Best actor of 1980 (no order)
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One of stage, screen and TV's finest transatlantic talents, slight, gravel-voiced, pasty-looking John Vincent Hurt was born on January 22, 1940, in Shirebrook, a coal mining village, in Derbyshire, England. The youngest child of Phyllis (Massey), an engineer and one-time actress, and Reverend Arnould Herbert Hurt, an Anglican clergyman and mathematician, his quiet shyness betrayed an early passion for acting. First enrolled at the Grimsby Art School and St. Martin's School of Art, his focus invariably turned from painting to acting.
Accepted into the Royal Academy of Dramatic Art in 1960, John made his stage debut in "Infanticide in the House of Fred Ginger" followed by "The Dwarfs." Elsewhere, he continued to build upon his 60's theatrical career with theatre roles in "Chips with Everything" at the Vaudeville, the title role in "Hamp" at the Edinburgh Festival, "Inadmissible Evidence" at Wyndham's and "Little Malcolm and His Struggle Against the Eunuchs" at the Garrick. His movie debut occurred that same year with a supporting role in the "angry young man" British drama Young and Willing (1962), followed by small roles in Appuntamento in Riviera (1962), A Man for All Seasons (1966) and The Sailor from Gibraltar (1967).
A somber, freckled, ravaged-looking gent, Hurt found his more compelling early work in offbeat theatrical characterizations with notable roles such as Malcolm in "Macbeth" (1967), Octavius in "Man and Superman" (1969), Peter in "Ride a Cock Horse" (1972), Mike in '"The Caretaker" (1972) and Ben in "The Dumb Waiter" (1973). At the same time he gained more prominence in a spray of film and support roles such as a junior officer in Before Winter Comes (1968), the title highwayman in Sinful Davey (1969), a morose little brother in In Search of Gregory (1969), a dim, murderous truck driver in 10 Rillington Place (1971), a skirt-chasing, penguin-studying biologist in Cry of the Penguins (1971), the unappetizing son of a baron in The Pied Piper (1972) and a repeat of his title stage role as Little Malcolm and His Struggle Against the Eunuchs (1974).
Hurt shot to international stardom, however, on TV where he was allowed to display his true, fearless range. He reaped widespread acclaim for his embodiment of the tormented gay writer and raconteur Quentin Crisp in the landmark television play The Naked Civil Servant (1975), adapted from Crisp's autobiography. Hurt's bold, unabashed approach on the flamboyant and controversial gent who dared to be different was rewarded with the BAFTA (British TV Award). This triumph led to the equally fascinating success as the cruel and crazed Roman emperor Caligula in the epic television masterpiece I, Claudius (1976), followed by another compelling interpretation as murderous student Raskolnikov in Crime and Punishment (1979).
A resurgence occurred on film as a result. Among other unsurpassed portraits on his unique pallet, the chameleon in him displayed a polar side as the gentle, pathetically disfigured title role in The Elephant Man (1980), and as a tortured Turkish prison inmate who befriends Brad Davis in the intense drama Midnight Express (1978) earning Oscar nominations for both. Mainstream box-office films were offered as well as art films. He made the most of his role as a crew member whose body becomes host to an unearthly predator in Alien (1979). With this new rush of fame came a few misguided ventures as well that were generally unworthy of his talent. Such brilliant work as his steeple chase jockey in Champions (1984) or kidnapper in The Hit (1984) was occasionally offset by such drivel as the comedy misfire Partners (1982) with Ryan O'Neal in which Hurt looked enervated and embarrassed. For the most part, the craggy-faced actor continued to draw extraordinary notices. Tops on the list includes his prurient governmental gadfly who triggers the Christine Keeler political sex scandal in the aptly-titled Scandal (1989); the cultivated gay writer aroused and obsessed with struggling "pretty-boy" actor Jason Priestley in Love and Death on Long Island (1997); and the Catholic priest embroiled in the Rwanda atrocities in Shooting Dogs (2005).
Latter parts of memorable interpretations included Dr. Iannis in Captain Corelli's Mandolin (2001), the recurring role of the benign wand-maker Mr. Ollivander in Harry Potter and the Sorcerer's Stone (2001) and Harry Potter and the Deathly Hallows: Part 1 (2010), the tyrannical dictator Adam Sutler in V for Vendetta (2005) and the voice of The Dragon in Merlin (2008). Among Hurt's final film appearances were as a terminally ill screenwriter in That Good Night (2017) and a lesser role in the mystery thriller Damascus Cover (2017). Hurt's voice was also tapped into animated features and documentaries, often serving as narrator. He also returned to the theatre performing in such shows as "The Seagull", "A Month in the Country" (1994), "Afterplay" (2002) and "Krapp's Last Tape", the latter for which he received the Los Angeles Drama Critics Circle Award.
