I am a little puzzled as to why modern US commentators are always so down on poor Larry Semon. Semon was enormously popular outside the US (in France, in Germany and most of all in Italy) and continued to be so long after his sadly premature death. Many of his films are now only available in 1940s versions (gruesomely sonorised) and this particular film I have only seen in a German sonorised version which presumably dates from the same period. This despite the fact that Semon's was in fact a very Jewish style of comedy, an aspect if anything exaggerated by the clown-mask make-up.
He was a pioneer in many respects, re-introducing non-realistic trick-effects into comedy (for which he rarely seems to be given the credit although the currently very fashionable Charley Bowers is hugely over-praised for the same thing a little later). He was also the pioneer of the dramatic action stunt, some years before Harold Lloyd entered the field and such stunts became commonplace in nearly all comedy films at the end of the twenties.
He was also enormously generous to those who performed with him. Despite Laurel's later untruthful claims to the contrary, he gave ample space for both Stan Laurel and Oliver Hardy to develop their talents. He also boosted enormously the career of black actor Spencer Bell, who, not only performs in innumerable Semon films but is not infrequently given his own comedy-routines in the course of them and in some is almost an equal partner with Larry himself.
This film does not in the last resemble Chaplin's The Adventurer. The joke here concerns a convict trying to get back into prison, a theme I cannot recall having come across in any other comedy.
Sadly few of his comedies survive in a condition that would allow one to judge him at his proper worth. Most have been cut about, bowdlerised, sonorised and mixed together, giving an utterly chaotic impression that does not do them justice.
Perhaps one day Semon will find a champion prepared not only to admire his films but also to restore them, where possible, to their original condition.