden of Shemot 6, Lot 571, Space 3
- Writer
- Additional Crew
- Actor
Jackie Kahane was born on 29 September 1921 in Montréal, Québec, Canada. He was a writer and actor, known for Bizarre (1979), Off the Wall (1986) and 80 Steps to Jonah (1969). He was married to Rosanna and Rosanna Kahane. He died on 26 March 2001 in Encino, California, USA.- Actor
- Soundtrack
Eddie Kane was born on 12 August 1889 in St. Louis, Missouri, USA. He was an actor, known for The Big Wheel (1949), Star Reporter (1939) and The Broadway Melody (1929). He was married to Madeleine ?. He died on 30 April 1969 in Los Angeles, California, USA.Plot: Moses 5, L-8897- Producer
- Second Unit Director or Assistant Director
- Writer
Leonard Katzman was born on 2 September 1927 in New York City, New York, USA. He was a producer and assistant director, known for Dallas (1978), Petrocelli (1974) and Gunsmoke (1955). He was married to LaRue Katzman. He died on 5 September 1996 in Malibu, California, USA.Plot: Maimonides 33, L-3359, space 4- Music Department
- Actor
- Composer
Composer, songwriter ("I'll be Home for Christmas", "The White Cliffs of Dover", "I'm Gonna Live Till I Die") and architect, educated at Townsend Harris Hall, Juilliard (on scholarship), at City College of New York, and in private music study with Leopold Auer and Samuel Gardner. He was a practising architect and conducted his own orchestra on radio and in theatres. Coming to Hollywood in 1943 as a freelance architect, he also wrote the stage score for "Seventeen". Joining ASCAP in 1934, his other popular-song compositions include "Puleeze, Mr. Hemingway", "I Never Mention Your Name", "Too Much in Love", "Apple Blossoms and Chapel Bells", "I Cross My Fingers", "After All It's Spring", and "Never a Dream Goes By".Plot: Gardens of Heritage, Main Level, Crypt 84B- Evelyn Kingsley was born on 1 October 1928 in Cincinnati, Ohio, USA. She was an actress, known for Toys Are Not for Children (1972). She died on 8 August 2000 in Woodland Hills, California, USA.Plot: Gardens of the Heritage, second level wall crypt
- Additional Crew
- Director
- Production Manager
As an animation artist at UPA, Mr. Klynn helped create several award winning cartoon shorts, including "Mr. Magoo," "Gerald McBoing-Boing," "Madeline" and "Christopher Crumpet." He had previously worked as an animation director for the U.S. Army Signal Corps motion picture unit in Los Angeles during World War II. Additionally known as a graphic designer, Mr. Klynn created many opening titles, including the "I Spy" (1965) TV series. He founded the animation studio, Format Films in 1959, which created more than 1,000 productions for over 23 years, including "The Alvin Show" "The Lone Ranger" TV series, and an Oscar nomination for the animated short, "Icarus Montgolfier, Wright." (1962). In 1991 Mr. Klynn received the lifetime achievement award from ASIFA. The Format Productions archives are located at the University of Wyoming, and the USC Film Archives.Plot: Gardens of Heritage, Upper Level, Crypt 265L- Lou Krugman was born on 19 July 1914 in Passaic, New Jersey, USA. He was an actor, known for I Love Lucy (1951), Not for Hire (1959) and Irma la Douce (1963). He was married to Grace W. Cahill. He died on 8 August 1992 in Burbank, California, USA.Plot: Maimonides 38, L-2788, space 1
- Instantly recognizable American character actor with bulbous nose and heavily lined face, who could convey integrity or menace to equal effect. He first came to prominence on radio as (Captain) Starr of Space (1953), using ray guns to combat Martians and alien queens. Beginning in 1953, Larch accumulated an impressive resume of TV series credits, spanning almost the entire spectrum of the best western, crime and science-fiction shows the 1950's and 60's had to offer. His authoritarian personality and demeanor generally typecast him as police officers, military men, attorneys and politicians. Quite a few of these turned out to be either corrupt or outright villains. Point in case, his performance as a tough hood in The Phenix City Story (1955), described by Bosley Crowther as "stinging" in "hard malevolence" (New York Times, September 3, 1955).
