Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
to
to
Exclude
Only includes titles with the selected topics
to
In minutes
to
1-6 of 6
- What happens when corporate storytelling becomes part of one's innermost self and community becomes a commodity?
- We follow a group of babies and parents during a year in their Scandinavian maternity leave. Some of them have bigger plans, they want to move to the ocean and buy new properties. Some are stressed. What can babies eat? Cucumber? Is it ok with salmon? One father, Jon, is working as a teacher. The principal at his school call parents to keep their children home so they won't drag down the scores on the National test. The grown-ups are under pressure. They fill out forms on anxiety symptoms and divorce-papers. Sinking down in therapy-chairs and lying in each other's couches. The fragile nuclear-family structures are cracking down and other grown-ups step up to help. The babies are there, present in every picture, witnessing.
- 'Do you feel cheaper?' We are filming young Lithuanian men working in Sweden. They do not want to be caught on camera, they do not want to participate in creating yet another media image of guilt and pity. They film us. We empty a bottle of moonshine, we dance on their porch. They might let us film them tomorrow. Second Class is a time document about class, respect, the value of work and human being.
- Two Swedish directors set off for Greece to find out how the local residents feel about the media images of the crisis. On the basis of ten selected myths, they create a film essay in which they take the dangers presented by the media through to their conclusions using audio-visual counterpoint, warning against the threat of fascism.