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Stan Laurel came from a theatrical family, his father was an actor and theatre manager, and he made his stage debut at the age of 16 at Pickard's Museum, Glasgow. He traveled with Fred Karno's vaudeville company to the United States in 1910 and again in 1913. While with that company he was Charles Chaplin's understudy, and he performed imitations of Chaplin. On a later trip he remained in the United States, having been cast in a two-reel comedy, Nuts in May (1917) (not released until 1918). There followed a number of shorts for Metro, Hal Roach Studios, then Universal, then back to Roach in 1926. His first two-reeler with Oliver Hardy was 45 Minutes from Hollywood (1926). Their first release through MGM was Sugar Daddies (1927) and the first with star billing was From Soup to Nuts (1928). Their first feature-length starring roles were in Pardon Us (1931). Their work became more production-line and less popular during the war years, especially after they left Roach and MGM for Twentieth Century-Fox. Their last movie together was The Bullfighters (1945) except for a dismal failure made in France several years later (Utopia (1950)). In 1960 he was given a special Oscar "for his creative pioneering in the field of cinema comedy". He died five years later.- Actor
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Although his parents were never in show business, as a young boy Oliver Hardy was a gifted singer and, by age eight, was performing with minstrel shows. In 1910 he ran a movie theatre, which he preferred to studying law. In 1913 he became a comedy actor with the Lubin Company in Florida and began appearing in a long series of shorts; his debut film was Outwitting Dad (1914). He appeared in he 1914-15 series of "Pokes and Jabbs" shorts, and from 1916-18 he was in the "Plump and Runt" series. From 1919-21 he was a regular in the "Jimmy Aubrey" series of shorts, and from 1921-25 he worked as an actor and co-director of comedy shorts for Larry Semon.
In addition to appearing in two-reeler comedies, he found time to make westerns and even melodramas in which he played the heavy. He is most famous, however, as the partner of British comic Stan Laurel, with whom he had played a bit part in The Lucky Dog (1921). in the mid-1920s both he and Laurel wee working for comedy producer Hal Roach, although not as a team. In a moment of inspiration Roach teamed them together, and their first film as a team was 45 Minutes from Hollywood (1926). Their first release for Roach through MGM was Sugar Daddies (1927) and the first with star billing was From Soup to Nuts (1928). They became a huge hit as a comedy team, and after several years of two-reelers, Roach decided to star them in features, their first of which was Pardon Us (1931).
They clicked with audiences in features, too, and starred in such classics as Way Out West (1937), March of the Wooden Soldiers (1934) and Block-Heads (1938). They eventually parted ways with Roach and in the mid-1940s signed on with Twentieth Century-Fox.
Unfortunately, Fox did not let them have the autonomy they had at Roach, where Laurel basically wrote and directed their films, though others were credited, and their films became more assembly-line and formulaic. Their popularity waned and less popular during the war years, and they made their last film for Fox in 1946.
Several years later they made their final appearance as a team in a French film, a troubled and haphazard production eventually, after several name changes, called Utopia (1950), generally regarded to be their worst film. Hardy appeared without Laurel in a few features, such as Zenobia (1939) with Harry Langdon, The Fighting Kentuckian (1949) in a semi-comedic role as a frontiersman alongside John Wayne and Riding High (1950), in a cameo role. He died in 1957.- Writer
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Considered to be one of the most pivotal stars of the early days of Hollywood, Charlie Chaplin lived an interesting life both in his films and behind the camera. He is most recognized as an icon of the silent film era, often associated with his popular character, the Little Tramp; the man with the toothbrush mustache, bowler hat, bamboo cane, and a funny walk.
Charles Spencer Chaplin was born in Walworth, London, England on April 16, 1889, to Hannah Harriet Pedlingham (Hill) and Charles Chaplin, both music hall performers, who were married on June 22, 1885. After Charles Sr. separated from Hannah to perform in New York City, Hannah then tried to resurrect her stage career. Unfortunately, her singing voice had a tendency to break at unexpected moments. When this happened, the stage manager spotted young Charlie standing in the wings and led him on stage, where five-year-old Charlie began to sing a popular tune. Charlie and his half-brother, Syd Chaplin spent their lives in and out of charity homes and workhouses between their mother's bouts of insanity. Hannah was committed to Cane Hill Asylum in May 1903 and lived there until 1921, when Chaplin moved her to California.
Chaplin began his official acting career at the age of eight, touring with the Eight Lancashire Lads. At age 18, he began touring with Fred Karno's vaudeville troupe, joining them on the troupe's 1910 United States tour. He traveled west to California in December 1913 and signed on with Keystone Studios' popular comedy director Mack Sennett, who had seen Chaplin perform on stage in New York. Charlie soon wrote his brother Syd, asking him to become his manager. While at Keystone, Chaplin appeared in and directed 35 films, starring as the Little Tramp in nearly all.
In November 1914, he left Keystone and signed on at Essanay, where he made 15 films. In 1916, he signed on at Mutual and made 12 films. In June 1917, Chaplin signed up with First National Studios, after which he built Chaplin Studios. In 1919, he and Douglas Fairbanks, Mary Pickford and D.W. Griffith formed United Artists (UA).
Chaplin's life and career was full of scandal and controversy. His first big scandal was during World War I, at which time his loyalty to England, his home country, was questioned. He had never applied for American citizenship, but claimed that he was a "paying visitor" to the United States. Many British citizens called Chaplin a coward and a slacker. This and other career eccentricities sparked suspicion with FBI chief J. Edgar Hoover and the House Un-American Activities Committee (HUAC), who believed that he was injecting Communist propaganda into his films. Chaplin's later film The Great Dictator (1940), which was his first "talkie", also created a stir. In the film, Chaplin plays a humorous caricature of Adolf Hitler. Some thought the film was poorly done and in bad taste. However, the film grossed over $5 million and earned five Academy Award Nominations.
Another scandal occurred when Chaplin briefly dated 22 year-old Joan Barry. However, Chaplin's relationship with Barry came to an end in 1942, after a series of harassing actions from her. In May 1943, Barry returned to inform Chaplin that she was pregnant and filed a paternity suit, claiming that the unborn child was his. During the 1944 trial, blood tests proved that Chaplin was not the father, but at the time, blood tests were inadmissible evidence, and he was ordered to pay $75 a week until the child turned 21.
Chaplin also was scrutinized for his support in aiding the Russian struggle against the invading Nazis during World War II, and the United States government questioned his moral and political views, suspecting him of having Communist ties. For this reason, HUAC subpoenaed him in 1947. However, HUAC finally decided that it was no longer necessary for him to appear for testimony. Conversely, when Chaplin and his family traveled to London for the premier of Limelight (1952), he was denied re-entry to the United States. In reality, the government had almost no evidence to prove that he was a threat to national security. Instead, he and his wife decided to settle in Switzerland.
Chaplin was married four times and had a total of 11 children. In 1918, he married Mildred Harris and they had a son together, Norman Spencer Chaplin, who lived only three days. Chaplin and Harris divorced in 1920. He married Lita Grey in 1924, who had two sons, Charles Chaplin Jr. and Sydney Chaplin. They were divorced in 1927. In 1936, Chaplin married Paulette Goddard, and his final marriage was to Oona O'Neill (Oona Chaplin), daughter of playwright Eugene O'Neill in 1943. Oona gave birth to eight children: Geraldine Chaplin, Michael Chaplin, Josephine Chaplin, Victoria Chaplin, Eugene Chaplin, Jane Chaplin, Annette-Emilie Chaplin, and Christopher Chaplin.
In contrast to many of his boisterous characters, Chaplin was a quiet man who kept to himself a great deal. He also had an "un-millionaire" way of living. Even after he had accumulated millions, he continued to live in shabby accommodations. In 1921, Chaplin was decorated by the French government for his outstanding work as a filmmaker and was elevated to the rank of Officer of the Legion of Honor in 1952. In 1972, he was honored with an Academy Award for his "incalculable effect in making motion pictures the art form of the century". He was appointed Knight Commander of the Order of the British Empire in the 1975 New Year's Honours List. No formal reason for the honour was listed. The citation simply reads "Charles Spencer Chaplin, Film Actor and Producer".
Chaplin's other works included musical scores that he composed for many of his films. He also authored two autobiographical books, "My Autobiography" (1964) and its companion volume, "My Life in Pictures" (1974).
Chaplin died at age 88 of natural causes on December 25, 1977 at his home in Vevey, Switzerland. His funeral was a small and private Anglican ceremony according to his wishes. In 1978, Chaplin's corpse was stolen from its grave and was not recovered for three months; he was re-buried in a vault surrounded by cement.
Six of Chaplin's films have been selected for preservation in the National Film Registry by the United States Library of Congress: The Immigrant (1917), The Kid (1921), The Gold Rush (1925), City Lights (1931), Modern Times (1936), and The Great Dictator (1940).
Charlie Chaplin is considered one of the greatest filmmakers in the history of American cinema, whose movies were and still are popular throughout the world and have even gained notoriety as time progresses. His films show, through the Little Tramp's positive outlook on life in a world full of chaos, that the human spirit has and always will remain the same.- Actor
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Born in Burchard, Nebraska, USA to Elizabeth Fraser and J. Darcie 'Foxy' Lloyd who fought constantly and soon divorced (at the time a rare event), Harold Clayton Lloyd was nominally educated in Denver and San Diego high schools and received his stage training at the School of Dramatic Art (San Diego). Lloyd grew up far more attached to his footloose, chronically unemployed father than his overbearing mother.
He made his stage debut at age 12 as "Little Abe" in "Tess of d'Ubervilles" with the Burwood Stock company of Omaha. Harold and his father moved to California as a result of a fortuitous accident settlement in 1913. Foxy bought a pool hall (that soon failed) while Harold attended high school. The pair were soon broke when his father suggested he try out for a job on a movie being shot at San Diego's Pan American Exposition by the Edison Company. On the set he first met Hal Roach who would be the most influential person in his professional life. Roach (admittedly a poor actor) told Lloyd that someday he'd be a movie producer and he'd make him his star.
Soon afterward, Roach inherited enough money to begin a small production company (Phun Philms, quickly renamed Rolin, with a partner who he soon bought out) and contacted Lloyd to star in the kinds of films he wanted to make: comedies. On the basis of a handful of self-produced shorts starring Lloyd, he managed to land a production contract with the U.S. branch of the French firm, Pathe, who literally paid Roach by the exposed foot of film on what films were accepted. Things were touch and go in the beginning, with improvised scenarios, outdoor shoots meaning Pathe rejected several of their first efforts, resulting in missed paydays. During his first contract with Roach he appeared in "Will E. Work" and then "Lonesome Luke" comedies, essentially cheap variations of Charles Chaplin's Little Tramp character. He abandoned the character in disgust in late 1917, adopting his "glasses" persona, an average young man capable of conquering any obstacle thrown at him. He began cementing his new image with Over the Fence (1917), that ushered in a prolific number of shorts through late 1921, often releasing 3 per month. In his "glasses" personification, Lloyd's popularity grew exponentially with each new release, but Lloyd rapidly grew dissatisfied with his relationship with his producer. Roach and Lloyd fought constantly; it's not so much that he didn't want to work for Roach, he didn't want to work for anyone - a trait he himself recognized from early on. To be fair, Roach was increasingly preoccupied with other stars (The "Our Gang" series was launched to huge success in 1922 and he also produced ''Snub Pollard" shorts, among others) and although he would always resent Lloyd's attitude and ultimate defection to Paramount, the loss of his major star wouldn't financially cripple him. Lloyd had his own quirks; he fell in love with his first co-star Bebe Daniels, who left him after it became apparent he was unable to make a commitment (however the two would remain lifelong friends). Lloyd, in his own way was decidedly complex: he could be professionally generous (often allowing debatably deserving directorial credit to members of his crew) while being notoriously cheap. Yet he practiced little financial self control in anything that concerned himself. Wildly superstitious, he engaged in strict rituals about dressing himself, leaving through the same doors as he entered, and expected his chauffeurs to know which streets were unlucky to traverse. As his finances improved with age he happily indulged himself with a myriad of hobbies that would include breeding Great Danes, amassing cars, bowling, photography, womanizing, and high-fidelity stereo systems. He was open minded about homosexuals while being practically Victorian in his ideas about raising his daughters. He had an enormous libido and rumors abounded about illegitimate children and according to Roach, chronic bouts with VD. Most traumatically, he suffered the loss of his right thumb and forefinger in an accidental prop bomb explosion on August 14, 1919, just as his career was starting to take off. Lloyd would go to great lengths to hide his disability, spending thousands on flesh-colored prosthetic gloves and hiding his right hand whenever knowingly photographed, even long after his career ended. Upon his recovery he completed work on Haunted Spooks (1920) and successfully renegotiated his contract with Pathe, which began a career ascent that would rival Chaplin's (indeed, Lloyd was more successful, considering grosses on total output as Chaplin's output soon dwindled by comparison). Lloyd began feature film production with the 4-reel A Sailor-Made Man (1921). It began as a 2-reel short but contained, in his words, "so much good stuff we were loathe to take any of it out." It became a huge hit and continued to release hit features with ever increasing grosses but split with Hal Roach (who retained lucrative re-issue rights to his earlier films) after completing The Freshman (1925), one of his finest films. Pathe's U.S. operations quickly unraveled after their U.S. representative, Paul Brunet returned to France, and Lloyd made a decisive move (Roach himself would also leave Pathe, opting for a distribution deal with MGM - Mack Sennett, also distributed by Pathe, would be financially ruined). After weighing various attractive offers, Lloyd signed an advantageous contract with Paramount and racked up another hit with For Heaven's Sake (1926), one of his weakest silent features, yet it grossed an incredible $2.591 million, nearly equaling "The Freshman" and astonishing even himself.
