Maudie (2016)
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- PG-13
- 1h 55min
- Biography, Drama
- 23 Jun 2017 (Spain)
- Movie
An arthritic Nova Scotia woman works as a housekeeper while she hones her skills as an artist and eventually becomes a beloved figure in the community.
Director:
Writer:
Awards:
- 25 wins & 17 nominations.
- See more »
Reviews:
Photos and Videos
Complete, Cast awaiting verification
| Sally Hawkins | ... |
Maud Lewis
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| Zachary Bennett | ... |
Charles Dowley
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| Gabrielle Rose | ... |
Aunt Ida
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| Lawrence Barry | ... |
Mr. Davis (Shopkeeper)
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| Ethan Hawke | ... |
Everett Lewis
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Greg Malone | ... |
Mr. Hill
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| Billy MacLellan | ... |
Frank
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| Kari Matchett | ... |
Sandra
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| Marthe Bernard | ... |
Kay
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| David Feehan | ... |
Paul
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Nik Sexton | ... |
Steven (CBC Reporter)
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Judy Hancock | ... |
Ida's Nurse
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Mike Daly | ... |
Man at Bar
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Brian Marler | ... |
Doctor
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Denise Sinnott | ... |
Hospital Nurse
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| Rest of cast listed alphabetically: | |||
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Brandy | ... |
Blackie (uncredited)
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| Tom Dunne | ... |
Minister (uncredited)
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Lisa Machin | ... |
Nurse (uncredited)
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| Erin Mick | ... |
(uncredited)
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Alex Mincoff | ... |
Fisherman (uncredited)
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| Sherry Nelson | ... |
Nurse (uncredited)
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| Kate Ross | ... |
(uncredited)
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Hudson Wentzell | ... |
Orphan (Extra) (uncredited)
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Directed by
| Aisling Walsh | ||
Written by
| Sherry White | ... | () |
Produced by
| Hussain Amarshi | ... | executive producer |
| Bob Cooper | ... | producer |
| Rory Gilmartin | ... | executive producer: Bord Scannán na hÉireann/The Irish Film Board |
| Heather Haldane | ... | executive producer |
| Johanna Hogan | ... | executive producer |
| Ross Jacobson | ... | executive producer |
| Tyler Mitchell | ... | executive producer |
| Alan Moloney | ... | executive producer |
| Susan Mullen | ... | producer |
| Mary Pantelidis | ... | line producer |
| Sheldon Rabinowitz | ... | executive producer |
| Edward Riche | ... | executive producer (as Ed Riche) |
| Mark Roberts | ... | executive producer |
| Mary Sexton | ... | producer |
| Mary Young Leckie | ... | producer |
Music by
| Michael Timmins | ||
Cinematography by
| Guy Godfree | ... | director of photography |
Editing by
| Stephen O'Connell | ||
Editorial Department
| Niamh Burke-Kennedy | ... | assistant editor (as Niamh Burke Kennedy) |
| Martin Fanning | ... | additional assistant editor |
| Erik Goodbody | ... | digital cinema mastering |
| Martin Long | ... | digital cinema mastering |
| Tim Morris | ... | director of post production |
