Directed by
Ildikó Enyedi |
Writing Credits (in alphabetical order)
Ildikó Enyedi | ... | (adaptation) |
Milán Füst | ... | (novel) |
Cast (in credits order)
Produced by
Maren Ade | ... | producer |
Jonas Dornbach | ... | producer |
Peggy Hall | ... | producer |
Janine Jackowski | ... | producer |
Ernõ Mesterházy | ... | producer |
András Muhi | ... | producer |
Mónika Mécs | ... | producer |
Stéphane Parthenay | ... | producer |
Peggy Hall Plessas | ... | executive producer |
Olivier Père | ... | co-producer |
Pilar Saavedra Perrotta | ... | producer |
Federico Saraceni | ... | line producer |
Jean-Christophe Simon | ||
Ildikó Szücs | ... | assistant producer |
Erika Tarr | ... | line producer |
Ben von Dobeneck | ... | executive producer |
Flaminio Zadra | ... | producer |
Music by
Ádám Balázs |
Cinematography by
Marcell Rév |
Editing by
Károly Szalai |
Casting By
Irma Ascher | ||
Nina Haun | ||
Lilia Trapani |
Production Design by
Imola Láng |
Art Direction by
Beatrix Petõ |
Set Decoration by
Tamás Tamási | ||
Mihály Tápai |
Costume Design by
Andrea Flesch |
Makeup Department
Chantal Busuttil | ... | makeup artist |
Karsten Drews | ... | makeup artist |
Ágnes Gazdag | ... | makeup artist |
Szilvia Ipacs | ... | key makeup artist |
Barbara Kreuzer | ... | makeup designer |
Sándor Nádasdi | ... | hair department head / makeup department head |
Áron Pintér | ... | assistant makeup artist |
Johanna Szücs | ... | daily hair stylist |
Zoltán Tóth | ... | key hair stylist |
Anita Törköly | ... | crowd make-up supervisor |
Production Management
Anne Berjon | ... | finance manager: France |
Csaba Henyei | ... | assistant production manager |
Philippe Leconte | ... | legal supervisor : France |
Angelica Lorincz-Klotz | ... | assistant production manager (as Angelica-Lörincz Klotz) |
Edit Nagy | ... | production manager |
Jakob Neuhäusser | ... | unit production manager: Germany |
Nicola Perrucci | ... | production manager |
Sári Péli | ... | unit manager |
Péter Závorszky | ... | post-production supervisor |
Second Unit Director or Assistant Director
László 'Samu' Bednárik | ... | second assistant director (as László Bednárik Jr.) |
Lili Birkás | ... | Cast PA (as Birkás Lili) |
Shawn Bäumer | ... | additional crowd AD |
Edina Galgócz | ... | key second assistant director |
Péter Karácsony | ... | additional second assistant director |
István Kolos | ... | first assistant director |
Rézi Koncz | ... | assistant to director (as Teréz Koncz) |
Borbála Nagy | ... | additional third assistant director |
Carolina Pontt | ... | third assistant director: Malta |
Art Department
Desiree Azzopardi | ... | set dec buyer |
Kirsty Bartolo | ... | trainee art department assistant |
Béla Blazsej | ... | property master |
Sára Enyingi | ... | Production designer assistant: assistant art director |
Luke Ferris | ... | graphic designer |
Benjamin Kiss | ... | graphic designer |
Helga Kovacs | ... | assistant property master: Hamburg |
Balázs M. Kovács | ... | property master |
Haik Achim Lützow | ... | carpenter |
Csongor Magyar | ... | property master assistant |
Matthew Pace | ... | property master |
Natali Shershulskaya | ... | assistant art director |
Tamás Stadler | ... | props |
Ivett Szász | ... | assistant set decorator |
Mihály Tápai | ... | set dresser |
Szabó L. Zoltán | ... | assistant set decorator |
Sound Department
Stefano Campus | ... | sound mixer |
Vincent Cosson | ... | adr mixer |
Noemi Hampel | ... | sound designer |
Daniel Iribarren | ... | dialogue editor |
Fred Mays | ... | adr coordinator |
Stefan Meutstege | ... | additional adr engineer |
Christoph Oertel | ... | foley mixer |
Carsten Richter | ... | foley artist |
Miklós Rozslay | ... | ADR recordist Budapest |
Matthias Schwab | ... | re-recording mixer |
Hanse Warns | ... | foley mixer |
Fabian Weigmann | ... | ADR Recording |
Tom Wenger | ... | adr recordist |
Special Effects by
Gergely Csóri | ... | special effects technician |
Gábor Kiszelly | ... | special effects supervisor (as Gabor Kiszelly) |
Dominik Toth | ... | special effects technician |
Visual Effects by