Lloyd could do no wrong throughout the 1920s, he consistently earned at or near $1.5 million per film with his Paramount contract, and seemed invincible. He married his second co-star Mildred Davis on February 10, 1923 and she retired from acting (replaced by Jobyna Ralston). He built a huge 32-room mansion he christened, "Greenacres" that took over 3 years to complete and the couple eventually had 3 children. His final silent film, Speedy (1928), shot on location in New York, was one of the few major hits of the sound transition period and remains (as do most of Lloyd's films) thoroughly enjoyable today. The advent of sound proved problematic for the comedian. His films were gag-driven and his writing team was wholly unaccustomed to converting their type of comedy into dialog. While his first sound effort (began as a silent), Welcome Danger (1929) grossed nearly $3 million, by any standard it's a bad film, and marked a serious decline in Lloyd's screen persona; he became a talking comedian. Ironically, as bad as the film is, it would prove to be the last solid hit of his career. His next talkie, Feet First (1930), included a climb reminiscent (but technically superior to that) of his hit Safety Last! (1923), only being in sound, it contained every grunt and groan and proved painful to watch. With a gross of less that $1 million, Lloyd would see slightly over $300,000, his smallest feature paycheck to date, and it became clear he was in trouble. Lloyd fought back with Movie Crazy (1932). Generally regarded as his finest talkie, it grossed even less than "Feet First." Lloyd left Paramount for Fox and suffered his first outright flop with his next feature, The Cat's-Paw (1934), which grossed $693,000 against a negative cost of $617,000 ---resulting in red ink on a net basis. The miracle Harold Lloyd needed to salvage his career would never happen, but he refused to go down without a fight. Amazingly, the public was oblivious to his decline, and he was widely considered as one of the few silent comedy stars to have made a successful transition through the first decade of sound. But to those within the industry, the numbers didn't add up. Back at Paramount on a 2-movie deal, Lloyd starred in The Milky Way (1936), a better-than-average comedy that pulled a world-wide gross of $1.179 million, but it had production budget exceeding $1 million, resulting in a $250,000 loss for the studio. Paramount was livid, demanding a personal guarantee from Lloyd on anything over $600,000 for his next film, Professor Beware (1938). The comedian soon discovered he couldn't complete the film within the required budget and did something unprecedented --for him at least-- he invested his own money. The final production cost was $820,275 - and it grossed a mere $796,385 - and as a result of a complex payment deal, Lloyd ended up personally losing $119,400 on its initial release (he would eventually recoup the bulk of his losses over the next 35 years). At the relatively young age of 45, Harold Lloyd's Hollywood career was effectively over. Still immensely wealthy from a conservative investment strategy, and always hyperactive, he sought out ways to occupy his time, dragging his kids on marathon movie nights all across Los Angeles and falling back on his many hobbies. Foxy, who had handled the bulk of his correspondence (almost all Lloyd's pre-1938 autographs were actually signed by Foxy) and had carefully documented his press clippings since his acting career had began, retired to Palm Springs in 1938, leaving a void in Lloyd's life. He produced two pictures for RKO, A Girl, a Guy, and a Gob (1941), and a Kay Kyser vehicle, My Favorite Spy (1942) which must have looked good on paper but went nowhere at the box office. This ended his career as a producer. He would sign a $25,000 deal with Columbia in 1943 for a comeback project that never materialized. In 1944, Lloyd was approached by director Preston Sturges who envisioned a first-rate vehicle for him entitled, The Sin of Harold Diddlebock (1947). The production launched Sturges' new California Pictures, was financed by Howard Hughes, and initially released by United Artists. It proved to be a nightmare for everyone concerned. Its $1.7 million production cost proved to be an insurmountable obstacle preventing it from profitability and the eccentric Hughes withdrew it from circulation, later retitling it "Mad Wednesday," re-editing and re-releasing it as an RKO feature in 1951 to an even more dismal box office. Lloyd would also zealously protect ownership of his material and was quite litigious. He successfully sued MGM over their unauthorized poaching of his gags on a Joan Davis vehicle, She Gets Her Man (1945) (sadly an action that put the final nail in the professional coffin of the hopelessly alcoholic Clyde Bruckman). With his career at an end, Harold renewed his interest in photography and became involved with color film experiments. Some of the earliest 2 color Technicolor tests had been shot at Greenacres in 1929. In the late 1940s he became fascinated with color 3D still photography and often visited friends on film sets. Throughout the late 40s and well into the 1960s Lloyd indulged himself with glamor models. At his death, his collection of 3D stills numbered 250,000 (the vast majority of which are nudes). Recently his granddaughter published an elaborate book of photos carefully excised from the collection. In the late 1940s Lloyd became an active member of the Shriners (he'd joined originally in 1924) and an effective administrator for their Los Angeles crippled children's hospital. Harold is reported to be the only actor that owned most of the films he appeared in (sadly many of the earliest ones were destroyed in a nitrate fire in a vault at Greenacres in 1943). This ownership gave him the ability to withhold his films from being shown on television; Lloyd feared incorrect projection speed and commercials would damage his reputation. As a result, a generation of film fans saw very few of his films and his reputation was diminished. He did release 2 compilation films, of which the first, World of Comedy (1962) was very successful. Mildred descended into alcoholism in the 1950s and died in 1969. Lloyd occupied his time with extensive travel (he thoroughly enjoyed speaking engagements where he could interact with students on the subject of silent film) and continued his pathological passion for his hobbies through the end of his life. He became interested in high fidelity stereo systems and habitually ordered several record companies' entire annual catalogs, eventually amassing an LP collection rivaling most record stores. He enjoyed cranking music to volumes that caused the inlaid gold leaf on Greenacres' ceilings to rain down on anyone below. Conversely, he balked at modernizing anything inside the mansion, seeing improvements and redecorating as things that would survive him, and thus a complete waste of money. Lloyd was diagnosed with a recurrence of cancer by his brother-in-law, Dr. John Davis (Jack Davis, who starred in early "Our Gang" shorts) and died on March 8, 1971. His son, Harold Lloyd Jr. was an alcoholic homosexual and died soon afterward. Although Lloyd left an estate valued at $12 million (in 1971 dollars), he failed to make a provision for the maintenance of Greenacres, a blunder that would seriously complicate his estate. His granddaughter Suzanne Lloyd has been largely responsible for restoring his reputation of late, working to preserve his surviving films; many have been issued on HBO Video, Thames Video. Several have been superbly restored with new musical accompaniments and are shown periodically on TCM.- Actor
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Joseph Frank Keaton was born on October 4, 1895 in Piqua, Kansas, to Joe Keaton and Myra Keaton. Joe and Myra were Vaudevillian comedians with a popular, ever-changing variety act, giving Keaton an eclectic and interesting upbringing. In the earliest days on stage, they traveled with a medicine show that included family friend, illusionist Harry Houdini. Keaton himself verified the origin of his nickname "Buster", given to him by Houdini, when at the age of three, fell down a flight of stairs and was picked up and dusted off by Houdini, who said to Keaton's father Joe, also nearby, that the fall was 'a buster'. Savvy showman Joe Keaton liked the nickname, which has stuck for more than 100 years.
At the age of four, Keaton had already begun acting with his parents on the stage. Their act soon gained the reputation as one of the roughest in the country, for their wild, physical antics on stage. It was normal for Joe to throw Buster around the stage, participate in elaborate, dangerous stunts to the reverie of audiences. After several years on the Vaudeville circuit, "The Three Keatons", toured until Keaton had to break up the act due to his father's increasing alcohol dependence, making him a show business veteran by the age of 21.
While in New York looking for work, a chance run-in with the wildly successful film star and director Roscoe 'Fatty' Arbuckle, resulted in Arbuckle inviting him to be in his upcoming short The Butcher Boy (1917), an appearance that launched Keaton's film career, and spawned a friendship that lasted until Arbuckle's sudden death in 1933. By 1920, after making several successful shorts together, Arbuckle moved on to features, and Keaton inherited his studio, allowing him the opportunity to begin producing his own films. By September 1921, tragedy touched Arbuckle's life by way of a scandal, where he was tried three times for the murder of Virginia Rapp. Although he was not guilty of the charges, and never convicted, he was unable to regain his status, and the viewing public would no longer tolerate his presence in film. Keaton stood by his friend and mentor through out the incident, supporting him financially, finding him directorial work, even risking his own budding reputation offering to testify on Arbuckle's behalf.
In 1921, Keaton also married his first wife, Natalie Talmadge under unusual circumstance that have never been fully clarified. Popular conjecture states that he was encouraged by Joseph M. Schenck to marry into the powerful Talmadge dynasty, that he himself was already a part of. The union bore Keaton two sons. Keaton's independent shorts soon became too limiting for the growing star, and after a string of popular films like One Week (1920), The Boat (1921) and Cops (1922), Keaton made the transition into feature films. His first feature, Three Ages (1923), was produced similarly to his short films, and was the dawning of a new era in comedic cinema, where it became apparent to Keaton that he had to put more focus on the story lines and characterization.
At the height of his popularity, he was making two features a year, and followed Ages with Our Hospitality (1923), The Navigator (1924) and The General (1926), the latter two he regarded as his best films. The most renowned of Keaton's comedies is Sherlock Jr. (1924), which used cutting edge special effects that received mixed reviews as critics and audiences alike had never seen anything like it, and did not know what to make of it. Modern day film scholars liken the story and effects to Christopher Nolan Inception (2010), for its high level concept and ground-breaking execution. Keaton's Civil War epic The General (1926) kept up his momentum when he gave audiences the biggest and most expensive sequence ever seen in film at the time. At its climax, a bridge collapses while a train is passing over it, sending the train into a river. This wowed audiences, but did little for its long-term financial success. Audiences did not respond well to the film, disliking the higher level of drama over comedy, and the main character being a Confederate soldier.
After a few more silent features, including College (1927) and Steamboat Bill, Jr. (1928), Keaton was informed that his contract had been sold to MGM, by brother-in-law and producer Joseph M. Schenck. Keaton regarded the incident as the worst professional mistake he ever made, as it sent his career, legacy, and personal life into a vicious downward spiral for many years. His first film with MGM was The Cameraman (1928), which is regarded as one of his best silent comedies, but the release signified the loss of control Keaton would incur, never again regaining his film -making independence. He made one more silent film at MGM entitled Spite Marriage (1929) before the sound era arrived.
His first appearance in a film with sound was with the ensemble piece The Hollywood Revue of 1929 (1929), though despite the popularity of it and his previous MGM silents, MGM never allowed Keaton his own production unit, and increasingly reduced his creative control over his films. By 1932, his marriage to Natalie Talmadge had dissolved when she sued him for divorce, and in an effort to placate her, put up little resistance. This resulted in the loss of the home he had built for his family nicknamed "The Italian Villa", the bulk of his assets, and contact with his children. Natalie changed their last names from Keaton to Talmadge, and they were disallowed from speaking about their father or seeing him. About 10 years later, when they became of age, they rekindled the relationship with Keaton. His hardships in his professional and private life that had been slowly taking their toll, begun to culminate by the early 1930s resulting in his own dependence on alcohol, and sometimes violent and erratic behavior. Depressed, penniless, and out of control, he was fired by MGM by 1933, and became a full-fledged alcoholic.
After spending time in hospitals to attempt and treat his alcoholism, he met second wife Mae Scrivens, a nurse, and married her hastily in Mexico, only to end in divorce by 1935. After his firing, he made several low-budget shorts for Educational Pictures, and spent the next several years of his life fading out of public favor, and finding work where he could. His career was slightly reinvigorated when he produced the short Grand Slam Opera (1936), which many of his fans admire for giving such a good performance during the most difficult and unmanageable years of his life.
In 1940, he met and married his third wife Eleanor Norris, who was deeply devoted to him, and remained his constant companion and partner until Keaton's death. After several more years of hardship working as an uncredited, underpaid gag man for comedians such as the Marx Brothers, he was consulted on how to do a realistic and comedic fall for In the Good Old Summertime (1949) in which an expensive violin is destroyed. Finding no one who could do this better than him, he was given a minor role in the film. His presence reignited interest in his silent films, which lead to interviews, television appearances, film roles, and world tours that kept him busy for the rest of his life.