| Robbie O'Farrell | ... | on-line editor |
Casting By
| John Buchan | ||
| Jason Knight | ||
Production Design by
| John Hand | ||
Art Direction by
| Shelley Cornick | ... | 1st assistant art director |
| Owen Power | ||
Set Decoration by
| Dara Hand | ||
Costume Design by
| Trysha Bakker | ||
Makeup Department
| Chris Bridges | ... | prosthetics designer |
| Chris Cooper | ... | prosthetics |
| Mary Sue Heron | ... | makeup designer |
| Peggy Kyriakidou | ... | hair designer |
| Victoria Noseworthy | ... | assistant hair stylist |
| Andrew Squires | ... | assistant makeup artist |
Production Management
| Maura Murphy | ... | post production supervisor |
Second Unit Director or Assistant Director
| Jana Gillis | ... | trainee assistant director |
| Karl Irvine | ... | second assistant director |
| Walter Lawlor | ... | third assistant director |
| Daniel J. Murphy | ... | first assistant director (as Dan Murphy) |
| Terry Stone | ... | first assistant director: winter shoot |
| Danny McLeod | ... | daily assistant director (uncredited) |
Art Department
| Gina Rae Anderson | ... | assistant props |
| Christian Baqueiro | ... | set dresser |
| Don Bursey | ... | assistant head carpenter |
| Duane Chard | ... | set dresser |
| Steve Davis | ... | greens and flowers |
| Jerry Evans | ... | head painter |
| Bernie Gollop | ... | set dresser (as Bernard Gollop) |
| Derek Holmes | ... | key scenic |
| Dave Hughes | ... | DI conform |
| Lori Ann King | ... | assistant set decorator |
| Jensen Adam Logue-Lee | ... | one-sheet designer (as Jensen Adam Lee) |
| Barry Newhook | ... | carpenter |
| April Norman | ... | assistant head painter |
| Murray Riggs | ... | set dresser |
| Marty Sexton | ... | construction coordinator |
| François Sénécal | ... | property master (as Francois Senecal) |
| Hilary Thomson | ... | art department trainee / scenic painter |
| Thomas Thorne | ... | graphics |
| Paul Wade | ... | head carpenter |
| Anne Currie | ... | painting consultant (uncredited) |
Sound Department
| Carl Cullen | ... | foley editor |
| Michelle Cunniffe | ... | adr recordist / dialogue editor / supervising adr editor |
| Rachel Donovan | ... | post production sound facilities manager |
| Caoimhe Doyle | ... | foley artist |
| Marco Dölle | ... | sound mixer |
| Garret Farrell | ... | re-recording mixer |
| John Loranger | ... | additional fx editor |
| Michelle McCormack | ... | additional dialogue editor |
| Jean McGrath | ... | foley mixer |
| Steve Munro | ... | sound effects editor (as Steven Munro) / supervising sound (as Steven Munro) |
| Mark Neary | ... | boom operator |
| Sol O'Carroll | ... | foley editor |
| Jonathan Reynolds | ... | foley assistant |
| Scott Cannizzaro | ... | adr mixer (uncredited) |
Special Effects by
| Dylan Hankinson | ... | special effects on set key |
| Geoff Hill | ... | special effects coordinator |
Visual Effects by
| Fred Burdy | ... | visual effects artist |
| Doug Cook | ... | compositing supervisor |
| Gary Curran | ... | colourist |
| Eric Dolan | ... | compositor |
| Jenny Keane | ... | compositor |
| Brian O'Durnin | ... | title design (as Brían O'Durnin) |
| Matt Philip Whelan | ... | visual effects supervisor (as Matt Whelan) |
Stunts
| Glenn Redmond | ... | stunt coordinator |
Camera and Electrical Department
| Jason Andrews | ... | a camera dolly grip |
| Derm Carberry | ... | rushes services |
| Joseph Chan | ... | a camera first assistant |
| Mike Clarke | ... | generator operator |
| Mark Cyre | ... | a camera first assistant |
| Paul Daly | ... | still photographer |
| Duncan De Young | ... | epk (as Duncan de Young) / still photographer |
| Sean Doran | ... | best boy grip |
| Aaron Elliott | ... | digital management technician (as Aaron Elliot) |
