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Kurt Vogel Russell was born on March 17, 1951 in Springfield, Massachusetts and raised in Thousand Oaks, California to Louise Julia Russell (née Crone), a dancer & Bing Russell, an actor. He is of English, German, Scottish and Irish descent. His first roles were as a child on television series, including a lead role on the Western series The Travels of Jaimie McPheeters (1963). Russell landed a role in the Elvis Presley movie, It Happened at the World's Fair (1963), when he was eleven years old. Walt Disney himself signed Russell to a 10-year contract, and, according to Robert Osborne, he became the studio's top star of the 1970s. Having voiced adult Copper in the animated Disney film The Fox and the Hound (1981), Russell is one of the few famous child stars in Hollywood who has been able to continue his acting career past his teen years.
Kurt spent the early 1970s playing minor league baseball. In 1979, he gave a classic performance as Elvis Presley in John Carpenter's ABC TV movie Elvis (1979), and married the actress who portrayed Priscilla Presley in the film, Season Hubley. He was nominated for an Emmy Award for the role. He followed with roles in a string of well-received films, including Used Cars (1980) and Silkwood (1983), for which he was nominated for the Golden Globe Award for Best Supporting Actor - Motion Picture. During the 1980s, he starred in several films by director Carpenter; they created some of his best-known roles, including the infamous anti-hero Snake Plissken in the futuristic action film Escape from New York (1981) (and later in its sequel Escape from L.A. (1996)), Antarctic helicopter pilot R.J. MacReady in the horror film The Thing (1982), and Jack Burton in the fantasy film Big Trouble in Little China (1986), all of which have since become cult classics.
In 1983, he became reacquainted with Goldie Hawn (who appeared with him in The One and Only, Genuine, Original Family Band (1968)) when they worked together on Swing Shift (1984). The two have lived together ever since. They made another film together, Garry Marshall's comedy Overboard (1987). His other 1980s titles include The Best of Times (1986), Tequila Sunrise (1988), Winter People (1989) and Tango & Cash (1989).
In 1991, he headlined the firefighter drama Backdraft (1991), he starred as Wyatt Earp in the Western film Tombstone (1993), and had a starring role as Colonel Jack O'Neil in the science fiction film Stargate (1994). In the mid-2000s, his portrayal of U.S. Olympic hockey coach Herb Brooks in Miracle (2004) won the praise of critics. In 2006, he appeared in the disaster-thriller Poseidon (2006), and in 2007, in Quentin Tarantino's Death Proof (2007) segment from the film Grindhouse (2007). Russell appeared in The Battered Bastards of Baseball (2014), a documentary about his father and the Portland Mavericks, which debuted at the Sundance Film Festival in 2014. Russell starred in the Western films Bone Tomahawk (2015) and The Hateful Eight (2015), and had a leading role in the dramatization Deepwater Horizon (2016). He also co-starred in the action sequels Furious 7 (2015) and The Fate of the Furious (2017).
Russell and Goldie Hawn live on a 72-acre retreat, Home Run Ranch, outside of Aspen. He has two sons, Boston Russell (from his marriage to Hubley) and Wyatt Russell (with Hawn). He also raised Hawn's children, actors Oliver Hudson and Kate Hudson, who consider him their father. Russell is also an avid gun enthusiast, a hunter and a staunch supporter of the Second Amendment of the United States Constitution. He is also an FAA-licensed private pilot holding single/multi-engine and instrument ratings, and is an Honorary Board Member of the humanitarian aviation organization Wings of Hope.the thing
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escape from l.a.
big troublein little china- Actor
- Director
- Producer
Alfredo James "Al" 'Pacino established himself as a film actor during one of cinema's most vibrant decades, the 1970s, and has become an enduring and iconic figure in the world of American movies.
He was born April 25, 1940 in Manhattan, New York City, to Italian-American parents, Rose (nee Gerardi) and Sal Pacino. They divorced when he was young. His mother moved them into his grandparents' home in the South Bronx. Pacino found himself often repeating the plots and voices of characters he had seen in the movies. Bored and unmotivated in school, he found a haven in school plays, and his interest soon blossomed into a full-time career. Starting onstage, he went through a period of depression and poverty, sometimes having to borrow bus fare to succeed to auditions. He made it into the prestigious Actors Studio in 1966, studying under Lee Strasberg, creator of the Method Approach that would become the trademark of many 1970s-era actors.
After appearing in a string of plays in supporting roles, Pacino finally attained success off-Broadway with Israel Horovitz's "The Indian Wants the Bronx", winning an Obie Award for the 1966-67 season. That was followed by a Tony Award for "Does the Tiger Wear a Necktie?" His first feature films made little departure from the gritty realistic stage performances that earned him respect: he played a drug addict in The Panic in Needle Park (1971) after his film debut in Me, Natalie (1969). The role of Michael Corleone in The Godfather (1972) was one of the most sought-after of the time: Robert Redford, Warren Beatty, Jack Nicholson, Ryan O'Neal, Robert De Niro and a host of other actors either wanted it or were mentioned, but director Francis Ford Coppola wanted Pacino for the role.
Coppola was successful but Pacino was reportedly in constant fear of being fired during the very difficult shoot. The film was a monster hit that earned Pacino his first Academy Award nomination for Best Supporting Actor. However, instead of taking on easier projects for the big money he could now command, Pacino threw his support behind what he considered tough but important films, such as the true-life crime drama Serpico (1973) and the tragic real-life bank robbery film Dog Day Afternoon (1975). He was nominated three consecutive years for the "Best Actor" Academy Award. He faltered slightly with Bobby Deerfield (1977), but regained his stride with And Justice for All (1979), for which he received another Academy Award nomination for Best Actor. Unfortunately, this would signal the beginning of a decline in his career, which produced flops like Cruising (1980) and Author! Author! (1982).
Pacino took on another vicious gangster role and cemented his legendary status in the ultra-violent cult film Scarface (1983), but a monumental mistake was about to follow. Revolution (1985) endured an endless and seemingly cursed shoot in which equipment was destroyed, weather was terrible, and Pacino fell ill with pneumonia. Constant changes in the script further derailed the project. The Revolutionary War-themed film, considered among the worst films ever made, resulted in awful reviews and kept him off the screen for the next four years. Returning to the stage, Pacino did much to give back and contribute to the theatre, which he considers his first love. He directed a film, The Local Stigmatic (1990), but it remains unreleased. He lifted his self-imposed exile with the striking Sea of Love (1989) as a hard-drinking policeman. This marked the second phase of Pacino's career, being the first to feature his now famous dark, owl eyes and hoarse, gravelly voice.
Returning to the Corleones, Pacino made The Godfather Part III (1990) and earned raves for his first comedic role in the colorful adaptation Dick Tracy (1990). This earned him another Academy Award nomination for Best Supporting Actor, and two years later he was nominated for Glengarry Glen Ross (1992). He went into romantic mode for Frankie and Johnny (1991). In 1992, he finally won the Academy Award for Best Actor for his amazing performance in Scent of a Woman (1992). A mixture of technical perfection (he plays a blind man) and charisma, the role was tailor-made for him, and remains a classic.
The next few years would see Pacino becoming more comfortable with acting and movies as a business, turning out great roles in great films with more frequency and less of the demanding personal involvement of his wilder days. Carlito's Way (1993) proved another gangster classic, as did the epic crime drama Heat (1995) directed by Michael Mann and co-starring Robert De Niro. He directed the film adaptation of Shakespeare's Looking for Richard (1996). During this period, City Hall (1996), Donnie Brasco (1997) and The Devil's Advocate (1997) all came out. Reteaming with Mann and then Oliver Stone, he gave commanding performances in The Insider (1999) and Any Given Sunday (1999).
In the 2000s, Pacino starred in a number of theatrical blockbusters, including Ocean's Thirteen (2007), but his choice in television roles (the vicious, closeted Roy Cohn in the HBO miniseries Angels in America (2003) and his sensitive portrayal of Jack Kevorkian, in the television movie You Don't Know Jack (2010)) are reminiscent of the bolder choices of his early career. Each television project garnered him an Emmy Award for Outstanding Lead Actor in a Miniseries or a Movie.
Never wed, Pacino has a daughter, Julie Marie, with acting teacher Jan Tarrant, and a set of twins with former longtime girlfriend Beverly D'Angelo. His romantic history includes Jill Clayburgh, Veruschka von Lehndorff, Carole Mallory, Debra Winger, Tuesday Weld, Marthe Keller, Carmen Cervera, Kathleen Quinlan, Lyndall Hobbs, Penelope Ann Miller, and a two-decade intermittent relationship with "Godfather" co-star Diane Keaton. He currently lives with Argentinian actress Lucila Solá, who is 36 years his junior.
