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1-22 of 22
- An american journalist Ruth who travels to Poland with her father Edek to visit his childhood places. But Edek, a Holocaust survivor, resists reliving his trauma and sabotages the trip creating unintentionally funny situations.
- Follows a teenage girl who begins a romantic relationship with her friend's brother.
- We were already familiar with Gaël Lépingle's taste for provincial small towns, and with his precise, insistent, and often generous interest in their inhabitants and their lust for adventures, as shown in his work, from Julien (FID 2010) to Seuls les pirates (FID 2018). Provincial towns are shown here through the prism of the journey of boys who like boys, narrated by Gaël Lépingle like three tales set in three different places, three slices of life involving choices. In each of these tales, the director portrays in delicate touches various ways of living as a homosexual, in places where it is possible, or sometimes unthinkable, but always steering clear of the usual drama and clichés of the genre. In the opening scene, a young man seems to be dreaming of a reality different from the business he is about to take over and the married life that goes with it; he is drawn to the spicy life of a queer vaudeville troupe performing in his village. Then we follow the wanders of a teenager, the unlikely experience of his slender figure walking the streets of his village. Finally, we catch a glimpse of the fetishist passion of a respectable teacher, before he is sent back to his path of renunciation. These three portraits end up composing a fresco. Gaël Lépingle becomes the cartographer of uncharted areas of desire, in landscapes that are devoid of qualities and sharpness, but filled with the dreadful banality of preordained destinies. So many paths to take and decisions to make for these provincial boys. Lépingle subtly delineates dead ends and openings, and lingers on the in-between: in between words and bodies, in between desire and bleak life, in between bodies and landscapes, searching for the right distance between beings. With dressing-up and its possibilities as a secret formula that connects them all. (Nicolas Feodoroff)
- How far one is willing to go for the sake of one's political commitment.
- Rita and Mino are secretly in love. They have been planning their escape since they were children and now, on the day the railway closes and the last train leaves the town of Lete, they will manage to fulfill their love dream and be sweet runaways.
- Laosan, a young family man, spends all his time smoking opium. For his community, lost in the heart of the Laotian jungle, opium farming is the only way to survive. But opium is also the poison that puts men to sleep and kills their desires.
- Short
- A teenager gets together with his girlfriend for the weekend. They decide to make love, whilst their parents are out of sight and nothing should stand in the way of their first time. Or that' the way teenage movies should go.
- As every Sunday, Solange is having a one way conversation with her aging mother. Suddenly, she interrupts her daughter with an unexpected question, which catches Solange off guard.