| Jay Hamel | ... | a camera second assistant (as Jason Hamel) |
| Thomas Kelly | ... | best boy |
| Conrad Layden | ... | electrician |
| Greg Locke | ... | still photographer |
| Nigel Markham | ... | b camera operator |
| Micah Martin | ... | key grip |
| Adam Penney | ... | a camera first assistant |
| Flora Planchat | ... | gaffer |
| Alona Power | ... | assistant camera |
| Heather Rumancik | ... | electrician (as Heather Rumanick) |
| Phil St. Aubin | ... | grip (as Phillip St. Aubin) |
| Victor Tilley | ... | electrician |
| Adam Tuck | ... | additional electrician |
| Ian Vatcher | ... | camera operator: "a" camera |
| Cody Westman | ... | epk |
| Jacob White | ... | camera trainee |
| Greg Davis | ... | electric (uncredited) |
| Mark O'Neill | ... | b camera assistant (uncredited) |
Casting Department
| Alison Butler | ... | casting assistant |
| Danielle Irvine | ... | NL casting associate |
Costume and Wardrobe Department
| Teresa Artibello | ... | seamstress |
| Donna Butt | ... | assistant costume designer |
| Amy Edwards | ... | seamstress |
| Roland Heizinger | ... | costume cutter: tailor / costume maker |
| Christine Kenny | ... | wardrobe supervisor |
| Jennifer King | ... | set supervisor |
| Loreen Lightfoot | ... | cutter |
| Marie J. Sharpe | ... | assistant costume designer (as Marie Sharpe) |
| Nicole Vezina | ... | seamstress |
| Connie Walsh | ... | wardrobe truck supervisor |
| Jessica Waterman | ... | breakdown artist |
| Steve Newburn | ... | specialty costuming elements (uncredited) |
Location Management
| Jeffrey Dodge | ... | locations production assistant |
| David Fisher | ... | assistant locations manager |
| Noel Harris | ... | locations manager |
| Sam Jesso | ... | locations production assistant |
| Terry Ryan | ... | locations production assistant |
| Peter Sansome | ... | locations production assistant |
| Jason Wells | ... | locations production assistant |
| Toban Leckie | ... | location scout (uncredited) |
| Adam Tuck | ... | locations pa (uncredited) |
Music Department
| Aaron Goldstein | ... | music performed by: pedal steel guitar, dobro |
| Michael Johnston | ... | music performed by: piano, organ, accordion |
| Miranda Mulholland | ... | music performed by: fiddle |
| Michael Timmins | ... | music arranged by / music performed by: guitar |
| Wayne Warren | ... | music supervisor |
| Noel Webb | ... | music performed by: percussion |
Script and Continuity Department
| Kathryn Buck | ... | script supervisor |
| Karen Kicak | ... | script coordinator (as Karen Moore) |
Transportation Department
| Rick Grosse | ... | driver |
| Graham Hillier | ... | transport coordinator |
| Andrew Jerrett | ... | cast driver |
| Peter Jerrett | ... | base camp driver |
| Rod Jerrett | ... | transport captain |
| Richard Kelloway | ... | driver |
| Barry King | ... | picture car coordinator |
| Herb Parsons | ... | base camp |
| Garth Sexton | ... | head driver |
| John Vivian | ... | driver |
Additional Crew
| Catherine Bailey | ... | for the Newfoundland & Labrador Film Development Corporation: business analyst |
| Zoe Balsom | ... | craft server |
| Caragh Beggy | ... | production auditor: OCC Accountants |
| Ashley Bomberry | ... | production assistant: Screen Door |
| Chris Bonnell | ... | for the Newfoundland & Labrador Film Development Corporation: executive director / film commissioner |
| Kent Brown | ... | security manager |
| Amnon Buchbinder | ... | story editor |
| Jeff Budden | ... | security |
| Nathan Bulger | ... | security |
| Cyril Butler | ... | development coordinator: Rink Rat Productions |
| Michelle Chang | ... | attorney: Ramo Law LLC |
| Lorri Charnetski | ... | barrister & solicitor: Duncan Morin |