After several more film, television, and stage appearances through the 1960s, he wrote the autobiography "My Wonderful World of Slapstick", having completed nearly 150 films in the span of his ground-breaking career. His last film appearance was A Funny Thing Happened on the Way to the Forum (1966) which premiered seven months after Keaton's death from the rapid onset of lung cancer. Since his death, Keaton's legacy is being discovered by new generations of viewers every day, many of his films are available on YouTube, DVD and Blu-ray, where he, like all gold-gilded and beloved entertainers can live forever.- Actor
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Long acknowledged as one of the best "straight men" in the business, Bud Abbott was born William Alexander Abbott in Reading, Pennsylvania to Rae (Fisher) and Harry Abbott, who had both worked for the Barnum and Bailey Circus. When Bud was three his family moved to Asbury Park, New Jersey, which he later, erroneously, listed as his place of birth. He himself worked in carnivals while still a child and dropped out of school in 1909. He worked as assistant treasurer for the Casino Theater in Brooklyn, then as treasurer and/or manager of various theaters around the country. He worked as the straight man to such vaudeville and burlesque comics as Harry Steepe and Harry Evanson while managing the National Theater in Detroit. In 1931 while cashiering at the Brooklyn theater, he substituted for comic Lou Costello's ill straight-man. The two clicked almost immediately and formed their famous comedy team. Throughout the 1930s they worked burlesque, minstrel shows, vaudeville and movie houses. In 1938 they got national exposure through the Kate Smith radio show "The Kate Smith Hour", and signed with Universal Pictures the next year. They made their film debut in One Night in the Tropics (1940), and, while the team wasn't the film's stars, it made money for Universal and they got good enough notices to convince Universal to give them their own picture. Their first starring film, Buck Privates (1941), with The Andrews Sisters, grossed what was then a company-record $10 million (on a $180,000 budget) and they were on their way to stardom and a long run as the most popular comedy team in America. In 1942 they topped a poll of Hollywood stars. They had their own radio show (ABC, 1941-6, NBC, 1946-9) and TV show (The Abbott and Costello Show (1952)). After the war their careers stalled and the box-office takes for their films started slipping. However, they made a big comeback in Abbott and Costello Meet Frankenstein (1948), which raked in huge profits and even got the team good notices from critics who normally wouldn't even review their films. The movie's success convinced Universal to embark on a series of films in which the team met various monsters or found themselves in exotic locations. Their film career eventually petered out and the team split up in 1957. Costello embarked on a series of TV appearances and even made a film, without Abbott, called The 30 Foot Bride of Candy Rock (1959), but it was a flop. He received good notices after a dramatic performance in an episode of Wagon Train (1957) and was in discussion to star in a biography of famed New York City mayor Fiorello LaGuardia, a project Costello had been trying to get off the ground for years, when he died. Both Abbott and Costello had major tax problems with the Internal Revenue Service and wound up virtually broke. Abbott started over with a new partner, Candy Candido, in the 1960s and set off on a national tour, including Las Vegas, but the act failed. In 1966 he voiced his character in a cartoon version of their television show. His health deteriorated badly in the late 1960s, he had always suffered from epilepsy, and he died in 1974.- Actor
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Lou Costello was born Louis Francis Cristillo in Paterson, New Jersey, to Helen (Rege) and Sebastiano Cristillo. His father was from Calabria, Italy, and his mother was an American of Italian, French, and Irish ancestry. Raised in Paterson, Costello dropped out of high school and headed west to break into the movies. He got a job as a carpenter at MGM and Warners. He went from there to stuntman and then to vaudeville as a comic. In 1931, while working in Brooklyn, his straight man became ill and the theater cashier, Bud Abbott, filled in for him. The two formed their famous comedy team and, through the 1930s, they worked burlesque, minstrel shows, vaudeville and movie houses. In 1938 they got national exposure through the Kate Smith Hour radio show, and signed with Universal Pictures the next year. They debuted in One Night in the Tropics (1940). Their scene-stealing performances in that film landed them their own picture the next year, Buck Privates (1941), with The Andrews Sisters. It was a runaway hit, grossing what was then a company record $10 million on a $180,000 budget. In 1942 they topped a poll of Hollywood stars. They had their own radio show (ABC, 1941-46, NBC, 1946-49) and TV show (The Abbott and Costello Show (1952)). After the war their movies shifted formula to one in which they met various monsters or found themselves in exotic locations. The team split up in 1957, with both winding up completely out of money after troubles with the Internal Revenue Service. After that Lou appeared in a few television shows and the movie The 30 Foot Bride of Candy Rock (1959), released a few months after he died.- Actor
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Jerry Lewis (born March 16, 1926 - August 20, 2017) was an American comedian, actor, singer, film producer, screenwriter and film director. He is known for his slapstick humor in film, television, stage and radio. He was originally paired up with Dean Martin in 1946, forming the famed comedy team of Martin and Lewis. In addition to the duo's popular nightclub work, they starred in a successful series of comedy films for Paramount Pictures. Lewis was also known for his charity fund-raising telethons and position as national chairman for the Muscular Dystrophy Association (MDA). Lewis won several awards for lifetime achievements from The American Comedy Awards, Los Angeles Film Critics Association, and Venice Film Festival, and he had two stars on the Hollywood Walk of Fame. In 2005, he received the Governors Award of the Academy of Television Arts & Sciences Board of Governors, which is the highest Emmy Award presented. On February 22, 2009, the Academy of Motion Picture Arts and Sciences awarded Lewis the Jean Hersholt Humanitarian Award.
Jerry died on August 20, 2017, in Las Vegas.- Actor
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William Thompson Hay was probably one of the most versatile of entertainers. He was not only a character comedian of the first rank, but was also an astronomer of high repute - he discovered the spot on the planet Saturn in 1933 - and a fully qualified air pilot; he was once an engineer. Born in Stockton-on-Tees, County Durham in 1888, he became interested in astronomy at school and carried on his research work in this direction after he had finished his nightly stage entertainments. He was first "on the air" in 1922 and his then comedy sketches of "St. Michaels School" (of which he was the headmaster) proved to be one of the most popular comedy characters on radio at that time. This character was transferred to film and became equally successful. He worked at Elstree Studios, then Gainsborough, then Ealing; the Gainsborough period was the most consistently successfully, particularly when he worked with the team of Marcel Varnel (director), Val Guest and Marriott Edgar (writers), and Moore Marriott and Graham Moffatt (supporting cast). By the time he made his first film, he was in his mid forties and his last role came less than a decade later. Between 1934 and 1943, he was a prolific and popular film comedian. He was credited on several films as a writer or co-ordinator, and was arguably the dominant 'author' of all the films in which he appeared, in that they were built around his persona and depended on the character and routines he had developed over years on the stage.- Actor
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The bushy-browed, cigar-smoking wise-cracker with the painted-on moustache and stooped walk was the leader of The Marx Brothers. With one-liners that were often double entendres, Groucho never cursed in any of his performances and said he never wanted to be known as a dirty comic. With a great love of music and singing (The Marx Brothers started as a singing group), one of the things Groucho was best known for was his rendition of the song "Lydia the Tattooed Lady."- Actor
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As a kid trying to negotiate his way through various gang territories to a floating crap game or a new pool hall where he was not yet known as a hustler, Leonard (Chico) Marx learned to fake several accents. Because he later employed an Italian accent in the Marx Brothers' act, people assumed his name was pronounced "Cheeko." Instead, Leonard was dubbed "Chicko" for his other consuming passion, women (or "chicks"), at which he was more successful than gambling, but when a typesetter dropped the "k" out of his name, the brothers let it stay as Chico. Chico was the brother who guided the Marxes to stardom. He took over the act's managment (amicably) from their mother, Minnie, and through audacity and charm, Chico secured the Brothers their first international (London) booking, their first Broadway show and their MGM contract with Irving Thalberg, among other successes.- Actor
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With poofy, curly red hair, a top hat and a horn, the lovable mute was the favorite of the Marx Brothers. Though chasing women was a favorite routine of his in the movies, Harpo was a devoted father and husband. He adopted the mute routine in vaudeville and carried it over to the films. Harpo was an accomplished self-taught harpist whose musical numbers would many times bring tears to the eyes of the audience of an otherwise hilarious movie.- Actor
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Shemp Howard was born Samuel Horwitz in Brooklyn, New York, USA. He was also the brother of fellow stooges Moe Howard and Curly Howard. Larry Fine was not related to any of the other stooges.
When not working with The Three Stooges, Shemp made a lot of feature film appearances, such as The Bank Dick (1940) with W.C. Fields. Shemp, Moe, Larry and Curly appeared in only one short together -- Hold That Lion! (1947). In it, Curly appears as an uncredited train car passenger. Watch for the man with the hat on his face. This was a short, non-speaking cameo, due to a stroke Curly suffered the prior year.- Actor
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Eugene Levy is an award-winning actor, writer, and producer. He has appeared in more than 60 motion pictures to date, eight of which having topped the $100M mark. The box office success of films such as Bringing Down the House (2003), Cheaper by the Dozen 2 (2005) , and Father of the Bride Part II (1995) have established him as one of Hollywood's most popular comedic actors. But it was the role of Noah Levenstein in the American Pie franchise that cemented his reputation as America's favorite Dad. Levy's most recent big-screen role was that of Dory's Dad in the Disney/Pixar smash Finding Dory, in which he stars alongside Ellen DeGeneres and Diane Keaton. The film has surpassed the $1B mark worldwide, and is on track to become one of the highest-grossing animated films of all time.
Partnering with Christopher Guest, Levy earned critical acclaim for co-writing and co-starring in Best In Show, Waiting For Guffman, For Your Consideration, and A Mighty Wind. Levy has been nominated for and won countless awards for his films including a New York Film Critics Circle Award and a Grammy Award® for A Mighty Wind and a Golden Globe® nomination for Best In Show. Other films include Splash, Armed and Dangerous, Multiplicity, Club Paradise, and Serendipity.
In 2013, Levy formed Not A Real Company Productions (with his son Daniel Levy and principals Andrew Barnsley and Fred Levy) to produce Schitt's Creek, a television series for CBC/ITV he co-created, co-executive produces, and co-stars in with Daniel Levy. The single-cam, character-driven comedy also stars Catherine O'Hara, Annie Murphy, and Chris Elliott.
In 2016, Levy won Lead Actor in a Comedy at the Canadian Screen Awards and, as Executive Producer, the CSA for Best Comedy, an award he shared with Daniel Levy, among others. Schitt's Creek swept the Canadian Screen Awards, winning nine of a possible 10 categories. Levy also received the prestigious Legacy Award (along with co-star and long-time collaborator, Catherine O'Hara) from the Academy of Canadian Cinema & Television. Levy won two Emmys® for his writing on SCTV in addition to many other awards and nominations for his television work.
Levy is a Member of the Order of Canada and a recipient of The Governor General's Performing Arts Award - the foremost honor presented for excellence in the performing arts.- Writer
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Daniel Edward Aykroyd was born on July 1, 1952 in Ottawa, Ontario, Canada, to Lorraine Hélène (Gougeon), a secretary from a French-Canadian family, and Samuel Cuthbert Peter Hugh Aykroyd, a civil engineer who advised prime minister Pierre Trudeau. Aykroyd attended Carleton University in 1969, where he majored in Criminology and Sociology, but he dropped out before completing his degree. He worked as a comedian in various Canadian nightclubs and managed an after-hours speakeasy, Club 505, in Toronto for several years. He worked with Second City Stage Troupe in Toronto and started his acting career at Carleton University with Sock'n'Buskin, the campus theater/drama club. Married to Donna Dixon since 1983, they have three daughters. His parents are named Peter and Lorraine and his brother Peter Aykroyd is a psychic researcher. Dan received an honorary Doctorate from Carleton University in 1994 and was made a Member of the Order of Canada in 1998.- Actor
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John Belushi was born in Chicago, Illinois, USA, on January 24, 1949, to Agnes Demetri (Samaras) and Adam Anastos Belushi, a restaurant owner. His father was an Albanian immigrant, from Qytezë, and his mother was also of Albanian descent. He grew up in Wheaton, where the family moved when he was six. Though a young hellion in grade school, John became the perfect all-American boy during his high school years where he was co-captain of the Wheaton Central High School football team and was elected homecoming king his senior year. He also developed an interest in acting and appeared in the high school variety show. Encouraged by his drama teacher, John decided to put aside his plans to become a football coach to pursue a career in acting.
After graduation in 1967, John performed in summer stock in rural Indiana in a variety of roles from "Cardinal Wolsey" in "Anne of a Thousand Days" to a comic detective in "Ten Little Indians". In the fall of his freshman year at the University of Wisconsin at Whitewater, John changed his image into a bad-boy appearance by growing his hair long and began to have problems with discipline and structure of attending classes.