At his best, Larch was the nervous Mr. Fremont, father to the eminently dangerous Anthony (Bill Mumy) in the classic entry into The Twilight Zone (1959), 'It's a Good Life'. In The Invaders (1967) episode 'Genesis', he was again excellent as police officer Greg Lucather, at first skeptical, but subsequently swayed by irrefutable evidence to help in David Vincent's quest. On the big screen, he is perhaps best remembered as Harry Callahan's Chief of Police in the original Dirty Harry (1971). - Actor
- Soundtrack
Chubby, antsy, and distinctive character actor Sydney Lassick was born on July 23, 1922 to Jewish Russian immigrant parents in Chicago, Illinois. Lassick first began acting in both films and TV shows in the late 50s. Portly and bespectacled, with a high-pitched voice and a nervous disposition, Sydney was usually cast as peevish neurotics, obsequious toadies, and fretful everyman types. Best known for his outstanding portrayal of the whiny and infantile manic depressive mental patient Charlie Cheswick in the acclaimed "One Who Flew Over the Cuckoo's Nest," Lassick's other most memorable roles include a fey Fairy Godfather in the lowbrow nudie cutie musical "Sinderella and the Golden Bra," mean sarcastic English teacher Mr. Fromm in "Carrie;" genuinely creepy as perverse and abusive innkeeper Ernest Keller in the potently unnerving slasher horror sleeper "The Unseen;" at his oily best as the slimy Charlie P. in the supremely twisted cult oddity "Sonny Boy," effeminate lackey Gopher in "Deep Cover," and jolly trailer park manager Woody Wilson in "Freeway." Among the TV series Sydney made guest appearances on are "Family," "Eight is Enough," "Baretta," "Hawaii Five-O," "Barney Miller," "Matt Houston," "Moonlighting," "Knots Landing," "Dream On," and "The X-Files." Lassick died at age 80 from complications from diabetes on April 12, 2003 in Los Angeles, California. He was survived by an older sister.- Actor
- Soundtrack
He began his career as Pincus Leff in vaudeville in the 1920s. In January 1925, he was hired by Betty Felsen to be a dancer in the acclaimed Boderick & Felsen vaudeville dancing act. Pincus Leff soon became a featured tap dancer in the act and was often mentioned in advertisements, notices, and reviews. He was part of the act throughout 1925 during its headline tour on the B.F. Keith vaudeville circuit throughout the Mid-West and East. In early 1926, he left the act to pursue his career as Pinky Lee on stage and in film and television.Plot: Courts of the Psalms 5, wall crypt #41377-2- Buddy Lewis was born on 22 December 1916 in Pennsylvania, USA. He was an actor, known for Harlow (1965), Chicago Confidential (1957) and Mission: Impossible (1966). He died on 22 November 1986 in Los Angeles, California, USA.Plot: Maimonides 30, L-3626, space 1b
- Robert Q. Lewis was born on 5 April 1921 in Manhattan, New York City, New York, USA. He was an actor, known for Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972), An Affair to Remember (1957) and How to Succeed in Business Without Really Trying (1967). He died on 11 December 1991 in Los Angeles, California, USA.Plot: Maimonides 37, 2923, space 3
- Ed Lowry was born on 1 February 1896 in New York, USA. He was an actor, known for The House of Mystery (1934), Well Cured Ham (1934) and Delinquent Bridegrooms (1916). He died on 17 August 1983 in Los Angeles, California, USA.Plot: Courts of the Psalms, wall crypt #45389
- Irving Ludwig was born on 3 November 1910 in Luck, Poland, Russian Empire [now Lutsk, Volyn Oblast, Ukraine]. He was married to Helen Ludwig. He died on 26 November 2005 in Santa Monica, California, USA.
- Anna Luther was born on 7 July 1897 in Newark, New Jersey, USA. She was an actress, known for The Beast (1916), The Governor's Lady (1923) and The Pursuing Shadow (1915). She was married to Edward Gallagher. She died on 16 December 1960 in Hollywood, California, USA.Plot: Maimonides 1, L-9530, space 4
- Composer
- Music Department
- Soundtrack
Eddy Lawrence Manson was born on 9 May 1919 in New York City, New York, USA. He was a composer, known for The DuPont Show of the Month (1957), Reds (1981) and Weddings and Babies (1958). He died on 12 July 1996 in Los Angeles, California, USA.- Actor
- Director
- Additional Crew
Born in Grodek, Poland, Ross Martin grew up on New York City's Lower East Side. He spoke Yiddish, Polish, and Russian before even learning English and later added French, Spanish, and Italian to his amazing repertoire.