As of 2022, Pacino is 82-years-old. He has never retired from acting, and continues to appear regularly in film.the godfather
the godfather part 2
the godfather part 3- Actor
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John Christopher "Johnny" Depp II was born on June 9, 1963 in Owensboro, Kentucky, to Betty Sue Palmer (née Wells), a waitress, and John Christopher Depp, a civil engineer. He was raised in Florida. He dropped out of school when he was 15, and fronted a series of music-garage bands, including one named 'The Kids'. When he married Lori A. Depp, he took a job as a ballpoint-pen salesman to support himself and his wife. A visit to Los Angeles, California, with his wife, however, happened to be a blessing in disguise, when he met up with actor Nicolas Cage, who advised him to turn to acting, which culminated in Depp's film debut in the low-budget horror film, A Nightmare on Elm Street (1984), where he played a teenager who falls prey to dream-stalking demon Freddy Krueger.
In 1987 he shot to stardom when he replaced Jeff Yagher in the role of undercover cop Tommy Hanson in the popular TV series 21 Jump Street (1987). In 1990, after numerous roles in teen-oriented films, his first of a handful of great collaborations with director Tim Burton came about when Depp played the title role in Edward Scissorhands (1990). Following the film's success, Depp carved a niche for himself as a serious, somewhat dark, idiosyncratic performer, consistently selecting roles that surprised critics and audiences alike. He continued to gain critical acclaim and increasing popularity by appearing in many features before re-joining with Burton in the lead role of Ed Wood (1994). In 1997 he played an undercover FBI agent in the fact-based film Donnie Brasco (1997), opposite Al Pacino; in 1998 he appeared in Fear and Loathing in Las Vegas (1998), directed by Terry Gilliam; and then, in 1999, he appeared in the sci-fi/horror film The Astronaut's Wife (1999). The same year he teamed up again with Burton in Sleepy Hollow (1999), brilliantly portraying Ichabod Crane.
Depp has played many characters in his career, including another fact-based one, Insp. Fred Abberline in From Hell (2001). He stole the show from screen greats such as Antonio Banderas in the finale to Robert Rodriguez's "mariachi" trilogy, Once Upon a Time in Mexico (2003). In that same year he starred in the marvelous family blockbuster Pirates of the Caribbean: The Curse of the Black Pearl (2003), playing a character that only the likes of Depp could pull off: the charming, conniving and roguish Capt. Jack Sparrow. The film's enormous success has opened several doors for his career and included an Oscar nomination. He appeared as the central character in the Stephen King-based movie, Secret Window (2004); as the kind-hearted novelist James Barrie in the factually-based Finding Neverland (2004), where he co-starred with Kate Winslet; and Rochester in the British film, The Libertine (2004). Depp collaborated again with Burton in a screen adaptation of Roald Dahl's novel, Charlie and the Chocolate Factory (2005), and later in Alice in Wonderland (2010) and Dark Shadows (2012).
Off-screen, Depp has dated several female celebrities, and has been engaged to Sherilyn Fenn, Jennifer Grey, Winona Ryder and Kate Moss. He was married to Lori Anne Allison in 1983, but divorced her in 1985. Depp has two children with his former long-time partner, French singer/actress Vanessa Paradis: Lily-Rose Melody, born in 1999 and John Christopher "Jack" III, born in 2002. He married actress/producer Amber Heard in 2015, divorcing a few years later.pirates of the caribbean
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edward scissorhands- Actor
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An intense, versatile actor as adept at playing clean-cut FBI agents as he is psychotic motorcycle-gang leaders, who can go from portraying soulless, murderous vampires to burned-out, world-weary homicide detectives, Lance Henriksen has starred in a variety of films that have allowed him to stretch his talents just about as far as an actor could possibly hope. He played "Awful Knoffel" in the TNT original movie Evel Knievel (2004), directed by John Badham and executive produced by Mel Gibson. Henriksen portrayed "Awful Knoffel" in this project based on the life of the famed daredevil, played by George Eads. Henriksen starred for three seasons (1996-1999) on Millennium (1996), Fox-TV's critically acclaimed series created by Chris Carter (The X-Files (1993)). His performance as Frank Black, a retired FBI agent who has the ability to get inside the minds of killers, landed him three consecutive Golden Globe nominations for "Best Performance by a Lead Actor in a Drama Series" and a People's Choice Award nomination for "Favorite New TV Male Star".
Henriksen was born in New York City. His mother, Margueritte, was a waitress, dance instructor, and model. His father, James Marin Henriksen, who was from Tønsberg, Norway, was a boxer and merchant sailor. Henriksen studied at the Actors Studio and began his career off-Broadway in Eugene O'Neill's "Three Plays of the Sea." One of his first film appearances was as an FBI agent in Sidney Lumet's Dog Day Afternoon (1975), followed by parts in Lumet's Network (1976) and Prince of the City (1981). He then appeared in Steven Spielberg's Close Encounters of the Third Kind (1977) with Richard Dreyfuss and François Truffaut, Damien: Omen II (1978) and in Philip Kaufman's The Right Stuff (1983), in which he played Mercury astronaut Capt. Wally Schirra.
James Cameron cast Henriksen in his first directorial effort, Piranha II: The Spawning (1982), then used him again in The Terminator (1984) and as the android Bishop in the sci-fi classic Aliens (1986). Sam Raimi cast Henriksen as an outrageously garbed gunfighter in his quirky western The Quick and the Dead (1995). Henriksen has also appeared in what has developed into a cult classic: Kathryn Bigelow's Near Dark (1987), in which he plays the head of a clan of murderous redneck vampires. He was nominated for a Golden Satellite Award for his portrayal of Abraham Lincoln in the TNT original film The Day Lincoln Was Shot (1998).
In addition to his abilities as an actor, Henriksen is an accomplished painter and potter. His talent as a ceramist has enabled him to create some of the most unusual ceramic artworks available on the art market today. He resides in Southern California with his wife Jane and their five-year-old daughter Sage.pumpkinhead
aliens
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scream of the banshee- Actor
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Balding, quietly spoken, of slight build and possessed of piercing blue eyes -- often peering out from behind round, steel-rimmed glasses -- Donald Pleasence had the essential physical attributes which make a great screen villain. In the course of his lengthy career, he relished playing the obsessed, the paranoid and the purely evil. Even the Van Helsing-like psychiatrist Sam Loomis in the Halloween (1978) franchise seems only marginally more balanced than his prey. An actor of great intensity, Pleasence excelled on stage as Shakespearean villains. He was an unrelenting prosecutor in Jean Anouilh's "Poor Bitos" and made his theatrical reputation in the title role of the seedy, scheming tramp in Harold Pinter's "The Caretaker" (1960). On screen, he gave a perfectly plausible interpretation of the head of the SS, Heinrich Himmler, in The Eagle Has Landed (1976). He was a convincingly devious Thomas Cromwell in Henry VIII and His Six Wives (1972), disturbing in his portrayal of the crazed, bloodthirsty preacher Quint in Will Penny (1967); and as sexually depraved, alcohol-sodden 'Doc' Tydon in the brilliant Aussie outback drama Wake in Fright (1971). And, of course, he was Ernst Stavro Blofeld in You Only Live Twice (1967). These are some of the films, for which we may remember Pleasence, but there was a great deal more to this fabulous, multi-faceted actor.
Donald Henry Pleasence was born on October 5, 1919 in Worksop, Nottinghamshire, England, to Alice (Armitage) and Thomas Stanley Pleasence. His family worked on the railway. His grandfather had been a signal man and both his brother and father were station masters. When Donald failed to get a scholarship at RADA, he joined the family occupation working as a clerk at his father's station before becoming station master at Swinton, Yorkshire. While there, he wrote letters to theatre companies, eventually being accepted by one on the island of Jersey in Spring 1939 as an assistant stage manager. On the eve of World War II, he made his theatrical debut in "Wuthering Heights". In 1942, he played Curio in "Twelfth Night", but his career was then interrupted by military service in the RAF. He was shot down over France, incarcerated and tortured in a German POW camp. Once repatriated, Donald returned to the stage in Peter Brook's 1946 London production of "The Brothers Karamazov" with Alec Guinness although he missed the opening due to measles, followed by a stint on Broadway with Laurence Olivier's touring company in "Caesar and Cleopatra" and "Anthony and Cleopatra". Upon his return to England, he won critical plaudits for his performance in "Hobson's Choice". In 1952, Donald began his screen career, rather unobtrusively, in small parts. He was only really noticed once having found his métier as dastardly, sneaky Prince John in The Adventures of Robin Hood (1955). It took several more years, until international recognition came his way: first, through the filmed adaptation of The Guest (1963), and, secondly, with his blind forger in The Great Escape (1963), a role he imbued with added conviction due to his own wartime experience.