Dropping out of Wisconsin, John spent the next two years at the College of DuPage, a junior college a few miles from his parents' Wheaton home, where his father began persuading him to become a partner in his restaurant, but John still preferred acting. While attending DuPage, John helped found the "West Compass Players", an improv comedy troupe patterned after Chicago's famous "Second City" ensemble.
In 1971, John made the leap to "Second City" itself where he performed in various on-stage comic performances with others, who included Harold Ramis and Joe Flaherty. John loved his life at "Second City" where he performed six nights a week, perfecting the physical "gonzo" style of comedy he later made famous.
A year later, John and his live-in girlfriend from his high school years, Judith Belushi-Pisano, moved to New York because John had joined the cast of National Lampoon's Lemmings, an off-Broadway rock musical revue that was originally booked for a six-week run but played to full crowds for nearly 10 months.
In 1973, John was hired as a writer for the syndicated National Lampoon's Radio Hour which became the National Lampoon Show in 1975. John's big break came that same year when he joined the ground-breaking TV variety series Saturday Night Live (1975) which made him a star. The unpredictable, aggressively physical style of humor that he began on "Second City" flowered on SNL.
In 1978, while still working on Saturday Night Live (1975), John appeared in the movie Goin' South (1978) which starred and was directed by Jack Nicholson. It was here that director John Landis noticed John and decided to cast him in his movie National Lampoon's National Lampoon's Animal House (1978). John's minor role as the notorious, beer-swilling "Bluto" made it a box-office smash and the year's top grossing comedy. Despite appearing in only a dozen scenes, John's performance stole the movie, which portrays college fraternity shenanigans at a small college set in the year 1962.
In 1979, John along with fellow SNL regular Dan Aykroyd quit the series to pursue movie projects. John and Dan Aykroyd appeared in minor roles in Steven Spielberg's financially unsuccessful 1941 (1979) and, the following year, in John Landis' The Blues Brothers (1980). Around this time, John's drug use began escalating. Cocaine, which was ubiquitous in show-business circles in the 1970's, became his drug of choice. After he first experimented with cocaine in the mid 1970s, John almost immediately became addicted to it. His frequent cocaine sniffing binges became a source of friction between him and Judy, whom he married in 1976.
John's love for blues and soul music inspired the "Blues Brothers". He and Aykroyd first appeared as Joliet Jake and Elwood Blues, a pair of white soul men dressed in black suits, skinny ties, fedora hats and Rayban sunglasses, as a warm-up act before the telecasts of Saturday Night Live (1975). Building on the success of their acts and the release of their album "A Briefcase Full of Blues", John and Dan Aykroyd starred in the movie, which gave John a chance to act with his favorite musical heroes including Ray Charles, James Brown and Aretha Franklin.
Although John's reputation for being an off-screen party animal is legendary, his generous side is less well known. Using some of his money, he bought his father a ranch outside San Diego for him to live. John helped set up some of his Chicago friends with their own businesses and even financially helped his younger brother, Jim Belushi, who followed his older brother's path to both "Second City" and Saturday Night Live (1975).
In 1981, John appeared in the movie Continental Divide (1981), playing a hard-nosed Chicago newspaperman who finds romance in Colorado with eagle expert Blair Brown. That same year, John and Dan Aykroyd appeared again in the movie Neighbors (1981), which gave them a chance to reverse roles, with John playing a straight-arrow family man whose life is turned upside down when a wild family man (Aykroyd) moves in next door.
In January 1982, John began work on the screenplay for another movie to be titled "Noble Rot". Also, John had checked into a bungalow at the Chateau Marmont, a popular celebrity hotel in Los Angeles. John's drug use had been steadily increasing for over a year now, which alarmed his wife and friends, but he continued to promise Judy that he would quit someday. On March 5, 1982, John Belushi was found dead in his hotel room at the age of 33. The local coroner gave the cause of death as a lethal injection of cocaine and heroin. Several years later, John's drug dealing/drug user companion during his final weeks, Cathy Evelyn Smith, was tried and sentenced to three years in prison for supplying John with the drugs. Close friend James Taylor sang "That Lonesome Road" at a memorial service at Martha's Vineyard cemetery where John was buried.- Actor
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James Adam Belushi was born June 15, 1954, in Chicago, to Agnes Demetri (Samaras) and Adam Anastos Belushi, a restaurant owner. His father was an Albanian immigrant, from Qytezë, and his mother was also of Albanian descent. The third of four children - his brother was comedian John Belushi - he grew up in Wheaton, Illinois. A high school teacher, impressed by his improvisational skills while giving speeches, convinced him to be in a school play. After that, he joined the school's drama club. Today, if asked why he got involved in acting, he will jokingly say, "Because of girls. In the drama club, there were about 20 girls and six guys. And the same thing with choir - more girls!". He attended the College of DuPage and Southern Illinois University, where he graduated with a degree in Speech and Theater Arts.
In 1977, he joined Chicago's Second City improv troupe and remained for three years. In 1979, Garry Marshall saw Jim performing for Second City and arranged for him to come to Hollywood and co-star in the TV pilot Who's Watching the Kids (1978) for Paramount and, then, for a role in the series Working Stiffs (1979) (co-starring Michael Keaton). Later, in 1983, he joined the cast of Saturday Night Live (1975) for two years. Jim came to national attention in About Last Night (1986), playing the role he originated in the Chicago Apollo Theatre's production of David Mamet's Obie-award winning play "Sexual Perversity in Chicago". He resides in Los Angeles with his wife Jennifer Sloan, their daughter Jamison and a son, Robert Belushi, from his first marriage.- Actor
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Born George Hoy Booth in Wigan, Lancashire on 26 May 1904, he later took his father's stage name of George Formby. He briefly attended school where he failed to learn to read or write so was removed from formal education and sent to become a stable boy in Middleham, North Yorkshire, where he later became an apprentice jockey. In 1915 with the closure of the English racing season because of the First World War he moved to Ireland and continued as a jockey until the end of hostilities. Returning to England he raced for Lord Derby's Newmarket stables where he never won a race. Following his father's death in 1921 he gave his professional two week appearance at the Hippodrome in Lancashire where he was paid £5 a week and soon after hired to appear on the Moss Empire chain of theatres at £17 10 shillings a week. Touring around venues in Northern England his act didn't go down well resulting in bouts of unemployment. In 1923 he made two career changing decisions - he bought a ukulele and married Beryl Ingham, an Acrington, Lancashire, born champion champion clog dancer and actress who transformed his act. She insisted he appear on stage formally dressed and introduce his ukulele to his performance.. By June 1926 he'd started his recording career and from 1934 he was increasingly working in films developing into a major star by the late '30's and becoming the U.K.'s most popular and highest paid entertainer. During WWII he worked extensively for the ENSA (Entertainments National Service Association) entertaining civilians and troops and touring factories, theatres and concert halls. By 1946 it was estimated that he had performed in front of three million service personnel. After the war his career declined although he toured the commonwealth and continued to appear in variety and pantomime. His last television appearance was in December 1960, two weeks before the death of Beryl. Seven weeks after her funeral he announced his engagement to a school teacher but died in Preston three weeks later at the age of 56. He was buried in Warrington alongside his father.- Producer
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Jay Leno began his career in night clubs, where he worked 300 nights a year before hitting it big in 1992 with his own late-night talk show, The Tonight Show with Jay Leno (1992). By that time he had appeared on television, acted in a few films (American Hot Wax (1978)) but hit paydirt with his late-night television appearances (he made a record number of visits to [error]); for several years, he served as Johnny Carson's permanent guest host on The Tonight Show Starring Johnny Carson (1962). A big, sweet guy with a very good comedy routine, he vied with David Letterman to inherit Carson's seat when Johnny retired in 1992. His victory was well-publicized, but empty, though he did gain a measure of revenge when his show beat Letterman's for the Emmy in 1995. Though he consistently lost in the ratings to Letterman except on special occasions, like Hugh Grant's first TV appearance after his encounter with Divine Brown, he surged ahead in 1996, as CBS plunged further into oblivion.- Actor
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Jim Carrey, Canadian-born and a U.S. citizen since 2004, is an actor and producer famous for his rubbery body movements and flexible facial expressions. The two-time Golden Globe-winner rose to fame as a cast member of the Fox sketch comedy In Living Color (1990) but leading roles in Ace Ventura: Pet Detective (1994), Dumb and Dumber (1994) and The Mask (1994) established him as a bankable comedy actor.
James Eugene Carrey was born on January 17, 1962 in Newmarket, Ontario, Canada, and is the youngest of four children of Kathleen (Oram), a homemaker, and Percy Carrey, an accountant and jazz musician. The family surname was originally "Carré", and he has French-Canadian, Scottish, and Irish ancestry. Carrey was an incurable extrovert from day one. As a child, he performed constantly, for anyone who would watch, and even mailed his résumé to The Carol Burnett Show (1967) at age 10. In junior high, he was granted a few precious minutes at the end of each school day to do stand-up routines for his classmates (provided, of course, that he kept a lid on it the rest of the day).
Carrey's early adolescence took a turn for the tragic, however, when the family was forced to relocate from their cozy town of Newmarket to Scarborough (a Toronto suburb). They all took security and janitorial jobs in the Titan Wheels factory, Jim working 8-hour shifts after school let out (not surprisingly, his grades and morale both suffered). When they finally deserted the factory, the family lived out of a Volkswagen camper van until they could return to Toronto.
Carrey made his stand-up debut in Toronto after his parents and siblings got back on their feet. He made his (reportedly awful) professional stand-up debut at Yuk-Yuk's, one of the many local clubs that would serve as his training ground in the years to come. He dropped out of high school, worked on his celebrity impersonations (among them Michael Landon and James Stewart), and in 1979 worked up the nerve to move to Los Angeles. He finessed his way into a regular gig at The Comedy Store, where he impressed Rodney Dangerfield so much that the veteran comic signed him as an opening act for an entire season. During this period Carrey met and married waitress Melissa Womer, with whom he had a daughter (Jane). The couple would later go through a very messy divorce, freeing Carrey up for a brief second marriage to actress Lauren Holly. Wary of falling into the lounge act lifestyle, Carrey began to look around for other performance outlets. He landed a part as a novice cartoonist in the short-lived sitcom The Duck Factory (1984); while the show fell flat, the experience gave Carrey the confidence to pursue acting more vigorously.
Carrey also worked on breaking into film around this time. He scored the male lead in the ill-received Lauren Hutton vehicle Once Bitten (1985), and had a supporting role in Peggy Sue Got Married (1986), before making a modest splash with his appearance as the alien Wiploc in Earth Girls Are Easy (1988). Impressed with Carrey's lunacy, fellow extraterrestrial Damon Wayans made a call to his brother, Keenen Ivory Wayans, who was in the process of putting together the sketch comedy show In Living Color (1990). Carrey joined the cast and quickly made a name for himself with outrageous acts (one of his most popular characters, psychotic Fire Marshall Bill, was attacked by watchdog groups for dispensing ill- advised safety tips).
Following his time on In Living Color (1990), Carrey's transformation from TV goofball to marquee headliner happened within the course of a single year. He opened 1994 with a starring turn in Ace Ventura: Pet Detective (1994), a film that cashed in on his extremely physical brand of humor (the character's trademark was talking out his derrière). Next up was the manic superhero movie The Mask (1994), which had audiences wondering just how far Carrey's features could stretch.
Finally, in December 1994, he hit theaters as a loveable dolt in the Farrelly brothers' Dumb and Dumber (1994) (his first multi-million dollar payday). Now a box-office staple, Carrey brought his manic antics onto the set of Batman Forever (1995), replacing Robin Williams as The Riddler. He also filmed the follow-up to his breakthrough, Ace Ventura: When Nature Calls (1995), and inked a deal with Sony to star in The Cable Guy (1996) (replacing Chris Farley) for a cool $20 million--at the time, that was the biggest up-front sum that had been offered to any comic actor. The movie turned out to be a disappointment, both critically and financially, but Carrey bounced back the next year with the energetic hit Liar Liar (1997). Worried that his comic shtick would soon wear thin, Carrey decided to change course.
In 1998, he traded in the megabucks and silly grins to star in Peter Weir's The Truman Show (1998) playing a naive salesman who discovers that his entire life is the subject of a TV show, Carrey demonstrated an uncharacteristic sincerity that took moviegoers by surprise. He won a Golden Globe for the performance, and fans anticipated an Oscar nomination as well--when it didn't materialize, Carrey lashed out at Academy members for their narrow-minded selection process. Perhaps inspired by the snub, Carrey threw himself into his next role with abandon. After edging out a handful of other hopefuls (including Edward Norton) to play eccentric funnyman Andy Kaufman in Man on the Moon (1999), Carrey disappeared into the role, living as Kaufman -- and his blustery alter-ego Tony Clifton -- for months (Carrey even owned Kaufman's bongo drums, which he'd used during his audition for director Milos Forman). His sometimes uncanny impersonation was rewarded with another Golden Globe, but once again the Academy kept quiet.