| Laura Churchill | ... | for the Newfoundland & Labrador Film Development Corporation: industry analyst |
| Lesley Clarke | ... | accounting clerk |
| Andrea Cooper | ... | epk creator / film review / public relations specialist / unit publicity |
| Cathy Corbett | ... | payroll accountant |
| Jennifer Coyne | ... | lawyer: Matheson |
| Shannon Crotty | ... | stand-in: Sally Hawkins |
| Sarah Dillon | ... | for Bord Scannán na hÉireann/ the Irish Film Board: production & development executive |
| Joanne Dullard | ... | unit publicity |
| Amanda Foote | ... | productions assistant: Rink Rat Productions |
| Leslie French | ... | movement coach |
| Elaine Gill | ... | production tax advisor: Clancy & Associates |
| Rory Gilmartin | ... | for Bord Scannán na hÉireann/ the Irish Film Board: executive producer |
| Claire Gormley | ... | production assistant: Parallel Films |
| Samantha Green | ... | security |
| Tasha Grey | ... | accounting clerk |
| Jennifer Hawley | ... | assistant: Ms. Hawkins and Mr. Hawke / for Rink Rat Productions: productions assistant |
| David K. Henry | ... | Production Financing, Bank Leumi USA |
| James Hickey | ... | chief executive officer: Bord Scannán na hÉireann/Irish Film Board |
| Darryl Hopkins | ... | stand-in: Ethan Hawke |
| Ruth Hunter | ... | lawyer: Matheson |
| Redd Knight | ... | production coordinator |
| Lynn Knox | ... | 1st assistant accountant |
| Jill Knox-Gosse | ... | production accountant |
| Sean Leckie | ... | production assistant: Screen Door |
| Colin Mahoney | ... | security |
| Teresa McGrane | ... | for Bord Scannán na hÉireann/ the Irish Film Board: deputy chief executive |
| Carla Meyer | ... | dialect coach |
| Melanie Mooney | ... | accommodation and travel coordinator |
| Reg Murphy | ... | security |
| Rea Nolan | ... | on-set dialect coach: Sally Hawkins & Ethan Hawke |
| Oisín O'Neill | ... | for Bord Scannán na hÉireann/ the Irish Film Board: legal & business affairs executive |
| Nancy Osmond | ... | accounting clerk |
| Jean-François Pouliot | ... | story consultant (as Jean Francois Pouliot) |
| Cara Powell | ... | accommodation and travel coordinator |
| Bryan Power | ... | assistant production coordinator |
| Angela Rotman | ... | craft server |
| Dorian Rowe | ... | for the Newfoundland & Labrador Film Development Corporation: manager of programs |
| Karen Rudolph | ... | publicist: Germany |
| Dora Santuccione | ... | craft server |
| Emma Scott | ... | for Bord Scannán na hÉireann/ the Irish Film Board: distribution manager |
| Jim Shortall | ... | post production accountant |
| Jim Smeaton | ... | security |
| Jenny Smith | ... | production assistant: Parallel Films |
| Christina Steele-Nash | ... | assistant production coordinator |
| Danny Webber | ... | legal counsel: Hall Webber |
| Wade Whelan | ... | craft service |
| Suzanne Williams | ... | for the Newfoundland & Labrador Film Development Corporation: programs analyst |
| Lynne Wilson | ... | 1st assistant payroll accountant |
| Andrea Cooper | ... | Interviews (uncredited) / publicist (uncredited) |
| Neil Mathieson | ... | international sales: Mongrel International (uncredited) / tax credit administrator: Global Incentives (uncredited) |
| Shana McCalla | ... | executive assistant (uncredited) |
| Glenn Redmond | ... | dog trainer (uncredited) |
| Craig Wood | ... | production assistant (uncredited) |
Thanks
| Tim Bider | ... | special thanks |
| Bob Brooks | ... | special thanks: The Estate of |
| Donna Burke | ... | special thanks (as Tom & Donna Burke) |
| Tom Burke | ... | special thanks (as Tom & Donna Burke) |
| Ralph Carey | ... | with thanks to |
| Judi Cooper-Sealy | ... | special thanks |
| Greg Copeland | ... | very special thanks |
| Lena Cordina | ... | special thanks |
| Jason Cornick | ... | special thanks |
