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A postman's working day is over before most of us are even up, leaving a lot of time to sit and ponder, to regret lost chances and things that have been left unsaid. In the middle of the day, two friends find themselves drifting into a discussion about the nature of love, prompted by the story of a chance encounter and a love letter that was never sent. A Man of Letters looks at the overlooked, the faceless, uniformed people who hesitate in the background; the people we see every day without noticing. It hovers by their side, allowing us a wry look inside their lives.

The Corridor exposes a microcosm of conflict deep in Namibia's Kalahari Desert. Shot in difficult conditions; extreme isolation but also in the immediate aftermath of a murder, the film acts as a classical portrait of the Gubi family, a small tribe in very poor political and social circumstances. With minimal narration, and an aesthetic unusual for such remote photography, the piece reveals a modern conflict threatening one of Africa's oldest remaining Bushmen tribes.

A soldier returns from the war in Afghanistan and finds the peace he wants is hard to find. Seeking refuge, solace and safety in the English countryside he finds himself harassed by an increasingly threatening individual.

A girl awakes in a post-apocalyptic world.