An indignant Carrey next reprised his bankable mania for the Farrelly brothers in Me, Myself & Irene (2000), playing a state trooper whose Jekyll and Hyde personalities both fall in love with the same woman (Renée Zellweger). Carrey's real-life persona wound up falling for her too--a few months after the film wrapped, the pair announced they were officially a couple. By then, Carrey had already slipped into a furry green suit to play the stingy antihero of Ron Howard's How the Grinch Stole Christmas (2000).
Although Carrey maintains a foothold in the comedy world with films such as Bruce Almighty (2003) and Mr. Popper's Penguins (2011), he is also capable of turning in nuanced dramatic performances, as demonstrated in films like Eternal Sunshine of the Spotless Mind (2004) and the drama/comedy Yes Man (2008). In 2013, he costars with Steve Carell in The Incredible Burt Wonderstone (2013).
Carrey has one child with his first wife, Melissa Carrey, whom he divorced in 1995. He married actress Lauren Holly in 1996, but they split less than a year later.'Man on the moon' great man- Actor
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Tony Hancock was born in Birmingham, England, the son of John and Lillian Hancock. He was educated at Durlston Court, Swanage, and Bradfield College, Reading. He served in the R.A.F. (ground crew) during the war. In 1942 he was in the R.A.F. Gang Show. He was de-mobbed in 1946. He appeared at the Windmill Theatre, London in 1948. His radio show "Hancock's Half Hour" ran from 1954 - 1959, written by Ray Galton and Alan Simpson with co-stars Hattie Jacques, Kenneth Williams, Sidney James and Bill Kerr. This popular show was adopted by TV and the shows were re-recorded and broadcast 1956-1960.- Actor
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Often credited as the greatest comedian of all time, Peter Sellers was born Richard Henry Sellers to a well-off acting family in 1925 in Southsea, a suburb of Portsmouth. He was the son of Agnes Doreen "Peg" (Marks) and William "Bill" Sellers. His parents worked in an acting company run by his grandmother. His father was Protestant and his mother was Jewish (of both Ashkenazi and Sephardi background). His parents' first child had died at birth, so Sellers was spoiled during his early years. He enlisted in the Royal Air Force and served during World War II. After the war he met Spike Milligan, Harry Secombe and Michael Bentine, who would become his future workmates.
After the war, he set up a review in London, which was a combination of music (he played the drums) and impressions. Then, all of a sudden, he burst into prominence as the voices of numerous favorites on the BBC radio program "The Goon Show" (1951-1960), and then making his debut in films in Penny Points to Paradise (1951) and Down Among the Z Men (1952), before making it big as one of the criminals in The Ladykillers (1955). These small but showy roles continued throughout the 1950s, but he got his first big break playing the dogmatic union man, Fred Kite, in I'm All Right Jack (1959). The film's success led to starring vehicles into the 1960s that showed off his extreme comic ability to its fullest. In 1962, Sellers was cast in the role of Clare Quilty in the Stanley Kubrick version of the film Lolita (1962) in which his performance as a mentally unbalanced TV writer with multiple personalities landed him another part in Kubrick's Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) in which he played three roles which showed off his comic talent in play-acting in three different accents; British, American, and German.
The year 1964 represented a peak in his career with four films in release, all of them well-received by critics and the public alike: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), for which he was Oscar nominated, The Pink Panther (1963), in which he played his signature role of the bumbling French Inspector Jacques Clouseau for the first time, its almost accidental sequel, A Shot in the Dark (1964), and The World of Henry Orient (1964). Sellers was on top of the world, but on the evening of April 5, 1964, he suffered a nearly fatal heart attack after inhaling several amyl nitrites (also called 'poppers'; an aphrodisiac-halogen combination) while engaged in a sexual act with his second wife Britt Ekland. He had been working on Billy Wilder's Kiss Me, Stupid (1964). In a move Wilder later regretted, he replaced Sellers with Ray Walston rather than hold up production. By October 1964, Sellers made a full recovery and was working again.
The mid-1960s were noted for the popularity of all things British, from the Beatles music (who were presented with their Grammy for Best New Artist by Sellers) to the James Bond films, and the world turned to Sellers for comedy. What's New Pussycat (1965) was another big hit, but a combination of his ego and insecurity was making Sellers difficult to work with. When the James Bond spoof Casino Royale (1967) ran over budget and was unable to recoup its costs despite an otherwise healthy box-office take, Sellers received some of the blame. He turned down an offer from United Artists for the title role in Inspector Clouseau (1968), but was angry when the production went ahead with Alan Arkin in his place. His difficult reputation and increasingly erratic behavior, combined with several less successful films, took a toll on his standing. By 1970, he had fallen out of favor. He spent the early years of the new decade appearing in such lackluster B films as Where Does It Hurt? (1972) and turning up more frequently on television as a guest on The Dean Martin Show (1965) and a Glen Campbell TV special.
In 1974, Inspector Clouseau came to Sellers rescue when Sir Lew Grade expressed an interest in a TV series based on the character. Clouseau's creator, writer-director Blake Edwards, whose career had also seen better days, convinced Grade to bankroll a feature film instead, and The Return of the Pink Panther (1975) was a major hit release during the summer of Jaws (1975) and restored both men to prominence. Sellers would play Clouseau in two more successful sequels, The Pink Panther Strikes Again (1976) and Revenge of the Pink Panther (1978), and Sellers would use his newly rediscovered clout to realize his dream of playing Chauncey Gardiner in a film adaptation of Jerzy Kosinski's novel "Being There". Sellers had read the novel in 1972, but it took seven years for the film to reach the screen. Being There (1979) earned Sellers his second Oscar nomination, but he lost to Dustin Hoffman for Kramer vs. Kramer (1979).
Sellers struggled with depression and mental insecurities throughout his life. An enigmatic figure, he often claimed to have no identity outside the roles that he played. His behavior on and off the set and stage became more erratic and compulsive, and he continued to frequently clash with his directors and co-stars, especially in the mid-1970s when his physical and mental health, together with his continuing alcohol and drug problems, were at their worst. He never fully recovered from his 1964 heart attack because he refused to take traditional heart medication and instead consulted with 'psychic healers'. As a result, his heart condition continued to slowly deteriorate over the next 16 years. On March 20, 1977, Sellers barely survived another major heart attack and had a pacemaker surgically implanted to regulate his heartbeat which caused him further mental and physical discomfort. However, he refused to slow down his work schedule or consider heart surgery which might have extended his life by several years.
On July 25, 1980, Sellers was scheduled to have a reunion dinner in London with his Goon Show partners, Spike Milligan and Harry Secombe. However, at around 12 noon on July 22, Sellers collapsed from a massive heart attack in his Dorchester Hotel room and fell into a coma. He died in a London hospital just after midnight on July 24, 1980 at age 54. He was survived by his fourth wife, Lynne Frederick, and three children: Michael, Sarah and Victoria. At the time of his death, he was scheduled to undergo an angiography in Los Angeles on July 30 to see if he was eligible for heart surgery.
His last movie, The Fiendish Plot of Dr. Fu Manchu (1980), completed just a few months before his death, proved to be another box office flop. Director Blake Edwards' attempt at reviving the Pink Panther series after Sellers' death resulted in two panned 1980s comedies, the first of which, Trail of the Pink Panther (1982), deals with Inspector Clouseau's disappearance and was made from material cut from previous Pink Panther films and includes interviews with the original casts playing their original characters.- Actor
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Edgar Kennedy, who was born on April 26, 1890, near Monterey, California, hit the road as a young man and traveled across the country, working in a succession of jobs. He became a professional boxer, claiming to have gone 14 rounds against The Manassas Mauler, Jack Dempsey.
In addition to his knowledge of the "Sweet Science", Kennedy possessed a good musical voice, and wound up singing in musical shows in the Midwest, his first taste of show business. During his cross-country peregrinations he wound up in Los Angeles, and found himself hired as an actor by comedy producer Mack Sennett. At the Sennett Studios he was allegedly one of the original Keystone Kops, but soon graduated from bit parts to supporting roles in Keystone comedies, including Tillie's Punctured Romance (1914) with Charles Chaplin. Kennedy had good roles in other Chaplin movies, but when his contract expired in 1921 he went freelance, though he did occasionally return to Sennett.
After leaving Sennett Kennedy established himself as a first-rate supporting comic, and made a career out of playing harassed businessmen, next-door neighbors, cops, etc. By the late 1920s his craft was most prominently featured in comedies for Hal Roach, Sennett's arch-rival, where he flourished in support of Stan Laurel and Oliver Hardy. It was with Roach that he developed his mastery of the "slow burn", a routine for which he became famous. He often played a none-too-bright policeman brought to the boiling point by the absurdities of Laurel and Hardy. He also directed the two in From Soup to Nuts (1928) and You're Darn Tootin' (1928).
RKO hired Kennedy to appear in a series of comedy shorts called "The Average Man," in which he played the head of a family. The shorts had very tight shooting schedules, often as few as three days, but Kennedy was always a pro and delighted the audience by giving them his all. He made over 200 short subjects and appeared in over 100 feature films, still in demand right up to the day he died of cancer on November 9, 1948.- Alongside Ben Turpin, diminutive Scots-born Jimmy Finlayson was, arguably, the most instantly recognisable of the many clowns of silent screen slapstick who made their living as comic foil to stars like Laurel & Hardy, or Harold Lloyd. The perpetually exasperated, squinting, bald-pated master of the 'double-take and fade' with the walrus (fake) moustache began his working life as an apprentice in his father's iron foundry. Not finding this much to his liking he decided on a mercantile career and enrolled at Edinburgh University. There, he befriended the actor John Clyde, who, before long, talked him out of business and into acting. So, Jimmy quit university and found a job as small part character player with the Theatre Royal in Edinburgh. Soon after, he began to work in comedy with a local repertory company and in music hall, appearing in plays written by Harry Lauder's brother - and fellow Scotsman - Alec.
A year later (in 1911), Jimmy crossed the Atlantic to appear on Broadway in the West End cast of "Bunty Pulls the Strings", followed in 1912 by "The Great Game". Buoyed by success, he decided to stay in America and embarked on a nationwide tour in vaudeville, again accompanied by Alec Lauder. Ending up in California after four years on the road, Jimmy decided to settle in Hollywood. He was joined there by his younger brother Bob who eventually became a camera technician. In 1916, Jimmy was given a few minor roles at L-KO, but it was not until 1920 that he signed a three-year contract with Mack Sennett. It is by no means certain that Finlayson was ever one of the original Keystone Kops, though he certainly donned police uniform for several of his two-reelers and appeared as a Kop in both Stout Hearts and Willing Hands (1931) and Hollywood Cavalcade (1939). In several of his early films, he was also co-starred with Ben Turpin, invariably playing the part of the villain or straight man to Turpin's cross-eyed antics.
Jimmy's prospects improved when he joined Hal Roach at Culver City in 1923. He started off as the antagonist in several of Stan Laurel's early solo efforts, but Roach -- recognising his potential -- attempted to elevate him to first billing. Stan Laurel turned director for three short films with Jimmy as the nominal lead: Yes, Yes, Nanette (1925), Chasing the Chaser (1925) and Should Husbands Pay? (1926). Since these failed to propel Finlayson into the first comedic echelon, he was instead briefly touted as one third of a starring trio alongside Laurel and Oliver Hardy. However, this idea was quickly abandoned, and, by 1928, Jimmy had comfortably settled into his niche as antagonist or mainstay comic support. By this time he had rather perfected his inimitable mannerisms: the long double-take, the squint, one-eyed stare and raised eyebrow, usually followed by a palpable state of near-apoplexy. Much of the joy in anarchic comedies like Big Business (1929) is derived precisely in the anticipation of the 'civilised', well-ordered violence which is about to take place when Laurel & Hardy square off against Finlayson.
Jimmy appeared in some of the best two-reelers Roach made at MGM, and was subsequently involved as an integral part in most of Laurel & Hardy's feature films, standing out in Pardon Us (1931), Our Relations (1936) , and, above all, as the perfidious Mickey Finn in Way Out West (1937). He also appeared opposite other leading comics, including Charley Chase in, among others, Hasty Marriage (1931) and His Silent Racket (1933) - on occasion even without wearing his famous whiskers. It is now generally acknowledged that another of Jimmy's screen mannerisms -- his drawn-out, frustration-borne exclamation "d'ohhhhh" -- famously inspired Dan Castellaneta's Homer Simpson, uttering his suitably shortened trademark, "d'oh".
With the era of madcap comedy drawing to a close, Jimmy Finlayson continued on in movie bit parts and walk-ons, often with credits like 'loafer' or 'Scottish Farmer with Mustache'. Illness brought about his retirement in 1951. He died two years later from a heart attack at his home in Hollywood. - Actor
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Comedian Bob Hope was born Leslie Townes Hope in Eltham, London, England, the fifth of seven sons of Avis (Townes), light opera singer, and William Henry Hope, a stonemason from Weston-super-Mare, Somerset. His maternal grandmother was Welsh. Hope moved to Bristol before emigrating with his parents to the USA in 1908. After some years onstage as a dancer and comedian, he made his first film appearance in The Big Broadcast of 1938 (1938) singing "Thanks for the Memory", which became his signature tune.