| Carmen Cuba | ... | special thanks |
| Anne Currie | ... | special thanks |
| Alan Deacon | ... | very special thanks |
| Ron Edmunds | ... | special thanks |
| Ann Fitzgerald | ... | with thanks to |
| John Grant | ... | special thanks |
| Joey Hand | ... | special thanks |
| Lauren Hand | ... | special thanks |
| Lucy Hand | ... | special thanks |
| Colleen Hanrahan | ... | with thanks to |
| Martin Harbury | ... | special thanks |
| Yvonne Hartley | ... | special thanks |
| Ryan Hawke | ... | special thanks |
| Mary Hearn | ... | with thanks to |
| Dave Hiscock | ... | special thanks (as Joan and Dave Hiscock) |
| Joan Hiscock | ... | special thanks (as Joan and Dave Hiscock) |
| John Hofstetter | ... | with thanks to (as John & Karen Hofstetter) |
| Karen Hofstetter | ... | with thanks to (as John & Karen Hofstetter) |
| Gale Anne Hurd | ... | special thanks |
| Tracey Hyde | ... | special thanks |
| Judy Joel | ... | special thanks |
| Peter Levine | ... | special thanks |
| Gail Lidstone | ... | special thanks |
| Leighton Lloyd | ... | special thanks |
| Terry MacDonald | ... | with thanks to |
| John Mannion | ... | with thanks to (as Maura & John Mannion) |
| Maura Mannion | ... | with thanks to (as Maura & John Mannion) |
| Nigel Markham | ... | special thanks |
| John McAndrew | ... | special thanks |
| Selby Mesh | ... | with thanks to |
| Nickki Mitton | ... | special thanks (as Nikki Mitton) |
| Roger Motty | ... | with thanks to |
| Lucinda Prain | ... | special thanks |
| Chris Priddle | ... | with thanks to (as Clare & Chris Priddle) |
| Clare Priddle | ... | with thanks to (as Clare & Chris Priddle) |
| Jane Rolland | ... | with thanks to |
| Kevin Rose | ... | with thanks to |
| Kate Ross | ... | special thanks |
| David Schiff | ... | special thanks |
| Dina Segal | ... | special thanks (as Mel & Dina Segal) |
| Mel Segal | ... | special thanks (as Mel & Dina Segal) |
| Sara Sexton Sr. | ... | special thanks |
| Marina Sexton | ... | special thanks |
| Beatrice Springborn | ... | special thanks |
| Larry Taube | ... | special thanks |
| Thomas Walden | ... | special thanks |
| Glenn Warner | ... | special thanks (as Glenn Charles Warner) |
| Kevin Williams | ... | with thanks to |
Production Companies
- Mongrel Media
- Téléfilm Canada (participation)
- Newfoundland and Labrador Film Development (participation)
- Ontario Media Development Corporation (OMDC) (participation)
- The Harold Greenberg Fund (participation)
- Bord Scannán na hÉireann / The Irish Film Board (participation)
- Corner Piece Capital (in association with)
- Citadel Films (in association with)
- Rink Rat Productions (co-production)
- Screen Door (co-production)
- Parallel Film Productions (co-production)
- Bord Scannán na hÉireann / The Irish Film Board (support)
- Corner Piece Capital (support)
- Newfoundland and Labrador Film Development (support)
- Ontario Media Development Corporation (OMDC) (support)
- Téléfilm Canada (support)
Distributors
- Frenetic Films (2017) (Switzerland) (theatrical)
- Hagi Film (2017) (Poland) (theatrical)
- Imagine Film Distribution (IFD) (2017) (Belgium) (theatrical)
- Imagine Films Distribution (2017) (Netherlands) (theatrical)
- La Belle Company (2018) (France) (theatrical)
- MegaCom Film (MCF) (2017) (Bosnia & Herzegovina) (theatrical)
- MegaCom Film (MCF) (2017) (Croatia) (theatrical)
- MegaCom Film (MCF) (2017) (North Macedonia) (theatrical)
- MegaCom Film (MCF) (2017) (Serbia) (theatrical)
- MegaCom Film (MCF) (2017) (Slovenia) (theatrical)
- Mongrel Media (2017) (Canada) (theatrical)
- Métropole Films Distribution (2016) (Canada) (theatrical) (Quebec)
- NFP Marketing & Distribution (2017) (Austria) (theatrical)
- NFP Marketing & Distribution (2017) (Germany) (theatrical)