Some of his best acting Donald reserved for the small screen. In 1962, the producer of The Twilight Zone (1959), Buck Houghton, brought Donald to the United States ("damn the expense"!) to guest star in the third-season episode "The Changing of the Guard". He was given a mere five days to immerse himself in the part of a gentle school teacher, Professor Ellis Fowler, who, on the eve of Christmas is forcibly retired after fifty-one years of teaching. Devastated, and believing himself a failure who has made no mark on the world, he is about to commit suicide when the school's bell summons him to his classroom. There, he is confronted by the spirits of deceased students who beg him to consider that his lessons have indeed had fundamental effects on their lives, even leading to acts of great heroism. Upon hearing this, Fowler is now content to graciously accept his retirement. Managing to avoid maudlin sentimentality, Donald's performance was intuitive and, arguably, one of the most poignant ever accomplished in a thirty-minute television episode. Once again, against type, he was equally delightful as the mild-mannered Reverend Septimus Harding in Anthony Trollope's The Barchester Chronicles (1982).
Whether eccentric, sinister or given to pathos, Donald Pleasence was always great value for money and his performances have rarely failed to engage.halloween
escape from new york- Actor
- Producer
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One of the greatest actors of all time, Robert De Niro was born on August 17, 1943 in Manhattan, New York City, to artists Virginia (Admiral) and Robert De Niro Sr. His paternal grandfather was of Italian descent, and his other ancestry is Irish, English, Dutch, German, and French. He was trained at the Stella Adler Conservatory and the American Workshop. De Niro first gained fame for his role in Bang the Drum Slowly (1973), but he gained his reputation as a volatile actor in Mean Streets (1973), which was his first film with director Martin Scorsese. He received an Academy Award for Best Supporting Actor for his role in The Godfather Part II (1974) and received Academy Award nominations for best actor in Taxi Driver (1976), The Deer Hunter (1978) and Cape Fear (1991). He received the Academy Award for Best Actor for his role as Jake LaMotta in Raging Bull (1980).
De Niro has earned four Golden Globe Award nominations for Best Actor - Motion Picture Musical or Comedy, for his work in New York, New York (1977), opposite Liza Minnelli, Midnight Run (1988), Analyze This (1999) and Meet the Parents (2000). Other notable performances include Brazil (1985), The Untouchables (1987), Backdraft (1991), Frankenstein (1994), Heat (1995), Casino (1995) and Jackie Brown (1997). At the same time, he also directed and starred in such films as A Bronx Tale (1993) and The Good Shepherd (2006). De Niro has also received the AFI Lifetime Achievement Award in 2003 and the Golden Globe Cecil B. DeMille Award in 2010.
As of 2022, De Niro is 79-years-old. He has never retired from acting, and continues to work regularly in mostly film.the godfather part 2- Actor
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Hugh Michael Jackman is an Australian actor, singer, multi-instrumentalist, dancer and producer. Jackman has won international recognition for his roles in major films, notably as superhero, period, and romance characters. He is best known for his long-running role as Wolverine in the X-Men film series, as well as for his lead roles in the romantic-comedy fantasy Kate & Leopold (2001), the action-horror film Van Helsing (2004), the drama The Prestige and The Fountain (2006), the epic historical romantic drama Australia (2008), the film version of Les Misérables (2012), and the thriller Prisoners (2013). His work in Les Misérables earned him his first Academy Award nomination for Best Actor and his first Golden Globe Award for Best Actor - Motion Picture Musical or Comedy in 2013. In Broadway theatre, Jackman won a Tony Award for his role in The Boy from Oz. A four-time host of the Tony Awards themselves, he won an Emmy Award for one of these appearances. Jackman also hosted the 81st Academy Awards on 22 February 2009.
Jackman was born in Sydney, New South Wales, to Grace McNeil (Greenwood) and Christopher John Jackman, an accountant. He is the youngest of five children. His parents, both English, moved to Australia shortly before his birth. He also has Greek (from a great-grandfather) and Scottish (from a grandmother) ancestry.
Jackman has a communications degree with a journalism major from the University of Technology Sydney. After graduating, he pursued drama at the Western Australian Academy of Performing Arts, immediately after which he was offered a starring role in the ABC-TV prison drama Correlli (1995), opposite his future wife Deborra-Lee Furness. Several TV guest roles followed, as an actor and variety compere. An accomplished singer, Jackman has starred as Gaston in the Australian production of "Beauty and the Beast." He appeared as Joe Gillis in the Australian production of "Sunset Boulevard." In 1998, he was cast as Curly in the Royal National Theatre's production of Trevor Nunn's Oklahoma. Jackman has made two feature films, the second of which, Erskineville Kings (1999), garnered him an Australian Film Institute nomination for Best Actor in 1999. Recently, he won the part of Logan/Wolverine in the Bryan Singer- directed comic-book movie X-Men (2000). In his spare time, Jackman plays piano, golf, and guitar, and likes to windsurf.x-men
the prestige- Actor
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Christian Charles Philip Bale was born in Pembrokeshire, Wales, UK on January 30, 1974, to English parents Jennifer "Jenny" (James) and David Bale. His mother was a circus performer and his father, who was born in South Africa, was a commercial pilot. The family lived in different countries throughout Bale's childhood, including England, Portugal, and the United States. Bale acknowledges the constant change was one of the influences on his career choice.
His first acting job was a cereal commercial in 1983; amazingly, the next year, he debuted on the West End stage in "The Nerd". A role in the 1986 NBC mini-series Anastasia: The Mystery of Anna (1986) caught Steven Spielberg's eye, leading to Bale's well-documented role in Empire of the Sun (1987). For the range of emotions he displayed as the star of the war epic, he earned a special award by the National Board of Review for Best Performance by a Juvenile Actor.
Adjusting to fame and his difficulties with attention (he thought about quitting acting early on), Bale appeared in Kenneth Branagh's 1989 adaptation of Shakespeare's Henry V (1989) and starred as Jim Hawkins in a TV movie version of Treasure Island (1990). Bale worked consistently through the 1990s, acting and singing in Newsies (1992), Swing Kids (1993), Little Women (1994), The Portrait of a Lady (1996), The Secret Agent (1996), Metroland (1997), Velvet Goldmine (1998), All the Little Animals (1998), and A Midsummer Night's Dream (1999). Toward the end of the decade, with the rise of the Internet, Bale found himself becoming one of the most popular online celebrities around, though he, with a couple notable exceptions, maintained a private, tabloid-free mystique.
Bale roared into the next decade with a lead role in American Psycho (2000), director Mary Harron's adaptation of the controversial Bret Easton Ellis novel. In the film, Bale played a murderous Wall Street executive obsessed with his own physicality - a trait for which Bale would become a specialist. Subsequently, the 10th Anniversary issue for "Entertainment Weekly" crowned Bale one of the "Top 8 Most Powerful Cult Figures" of the past decade, citing his cult status on the Internet. EW also called Bale one of the "Most Creative People in Entertainment", and "Premiere" lauded him as one of the "Hottest Leading Men Under 30".
Bale was truly on the Hollywood radar at this time, and he turned in a range of performances in the remake Shaft (2000), Captain Corelli's Mandolin (2001), the balmy Laurel Canyon (2002), and Reign of Fire (2002), a dragons-and-magic commercial misfire that has its share of defenders.
Two more cult films followed: Equilibrium (2002) and The Machinist (2004), the latter of which gained attention mainly due to Bale's physical transformation - he dropped a reported 60+ pounds for the role of a lathe operator with a secret that causes him to suffer from insomnia for over a year.
Bale's abilities to transform his body and to disappear into a character influenced the decision to cast him in Batman Begins (2005), the first chapter in Christopher Nolan's definitive trilogy that proved a dark-themed narrative could resonate with audiences worldwide. The film also resurrected a character that had been shelved by Warner Bros. after a series of demising returns, capped off by the commercial and critical failure of Batman & Robin (1997). A quiet, personal victory for Bale: he accepted the role after the passing of his father in late 2003, an event that caused him to question whether he would continue performing.
Bale segued into two indie features in the wake of Batman's phenomenal success: The New World (2005) and Harsh Times (2005). He continued working with respected independent directors in 2006's Rescue Dawn (2006), Werner Herzog's feature version of his earlier, Emmy-nominated documentary, Little Dieter Needs to Fly (1997). Leading up to the second Batman film, Bale starred in The Prestige (2006), the remake of 3:10 to Yuma (2007), and a reunion with director Todd Haynes in the experimental Bob Dylan biography, I'm Not There (2007).
Anticipation for The Dark Knight (2008) was spun into unexpected heights with the tragic passing of Heath Ledger, whose performance as The Joker became the highlight of the sequel. Bale's graceful statements to the press reminded us of the days of the refined Hollywood star as the second installment exceeded the box-office performance of its predecessor.
