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- This early postwar suspense story, based on a well-known 1926 murder trial with Dreyfus-like overtones also represents an East German reflection on Nazism. Dr. Blum, a Jewish manufacturer living in Germany, is falsely accused of killing his booker. Even when the real killer's identity becomes evident, the state prosecutor refuses to accept Blum's innocence. The film explores German reaction to the trial and investigates the relationship between the legal system, antisemitism, and fascism, providing insight into the historical context that allowed Nazism to flourish.
- After WWII, Berlin lies in ruins. For Gustav, Willi and their friends the rubble provides an adventurous, dangerous playground. Especially for Gustav, it helps pass the time, as he longs for his father's return from a POW camp. One day a stranger arrives, looking helpless and hopeless... Gerhard Lamprecht built his reputation during the 1920s and '30s with films like Emil and the Detectives (1931, script Billy Wilder) and socially-critical Berlin films based on the drawings of Heinrich Zille. In Somewhere in Berlin-his first postwar film, made just months after the cessation of hostilities-he portrays the people of the shattered city with precision and psychological realism.
- For the corpulent nobleman, Sir John Falstaff, the inn in the small English town of Windsor is the best of all places. Here he can indulge in excessive dining and intemperate drinking, as well as swagger and boast about his adventures, particularly those of an amorous nature. At present, he has designs on the two young women, Mistress Reich and Fluth, who, in turn, lead our paunchy hero mightily by the nose. Mistress Reich indeed has much to deal with: her pretty daughter, Anna, has no lack of suitors and the parents cannot agree on who the future son-in-law should be. Anna, however, has already made her choice: she wants to marry young Master Fenton, a match which fails to suit her parents' plans. She plans a clandestine wedding ceremony in the forest. But it so happens that the townspeople join forces on the same night to sour stout Falstaff's life in Windsor and to drive him out of town. To pull off this dirty trick, Mistresses Reich and Fluth arrange yet another rendezvous with Falstaff in the forest at midnight. The citizens disguise themselves and now appear to the love-sick Sir John as ghosts. This is more than he can take and, horror-stricken, he flees Windsor forever. This musical masterpiece was questioned by the SED prior to its release due to the film's portrayal of societal relations. Great comedic performances.