Despite academic training (and receiving honors in) business, instruction, and law, M. Martin chose a career of acting. His first film was the George Pal production Conquest of Space (1955). Soon after, he caught the eye of Blake Edwards who cast him in a number of widely varied roles, culminating with a fantastic part in The Great Race (1965).
Ross somehow managed a series in between, the short-lived Mr. Lucky (1959). With the release of The Great Race (1965), CBS cast him in what was to become his most famous part, Secret Service agent Artemus Gordon in The Wild Wild West (1965), opposite Robert Conrad. Perhaps the show's cancellation in 1969 was for the best - he suffered a near-fatal heart attack in 1968.
Afraid to take the risk of having a lead actor with a heart condition, the networks snubbed him with regards to a lead role, yet he appeared as a guest star in an amazing number of programs, not all dramatic masterpieces. Yet Ross loved to act, and took every role which came his way. Ross Martin collapsed while playing tennis, the heart condition finally taking its toll on July 3rd, 1981.- Actor
- Director
- Soundtrack
Sid Melton was born on 22 May 1917 in Brooklyn, New York City, New York, USA. He was an actor and director, known for Captain Midnight (1954), The Golden Girls (1985) and The Steel Helmet (1951). He was married to Jody Lee Myers. He died on 3 November 2011 in Burbank, California, USA.- Music Department
- Composer
- Actor
Michael Melvoin was born on 10 May 1937 in Oshkosh, Wisconsin, USA. He was a composer and actor, known for The Wedding Date (2005), Something's Gotta Give (2003) and Armed and Dangerous (1986). He was married to Sandra. He died on 22 February 2012 in Burbank, California, USA.- Director
- Writer
- Producer
Laurence Merrick was born on 22 April 1926 in Petah Tiova, Israel. Laurence was a director and writer, known for Black Angels (1970), Manson (1973) and Guess What Happened to Count Dracula? (1971). Laurence was married to Joan Huntington. Laurence died on 26 January 1977 in Hollywood, California, USA.- Music Department
- Additional Crew
- Soundtrack
Irving Mills was a composer, song publisher and band and orchestra manager in the 1920s and 1930s and also manager for Duke Ellington and His Orchestra in the 1920s and 1930s. In the 1920s and early 1930s he would put together bands for recordings. One of his bands that recorded for Brunswick Records from 1928 to 1930 was called Irving Mills And His Hotsy Totsy Gang and used a collective personnel that had some of the best white jazz musicians of the period in its ranks including Benny Goodman, Tommy and Jimmy Dorsey, Glenn Miller, Jack Teagarden, Hoagie Carmichael and Joe Venuti among others. He sometimes used Black trumpeter Bill Moore, who had played and recorded with the California Ramblers from 1922 to 1925 who was very light-skinned and was billed as the Hot Hawiian and predated Jelly-Roll Morton in recording with white bands and orchestras. Irving Mills stayed active in the music business into the 1970s and though listed as co-composer on some of the 1920s and early 1930s sheet music and recordings of music composed by Duke Ellington, he most likely had little or nothing to do with composing them.Plot: Courts of the Psalms 1, C-46165, top row- Writer
- Additional Crew
- Producer
Michael Morris was born on 7 January 1918 in Charkow, Ukraine. He was a writer and producer, known for Shadow of the Cloak (1951), Chico and the Man (1974) and For Love or Money (1963). He died on 20 June 2003 in Los Angeles, California, USA.- Music Department
- Soundtrack
Josef Myrow was born on 28 February 1910 in Russia. He is known for Pixels (2015), In Her Shoes (2005) and The King of Staten Island (2020). He died on 24 December 1987 in Los Angeles, California, USA.Plot: Court of the Psalms, Block 33A, Crypt 46414- Martin Nosseck was born on 5 December 1903 in Poland. He was an actor, known for One Dark Night (1982). He died on 29 November 1981 in Beverly Hills, California, USA.