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1-26 of 26
- Four women get together for a bachelorette party.
- The stories of several colorful characters living in San Francisco.
- Reminiscent of Sunset Boulevard, Hustler White transposes the action from the silver screen's old movie backlots to contemporary male prostitution and the porn industry. Said to be an homage to classic Hollywood cinema.
- Chief of experimental medicine at prestigious hospital uses unorthodox healing methods on critically ill patients. Skilled healer mentors young doctors while treating patients.
- The Advocate for Fagdom unites the puzzle pieces one by one. Testimonies are combined with rare archive images. Art galeries present movie extracts that are succeeded by images shot on location. And the other way round. Writers, film makers, art galeries owners, actors and actresses, photographers, producers, friends and loved ones all join in a game of interpretation, analysis or simple anecdotes. John Waters, Bruce Benderson, Harmony Korine, Gus Van Sant, Richard Kern, Rick Castro and others deliver their impressions, theories and confessions. Everything blends into the fascinating portrait of a singular person blessed with singular talents. A complex personality at war not with a system but all systems. The portrait of a man constantly moving between his punk attitude and extreme sensibility.
- A real time journey witnessing the rise, fall, and ultimate redemption of the fierce feminist pioneers of American grunge punk: L7.
- She Said Boom chronicles 1980s Toronto female artist collective challenging gender norms, homophobia, art conventions through music, film, self-publishing, sparking global art/political movements; explores their underrecognized impact.
- From the experience of a transvestite from Los Angeles, the A. shows how race and sexuality are closely intertwined. Through the malleability of the disguised identity, the A. shows an inspired philosophy of Gramsci on the practice considered as subculture field.
- Days of Pentecost is a feature-length drag action/adventure musical road movie. Inspired by Russ Meyer's 60's exploitation classic Faster, Pussycat! Kill! Kill!, wherein three busty go-go dancers revolt against patriarchal oppression under the hot desert sun. Their leader, Melena D' la Moja, guides the girls with a sharp tongue and a strong arm through the desert in their search for peace, acceptance, and a man. One that won't fuck them over again and again. Melena is joined by Carmen, a feisty Puerto Rican whose search for her Red Bagota lipstick brings about many a slap fight with the other girl, Mendie Overme. After a hostile confrontation with an audience member during one of their dance numbers in West Hollywood, the girls flee the big city, only to have their car break down in a small town. There, they must contend with a closeted homophobic homosexual auto mechanic who sees them as a threat to the delicate web of lies in which he lives. A sinister game of cat and mouse ensues as the girls wait for their fan belt to be delivered to the mechanic. Using their ever helpful gay guide, Melena and company find the nearest gay bar and abduct one of the locals. Lashing out against human stupidity, they oscillate between impromptu musical numbers and torturing their closeted gay hostage. Seduced into a moment of weakness by the mechanic, Mendie allows the hostage to escape. And elaborate chase scene follows as the mechanic and hostage try to escape the grasps of the incensed drag queens.
- In the mid-1980's the coffeehouse movement in Los Angeles was beginning with wild promise. A tattered Hollywood storefront called The Pikme-up became the prototype for a new subculture that started as an unruly rebellion and exploded into a national phenomenon. The place was a bohemian revolution, a happening of ideas, poetry, music, and performance where a motley group of outcasts formed a unique community and an enduring family. Our documentary on The Pikme-up utilizes an amazing wealth of materials--more than 5000 photographs, over 200 video hours of performances, hundreds of print elements, and intimate interviews with friends, employees, and performers. We hope our experimentation with the materials and how memory is represented in film is true to the spirit of this amazing moment in Los Angeles cultural history.
- The Lollipop Generation tells the story of 'Georgie', a runaway teenager played by Jena von Brücker, and the people she meets on the "...outlying streets with no name..." At the same time, the film serves a diaristic function, documenting the people the director has met and the cities she traveled to, capturing an entire generation of underground performers.
- The fourth and last episode in Stine Omar's & Max Boss' serial drama Sadness is an Evil Gas Inside of Me. Starring Stine Omar, Max Boss, Lars Eidinger, T. Word
- Centered around two groups of people in a timeless, unknown place and their dealing with the arrival of a stranger. It holds tangled interpersonal situations and melodramatic or sentimental treatment.
- Engaging a world of dream-like magical realism, SHE GONE ROGUE references Maya Deren's Meshes of the Afternoon, utilizing a space where singular selves multiply and expand, offering windows into parallel dimensions, with time and space collapsing into a whirlpool of divergent possibilities. When Drucker finally finds the white rabbit, the process of identity construction completes a full circle, offering more questions than answers.
- Lovely, a struggling psychic is contacted by Bruce B., an ambitious gay spirit bent on fulfilling his earthly desire for a TV show.
- During the holidays, Gideon attempts to treat an anemic astronomer who disagrees with the hematology chief. Also, Cabranes volunteers to sing for the hospital's "holiday extravaganza", but Stiles doubts his talent.