In partnership with Bing Crosby and Dorothy Lamour, he appeared in the highly successful "Road to ..." comedies (1940-52), and in many others until the early 1970s. During World War II and the Korean and Vietnam wars he spent much time entertaining the troops in the field. For these activities and for his continued contributions to the industry he received five honorary Academy Awards.- Actor
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Michael John Myers was born in 1963 in Scarborough, Ontario, to Alice E. (Hind), an officer supervisor, and Eric Myers, an insurance agent. His parents were both English, and had served in the Royal Air Force and British Army, respectively.
Myers' television career really started in 1988, when he joined Saturday Night Live (1975), where he spent six seasons. He brought to life many memorable characters, such as Dieter and Wayne Cambell. His major movies include Wayne's World (1992), Wayne's World 2 (1993), So I Married an Axe Murderer (1993), the Austin Powers movies and The Cat in the Hat (2003).- Actor
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Born in Birmingham, England, Charlie Hall was a member of the famed Fred Karno vaudeville troupe, which gave the world Charles Chaplin and Stan Laurel. Hall arrived in the U.S. in the early 1920s, after Chaplin and Laurel, and entered films playing a foil for many of the era's top comics. He is best remembered, though, as the short, stocky, black-haired, bad-tempered nemesis to Laurel and Oliver Hardy in scores of their films, often playing a husband jealous of Hardy's attentions to his wife, a competing store owner, or just a bystander who winds up in an altercation with the duo.- Actor
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The son of singers in the Metropolitan Opera, Billy Gilbert began performing in vaudeville at age 12. He developed a drawn-out, explosive sneezing routine that became his trademark (he was the model for, and voice of, Sneezy in Snow White and the Seven Dwarfs (1937)). Gilbert's exquisite comic timing made him the perfect foil for such comedians as Stan Laurel and Oliver Hardy, and he was especially memorable as the dim-witted process server Pettibone in His Girl Friday (1940).- Actor
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Leo Gorcey's parents were actor Bernard Gorcey (born 1888) who stood 4' 10", and Josephine Condon (born 1901), who stood 4' 11" and weighed 95 pounds; they worked in vaudeville in New York. In 1915, 14-year-old Josephine gave birth to Fred. In 1917, Leo was born, a large baby at 12 lb. 3 oz.; as an adult he would be 5' 6". In 1921 his brother David Gorcey was born. In 1935, Leo and David appeared in the stage play "Dead End." In 1937, this was made into a movie, and Leo became one of the busiest actors for the next 20 years -- from 1937-1939 he starred in seven Dead End Kids movies, from 1940-1945 in 21 East Side Kids films, from 1946-1956 in 41 Bowery Boys movies.
In 1939, Leo married 17-year-old dancer Kay Marvis, who appeared in four of his movies. They divorced in 1944 after five years of marriage; she went on to marry Groucho Marx. In 1945, Leo married Evalene Bankston; they divorced in 1948. Leo was to have paid her $50,000 in a divorce settlement; however, when two detectives she hired broke into his home, he retaliated by firing his gun at them. They sued, and Leo countersued for illegal entry and won $35,000 back. In 1949, Leo married Amelita Ward, whom he met while filming Smugglers' Cove (1948). Their marriage produced Leo Gorcey Jr. in 1949, and a baby girl they named Jan (after Leo's producer and manager, Jan Grippo) in 1951. They divorced in 1956. That year Leo married his young nanny, Brandy, who was taking care of his two kids. They had a baby girl, Brandy Jo, in 1958. The couple divorced in 1962. Leo went to the altar one last time in February, 1968, marrying Mary Gannon. He stayed married to her until his death on June 2, 1969.- Actor
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The star of the Carry On series of films, Sid James originally came to prominence as sidekick to the ground breaking British comedy actor Tony Hancock, on both radio and then television. Born in Johannesburg, South Africa and named Solomon Joel Cohen, James arrived in England in 1946, second wife in tow, having served with the South African Army during World War 2. By now an aspiring actor, James claimed to have boxed in his youth, perhaps to explain his craggy features, but was certainly a well respected hairdresser in his native country. Known in the trade as "one take James", he became a very talented and professional actor, constantly in demand for small parts in British post-war cinema. In 1960 James debuted in the fourth of the Carry On films, taking the lead role in Carry on Constable (1960) and went on to appear in a further 18 Carry On films as well as various stage and television spin-offs. Reputed not to have got on with Carry On co-star Kenneth Williams, the two often played adversaries on-screen, notably in the historical parodies Carry on Up the Khyber (1968) and Carry on Don't Lose Your Head (1967). James however was respected and revered by almost everyone he worked with and contrary to popular myth, a true gentleman. An addiction to gambling played a large part in James' workaholic schedule and subsequent heart attack in 1967. He was soon back in action however, playing a hospital patient in Carry on Doctor (1967), able to spend most of the film in bed. He suffered a second and fatal heart attack on stage in Sunderland, England on April 26 1976, leaving behind 3 children and his third wife Valerie who had stuck by him despite his affair with Carry On co-star Barbara Windsor, saying, "He always came home to me".- Actress
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Patsy Kelly was born Bridget Sarah Veronica Rose Kelly on January 12, 1910, in Brooklyn, New York. She began performing in vaudeville when she was just twelve years old. Patsy worked with comedian Frank Fay and starred in several Broadway shows. She was discovered by producer Hal Roach, who paired her with Thelma Todd in a series of comedy shorts. They became a popular onscreen team and made thirty-five films together including Top Flat (1935) and Done in Oil (1934). Although Patsy never became an A-list star she continued to work throughout the 1930s. She had supporting roles in Pigskin Parade (1936), Merrily We Live (1938), and Topper Returns (1941). Patsy was a lesbian and she was always open with the press about her sexuality. She had a long-term relationship with actress Wilma Cox. By the early 1940s Patsy was drinking heavily and making headlines for her erratic behavior. She decided to quit show business and moved to New York City. She started dating Tallulah Bankhead and worked as her secretary. Eventually, Patsy went back to acting and appeared on numerous television shows. She also had small roles in the films Rosemary's Baby (1968) and Freaky Friday (1976). Patsy won a Tony award in 1971 for her performance in No No Nanette. After suffering a stroke she moved into a nursing home. She died from pneumonia on September 24, 1981. Patsy is buried at Calvary Cemetery in Queens, New York.- Producer
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Mack Sennett was born Michael Sinnott on January 17, 1880 in Danville, Quebec, Canada, to Irish immigrant farmers. When he was 17, his parents moved the family to East Berlin, Connecticut, and he became a laborer at American Iron Works, a job he continued when they moved to Northampton, Massachusetts. He happened to meet Marie Dressler in 1902, and through her went to New York City to attempt for a career on the stage. He managed some burlesque and chorus-boy parts. In 1908, he began acting in Biograph films. His work there lasted until 1911; it included being directed by D.W. Griffith and acting with Mary Pickford and Mabel Normand. By 1910, he was directing.
In 1912, he and two bookies-turned-producers--Adam Kessel and Charles Bauman--formed the Keystone Film Company. Sennett brought Mabel Normand with him and soon added Roscoe 'Fatty' Arbuckle, Chester Conklin Al St. John, Slim Summerville, Minta Durfee and Charles Chaplin (who was directed by Sennett in 35 comedies during 1914). He told Chaplin, "We have no scenario--we get an idea, then follow the natural sequence of events until it leads up to a chase, which is the essence of our comedy." To the slapstick chase gags of the Keystone Kops were gradually added the Bathing Beauties and the Kid Komedies. In 1915 he, Griffith and Thomas H. Ince formed Triangle Films.
Comedy moved from improvisational slapstick to scripted situations. Stars like Bobby Vernon and Gloria Swanson joined him. In 1917, he formed Mack Sennett Comedies, distributing through Paramount--and later Pathe--and launching another star, Harry Langdon. When Sennett returned to Paramount in 1932, he produced shorts featuring W.C. Fields and musical ones with Bing Crosby. After directing his only Buster Keaton film, The Timid Young Man (1935), he returned to Canada a pauper. In 1937, he was awarded a special Oscar--"to the master of fun, discoverer of stars... for his lasting contribution to the comedy technique of the screen."
Mack Sennett died at age 80 on November 5, 1960 in Woodland Hills, California, and was interred at the Holy Cross Cemetery in Culver City, California. For his contributions to the motion picture industry, he received a star on the Hollywood Walk of Fame, and a star on Canada's Walk of Fame.Great producer of comedy- Producer
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Hal Roach was born in 1892 in Elmira, New York. After working as a mule skinner, wrangler and gold prospector, among other things, he wound up in Hollywood and began picking up jobs as an extra in comedies, where he met comedian Harold Lloyd in 1913 in San Diego. By all accounts, including his own, he was a terrible actor, but he saw a future in the movie business and in Harold Lloyd. Roach came into a small inheritance and began producing, directing and writing a series of short film comedies, under the banner of Phun Philms (soon changed to Rolin, which lasted until 1922), starring Lloyd in early 1915. Initially these were abysmal, but with tremendous effort, the quality improved enough to be nominally financed and distributed by Pathe, which purchased Roach's product by the exposed foot of film. The Roach/Lloyd team morphed through two characters. The first, nominally tagged as "Will E. Work", proved hopeless; the second, "Lonesome Luke," an unabashed imitation of Charles Chaplin, proved more successful with each new release. Lloyd's increasing dissatisfaction with the Chaplin clone character irritated Roach to no end, and the two men engaged in a series of battles, walkouts and reconciliations. Ultimately Lloyd abandoned the character completely in 1917, creating his now-famous "Glasses" character, which met with even greater box-office success, much to the relief of Roach and Pathe. This new character hit a nerve with the post-war public as both the antithesis and complement to Chaplin, capturing the can-do optimism of the age. This enabled Roach to renegotiate the deal with Pathe and start his own production company, putting his little studio on a firm financial foundation. Hal Roach Productions became a unique entity in Hollywood. It operated as a sort of paternalistic boutique studio, releasing a surprising number of wildly popular shorts series and a handful of features. Quality was seldom compromised and his employees were treated as his most valuable asset.
Roach's relationship with his biggest earner was increasingly acrimonious after 1920 (among other things, Lloyd would bristle at Roach's demands to appear at the studio daily regardless of his production schedule). After achieving enormous success with features (interestingly, his only real feature flop of the 1930s was with General Spanky (1936), a very poorly conceived vehicle for the property), Lloyd had achieved superstar status by the standards of "The Roaring Twenties" and wanted his independence. The two men severed ties, with Roach retaining re-issue rights for Lloyd's shorts for the remainder of the decade. While both men built their careers together, it was Lloyd who first recognized his need for creative freedom, no longer needing Roach's financial support. This realization irked Roach, and from this point forward he found it difficult, if not impossible, to offer unadulterated praise for his former friend and star (while Lloyd himself was far more generous in his later praise of Roach, he, too, could be critical, if more accurate, in his recollections). Lloyd went on to much greater financial success at Paramount.
Despite facing the prospect of losing his biggest earner, Roach was already preoccupied with building his kiddie comedy series, Our Gang, which became an immediate hit with the public. By the time he turned 25 in 1917, Roach was wealthy and increasingly spending time away from his studio. He traveled extensively across Europe. By the early 1920s he had eclipsed Mack Sennett as the "King of Comedy" and created many of the most memorable comic series of all time. These included the team of Stan Laurel and Oliver Hardy, Charley Chase, Edgar Kennedy, 'Snub' Pollard and especially the long-running Our Gang series (AKA "The Little Rascals" in TV distribution). Pathe, which distributed his films, shut down its U.S. operations after its domestic representative, Paul Brunet, returned to France in 1927. But Roach was able to secure an even better deal with MGM (his key competitor, Mack Sennett, was also distributed by Pathe, but he was unable to land a deal, ultimately declaring bankruptcy in 1933). For the next eleven years Roach shored up MGM's bottom line, although the deal was probably more beneficial to Roach. In the mid-'30s Roach became inexplicably enamored of 'Benito Mussolini', and sought to secure a business alliance with the fascist dictator's recently completed film complex, Cinecitta. After Roach asked for (and received) assurances from Mussolini that Italy wasn't about to seek sanctions against the Jews, the two men formed RAM ("Roach And Mussolini") Productions, a move that appalled the powers at MGM parent company, Leow's Inc. These events coincided with Roach selling off "Our Gang" to MGM and committing himself solely to feature film production. In September 1937, Il Duce's son, Vittorio Mussolini, visited Hollywood and Roach's studio threw a lavish party celebrating his 21st birthday. Soon afterward the Italian government took on an increasingly anti-Semitic stance and, in retribution, Leow's chairman Nicholas Schenck canceled his distribution deal. Roach signed an adequate deal with United Artists in May 1938 and redeemed his previous record of feature misfires with a string of big hits: Topper (1937) (and its lesser sequels), the prestigious Of Mice and Men (1939) and, most significantly, One Million B.C. (1940), which became the most profitable movie of the year. Despite the nearly unanimous condemnation by his industry peers, Roach stubbornly refused to re-examine his attitudes over his dealings with Mussolini, even in the aftermath of World War II (he proudly displayed an autographed portrait of the dictator in his home up until his death). His tried-and-true formula for success was tested by audience demands for longer feature-length productions, and by the early 1940s he was forced to try his hand at making low-budget, full-length screwball comedies, musicals and dramas, although he still kept turning out extended two-reel-plus comedies, which he tagged as "streamliners"; they failed to catch on with post-war audiences. By the 1950s he was producing mainly for television (My Little Margie (1952), Blondie (1957) and The Gale Storm Show: Oh! Susanna (1956), for example). His willingness to delve into TV production flew in the face of most of the major Hollywood studios of the day. He made a stab at retirement but his son, Hal Roach Jr., proved an inept businessman and drove the studio to the brink of bankruptcy by 1959. Roach returned and focused on facilities leasing and managing the TV rights of his film catalog.
