Landing a good distributor is the holy grail for every indie filmmaker at Sundance. But when it comes to documentaries, while Netflix picked up a few titles out of the festival this year, the market remains soft.
Even as the theatrical market has improved for Oscar nominees and winners like “The Holdovers” and “Poor Things,” it’s tough to find a buyer for a lot of movies these days. For a movie like “Gaucho Gaucho,” which earned a Sundance jury prize and is now playing Cph:dox, the sooner filmmakers Michael Dweck and Gregory Kershaw land a distributor, the sooner they can start to build toward an awards campaign.
Cinematographer Kershaw and photographer Dweck first met years ago in New York City when they lived in the same Meatpacking District apartment building. They’d hang out in the street and share details of each other’s lives and work. Finally, they...
Even as the theatrical market has improved for Oscar nominees and winners like “The Holdovers” and “Poor Things,” it’s tough to find a buyer for a lot of movies these days. For a movie like “Gaucho Gaucho,” which earned a Sundance jury prize and is now playing Cph:dox, the sooner filmmakers Michael Dweck and Gregory Kershaw land a distributor, the sooner they can start to build toward an awards campaign.
Cinematographer Kershaw and photographer Dweck first met years ago in New York City when they lived in the same Meatpacking District apartment building. They’d hang out in the street and share details of each other’s lives and work. Finally, they...
- 3/19/2024
- by Anne Thompson
- Indiewire
As 2019 marches along, Hulu has a couple original series that binge watchers will not want to miss in March. “Shrill,” starring “Saturday Night Live’s” Aidy Bryant, is a body-positive comedy that critiques society’s beauty standards and millennial culture. The entire season drops on March 15.
On March 20, fans of true crime will be able to relive the 2015 murder of Dee Dee Blanchard by her daughter, Gypsy, with “The Act.” Starring Patricia Arquette and Joey King as the mother and daughter pair, viewers will surely believe that truth can be stranger than fiction with the new crime anthology series.
Documentary buffs who are scared of heights may need to hold on to something because “Free Solo,” the Oscar winner for best documentary feature, will premiere on March 13. “Shoplifters,” an Academy Award-nominated foreign language film, offers a harrowing look at poverty in Japan, and debuts on March 14.
March will also be...
On March 20, fans of true crime will be able to relive the 2015 murder of Dee Dee Blanchard by her daughter, Gypsy, with “The Act.” Starring Patricia Arquette and Joey King as the mother and daughter pair, viewers will surely believe that truth can be stranger than fiction with the new crime anthology series.
Documentary buffs who are scared of heights may need to hold on to something because “Free Solo,” the Oscar winner for best documentary feature, will premiere on March 13. “Shoplifters,” an Academy Award-nominated foreign language film, offers a harrowing look at poverty in Japan, and debuts on March 14.
March will also be...
- 3/6/2019
- by Jordan Moreau
- Variety Film + TV
Universal is going limited with Peter Farrelly’s Green Book this weekend. The film, starring Oscar-nominee Viggo Mortensen and Oscar-winner Mahershala Ali, is based on the true story of a racist bouncer hired by jazz pianist and composer Don Shirley to drive him through the South during the Jim Crow era. Julian Schnabel’s latest, At Eternity’s Gate, heads out via CBS Films. Starring Willem Dafoe as Vincent Van Gogh, the project came together after a visit by Schnabel and the film’s co-writer to Paris’ Musée D’Orsay.
Cohen Media group is heading out with Venice fest title Shoah: The Four Sisters, the final film of late French writer-director-producer Claude Lanzmann. And Wolfe Releasing is giving Anchor And Hope, which it picked up out of the European Film Market last February, an exclusive start in Los Angeles.
Among other limited releases opening this weekend in theaters are Of Fathers And Sons...
Cohen Media group is heading out with Venice fest title Shoah: The Four Sisters, the final film of late French writer-director-producer Claude Lanzmann. And Wolfe Releasing is giving Anchor And Hope, which it picked up out of the European Film Market last February, an exclusive start in Los Angeles.
Among other limited releases opening this weekend in theaters are Of Fathers And Sons...
- 11/16/2018
- by Brian Brooks
- Deadline Film + TV
For this week’s review round-up, it’s a foursome! The quartet of titles today are a real mixed bag, which happens. We have two misfires, one mild recommendation, and a mixed bag that I really hemmed and hawed about in terms of a thumbs up or thumbs down. You’ll see which are which shortly, but the four films are the Vincent van Gogh biopic At Eternity’s Gate, the horror hybrid The Clovehitch Killer, the science fiction tinged psychological drama Jonathan, and the documentary The Last Race. These movies are very different, to say the least. The only thing they have in common? Well, that would be that I’m about to discuss them all right now… Here we go: — At Eternity’s Gate At one early stage in the game, At Eternity’s Gate seemed like a potentially big Academy Award player. Some high profile film festival debuts,...
- 11/15/2018
- by Joey Magidson
- Hollywoodnews.com
In today’s film news roundup, Chris McKay is attached to direct “Jonny Quest,” Greg Berlanti is directing a Rock Hudson movie, documentary “The Last Race” gets an early release, and Valeria Golino is honored.
Director Attachments
Chris McKay, director of “The Lego Batman Movie,” is attached to helm a live-action “Jonny Quest” movie for Warner Bros.
Producers are Rideback’s Dan Lin and Jonathan Eirich along with Adrian Askarieh of Prime Universe. Daniel Alter will executive produce.
“Jonny Quest” first appeared as an animated sci-fi series in 1964 through Hanna Barbera. The narrative focused on an 11-year-old boy, his sidekick Hadji, his scientist dad, secret agent Race Bannon, and pet bulldog, Bandit. The show led to several series and TV movies.