A recovered alcoholic who married four times, Hurt was appointed Commander of the Order of the British Empire (CBE) by the Queen in 2004, and Knight Bachelor of the Order of the British Empire in 2015. That same year (2015) he was diagnosed with pancreatic cancer. In July of 2016, he was forced to bow out of the father role of Billy Rice in a then-upcoming London stage production of "The Entertainer" opposite Kenneth Branagh due to ill health that he described as an "intestinal ailment". Hurt died several months later at his home in Cromer, Norfolk, England on January 15, 2017, three days after his 77th birthday.for "Elephant man"- Actor
- Producer
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Brandon Maggart was born on 12 December 1933 in Carthage, Tennessee, USA. He is an actor and producer, known for Dressed to Kill (1980), The World According to Garp (1982) and Christmas Evil (1980). He was previously married to Lu Jan Hudson.for "You better watch out"- Actor
- Writer
- Producer
Joseph J. Spagnuolo was born on October 28, 1936 in Manhattan, New York City at his family's apartment on 2nd Avenue. Spinell was a tough guy on and off the screen all his life. During his teen years, while still in high school, he acted in various plays on the New York stage, on and off Broadway, eventually earning a place in Joe Papp's Shakespeare Festival Theater. In 1960, he parlayed his stage work into a performing contract for MGM, where it was suggested that he change his name to Joe Spinell to make his name easier to pronounce. For nine years, Spinell worked with the group, which was also known as the Theater of the Forgotten, which also put on plays in prisons for the inmates. His minimal salary for his stage work forced him to hold down other jobs to make ends meet. Those jobs included working as a taxi driver, a post office clerk, and a liquor store clerk during Christmas holidays.
In 1972, Spinell was originally noticed when he appeared in his first movie role, a small, uncredited speaking part in The Godfather (1972), the right film for a tough, mean-looking Italian with a New York City accent. After his success, he became a familiar character actor who appeared in violent urban movies where he was usually cast as vicious thugs or seedy gang leaders. In both Godfather movies he played the hit man Willy Cici. In Rocky (1976), the first of several films he made with Sylvester Stallone, he played the loan shark Gazzo who employs Rocky as a collector.
His best (or worst) or most disgusting role is probably the one for which he is best remembered: the rare starring role of Frank Zito in Maniac (1980), a serial killer who kills women and uses their scalps to dress up female mannequins he keeps in his apartment. After Maniac (1980), Spinell continued acting with big-name Hollywood and independent movie directors, usually playing villainous thugs in small to medium roles.
During the last years of his life, Spinell's choice of projects became increasingly suspect; for example, imprisoned serial killer John Wayne Gacy wanted Spinell to play him in a movie. But with Maniac (1980) still on his mind, Spinell always wanted to do a sequel to the movie and with New York filmmaker Buddy Giovinazzo, they shot a 10-minute promo reel in 1986 titled Mr. Robbie, which was to be the sequel for Maniac (1980). After a few years of hard work and searching, Spinell found financing for the sequel, though just as pre-production was to begin, Joe Spinell suddenly passed away in his apartment in Sunnyside, Queens, New York on January 13, 1989, at age 52, due to undetermined causes, still the subject of much speculation. Some say he died of a heart attack because of his failing health in recent months due to his heavy drinking, drug use, and the emotional turmoil resulting from his mother's death in 1987. Others say he died from an asthma attack, or that he bled to death from an accidental (or deliberate) cut since he was a hemophiliac.
Spinell left behind an impressive body of film work all of which stand as a testament to his talent and unique screen presence as a character actor. He is survived by an ex-wife, a daughter, two brothers and a sister.for "Maniac"- Actor
- Soundtrack
Dennis Christopher was born on 2 December 1950 in Philadelphia, Pennsylvania, USA. He is an actor, known for Django Unchained (2012), Breaking Away (1979) and Fade to Black (1980).for "Fade to black"- Fernando was the star of only one film in his short life. He played Pixote - a street child - in Pixote (1980). During his short period of fame, Fernando was seen as a symbol of hope for the Brazilian street kids. He grew up in a poor neighborhood of Diadema - a industrial city close to São Paulo - Brazil. Illiterate and poor, Fernando played Pixote at the age of 11 years old. His only previous experience in acting was an amateur play. After the success of Pixote, Fernando moved briefly to Rio de Janeiro. There, he tried his luck as an actor in a "novela" (Brazilian soap opera). The fame was brief, without literacy, he could not memorize the scripts. He ended up returning to Diadema. There, he had the same fate as many like him. He got involved with gangs and drug dealing. At age 19, he was killed inside his house by the police. The circumstances of his death are are still a mystery. Three of Fernando's brothers were also killed in the streets of the Brazilian inner cities. Fernando is survived by a daughter. Although he never lived in the streets and always had a family, he stands as a symbol of the Brazlian street children, until this date.for "Pixote"