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1-14 of 14
- Driven by childhood memories and the hope of a re-encounter, Sarah visits her paternal grandmother in her village in Uruguay. She takes long to understand the prevailing unease - But she is soon faced with the gap between her fantasy regarding the place of origin and that village of old people forgotten by Modernity where the heat is overwhelming and the days seem to last forever.
- NORBERTO'S DEADLINE - After being fired from his job, Norberto tries his luck as a real estate agent, but he doesn't tell his wife right away. His new boss advises him to take an assertiveness course to overcome his shyness, and Norberto starts taking classes in an acting workshop for beginners. While he works toward the quarterly festival, Norberto fails to get his wife and clients to believe anything he says, but he finds out he is very good at lying to himself.
- Vicente is an economist, Caio's father, married to Marina, a dedicated dentist. He leads a normal life at home and at work until one loss after another leads him on an erratic journey towards alienation. A story that deals with mans' fragility and the capacity to recreate oneself.
- In 1806, in the mist of the British invasion of Buenos Aires, football is introduced. A merchant of the time sees in this sport a unique business opportunity and in the process awakens a passion so great that it can replace the war.
- Stephania is a transvestite born in Nicaragua. As a boy, he was adopted by a couple of Uruguayan leftist activists in the midst of the Sandinista revolution. At the moment, Stephania earns her living watching parked cars in Montevideo. The film follows Stephania in her journey to rediscover her home country, where she was once a son, a brother and a boy who taught literacy and where she now wants to be accepted as the woman she is.
- A German actor lands in Montevideo. After his arrival, he gets lost and runs into a group of young men who try to rob him. He meets Pedro, an ex-addict in his forties and Nelson, a laconic security guard whose wife has left him.
- TWO CITIES, TWO WOMEN, ONE DESTINY... Discouraged by his work situation, John decides to move from Montevideo to Barcelona searching for a stability that allows him to support his family. Soon, he will discover that his dreams for a better future have little to do with real world. Rootlessness, loneliness, longings, doubts, a new life in a different country...John must confront his principles and values to discover that all the important things were closer than he has ever imagined.
- A mockumentary series directed by Daniel Hendler on the effects of Law 19172 on Uruguayan society. The miniseries narrates the journey made by Matías Cabani (played by Matías Singer, Hendler's brother in real life), together with a research team in search of answers about the effects that the decriminalization of marijuana has had on society. In this way, a large number of political and cultural personalities and references on the subject will parade on screen, who will be interviewed by Singer / Cabani. In addition to the journalistic investigation, the protagonist will experience for himself the effects of the drug, as well as the limits of the law that regulates it. The idea, as the synopsis tells us, is to generate debate in today's society, " - echoing our own prejudices. The focus will be on discussion, outreach and humor, on the truths and ghosts that spread in society ". The nine chapters produced by Cordon Films (The New Man, Norberto just late), in co-production with LAVACA (Argentina), will begin to be broadcast on Uruguayan television in March 2016 on Teve Ciudad and TNU. On the other hand, in Argentina they will be exhibited by the UN3TV channel. The miniseries has the support of the ICAU and Montevideo Socio Audiovisual.
- A rock band of friends plays periodically in the same bar in Montevideo. Their rituals remain intact until a mysterious manager shows up, with promises of success and progress. Emboldened with conquering the big city, they will bypass some pacts and begin to change, little by little, even the musical style. The illusion of becoming professional will take them on an adventure without turning back, perhaps incited by their own demons.
- A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we're watching the two of them in.