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1-41 of 41
- This film presented a fictionalized biography of its maker. One of the major characters is a producer modeled on Kohinoor's proprietor, D.N. Sampat, including a reference to the real life occasion when the studio, on the verge of bankruptcy, survived only because its employees donated money and gold ornaments to keep it afloat. Another character referred to a financier at the Imperial Studio. The plot also touched on the way a producer can curtail the freedom of a director.
- Ramaki (Sulochana), a poor scheduled caste girl, has an illegitimate daughter by Manekchand; the son of the wealthy Krishnadas. She seeks refuge with a nautch girl. Krishnadas, who also wants to possess Ramaki, dies trying to kill her. Ramaki then seeks shelter with a young Muslim but they perish in a fire. Her daughter, along with the Muslim's son (Jagtap), is raised by a nomad, Garibdas Sadhu (Makanda), a character made to look like Gandhi. The youngsters are hired as factory hands by Manekchand who unwittingly falls in love with his own daughter and appropriates land belonging to Garibdas.
- Unusually violent film for its time advocating widow's right to remarry. The crooked Daulatram (Jamsehdji) sells his daughter Chandramukhi (Dulari) in marriage to Banwarlal. Distraught, her mother commits suicide. Banwarlal is poisoned by his nephew who fears the new wife might produce an heir, and Chandramukhi is forced into prostitution. Her father, now a beggar, chances to see his daughter in this condition and he too commits suicide. The nephew then kills Chandramukhi's brother Dayaram (Kader) in an argument and Chandramukhi is arrested for murder. The sorry tale ends happily when the good lawyer Raghuvir (Ghaznavi), Charamukhi's original suitor, rescues her in court. The film ends with debates for and against widow remarriage and with Raghuvir marrying Chandramukhi.
- A prince is taken advantage of by a foreign adventuress.