Bale's next role was the eyebrow-raising decision to take over the role of John Connor in the Schwarzenegger-less Terminator Salvation (2009), followed by a turn as federal agent Melvin Purvis in Michael Mann's Public Enemies (2009). Both films were hits but not the blockbusters they were expected to be.
For all his acclaim and box-office triumphs, Bale would earn his first Oscar in 2011 in the wake of The Fighter (2010)'s critical and commercial success. Bale earned the Best Supporting Actor award for his portrayal of Dicky Eklund, brother to and trainer of boxer "Irish" Micky Ward, played by Mark Wahlberg. Bale again showed his ability to reshape his body with another gaunt, skeletal transformation.
Bale then turned to another auteur, Yimou Zhang, for the epic The Flowers of War (2011), in which Bale portrayed a priest trapped in the midst of the Rape of Nanking. Bale earned headlines for his attempt to visit with Chinese civil-rights activist Chen Guangcheng, which was blocked by the Chinese government.
Bale capped his role as Bruce Wayne/Batman in The Dark Knight Rises (2012); in the wake of the Aurora, Colorado tragedy, Bale made a quiet pilgrimage to the state to visit with survivors of the attack that left theatergoers dead and injured. He also starred in the thriller Out of the Furnace (2013) with Crazy Heart (2009) writer/director Scott Cooper, and the drama-comedy American Hustle (2013), reuniting with David O. Russell.
Bale will re-team with The New World (2005) director Terrence Malick for two upcoming projects: Knight of Cups (2015) and an as-yet-untitled drama.
In his personal life, he devotes time to charities including Greenpeace and the World Wildlife Foundation. He lives with his wife, Sibi Blazic, and their two children.the dark knight
the prestige
terminator salvation- Actor
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With an almost unpronounceable surname and a thick Austrian accent, who would have ever believed that a brash, quick talking bodybuilder from a small European village would become one of Hollywood's biggest stars, marry into the prestigious Kennedy family, amass a fortune via shrewd investments and one day be the Governor of California!?
The amazing story of megastar Arnold Schwarzenegger is a true "rags to riches" tale of a penniless immigrant making it in the land of opportunity, the United States of America. Arnold Alois Schwarzenegger was born July 30, 1947, in the town of Thal, Styria, Austria, to Aurelia Schwarzenegger (born Jadrny) and Gustav Schwarzenegger, the local police chief. From a young age, he took a keen interest in physical fitness and bodybuilding, going on to compete in several minor contests in Europe. However, it was when he emigrated to the United States in 1968 at the tender age of 21 that his star began to rise.
Up until the early 1970s, bodybuilding had been viewed as a rather oddball sport, or even a mis-understood "freak show" by the general public, however two entrepreneurial Canadian brothers Ben Weider and Joe Weider set about broadening the appeal of "pumping iron" and getting the sport respect, and what better poster boy could they have to lead the charge, then the incredible "Austrian Oak", Arnold Schwarzenegger. Over roughly the next decade, beginning in 1970, Schwarzenegger dominated the sport of competitive bodybuilding winning five Mr. Universe titles and seven Mr. Olympia titles and, with it, he made himself a major sports icon, he generated a new international audience for bodybuilding, gym memberships worldwide swelled by the tens of thousands and the Weider sports business empire flourished beyond belief and reached out to all corners of the globe. However, Schwarzenegger's horizons were bigger than just the landscape of bodybuilding and he debuted on screen as "Arnold Strong" in the low budget Hercules in New York (1970), then director Bob Rafelson cast Arnold in Stay Hungry (1976) alongside Jeff Bridges and Sally Field, for which Arnold won a Golden Globe Award for "Best Acting Debut in a Motion Picture". The mesmerizing Pumping Iron (1977) covering the 1975 Mr Olympia contest in South Africa has since gone on to become one of the key sports documentaries of the 20th century, plus Arnold landed other acting roles in the comedy The Villain (1979) opposite Kirk Douglas, and he portrayed Mickey Hargitay in the well- received TV movie The Jayne Mansfield Story (1980).
What Arnold really needed was a super hero / warrior style role in a lavish production that utilized his chiseled physique, and gave him room to show off his growing acting talents and quirky humor. Conan the Barbarian (1982) was just that role. Inspired by the Robert E. Howard short stories of the "Hyborean Age" and directed by gung ho director John Milius, and with a largely unknown cast, save Max von Sydow and James Earl Jones, "Conan" was a smash hit worldwide and an inferior, although still enjoyable sequel titled Conan the Destroyer (1984) quickly followed. If "Conan" was the kick start to Arnold's movie career, then his next role was to put the pedal to the floor and accelerate his star status into overdrive. Director James Cameron had until that time only previously directed one earlier feature film titled Piranha II: The Spawning (1982), which stank of rotten fish from start to finish. However, Cameron had penned a fast paced, science fiction themed film script that called for an actor to play an unstoppable, ruthless predator - The Terminator (1984). Made on a relatively modest budget, the high voltage action / science fiction thriller The Terminator (1984) was incredibly successful worldwide, and began one of the most profitable film franchises in history. The dead pan phrase "I'll be back" quickly became part of popular culture across the globe. Schwarzenegger was in vogue with action movie fans, and the next few years were to see Arnold reap box office gold in roles portraying tough, no-nonsense individuals who used their fists, guns and witty one-liners to get the job done. The testosterone laden Commando (1985), Raw Deal (1986), Predator (1987), The Running Man (1987) and Red Heat (1988) were all box office hits and Arnold could seemingly could no wrong when it came to picking winning scripts. The tongue-in-cheek comedy Twins (1988) with co-star Danny DeVito was a smash and won Arnold new fans who saw a more comedic side to the muscle- bound actor once described by Australian author / TV host Clive James as "a condom stuffed with walnuts". The spectacular Total Recall (1990) and "feel good" Kindergarten Cop (1990) were both solid box office performers for Arnold, plus he was about to return to familiar territory with director James Cameron in Terminator 2: Judgment Day (1991). The second time around for the futuristic robot, the production budget had grown from the initial film's $6.5 million to an alleged $100 million for the sequel, and it clearly showed as the stunning sequel bristled with amazing special effects, bone-crunching chases & stunt sequences, plus state of the art computer-generated imagery. Terminator 2: Judgment Day (1991) was arguably the zenith of Arnold's film career to date and he was voted "International Star of the Decade" by the National Association of Theatre Owners.
Remarkably, his next film Last Action Hero (1993) brought Arnold back to Earth with a hard thud as the self-satirizing, but confusing plot line of a young boy entering into a mythical Hollywood action film confused movie fans even more and they stayed away in droves making the film an initial financial disaster. Arnold turned back to good friend, director James Cameron and the chemistry was definitely still there as the "James Bond" style spy thriller True Lies (1994) co-starring Jamie Lee Curtis and Tom Arnold was the surprise hit of 1994! Following the broad audience appeal of True Lies (1994), Schwarzenegger decided to lean towards more family-themed entertainment with Junior (1994) and Jingle All the Way (1996), but he still found time to satisfy his hard-core fan base with Eraser (1996), as the chilling "Mr. Freeze" in Batman & Robin (1997) and battling dark forces in the supernatural action of End of Days (1999). The science fiction / conspiracy tale The 6th Day (2000) played to only mediocre fan interest, and Collateral Damage (2002) had its theatrical release held over for nearly a year after the tragic events of Sept 11th 2001, but it still only received a lukewarm reception.
It was time again to resurrect Arnold's most successful franchise and, in 2003, Schwarzenegger pulled on the biker leathers for the third time for Terminator 3: Rise of the Machines (2003). Unfortunately, directorial duties passed from James Cameron to Jonathan Mostow and the deletion of the character of "Sarah Connor" aka Linda Hamilton and a change in the actor playing "John Connor" - Nick Stahl took over from Edward Furlong - making the third entry in the "Terminator" series the weakest to date.
Schwarzenegger married TV journalist Maria Shriver in April, 1986 and the couple have four children.
In October of 2003 Schwarzenegger, running as a Republican, was elected Governor of California in a special recall election of then governor Gray Davis. The "Governator," as Schwarzenegger came to be called, held the office until 2011. Upon leaving the Governor's mansion it was revealed that he had fathered a child with the family's live-in maid and Shriver filed for divorce.
Schwarzenegger contributed cameo roles to The Rundown (2003), Around the World in 80 Days (2004) and The Kid & I (2005). Recently, he starred in The Expendables 2 (2012), The Last Stand (2013), Escape Plan (2013), The Expendables 3 (2014), and Terminator Genisys (2015).terminator
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Actor, producer and humanitarian Danny Glover has been a commanding presence on screen, stage and television for more than 35 years.