- Shochiku (2018) (Japan) (theatrical)
- Sony Pictures Classics (2017) (Argentina) (theatrical)
- Sony Pictures Classics (2017) (Brazil) (theatrical)
- Sony Pictures Classics (2017) (Chile) (theatrical)
- Sony Pictures Classics (2017) (Cyprus) (theatrical)
- Sony Pictures Classics (2017) (Denmark) (theatrical)
- Sony Pictures Classics (2017) (Greece) (theatrical)
- Sony Pictures Classics (2017) (Italy) (theatrical)
- Sony Pictures Classics (2017) (Mexico) (theatrical)
- Sony Pictures Classics (2017) (Norway) (theatrical)
- Sony Pictures Classics (2017) (Portugal) (theatrical)
- Sony Pictures Classics (2017) (South Africa) (theatrical)
- Sony Pictures Classics (2017) (Sweden) (theatrical)
- Sony Pictures Classics (2017) (Turkey) (theatrical)
- Sony Pictures Classics (2017) (United States) (theatrical)
- Sony Pictures Releasing (2017) (Ireland) (theatrical)
- Sony Pictures Releasing (2017) (United Kingdom) (theatrical)
- Transmission (2017) (Australia) (theatrical)
- Transmission (2017) (New Zealand) (theatrical)
- United International Pictures (UIP) (2017) (Sweden) (theatrical)
- ARTE (2020) (Germany) (tv)
- ARTE (2020) (France) (tv)
- Aud (2017) (South Korea)
- EuroVideo (2018) (Germany) (Blu-ray) (for NFP)
- EuroVideo (2018) (Germany) (DVD) (for NFP)
- Front Row Filmed Entertainment (2017) (United Arab Emirates) (Middle East, North Africa & Iran)
- GEM Entertainment (2017) (Hungary)
- Ive Entertainment (2018) (South Korea) (Blu-ray)
- Karma Films (2017) (Spain)
- Remain In Light (2018) (Netherlands) (DVD)
- Shoval Film Production (2017) (Israel)
- Yleisradio (YLE) (2022) (Finland) (tv) (also Internet)
Special Effects
- Applied Arts FX Studio (specialty costuming elements)
Other Companies
- Alliance of Canadian Cinema, Television and Radio Artists (ACTRA) (produced with the generous participation of)
- Ardmore Sound (post production sound facility)
- BFL CANADA Risk and Insurance Services (insurance)
- Bank Leumi USA (production financing)
- CMPA (produced with the generous participation of)
- CPC (gap financing)
- Canadian Broadcasting Corporation (CBC) (archive footage provided courtesy of)
- City of St. John's, Newfoundland (thanks)
- Clancy & Associates (production tax advisors: Ireland)
- Directors Guild of Canada (produced with the generous participation of)
- Duncan Morin Barristers & Solicitors (production legal services: Canada)
- Enterprise Rent-A-Car (production vehicles)
- Entertainment Partners Canada (payroll services)
- Extreme Catering (catering)
- Film Finances Canada (completion guaranty provided by)
- Fintage CAM (collection account management)
- Global Incentives (tax credit consultants: Canada)
- Government of Canada (produced with the generous participation of)
- Hall Webber (legal services: Canada)
- I.A.T.S.E. Local 667 (produced with the generous participation of)
- IATSE Local 709 (produced with the generous participation of)
- Investment Incentives for the Irish Film Industry Provided by the Government of Ireland (produced with the support of)
- Kudlow McCann (production auditors: Canada)
- MO Entertainment (transportation)
- Madison Gate Records (soundtrack)
- Matheson (legal services: Ireland)
- Montclair Film Festival (festival)
- Newfoundland and Labrador Eastern School District (thanks)
- Number 4 Windmill Lane, Dublin (adr recording studio: Dublin)
- OCC Accountants (production auditors: Ireland)
- Owners of Antique Cars in Newfoundland and Labrador (with thanks to)
- Pinewood Sound, Vancouver (additional ADR recording studio)
- Ramo Law (additional legal services)
- Ryder (production vehicles)
- SAG-AFTRA (produced with the generous participation of)
- Selective Travel Management (travel agent: Ireland)
- Soundtrack New York (adr facility)
- Super Channel (developed with the assistance of)