Mohamad Fawzi Alnazer | ... | visual effects artist |
Kiss Domonkos | ... | visual effects |
Shahab Hosseini | ... | digital compositor |
András Pflum | ... | visual effects artist |
Róbert Pálos | ... | visual effects |
Horog Péter | ... | visual effects |
Sheida Shahbaz | ... | title sequence |
Stunts
Morgan Chetcuti | ... | stunt coordinator |
Steffan Debattista | ... | stunts |
Martin Goeres | ... | fight choreographer / stunt coordinator |
Zoltán Gulyás Kiss | ... | stunt coordinator: Hungary |
Wolfgang Lindner | ... | stunt double: Jakob |
Dexter Schembri | ... | stunts |
Asuka Tovazzi | ... | stunt double: Taxi Driver |
Camera and Electrical Department
Juan José Alcaide | ... | best boy |
Marvin Baldacchino | ... | best boy electric malta |
Dániel Benkõ | ... | first assistant camera: Malta Unit |
Péter Böszörményi | ... | first assistant camera |
Logan Camilleri | ... | electrician |
Sandro Camilleri | ... | electrician |
Bence Czeh | ... | best boy grip / grip |
Sándor Domonkos | ... | loader |
Zoltán Dévényi | ... | camera operator: second unit |
Nikolett Dósa | ... | video assist operator |
Péter Krajnyák | ... | First AC B Camera |
Csaba Mecseki | ... | second assistant camera |
Róbert Nagy | ... | Best boy grip / Underwater camera operator |
Ádám Pichler-Balassy | ... | bestboy grip (as Pichler-Balassy Adam) / dolly grip (as Pichler-Balassy Adam) / grip (as Pichler-Balassy Adam) |
Gábor Pápai | ... | auto grip |
Casting Department
Brenda Camilleri | ... | casting coordinator |
Alrun Seifert | ... | casting assistant: Germany |
Costume and Wardrobe Department
Amelia Bianchi | ... | costume assistant |
Cheikh Asaad Cynthia | ... | key costumer |
Izabell Janositz | ... | costume supervisor |
Flora Kovacs | ... | assistant costume designer |
Miklós Udvardy | ... | costumer |
Krisztina Weizer | ... | wardrobe supervisor |
Martina Zammit Maempel | ... | costume supervisor malta unit |
Editorial Department
Réka Kobela | ... | post-production coordinator (as Reka Kobela) |
László Kovács | ... | colorist |
Eszter Málnási Csizmadia | ... | assistant editor |
Ilka Janka Nagy | ... | assistant editor |
Gábor Pethö | ... | digital intermediate technician |
György Szitár-Csanádi | ... | post-production coordinator |
Máté Ternyik | ... | colorist: dailies |
Dóra Vaszily | ... | assistant editor |
Location Management
Kirsty Bartolo | ... | location production assistant |
Craig Linstead | ... | location assistant |
Dávid Surányi | ... | location manager (as Surányi Dávid) |
Music Department
Bence Bobák | ... | recording engineer/assistant score engineer |
Bence Farkas | ... | composer: additional music / musical director |
György Mohai | ... | score recorded and mixed by |
Script and Continuity Department
Krisztina Szigeti | ... | script supervisor |
Transportation Department
Charles Buhagiar | ... | production driver |
Péter Bánó | ... | picture car coordinator (as Bánó Péter) |
Jan Kubkowski | ... | picture vehicle coordinator |
Additional Crew
Edgardo Altieri | ... | legal services |
Yuri Belli | ... | safety diver |
Sara Bengoa-Nagy | ... | assistant to leading actress |
Rachele Bevacqua | ... | accountant |
Johanna Bodor | ... | choreographer |
Anna Brückner | ... | production coordinator |
Clara Eymery | ... | production assistant france |
Szabina Gyori | ... | clearances |
Peggy Hall | ... | dialect coach |
Miklós Horvát | ... | car supplier (as Horvát Miklós) |
Dany Héricourt | ... | dialog coach |
Béla Király | ... | co-choreographer |
Philippe Leconte | ... | legal supervisor: France |
Gábor Molnár | ... | medical team supervisor |
Anikó B. Nagy | ... | historical consultant |
Chiara Pacini | ... | production coordinator |
János Papp | ... | health & safety advisor |
Diána Pálfalvi | ... | medical coordinator |
Alina Tomashova | ... | production coordinator |
Ádám Zsíros | ... | production assistant |
Francesca Floris | ... | production assistant (uncredited) |
Thanks
Jean Pierre Borg | ... | special thanks |
Iole Giannattasio | ... | special thanks |
Thekla Reuten | ... | special thanks |
Susan Ronald | ... | special thanks |