Glover was born in San Francisco, California, to Carrie (Hunley) and James Glover, postal workers who were also active in civil rights. Glover trained at the Black Actors' Workshop of the American Conservatory Theater. It was his Broadway debut in Fugard's Master Harold...and the Boys, which brought him to national recognition and led director Robert Benton to cast Glover in his first leading role in 1984's Oscar®-nominated Best Picture Places in the Heart.
The following year, Glover starred in two more Best Picture nominees: Peter Weir's Witness and Steven Spielberg's The Color Purple. In 1987, Glover partnered with Mel Gibson in the first Lethal Weapon film and went on to star in three hugely successful Lethal Weapon sequels. Glover has also invested his talents in more personal projects, including the award-winning To Sleep With Anger, which he executive produced and for which he won an Independent Spirit Award for Best Actor; Bopha!; Manderlay; Missing in America; and the film version of Athol Fugard's play Boesman and Lena. On the small screen, Glover won an Image Award and a Cable ACE Award and earned an Emmy nomination for his performance in the title role of the HBO movie Mandela. He has also received Emmy nominations for his work in the acclaimed miniseries Lonesome Dove and the telefilm Freedom Song. As a director, he earned a Daytime Emmy nomination for Showtime's Just a Dream.
Glover's film credits range from the blockbuster Lethal Weapon franchise to smaller independent features, some of which Glover also produced. He co-starred in the critically acclaimed feature Dreamgirls directed by Bill Condon and in Po' Boy's Game for director Clement Virgo. He appeared in the hit feature Shooter for director Antoine Fuqua, Honeydripper for director John Sayles, and Be Kind, Rewind for director Michel Gondry.
Glover has also gained respect for his wide-reaching community activism and philanthropic efforts, with a particular emphasis on advocacy for economic justice, and access to health care and education programs in the United States and Africa. For these efforts, Glover received a 2006 DGA Honor. Internationally, Glover has served as a Goodwill Ambassador for the United Nations Development Program from 1998-2004, focusing on issues of poverty, disease, and economic development in Africa, Latin America, and the Caribbean, and serves as UNICEF Ambassador.
In 2005, Glover co-founded Louverture Films dedicated to the development and production of films of historical relevance, social purpose, commercial value and artistic integrity. The New York based company has a slate of progressive features and documentaries including Trouble the Water, which won the Grand Jury Prize at the 2008 Sundance Film Festival, Africa Unite, award winning feature Bamako, and most recent projects Uncle Boonmee Who Can Recall His Past Lives, and The Disappearance of McKinley Nolan.predator 2- Actor
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Actor and musician Bruce Willis is well known for playing wisecracking or hard-edged characters, often in spectacular action films. Collectively, he has appeared in films that have grossed in excess of $2.5 billion USD.
Walter Bruce Willis was born on March 19, 1955, in Idar-Oberstein, West Germany, to a German mother, Marlene Kassel, and an American father, David Andrew Willis (from Carneys Point, New Jersey), who were then living on a United States military base. His family moved to the U.S. shortly after he was born, and he was raised in Penns Grove, New Jersey, where his mother worked at a bank and his father was a welder and factory worker. Willis picked up an interest for the dramatic arts in high school, and was allegedly "discovered" whilst working in a café in New York City and then appeared in a couple of off-Broadway productions. While bartending one night, he was seen by a casting director who liked his personality and needed a bartender for a small movie role.
After countless auditions, Willis contributed minor film appearances, usually uncredited, before landing the role of private eye "David Addison" alongside sultry Cybill Shepherd in the hit romantic comedy television series Moonlighting (1985). His sarcastic and wisecracking P.I. is seen by some as a dry run for the role of hard-boiled NYC detective "John McClane" in the monster hit Die Hard (1988), in which Willis' character single-handedly battled a gang of ruthless international thieves in a Los Angeles skyscraper. He reprised the role of McClane in the sequel, Die Hard 2 (1990), set at a snowbound Washington's Dulles International Airport as a group of renegade Special Forces soldiers seek to repatriate a corrupt South American general. Excellent box office returns demanded a further sequel Die Hard with a Vengeance (1995), this time co-starring Samuel L. Jackson as a cynical Harlem shop owner unwittingly thrust into assisting McClane during a terrorist bombing campaign on a sweltering day in New York.
Willis found time out from all the action mayhem to provide the voice of "Mikey" the baby in the very popular family comedies Look Who's Talking (1989), and its sequel Look Who's Talking Too (1990) also starring John Travolta and Kirstie Alley. Over the next decade, Willis starred in some very successful films, some very offbeat films and some unfortunate box office flops. The Bonfire of the Vanities (1990) and Hudson Hawk (1991) were both large scale financial disasters that were savaged by the critics, and both are arguably best left off the CVs of all the actors involved, however Willis was still popular with movie audiences and selling plenty of theatre tickets with the hyper-violent The Last Boy Scout (1991), the darkly humored Death Becomes Her (1992) and the mediocre police thriller Striking Distance (1993).
During the 1990s, Willis also appeared in several independent and low budget productions that won him new fans and praise from the critics for his intriguing performances working with some very diverse film directors. He appeared in the oddly appealing North (1994), as a cagey prizefighter in the Quentin Tarantino directed mega-hit Pulp Fiction (1994), the Terry Gilliam directed apocalyptic thriller 12 Monkeys (1995), the Luc Besson directed sci-fi opus The Fifth Element (1997) and the M. Night Shyamalan directed spine-tingling epic The Sixth Sense (1999).
Willis next starred in the gangster comedy The Whole Nine Yards (2000), worked again with "hot" director M. Night Shyamalan in the less than gripping Unbreakable (2000), and in two military dramas, Hart's War (2002) and Tears of the Sun (2003) that both failed to really fire with movie audiences or critics alike. However, Willis bounced back into the spotlight in the critically applauded Frank Miller graphic novel turned movie Sin City (2005), the voice of "RJ" the scheming raccoon in the animated hit Over the Hedge (2006) and "Die Hard" fans rejoiced to see "John McClane" return to the big screen in the high tech Live Free or Die Hard (2007) aka "Die Hard 4.0".
Willis was married to actress Demi Moore for approximately thirteen years and they share custody to their three daughters.die hard
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Tony Moran was born on 14 August 1957 in Burbank, California, USA. He is an actor and producer, known for Halloween (1978), Beg (2011) and The Ungovernable Force (2015).halloweeen- Actor
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Veteran character actor Robert Englund was born in Glendale, California, to Janis (MacDonald) and John Kent Englund, an aeronautics engineer. Since 1973, Robert has appeared in over 75 feature films and starred in four TV series. He has starred alongside Oscar-winners Henry Fonda, Susan Sarandon and Jeff Bridges. Since 1984 he's achieved international fame as the iconic boogeyman Freddy Krueger in the hit franchise A Nightmare on Elm Street and its seven sequels. Englund has guest starred in hundreds of hours of TV most recently Bones, Criminal Minds and Hawaii 5-0. He will soon be seen starring in the horror film Fear Clinic, and the English thriller The Last Showing, he can be heard as the voice of the Evil Beaver in Teenage Mutant Ninja Turtles cartoon show.nightmare on elm street
freddy vs jason- He was born in Reykjavik, Iceland and moved to the United States at the age of 5. Gunnar lived in Maine till he was 11, his family then moving to Texas, where he went to high school before attending the University of Texas. At the university, he did some theater work and majored in English and mathematics before going on to graduate in English and Scandinavian Studies. Despite graduating in the aforementioned fields, his first job out of high school was as a computer operator.
In the summer of 1973, he heard that Tobe Hooper and others were in town to work on a movie and decided to try out for a part. After interviewing with Tobe Hooper and the writer of The Texas Chain Saw Massacre (1974), Kim Henkel, he was cast in the role of the disturbed, mentally handicapped killer, Leatherface.
After Chainsaw, Hansen went on to work as a freelance writer for magazines for several years before going on to write books, one later being set in Iceland about purported serial killer, Henry Lee Lucas. He has gone on to write multiple screenplays - one co-written with his partner Gary Jones, director of Mosquito (1994)).
Gunnar also directed a documentary on Greenland and had a stint designing web pages for GTE.texas chainasw massacre - Actor
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Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented Laurence Olivier in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of Tennessee Williams' A Streetcar Named Desire (1951) and a quarter-century after his last great performance as Col. Kurtz in Francis Ford Coppola's Apocalypse Now (1979), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of John Barrymore, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as Paul Muni and Fredric March. Only the luster of Spencer Tracy's reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.
Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister Jocelyn Brando was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown Henry Fonda, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.
Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in Last Tango in Paris (1972) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. Anthony Quinn, his Oscar-winning co-star in Viva Zapata! (1952) told Brando's first wife Anna Kashfi, "I admire Marlon's talent, but I don't envy the pain that created it."
Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School, and was mentored by Stella Adler, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.
Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in Fred Zinnemann's The Men (1950) for producer Stanley Kramer. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni John Garfield, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer Irene Mayer Selznick had chosen to play the lead in a new Tennessee Williams play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." Burt Lancaster was next approached, but couldn't get out of a prior film commitment. Then director Elia Kazan suggested Brando, whom he had directed to great effect in Maxwell Anderson's play "Truckline Café," in which Brando co-starred with Karl Malden, who was to remain a close friend for the next 60 years.
During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as Karl Malden and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young Pauline Kael, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.
The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of Jessica Tandy's Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.
For his part, Brando believed that the audience sided with his Stanley because Jessica Tandy was too shrill. He thought Vivien Leigh, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as Lee Strasberg at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and Stella Adler's husband, Harold Clurman, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience
Interestingly, Elia Kazan believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.
After A Streetcar Named Desire (1951), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in Viva Zapata! (1952), Julius Caesar (1953) and the summit of his early career, Kazan's On the Waterfront (1954). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in The Wild One (1953) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to Jon Voight, unprecedented in its audacious presentation of such a wide range of great acting. Director John Huston said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star John Gielgud, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.
It was this period of 1951-54 that revolutionized American acting, spawning such imitators as James Dean - who modeled his acting and even his lifestyle on his hero Brando - the young Paul Newman and Steve McQueen. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as Warren Beatty in Kazan's Splendor in the Grass (1961). "We are all Brando's children," Jack Nicholson pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like Désirée (1954) and The Teahouse of the August Moon (1956), he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.
In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, Sayonara (1957) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed One-Eyed Jacks (1961) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). Stanley Kubrick had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow Christiane Kubrick, Stanley believed that Brando had wanted to direct the film himself all along.
Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting One-Eyed Jacks (1961), Edward Dmytryk's filming of Irwin Shaw's novel The Young Lions (1958). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.
One-Eyed Jacks (1961) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.
Between the production and release of One-Eyed Jacks (1961), Brando appeared in Sidney Lumet's film version of Tennessee Williams' play "Orpheus Descending," The Fugitive Kind (1960) which teamed him with fellow Oscar winners Anna Magnani and Joanne Woodward. Following in Elizabeth Taylor's trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic Hollis Alpert had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed The Fugitive Kind (1960) finally released. Though Tennessee was hot, with movie versions of Cat on a Hot Tin Roof (1958) and Suddenly, Last Summer (1959) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, The Fugitive Kind (1960) was a failure. This was followed by the so-so box-office reception of One-Eyed Jacks (1961) in 1961 and then by a failure of a more monumental kind: Mutiny on the Bounty (1962), a remake of the famed 1935 film.
Brando signed on to Mutiny on the Bounty (1962) after turning down the lead in the David Lean classic Lawrence of Arabia (1962) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director Carol Reed (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner Lewis Milestone, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President John F. Kennedy asked director Billy Wilder at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.
Brando and Taylor, whose Cleopatra (1963) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's Mutiny on the Bounty (1962)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of The Ten Commandments (1956) and Ben-Hur (1959), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.
While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with Cleopatra (1963) co-star Richard Burton, remained hot until the tanking of her own Tennessee Williams-renamed debacle Boom! (1968), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.
Some of the films Brando made in the 1960s were noble failures, such as The Ugly American (1963), The Appaloosa (1966) and Reflections in a Golden Eye (1967). For every "Reflections," though, there seemed to be two or three outright debacles, such as Bedtime Story (1964), Morituri (1965), The Chase (1966), A Countess from Hong Kong (1967), Candy (1968), The Night of the Following Day (1969). By the time Brando began making the anti-colonialist picture Burn! (1969) in Colombia with Gillo Pontecorvo in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as Arthur Penn, John Huston and the legendary Charles Chaplin, and with such top-drawer co-stars as David Niven, Yul Brynner, Sophia Loren and Taylor.
The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to Laurence Olivier, as his friend William Redfield limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as Rod Steiger tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.
Despite evidence in such films as The Appaloosa (1966) and Reflections in a Golden Eye (1967) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.
Pauline Kael wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of John Barrymore, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious Candy (1968), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor Elia Kazan, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, The Arrangement (1969). However, after the assassination of Martin Luther King, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king Paul Newman in a surefire script, Butch Cassidy and the Sundance Kid (1969), Brando decided to make Burn! (1969) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as Howard Zinn. He subsequently appeared in the British film The Nightcomers (1971), a prequel to "Turn of the Screw" and another critical and box office failure.
Kazan, after a life in film and the theater, said that, aside from Orson Welles, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.
Truman Capote, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.
Charlton Heston, who participated in Martin Luther King's 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As Rod Steiger once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When James Mason' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be George C. Scott, by default.
Paramount thought that only Laurence Olivier would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. Francis Ford Coppola won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, The Godfather (1972), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous Last Tango in Paris (1972) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.
After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in Last Tango in Paris (1972)," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. Pauline Kael, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in Last Tango in Paris (1972) had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with Sam Peckinpah's summation of Pauline Kael: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.
After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after Jack Nicholson in Arthur Penn's The Missouri Breaks (1976), a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries Roots: The Next Generations (1979), portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of Raoni (1978), a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on Superman (1978). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day Harrison Ford set with K-19: The Widowmaker (2002). He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.
Before cashing his first paycheck for Superman (1978), Brando had picked up $2 million for his extended cameo in Francis Ford Coppola's Apocalypse Now (1979) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with George C. Scott and John Gielgud in The Formula (1980), but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in A Dry White Season (1989) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy The Freshman (1990), winning rave reviews. He portrayed Tomas de Torquemada in the historical drama 1492: Conquest of Paradise (1992), but his performance was denounced and the film was another box office failure. He made another comeback in the Johnny Depp romantic drama Don Juan DeMarco (1994), which co-starred Faye Dunaway as his wife. He then appeared in The Island of Dr. Moreau (1996), co-starring Val Kilmer, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.
Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of The Men (1950), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.the godfather part 1- Ken Kirzinger was born on 4 November 1959 in Saskatchewan, Canada. He is an actor, known for Rise of the Planet of the Apes (2011), Watchmen (2009) and Paycheck (2003).freddy vs.jason
- Actor
- Producer
- Director
In 1979 with his Detroit friends, Sam Raimi and Rob Tapert, Bruce Campbell raised $350,000 for a low-budget film, The Evil Dead (1981), in which he starred and co-executive produced. Completed piecemeal over four years, the film first gained notoriety in England where it became the best-selling video of 1983, beating out The Shining (1980). After its appearance at Cannes, where Stephen King dubbed it "the most ferociously original horror film of the year", New Line Cinema stepped forward to release "Evil Dead" in the U.S.
After co-producing Crimewave (1985), a cross-genre comedy written by Sam Raimi, Ethan and Joel Coen, Campbell moved to Los Angeles and quickly gained a foothold producing or starring in genre films such as the Maniac Cop (1988) series, Lunatics: A Love Story (1991), Moontrap (1988), and Mindwarp (1991), a post-apocalyptic "Jeremiah Johnson", during which he met his wife-to-be, filmmaker, Ida Gearon.
Campbell then rejoined his Detroit colleagues to star and co-produce the second and third films in the Evil Dead trilogy (Evil Dead II (1987) & Army of Darkness (1992)), completing 12 years of work on the cult favorite.
This rough-and-tumble background was a plus as Campbell made his foray into television, first starring in the highly touted Fox series The Adventures of Brisco County, Jr. (1993), then as a recurring guest-star on the hit show Lois & Clark: The New Adventures of Superman (1993).
With these under his belt, Campbell easily made the transition to director, helming numerous episodes and recurring as the King of Thieves in the #1 syndicated Hercules: The Legendary Journeys (1995), and its follow-up phenomenon, Xena: Warrior Princess (1995).
Bruce has since expanded his range on television, appearing in anything from Disney's update of The Love Bug (1997), to decidedly dramatic turns on the acclaimed series Homicide: Life on the Street (1993) and The X-Files (1993). At the invitation of ABC, Campbell ventured into the world of sitcoms with a recurring role on ABC's Emmy-nominated Ellen (1994), participating in one of the three touted "out" episodes.
But Campbell didn't abandon his film roots. During that time, he had featured roles in the blockbuster Congo (1995), John Carpenter's Escape from L.A. (1996), and the award-winning independent crime drama, Running Time (1997). He followed these up with roles in Paramount's romantic comedy, Serving Sara (2002), Jim Carrey's The Majestic (2001), and all three of Sam Raimi's blockbuster Spider-Man movies.