- Technicolor Creative Services Toronto (additional ADR recording studio)
- The Art Gallery of Nova Scotia (very special thanks)
- The Atlantic Studios Cooperative (production vehicles)
- The Flower Studio (greens and flowers)
- The Goulds (thanks)
- The Harold Greenberg Fund (script development financing)
- The Movie Network (TMN) (produced in association with)
- The Rights Company (clearance services)
- The Town of Brigus (thanks)
- The Town of Champney's West (thanks)
- The Town of Keels (thanks)
- The Town of Trinity (thanks)
- Tish Holland Artwork (special thanks)
- Toronto International Film Festival (festival)
- Trackworks Inc., Toronto (additional ADR recording studio)
- Visual Data Media Services (trailer mastering)
- WGC (produced with the generous participation of)
- Windmill Lane Pictures (edit and post production facilities)
- Zapatas (catering)
Storyline
| Plot Summary |
1930's rural Nova Scotia. Maud Dowley, who suffers from rheumatoid arthritis, smokes heavily to deal with the pain. Because of her unusual gait from the arthritis, she is often mistaken as a stupid, incapable woman, that perception which does make her feel stupid and incapable. That view is held by her surviving family, her brother Charlie and her Aunt Ida with whom she lives. After an action by Charlie, Maud decides to seek some independence and is the only applicant for a posted job as housekeeper for brusque Everett Lewis, a poor fish seller. Despite not wanting to hire a cripple which only adds to their antagonism, Maud negotiates to get the job for room and board. Their antagonistic relationship ends up including Everett exacting beatings on Maud whenever she doesn't do what he wants. To keep herself happy, Maud begins to paint the interior of the house with happy pictures and paint similar pictures on small cards, these folk art pictures are how she wants to see the world. Maud's paintings come to the attention of one of Everett's customers, Sandra, a New York socialite, who ultimately commissions Maud to paint some pictures for her if Maud won't or can't sell what she's already painted. This begins Maud's possible independence from her violent relationship with Everett, who in turn admits that he may need Maud more than she needs him. In the process, Maud is able to revisit an issue from her past which she believed had long died in a literal sense. Written by Huggo |
| Plot Keywords | |
| Taglines | Without love, there is no purpose. See more » |
| Genres | |
| Parents Guide | View content advisory » |
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Additional Details
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Box Office
| Budget | EUR4,993,020 (estimated) |
Did You Know?
| Trivia | The fully restored house of Maud Lewis is on permanent display in Halifax at the Art Gallery of Nova Scotia. The decorated house was saved from deterioration by a group of concerned local citizens, that went through a 25 year-long struggle to maintain the house. See more » |
| Goofs | The paint "tins" that Maudie is using look like modern aluminum pull-tab type containers not old sardine tin cans. See more » |
| Movie Connections | Featured in Ethan Hawke/Lorde/Allan Peterkin & Russell Cordeiro (2017). See more » |
| Soundtracks | Winding Back the Years See more » |
| Crazy Credits | A brief clip in the end credits shows the real Maud Lewis with husband, Everett, from a 1976 black and white short, "Maud Lewis: A World Without Shadows." See more » |
| Quotes |
Mr. Davis (Shopkeeper):
I don't know why people pay money for these, my five-year-old could do better. Everett Lewis: Maybe. Maybe he could, but he didn't - Maud did. Brushes, please. [slaps the coins on the counter] Everett Lewis: You're an idiot. See more » |