In 1983 his company developed the first successful digital colorization process. Roach then became a producer for many TV series on the Disney Channel, and his company still produces most of their films and videos. He died peacefully just shy of his 101st birthday, telling stories right up until the end.great producer of comedy, without roach and sennett, the world would be a sad place.- Actor
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Francis Alick Howerd, who grew up to become popular British comedian Frankie Howerd, was born in 1917 and first stepped onstage at age 4. As a teen he taught Sunday school; not long after his Army-man father died in 1934, 17-year-old Frankie was invited to audition for RADA. After a poor audition, he knew his calling was as a comedian instead of an actor. At 19 he put together revues for music halls that included monologues, impressions, jokes, and comic songs. This was difficult since he suffered from major stage fright, a life-long debilitation. Following war service, Frankie refocused on his career with radio and theatre appearances. In the 1950s he finally earned his own TV variety show, but his burgeoning reputation, coupled with a lack of self-confidence, led the painfully shy man to suffer severe emotional conflicts with this newfound success. In the 1960s this culminated in a severe nervous breakdown. Prone to melancholia and deep depression, he somehow managed to recover, and he earned high praise for both his musical-comedy performance in the London production of "A Funny Thing Happened on the Way to the Forum" (in the Zero Mostel role) and his work on the popular satire series That Was the Week That Was (1962). Though never a strong film performer, he managed to find work in such films as The Ladykillers (1955), Further Up the Creek (1958), The Great St. Trinian's Train Robbery (1966), some 'Carry On' appearances, and the lead role in The House in Nightmare Park (1973). Frankie was awarded the OBE in 1977, the year his autobiography, "On My Way I Lost It," was published. In early April 1992 he went to the hospital for respiratory problems; he died of heart failure on April 19. He was buried at St. Gregory's Church in Weare, Somerset.- Actor
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Eric Morecambe was born on 14 May 1926 in Buxton Street, Morecambe, Lancashire, England, UK. He was an actor and writer, known for The Morecambe & Wise Show (1968), Night Train to Murder (1984) and The Intelligence Men (1965). He was married to Joan Morecambe. He died on 28 May 1984 in Cheltenham, Gloucestershire, England, UK.- Actor
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Ernie Wise was born on 27 November 1925 in Bramley, Leeds, West Yorkshire, England, UK. He was an actor and writer, known for The Morecambe & Wise Show (1968), Night Train to Murder (1984) and Two of a Kind (1961). He was married to Doreen Blythe. He died on 21 March 1999 in Wexham, Buckinghamshire, England, UK.- Actor
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First of all, the cross-eyed comedian of silent days was not born that way. Supposedly his right eye slipped out of alignment while playing the role of the similarly afflicted Happy Hooligan in vaudeville and it never adjusted. Ironically, it was this disability that would enhance his comic value and make him a top name.
Ben Turpin was born in New Orleans in 1869, the son of a French-born confectionery store owner. When 7 years old, his father moved to New York's lower East Side. A wanderlust fellow by nature, Turpin lived the life of a hobo in his early adult years. He started up his career by chance while bumming in Chicago where he drew laughs at parties. An ad in a newspaper looking for comedy acts caught his eye and he successfully booked shows along with a partner. Going solo, he performed on the burlesque circuit as well as under circus tents and invariably entertained his audiences by doing tricks, vigorous pratfalls and, of course, crossing his eyes. One of his more familiar sight gags was a backwards tumble he called the "108." He happened upon the Happy Hooligan persona while playing on the road and kept the hapless character as part of routine for 17 years.
He started in films at age 38 in 1907, joining Essanay Studios shortly after the company began operating in Chicago. He also became their resident janitor for a spell. He stayed with the company for two years but remained on the edges of obscurity. Appearing sporadically in silent comedy shorts, he typically played dorky characters who always did something wrong. His big break came when he returned to Essanay and was introduced to Charles Chaplin, who immediately took to him and set him up with Mack Sennett. By 1917 Sennett had turned Turpin into a top comedy draw. With his trademark crossed eyes and thick mustache, he made scores of slapstick films alongside the likes of Mabel Normand and 'Roscoe 'Fatty' Arbuckle', among others. Most notable were his films that parodied hit movies of the day such as his The Shriek of Araby (1923), in which his character lampooned Rudolph Valentino. Turpin's true forte was impersonating the most dashingly romantic and sophisticated stars of the day and turning them into clumsy oafs.
Turpin retired from full time acting in 1924 to care for his ailing wife Canadian comedy actress Carrie Turpin (nee LeMieux). After her death the following year he returned but his marquee value had slipped drastically. The advent of sound pretty much marked the end to his special brand of physical comedy. He was only glimpsed from then on, mostly in comic cameos for other top stars such as a bit as a plumber with Laurel & Hardy in Saps at Sea (1940), his last. He died of heart disease that same year.- Actor
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William Claude Dukenfield was the eldest of five children born to Cockney immigrant James Dukenfield and Philadelphia native Kate Felton. He went to school for four years, then quit to work with his father selling vegetables from a horse cart. At eleven, after many fights with his alcoholic father (who hit him on the head with a shovel), he ran away from home. For a while he lived in a hole in the ground, depending on stolen food and clothing. He was often beaten and spent nights in jail. His first regular job was delivering ice. By age thirteen he was a skilled pool player and juggler. It was then, at an amusement park in Norristown PA, that he was first hired as an entertainer. There he developed the technique of pretending to lose the things he was juggling. In 1893 he was employed as a juggler at Fortescue's Pier, Atlantic City. When business was slow he pretended to drown in the ocean (management thought his fake rescue would draw customers). By nineteen he was billed as "The Distinguished Comedian" and began opening bank accounts in every city he played. At age twenty-three he opened at the Palace in London and played with Sarah Bernhardt at Buckingham Palace. He starred at the Folies-Bergere (young Charles Chaplin and Maurice Chevalier were on the program).
He was in each of the Ziegfeld Follies from 1915 through 1921. He played for a year in the highly praised musical "Poppy" which opened in New York in 1923. In 1925 D.W. Griffith made a movie of the play, renamed Sally of the Sawdust (1925), starring Fields. Pool Sharks (1915), Fields' first movie, was made when he was thirty-five. He settled into a mansion near Burbank, California and made most of his thirty-seven movies for Paramount. He appeared in mostly spontaneous dialogs on Charlie McCarthy's radio shows. In 1939 he switched to Universal where he made films written mainly by and for himself. He died after several serious illnesses, including bouts of pneumonia.- Actor
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While Charley Chase is far from being as famous as "The Big Three" (Charles Chaplin, Buster Keaton and Harold Lloyd) today, he's highly respected as one of the "greats" by fans of silent comedy.
Chase (real name Charles Parrott) was born in Maryland, USA, in 1893. After a brief career in vaudeville, burlesque, and musical comedy he appeared with Al Christie at Universal Studios as a comedian in 1913 before moving to the Mack Sennett Studios the following year. His career in films did not start off with remarkable success. He played bit parts in a large number of short comedies, coming to notice in 'The Knockout' with Charlie Chaplin, Roscoe "Fatty" Arbuckle, Edgar Kennedy and The Keystone Cops. This was followed by appearing in a number of films written and directed by Chaplin. At the end of 1914 he was one of the stars in the spectacular Tillie's Punctured Romance featuring all the stars on the lot, and which took 14 weeks to shoot. He spent another year with Sennett starring in his own shorts, one of his first being Settled at the Seaside co starring Mae Busch. In 1915he started directing films using his real name and switching to his stage name when starring. He moved to Fox Studios in 1916 where he directed, wrote and starred in comedies some of which featured Chester Conklin. After a couple of further studio moves he rejoined Sennett then went to Paramount before arriving at Hal Roach Studios in 1920 as a director, before Roach realized what a gifted performer he had hired. "I can play anything!" Chase told Roach, and eventually his claim was confirmed. Although Mack Sennett's Keystone studio has earned legendary status as the ultimate factory of comic invention, it can hardly be denied that Roach developed a more refined style of comedy which obviously fitted Chase better (indeed, Sennett's unsophisticated product increasingly lost favor with the movie-going public by the early 1920s, while Roach's studio flourished). During five years, 1924-29, he starred in nearly a hundred two-reelers, most of which were directed by Leo McCarey.
Chase usually portrayed an apparently gentle and charming man who in reality, it eventually turned out, was quite a loser after all. His character was largely inspired by Lloyd Hamilton, another neglected comedian whom Chase had directed in several two-reelers. Among Charley's most memorable shorts are Innocent Husbands, Mighty Like a Moose, and Movie Night.
From the beginning, Charley Chase was a "critics' darling," but none of his movies were remarkably successful at the box office. There is no official "explanation" to this, but one reason may be that Chase, in contrast to the more popular clowns, never starred in any feature during the silent period. On a personal level, Chase was severely hobbled by alcoholism, which is unapparent in his films.
Chase made several promising appearances after the talkies arrived, in 1929-30, especially in Laurel and Hardy's highly acclaimed feature Sons of the Desert (1933). Despite this, he was never offered any further appearances in features. But he continued to perform in shorts and did also direct some of the Three Stooges' early movies. He died in 1940, not yet 47 years of age, of a heart attack. It is reasonable to believe that his early death was to a large extent caused by his addiction to alcohol, a problem which had troubled his family for several years. His brother James, also an actor, had died the year before. The two brothers had been close throughout their lives, although their personal problems frequently affected each other (or perhaps that was the reason for their being so close.) Chase was married to Bebe Eltinge from 1914, a marriage that lasted until his death and produced two daughters, Polly and June.
Chase's silent work was celebrated on DVD in two volumes from Kino Video. At long last his comic genius is being recognized.- Actor
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Larry began performing as a violinist at a young age. During his teenage years, he earned his living as a singer and boxer. At 18, Larry began working vaudeville with "The Haney Sisters and Fine" and in 1925, he joined Ted Healy and Moe Howard in the act that would eventually become The Three Stooges. Fine made more than 200 films before a stroke forced him to retire in 1970.- Actor
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Born into a show business family, DeRita began performing at the age of 7. He played the Burlesque circuit until 1942 when he went to headline in California stage shows. He toured with Randolph Scott and Bing Crosby for the USO during World War II. Joe made his film debut in "The Doughgirls" (1944) and continued to perform in films, radio, and television before joining the Three Stooges in 1958. When Moe Howard's death ended the comedy team in 1975, DeRita retired.- Actor
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After leaving the army Tommy Cooper took up show business in 1947 and so started his long career of comedy derived around visual humour, magic tricks that didn't work and his trademark red fez, a prop that started from his days in the army. The BBC described him as an "Unattractive young man with an extremely unfortunate appearance" in an audition for new talent.
While making a series of 28 shows for ITV over a period of eight years, he suffered his first heart attack which forced him to give up his love for cigars. Tommy collapsed on the stage of Her Majesty's Theatre in April 1984, live on air. Ten minutes later he had died. He was later cremated and ashes scattered at Mortlake Crematorium, London.- Actor
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'Eric Sykes' started as a radio scriptwriter but he soon found he could perform as well as write. The slight handicap of being very hard of hearing doesn't interfere with his wonderful comic timing. The spectacles he wears have no lenses but contain a bone conducting hearing aid.- Actor
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Sir Norman Wisdom has become the great British clown in the mold of Sir Charles Chaplin with his little man in the ill fitting suit and cloth cap. His character is an everyman, much put upon but struggling through to a (usually) happy ending. He was brought up in an orphanage after his mother died and his father disowned him. He joined the British Army at age 14 as a band boy and learnt to play the clarinet, drums and xylophone. In 1941, he went to India with the army and became a comedian by clowning around in camp concerts. When demobbed, he returned home and decided to try to get on the stage but couldn't find an agent who was interested in him.