After a return to episodic television in the swashbuckling series, Jack of All Trades (2000), Campbell took the title role in MGM's cult sleeper Bubba Ho-Tep (2002). His directorial debut, Man with the Screaming Brain (2005) premiered on the Sci Fi Channel, and Dark Horse Comics published the comic adaptation.
Campbell then directed and starred as himself in My Name Is Bruce (2007), a spoof of his B-movie career, then re-teamed with Disney for their fun-filled hit, Sky High (2005).
Campbell has since made the leap into other forms of entertainment, and is enjoying his role as an author with back-to-back New York Times bestsellers: a memoir entitled "If Chins Could Kill: Confessions of a B Movie Actor", and his first novel, "Make Love the Bruce Campbell Way".
In the multi-media industry, Bruce has enjoyed voicing characters for Disney's animated TV series The Legend of Tarzan (2001) and the Warner Brothers feature The Ant Bully (2006). He also portrayed the character of "Mayor Shelbourne" in the animated hit film, Cloudy with a Chance of Meatballs (2009). Recently, Campbell voiced the role of "Rod Torque Redline" in Cars 2 (2011), the sequel to the smash Disney animated feature and for the immensely popular game, "Call of Duty".
In 2013, Bruce co-produced the hit remake of Evil Dead (2013), joined his filmmaking pal Sam Raimi on Oz the Great and Powerful (2013), and completed an impressive seven-year run on the spy show, Burn Notice (2007) (2007-2013), USA's #1 show on cable.
More than two decades after the release of Army of Darkness (1992), Bruce returned to his most iconic role for Ash vs Evil Dead (2015), a highly-anticipated series premiering on the Starz network on Halloween 2015.army of darkness
evil dead
evil dead 2- Actor
- Producer
Andrew Bryniarski was born on February 13, 1969 in Philadelphia, Pennsylvania. The 6' 5" actor is a former bodybuilder. He came to Hollywood for a short summer vacation to visit a friend, was spotted by a talent scout who set up a screen test for Joel Silver, and all of a sudden he was acting alongside Bruce Willis and James Coburn in Hudson Hawk (1991). Since then, Andrew has worked with Al Pacino, James Woods, Michelle Pfeiffer, Halle Berry, and Cuba Gooding Jr. to mention just a few, as well as Hong Kong's best including Hark Tsui and Woo-Ping Yuen. His film work includes Pearl Harbor (2001), Tim Burton's Batman Returns (1992), Oliver Stone's Any Given Sunday (1999), Rollerball (2002), Scooby-Doo (2002), Street Fighter (1994), The Program (1993), and John Singleton's Higher Learning (1995).
He also appeared on TV in FX's 44 Minutes: The North Hollywood Shoot-Out (2003), which received enormous ratings and broke several records. His other guest appearances on TV shows has included in L.A. Law (1986), Lois & Clark: The New Adventures of Superman (1993), Firefly (2002), Without a Trace (2002), and Burn Notice (2007). Andrew was included by Entertainment Weekly in 2003's "It List" of the top 100 creative people in Hollywood. He also starred in New Line's The Texas Chainsaw Massacre (2003), playing the killer known as 'Leatherface". He reprised the role in The Texas Chainsaw Massacre: The Beginning (2006).
He is involved in all outdoor activities from mountain climbing to horseback riding, and lives a healthy lifestyle, working out at the gym and practicing yoga.texas chainsaw massacre (2003)
texas chainsaw massacre the beginning- Actor
- Producer
- Writer
William Lambert Moseley (born November 11, 1951) is an American film actor and musician who has starred in a number of cult classic horror films, including House of 1000 Corpses (2003), Repo! The Genetic Opera (2008) and The Devil's Rejects (2005). His first big role was in The Texas Chainsaw Massacre 2 (1986) as Chop Top. On the HBO TV series Carnivàle (2003), Moseley had a recurring role as camp cook "Possum". He has released records with guitarist Buckethead in the band Cornbugs, as well as featuring on the guitarist's solo work.texas chainsaw massacre 2 (chop top)
the devil's rejects (otis)
hous of 1000 corpses (otis)- Actor
- Producer
- Second Unit Director or Assistant Director
Tall, bald and nearly always bearded, Sid Haig provided hulking menace to many a low-budget exploitation film and high-priced action film.
Sid Haig was born Sidney Eddie Mosesian on July 14, 1939 in Fresno, California, a screaming ball of hair. His parents, Roxy (Mooradian) and Haig Mosesian, an electrician, were of Armenian descent. Sid's career was somewhat of an accident. He was growing so fast that he had absolutely no coordination. It was decided that he would take dancing lessons, and that's when it all began. At the age of seven, he was dancing for pay in a children's Christmas Show, then a revival of a vaudeville show... and on it went.
Sid also showed a musical inclination, particularly for the drums. So when his parents got tired of him denting all the pots and pans in the house, they bought him a drum set. The music was in him and he took to it immediately, a born natural. First it was swing, then country, then jazz, blues and rock 'n' roll. Sid always found it easy to make money with his music, and did very well. One year out of high school and signing a recording contract is not too bad. Sid went on to record the single "Full House" with the T-Birds in 1958. However, back while he was in high school, Sid got bitten by the "acting bug". Alice Merrill was the head of the drama department at that time and gave him all the encouragement in the world to pursue an acting career. The clincher came in his senior year. The way that the senior play was cast was that she would double cast the show, then have one of her friends from Hollywood come up and pick the final cast.
You see, Merrill was quite famous as an actress on Broadway and kept up her contacts in the business. When the appointed day came, the "friend" that showed up was Dennis Morgan, a big musical comedy star from the 1940s. The rest is history -- he picked Sid for the role, then two weeks later came back to see the show and told Sid that he should continue his education down south and consider acting as a career path. Two years later, Sid enrolled in the world famous Pasadena Playhouse, the school that trained such actors as Robert Preston, Robert Young, Gene Hackman, Dustin Hoffman, and so on. After two years of "actor's hell" (non-stop 7:00 am to 11:00 pm with homework thrown in just for the fun of it), it was time to move on to the big "H", Hollywood! Sid did so with longtime friend and roommate Stuart Margolin (Angel on The Rockford Files (1974)).
Sid's first acting job was in Jack Hill's student film at UCLA. It was called The Host (2000), which was released in 2004 on DVD as a companion to Switchblade Sisters (1975), another Hill film. That role launched a 40-year acting career during which Haig appeared in over 50 films and 350 television series. He has proven himself quite valuable to such filmmakers as producer Roger Corman. He also became a staple in the pictures of Jack Hill, appearing in Spider Baby or, the Maddest Story Ever Told (1967), Coffy (1973) and Foxy Brown (1974). Haig's other memorable credits include George Lucas' THX 1138 (1971), and the James Bond opus Diamonds Are Forever (1971) (he is one of the Slumber Brothers, and got to toss a topless Lana Wood from the window of a high-rise Vegas hotel).
Among his most significant television credits are appearances on such landmark series as The A-Team (1983), T.J. Hooker (1982), The Dukes of Hazzard (1979), Quincy M.E. (1976), Hart to Hart (1979), Fantasy Island (1977), Charlie's Angels (1976), Police Woman (1974), The Rockford Files (1974), The Six Million Dollar Man (1974), Mannix (1967), Mission: Impossible (1966), Gunsmoke (1955), Get Smart (1965), Here's Lucy (1968), The Flying Nun (1967), Daniel Boone (1964), Star Trek (1966), Batman (1966) and The Untouchables (1959).
Sid was never one to give-up on anything but after nearly 40 years of carrying a gun (except for the occasional Jack Hill or Roger Corman film), his dreams of being recognized as a more than competent actor were fading. Then in 1992, frustrated with being typecast, Sid retired from acting and quoted, "I'll never play another stupid heavy again, and I don't care if that means that I never work, ever." This just proves that if you take a stand people will listen, for Quentin Tarantino wrote for Sid the role of the judge in Jackie Brown (1997). Then things got better, much better. During the mid and late 1990s, Sid managed a community theatre company, as well as dabbled occasionally in theater in Los Angeles.
Then in 2000, Sid came out of his self-imposed retirement at the request of Rob Zombie for a role in Zombie's debut film House of 1000 Corpses (2003). He starred as the fun-loving, but murderous, Captain Spaulding. This role breathed new life into Sid's acting career and earned him an award for Best Supporting Actor in the 13th Annual Fangoria Chainsaw Awards, as well as an induction into the Horror Hall of Fame. Sid's character Captain Spaulding became an icon for the new horror genre. Sid has recently enjoyed success as Captain Spaulding once again in Rob Zombie's follow-up to House of 1000 Corpses (2003), entitled, The Devil's Rejects (2005). For this film, Sid received the award for best Actor in the 15th Annual Fangoria Chainsaw Awards, as well as sharing the award for "Most Vile Villain" at the First Annual Spike TV Scream Awards with Leslie Easterbrook, Sheri Moon Zombie and Bill Moseley as The Firefly Family.
In the 2000s and 2010s, Sid continued to enjoy his renewed success as an actor. In September 2019, he was hospitalized after falling in his home in Los Angeles, California. While recovering, he suffered from a lung infection after vomiting in his sleep. He died on September 21, 2019, from complications of the infection at age 80.the devil's rejects (captain spaulding)
house of 1000 corpses (captain spaulding)- Actor
- Music Department
- Composer
Bill Johnson was born on 16 December 1951 in Texas, USA. He is an actor and composer, known for The Texas Chainsaw Massacre 2 (1986), D.O.A. (1988) and The Once and Future Smash (2022).texas chainsaw massacre 2(leatherface bubba sawyer)- Actor
- Producer
- Director
Clinton Eastwood Jr. was born May 31, 1930 in San Francisco, to Clinton Eastwood Sr., a bond salesman and later manufacturing executive for Georgia-Pacific Corporation, and Ruth Wood (née Margaret Ruth Runner), a housewife turned IBM clerk. He grew up in nearby Piedmont. At school Clint took interest in music and mechanics, but was an otherwise bored student; this resulted in being held back a grade. In 1949, the year he is said to have graduated from high school, his parents and younger sister Jeanne moved to Seattle. Clint spent a couple years in the Pacific Northwest himself, operating log broncs in Springfield, Oregon, with summer gigs life-guarding in Renton, Washington. Returning to California in 1951, he did a two-year stint at Fort Ord Military Reservation and later enrolled at L.A. City College, but dropped out to pursue acting.
During the mid-1950s he landed uncredited bit parts in such B-films as Revenge of the Creature (1955) and Tarantula (1955) while digging swimming pools and driving a garbage truck to supplement his income. In 1958, he landed his first consequential acting role in the long-running TV show Rawhide (1959) with Eric Fleming. Although only a secondary player the first seven seasons, he was promoted to series star when Fleming departed--both literally and figuratively--in its final year, along the way becoming a recognizable face to television viewers around the country.
Eastwood's big-screen breakthrough came as The Man with No Name in Sergio Leone's trilogy of excellent spaghetti westerns: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). The movies were shown exclusively in Italy during their respective copyright years with Enrico Maria Salerno providing the voice of Eastwood's character, finally getting American distribution in 1967-68. As the last film racked up respectable grosses, Eastwood, 37, rose from a barely registering actor to sought-after commodity in just a matter of months. Again a success was the late-blooming star's first U.S.-made western, Hang 'Em High (1968). He followed that up with the lead role in Coogan's Bluff (1968) (the loose inspiration for the TV series McCloud (1970)), before playing second fiddle to Richard Burton in the World War II epic Where Eagles Dare (1968) and Lee Marvin in the bizarre musical Paint Your Wagon (1969). In Two Mules for Sister Sara (1970) and Kelly's Heroes (1970), Eastwood leaned in an experimental direction by combining tough-guy action with offbeat humor.
1971 proved to be his busiest year in film. He starred as a sleazy Union soldier in The Beguiled (1971) to critical acclaim, and made his directorial debut with the classic erotic thriller Play Misty for Me (1971). His role as the hard edge police inspector in Dirty Harry (1971), meanwhile, boosted him to cultural icon status and helped popularize the loose-cannon cop genre. Eastwood put out a steady stream of entertaining movies thereafter: the westerns Joe Kidd (1972), High Plains Drifter (1973) and The Outlaw Josey Wales (1976) (his first of six onscreen collaborations with then live-in love Sondra Locke), the Dirty Harry sequels Magnum Force (1973) and The Enforcer (1976), the action-packed road adventures Thunderbolt and Lightfoot (1974) and The Gauntlet (1977), and the prison film Escape from Alcatraz (1979). He branched out into the comedy genre in 1978 with Every Which Way But Loose (1978), which became the biggest hit of his career up to that time; taking inflation into account, it still is. In short, The Eiger Sanction (1975) notwithstanding, the 1970s were nonstop success for Eastwood.
Eastwood kicked off the 1980s with Any Which Way You Can (1980), the blockbuster sequel to Every Which Way but Loose. The fourth Dirty Harry film, Sudden Impact (1983), was the highest-grossing film of the franchise and spawned his trademark catchphrase: "Make my day." He also starred in Bronco Billy (1980), Firefox (1982), Tightrope (1984), City Heat (1984), Pale Rider (1985) and Heartbreak Ridge (1986), all of which were solid hits, with Honkytonk Man (1982) being his only commercial failure of the period. In 1988, he did his fifth and final Dirty Harry movie, The Dead Pool (1988). Although it was a success overall, it did not have the box office punch the previous films had. About this time, with outright bombs like Pink Cadillac (1989) and The Rookie (1990), it seemed Eastwood's star was declining as it never had before. He then started taking on low-key projects, directing Bird (1988), a biopic of Charlie Parker that earned him a Golden Globe, and starring in and directing White Hunter Black Heart (1990), an uneven, loose biopic of John Huston (both films had a limited release).
Eastwood bounced back big time with his dark western Unforgiven (1992), which garnered the then 62-year-old his first ever Academy Award nomination (Best Actor), and an Oscar win for Best Director. Churning out a quick follow-up hit, he took on the secret service in In the Line of Fire (1993), then accepted second billing for the first time since 1970 in the interesting but poorly received A Perfect World (1993) with Kevin Costner. Next was a love story, The Bridges of Madison County (1995), where Eastwood surprised audiences with a sensitive performance alongside none other than Meryl Streep. But it soon became apparent he was going backwards after his brief revival. Subsequent films were credible, but nothing really stuck out. Absolute Power (1997) and Space Cowboys (2000) did well enough, while True Crime (1999) and Blood Work (2002) were received badly, as was Midnight in the Garden of Good and Evil (1997), which he directed but didn't appear in.
Eastwood surprised again in the mid-2000s, returning to the top of the A-list with Million Dollar Baby (2004). Also starring Hilary Swank and Morgan Freeman, the hugely successful drama won four Academy Awards, including Best Picture and Best Director for Eastwood. He scored his second Best Actor nomination, too. His next starring vehicle, Gran Torino (2008), earned almost $30 million in its opening weekend and was his highest grosser unadjusted for inflation. 2012 saw him in a rare lighthearted movie, Trouble with the Curve (2012), as well as a reality show, Mrs. Eastwood & Company (2012).
Between acting jobs, he chalked up an impressive list of credits behind the camera. He directed Mystic River (2003) (in which Sean Penn and Tim Robbins gave Oscar-winning performances), Flags of Our Fathers (2006), Letters from Iwo Jima (2006) (nominated for the Best Picture Oscar), Changeling (2008) (a vehicle for Angelina Jolie), Invictus (2009) (again with Freeman), Hereafter (2010), J. Edgar (2011), Jersey Boys (2014), American Sniper (2014) (2014's top box office champ), Sully (2016) (starring Tom Hanks as hero pilot Chesley Sullenberger) and The 15:17 to Paris (2018). Back on screens after a considerable absence, he played an unlikely drug courier in The Mule (2018), which reached the top of the box office with a nine-figure gross, then directed Richard Jewell (2019). At age 91, Eastwood made history as the oldest actor to star above the title in a movie with the release of Cry Macho (2021).
Away from the limelight, Eastwood has led an aberrant existence and is described by biographer Patrick McGilligan as a cunning manipulator of the media. His convoluted slew of partners and children are now somewhat factually acknowledged, but for the first three decades of his celebrity, his personal life was kept top secret, and several of his families were left out of the official narrative. The actor refuses to disclose his exact number of offspring even to this day. He had a longtime relationship with similarly abstruse co-star Locke (who died aged 74 in 2018, though for her entire public life she masqueraded about being younger), and has fathered at least eight children by at least six different women in an unending string of liaisons, many of which overlapped. He has been married only twice, however, with a mere three of his progeny coming from those unions.
His known children are: Laurie Murray (b. 1954), whose mother is unidentified; Kimber Eastwood (b. 1964) with stuntwoman Roxanne Tunis; Kyle Eastwood (b. 1968) and Alison Eastwood (b. 1972) with his first ex-wife, Margaret Neville Johnson; Scott Eastwood (b. 1986) and Kathryn Eastwood (b. 1988) with stewardess Jacelyn Reeves; Francesca Eastwood (b. 1993) with actress Frances Fisher; and Morgan Eastwood (b. 1996) with his second ex-wife, Dina Eastwood. The entire time that he lived with Locke she was legally married to sculptor Gordon Anderson.
Eastwood has real estate holdings in Bel-Air, La Quinta, Carmel-by-the-Sea, Cassel (in remote northern California), Idaho's Sun Valley and Kihei, Hawaii.dirty harry