After marrying his fiancee, Freda Simpson, he spent five weeks in America searching for an agent and work without success. On his return to Britain, he eventually found an agent resulting in him making his first stage appearance at Collins Music Hall on December 17, 1946. Over time, his talent and his popularity grew resulting in him making his first major film Trouble in Store (1953) followed by One Good Turn (1955). Before long, he was writing the screenplays for eight of his films, including The Square Peg (1958), Follow a Star (1959), A Stitch in Time (1963) and The Early Bird (1965). In addition to writing the screenplays, he also composed numerous songs including his theme song "Don't Laugh at Me ('Cause I'm a Fool)".- Actor
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In 2014 Whilst being interviewed by Jonathon Ross on his show, he announced his immediate retirement from Stand Up and Touring after the premature death of his manager from a heart attack. He is now determined to spend more time with his wife Heather and daughter Molly, or Little Mo as he calls her.- Actor
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John Cleese was born on October 27, 1939, in Weston-Super-Mare, England, to Muriel Evelyn (Cross) and Reginald Francis Cleese. He was born into a family of modest means, his father being an insurance salesman; but he was nonetheless sent off to private schools to obtain a good education. Here he was often tormented for his height, having reached a height of six feet by the age of twelve, and eventually discovered that being humorous could deflect aggressive behavior in others. He loved humor in and of itself, collected jokes, and, like many young Britons who would grow up to be comedians, was devoted to the radio comedy show, "The Goon Show," starring the legendary Peter Sellers, Spike Milligan, and Harry Secombe.
Cleese did well in both sports and academics, but his real love was comedy. He attended Cambridge to read (study) Law, but devoted a great deal of time to the university's legendary Footlights group, writing and performing in comedy reviews, often in collaboration with future fellow Python Graham Chapman. Several of these comedy reviews met with great success, including one in particular which toured under the name "Cambridge Circus." When Cleese graduated, he went on to write for the BBC, then rejoined Cambridge Circus in 1964, which toured New Zealand and America. He remained in America after leaving Cambridge Circus, performing and doing a little journalism, and here met Terry Gilliam, another future Python.
Returning to England, he began appearing in a BBC radio series, "I'm Sorry, I'll Read That Again", based on Cambridge Circus. It ran for several years and also starred future Goodies Tim Brooke-Taylor, Bill Oddie and Graeme Garden. He also appeared, briefly, with Brooke-Taylor, Graham Chapman and Marty Feldman in At Last the 1948 Show (1967), for television, and a series of collaborations with some of the finest comedy-writing talent in England at the time, some of whom - Eric Idle, Terry Gilliam, Terry Jones, Michael Palin, and Chapman - eventually joined him in Monty Python. These programs included The Frost Report (1966) and Marty Feldman's program Marty (1968). Eventually, however, the writers were themselves collected to be the talent for their own program, Monty Python's Flying Circus (1969), which displayed a strange and completely absorbing blend of low farce and high-concept absurdist humor, and remains influential to this day.
After three seasons of the intensity of Monty Python, Cleese left the show, though he collaborated with one or more of the other Pythons for decades to come, including the Python movies released in the mid-70s to early 80s - Monty Python and the Holy Grail (1975), Life of Brian (1979), Monty Python Live at the Hollywood Bowl (1982), and The Meaning of Life (1983). Cleese and then-wife Connie Booth collaborated in the legendary television series Fawlty Towers (1975), as the sharp-tongued, rude, bumbling yet somehow lovable proprietor of an English seaside hotel. Cleese based this character on a proprietor he had met while staying with the other Pythons at a hotel in Torquay, England. Only a dozen episodes were made, but each is truly hilarious, and he is still closely associated with the program to this day.
Meanwhile Cleese had established a production company, Video Arts, for clever business training videos in which he generally starred, which were and continue to be enormously successful in the English-speaking world. He continues to act prolifically in movies, including in the hit comedy A Fish Called Wanda (1988), in the Harry Potter series, and in the James Bond series as the new Q, starting with The World Is Not Enough (1999), in which he began as R before graduating to Q. Cleese also supplies his voice to numerous animated and video projects, and frequently does commercials.
Besides the infamous Basil Fawlty character, Cleese's other well-known trademark is his rendition of an English upper-class toff. He has a daughter with Connie Booth and a daughter with his second wife, Barbara Trentham.
Education and learning are important elements of his life - he was Rector of the University of Saint Andrews from 1973 until 1976, and continues to be a professor-at-large of Cornell University in New York. Cleese lives in Santa Barbara, California.- Actor
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Harry H Corbett (he added the "H" to avoid being confused with Sooty's friend) was born in Burma in 1925. His father was an officer in the army. His mother died when he was very young and he moved to England as a child and was brought up in Manchester by an aunt.
After his war service, he joined a repertory company and during the 1950s appeared in many stage productions. At the end of this period he made the move to the big screen and appeared in about twenty movies (mostly 'B' pictures) during the years from 1959 to 1980, including the starring role of Detective Sergeant Bung in Carry on Screaming! (1966), Rattle of a Simple Man (1964) and the two "Steptoe and Son" movies in the early 1970s. He suffered a series of heart attacks between 1979 and 1982, before his premature death aged 57.- Writer
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He was born Alfred Hawthorn Hill. It was his grandfather who introduced him to Burlesque Shows and the theatre from where the young Benny Hill was to draw much of his comic inspiration. After his national service with the army during WW2, Benny came to London, adopted the stage name Benny Hill (in homage to his all time favourite comedian Jack Benny) and began appearing in variety shows. He briefly formed a double act with Reg Varney and did radio shows. But it was his talent for impressions and comic timing that were to give him his first big break on TV with the show "Hi There" in 1949. The Benny Hill Show (1955) began in 1955. Its pioneering combination of cheeky humour, songs and impressions were to make it a hit for the next 40 years.
Benny also broadened his career with cameo appearances in films such as The Italian Job (1969), Chitty Chitty Bang Bang (1968) and Those Magnificent Men in Their Flying Machines or How I Flew from London to Paris in 25 Hours 11 Minutes (1965). He also had a hit record in 1971 with "Ernie The Fastest Milkman In The West". In 1979 The Benny Hill Show (1955) was shown in America for the first time and Benny went on to become one of the biggest stars on US TV. The show itself has been seen in 109 countries and won a BAFTA as well as Golden Rose Of Montreaux Award. Benny Hill's TV career came to an end in 1989, when his show was dropped, but his popularity continued and he completed a US TV special, Benny Hill's World Tour: New York! (1991) shortly before his death in 1992.- Actor
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In the 1960s and 1970s, Dick Emery was one of the most successful comics on the box. He was voted BBC TV Personality of the Year, thanks to creations such as his toothy vicar, sex-starved spinster Hettie, crusty old Lampwick, outrageously camp Clarence, who coined the phrase: "Hallo honky tonks". Perhaps the most memorable of all was Mandy, a busty middle-aged woman whose repressed nature was usually betrayed by a sudden affectionate slap and a cry of: "Ooh, you are awful. But I like you!".
While his creations left millions howling, in private Emery was a man with a terrible fear of failure. He was often sick before performances and would sleep to escape stage nerves prior to a performance. Bob Monkhouse once incurred his wrath by accidentally waking him before a Royal Variety Performance. Emery exploded in a torrent of abuse as Monkhouse recalled in his book 'Over the Limit'. Emery used to spend hours in analysis, was hypnotised, tried many sedatives and drugs to cure his tension - though the pills scared him as much as the fear of failure.
He once told friend and co-star Roy Kinnear: "I don't just envy the confidence that other comics seem to have, I resent it. I hate them for it, just like my dad did. If there's such a thing as a chip off the old block, it's on my shoulder."
Emery married five times and left his last wife to live with a showgirl 30 years younger than him. His BBC show was axed after 12 years in 1979 and he died four years later.- Actor
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One of Britain's most beloved eccentric comedians, the irrepressible, gap-toothed Terry-Thomas was born Thomas Terry Hoar-Stevens in Lichfield Grove, Finchley. He was the son of Ellen Elizabeth (Hoar) and Ernest Frederick Stevens, a fairly well-to-do London businessman. He was afforded a private education at Ardingly College in Sussex, with the understanding that this was to lead him towards a prosperous future in the world of commerce. Ironically, deemed to have no acting talent and thus spurned by his school's dramatic society, young Thomas took to music and soon fronted his own jazz band, "The Rhythm Maniacs", in which he also played ukulele. His initial experience in the work force was, at best humdrum, at worst traumatic. He started as a transport clerk with the Union Cold Storage Company, went on selling meat at the Smithfield Markets and then peddled insurance policies for Norwich Union. By both choice and inclination, he didn't fit into any of these jobs, was often bullied and consequently adopted as his life-long mantra the motto "I Shall Not Be Cowed".
Trying everything to break out of what he perceived as lower middle class mediocrity, he first changed his accent from North London to the posh upper-crust tones of then-matinee idol Owen Nares. He turned to professional ballroom dancing, found work in films as an extra and performed comedy monologues, as well as impersonations in night clubs and cabaret. He also tried several variations for a stage name people would remember, including a reversed spelling of Tom Stevens: 'Mot Snevets'. Not surprisingly, this didn't catch on, and so he eventually settled on 'Terry Thomas', later adding the hyphen, which he likened to the gap between his teeth.
His theatrical debut at the Tivoli Theatre in Hull did not eventuate until he was twenty-eight. The onset of World War II put his burgeoning career on hold. He enlisted in the Army Signals Corps and, somehow, rose to the rank of sergeant. Between 1940 and 1942, Terry participated in the ENSA program, staging his own shows "Cabaret Parade" and "Stars in Battledress". It was at this time, that he first adopted the affected mannerisms, which later became his stock-in-trade. He also demonstrated an amazing repertoire for imitating popular vocalists and for recreating all types of sound effects with his voice.
In July 1946, Terry joined the cast of the revue "Piccadilly Hayride" and suddenly became the comic discovery of the year, which ended with a Royal Variety Performance in front of King and Queen. His proper breakthrough, though, came via his radio show "To Town with Terry" (and its sequel), aired on the BBC Home Service from October 1948. This opened many doors, including Terry getting his own TV series, How Do You View? (1949). He was invited to a cabaret gig at New York's Waldorf Astoria in 1951. Terry was featured on the inaugural cover of TV Mirror, even before the part of his career for which he is primarily remembered had begun in earnest.
After a brace of nondescript roles, he was finally cast as the effete, derisive Major Hitchcock in the first of several films produced by the Boulting brothers, Private's Progress (1956). For several years after, Terry's popularity flourished with similar films taking a jaundiced view of British institutions. Following his overbearing Bertrand Welch in Lucky Jim (1957), he starred as the titular Man in a Cocked Hat (1959), a satire paralleling the Suez Affair, which turned out to be one of his best roles. Terry played an inept, blundering diplomat appointed as 'special ambassador' to sort out the political quagmire of an obscure former colony, overrun by foreign agents and on the verge of an uprising. For this assignment, his character has little more to draw upon, other than his knowledge of Debrett's Peerage and Sporting Life. This film, established the dandified "jolly good show"-type Terry-Thomas screen personae once and for all.
After Carleton-Browne, came I'm All Right Jack (1959) (in which he recreated his Major Hitchcock character as a representative of management vis-à-vis labour) and School for Scoundrels (1960), in which he was perfectly cast a first-class bounder. Alternating dastardly, moustache-twirling comic villains (Those Magnificent Men in Their Flying Machines or How I Flew from London to Paris in 25 Hours 11 Minutes (1965)) with sophisticated, rakish bon vivants and impeccably British chauffeurs (Kiss the Girls and Make Them Die (1966) or butlers (How to Murder Your Wife (1965), popularised Terry on both sides of the Atlantic. Mostly, he came to epitomise the archetypal British 'silly ass' -- an instantly recognisable figure replete with RAF-style moustache, cheeky gap-toothed grin, mobile eyebrows, flashy waistcoats, button-hole carnation, suede shoes and enormous cigarette holders (including one studded with 42 diamonds!). Life imitated art, when it came to womanising, clothing and accessories. Terry, a founding member of the London Waistcoat Club, ended up owning more than 150 of these garments, in addition to 80 Savile Row bespoke suits.
In the late 1960's, Terry settled on the island of Ibiza with his twenty-six year old second wife. However, by 1984, his prior extravagant lifestyle and the exorbitant costs associated with the treatment of Parkinson's disease, with which he had been diagnosed in 1971, forced the couple to sell the villa and move back to a sparse flat in Britain. Almost destitute, his remaining days were made easier by his numerous friends in show business who managed to raise 51,000 pounds for him at a London benefit. Terry-Thomas died at a high care nursing home in Godalming, Surrey, in January 1990 at the age of 78.- Writer
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Harry Corbett was born on 28 January 1918 in Bradford, West Yorkshire, England, UK. He was a writer and actor, known for Sooty (2011), The Sooty Show (1968) and Sooty: Learn the Alphabet (2015). He was married to Marjorie Corbett. He died on 17 August 1989 in Child Okeford, Blandford Forum, Dorset, England, UK.