Richard Donner, Dwayne Johnson, and Robert Rodriguez have been involved in development of a “Jonny Quest” movie for the past two decades. McKay is also attached to direct the live-action “Nightwing” for Warner Bros.
Director Attachments
Chris McKay, director of “The Lego Batman Movie,” is attached to helm a live-action “Jonny Quest” movie for Warner Bros.
Producers are Rideback’s Dan Lin and Jonathan Eirich along with Adrian Askarieh of Prime Universe. Daniel Alter will executive produce.
“Jonny Quest” first appeared as an animated sci-fi series in 1964 through Hanna Barbera. The narrative focused on an 11-year-old boy, his sidekick Hadji, his scientist dad, secret agent Race Bannon, and pet bulldog, Bandit. The show led to several series and TV movies.
Richard Donner, Dwayne Johnson, and Robert Rodriguez have been involved in development of a “Jonny Quest” movie for the past two decades. McKay is also attached to direct the live-action “Nightwing” for Warner Bros.
- 11/9/2018
- by Dave McNary
- Variety Film + TV
Shortlist of 15 films to be announced on December 17.
Us box office hits Won’t You Be My Neighbor?, Rbg, Three Identical Strangers and Free Solo have made it on to the 166-strong longlist of documentary feature Oscar hopefuls.
The shortlist of 15 films will be announced on December 17. Thursday’s (8) longlist includes Fahrenheit 11/9, Crime + Punishment, Generation Wealth, Maria By Calas, The Price Of Everything, Pope Francis – A Man of His Word, Ruben Blades Is Not My Name, Shirkers, They’ll Love Me When I’m Dead, Trust Machine, and Matangi / Maya / M.I.A. are also in contention.
A...
Us box office hits Won’t You Be My Neighbor?, Rbg, Three Identical Strangers and Free Solo have made it on to the 166-strong longlist of documentary feature Oscar hopefuls.
The shortlist of 15 films will be announced on December 17. Thursday’s (8) longlist includes Fahrenheit 11/9, Crime + Punishment, Generation Wealth, Maria By Calas, The Price Of Everything, Pope Francis – A Man of His Word, Ruben Blades Is Not My Name, Shirkers, They’ll Love Me When I’m Dead, Trust Machine, and Matangi / Maya / M.I.A. are also in contention.
A...
- 11/8/2018
- by Jeremy Kay
- ScreenDaily
A total of 166 films have been submitted for consideration in the documentary feature category for the 91st Academy Awards.
Notable titles up for the gold include “Rbg,” “Three Identical Strangers,” “Free Solo” and “Won’t You Be My Neighbor?” — which have performed strongly at the box office. Fred Rogers documentary “Won’t You Be My Neighbor?” has grossed $22.6 million domestically.
Nine of the 10 titles named as finalists for the International Documentary Association’s top feature are on the list, including “Crime + Punishment,” “Dark Money,” “Free Solo,” “Hale County This Morning, This Evening,” “Minding the Gap,” “Of Fathers and Sons,” “The Silence of Others,” “United Skates” and “Won’t You Be My Neighbor?”
The Academy of Motion Picture Arts and Sciences noted that several of the 166 films have not yet had their required Los Angeles and New York qualifying runs. A shortlist of 15 movies will be announced on Dec. 17.
Nominations...
Notable titles up for the gold include “Rbg,” “Three Identical Strangers,” “Free Solo” and “Won’t You Be My Neighbor?” — which have performed strongly at the box office. Fred Rogers documentary “Won’t You Be My Neighbor?” has grossed $22.6 million domestically.
Nine of the 10 titles named as finalists for the International Documentary Association’s top feature are on the list, including “Crime + Punishment,” “Dark Money,” “Free Solo,” “Hale County This Morning, This Evening,” “Minding the Gap,” “Of Fathers and Sons,” “The Silence of Others,” “United Skates” and “Won’t You Be My Neighbor?”
The Academy of Motion Picture Arts and Sciences noted that several of the 166 films have not yet had their required Los Angeles and New York qualifying runs. A shortlist of 15 movies will be announced on Dec. 17.
Nominations...
- 11/8/2018
- by Dave McNary
- Variety Film + TV
Last year, the Academy documentary branch had to grapple with a record 170 documentary feature submissions for the Best Documentary Feature Oscar. This year, it’s not so bad: only 166 were entered. The short list of 15 will be announced, along with eight others for the first time on a single date this year: December 17.
All year, branch members have been getting lists of secure online screeners available to watch on the Academy website, increasing in volume until last month, when they received a batch of 77, with more to come. It’s a burden to watch them all, so the ones with the most attention move to the top of the much-watch list. Give the advantage to early box office hits that were made available in the summer such as “Won’t You Be My Neighbor?,” “Rbg,” and “Three Identical Strangers,” as well as September’s list including critically hailed “Dark Money,...
All year, branch members have been getting lists of secure online screeners available to watch on the Academy website, increasing in volume until last month, when they received a batch of 77, with more to come. It’s a burden to watch them all, so the ones with the most attention move to the top of the much-watch list. Give the advantage to early box office hits that were made available in the summer such as “Won’t You Be My Neighbor?,” “Rbg,” and “Three Identical Strangers,” as well as September’s list including critically hailed “Dark Money,...
- 11/8/2018
- by Anne Thompson
- Thompson on Hollywood
Last year, the Academy documentary branch had to grapple with a record 170 documentary feature submissions for the Best Documentary Feature Oscar. This year, it’s not so bad: only 166 were entered. The short list of 15 will be announced, along with eight others for the first time on a single date this year: December 17.
All year, branch members have been getting lists of secure online screeners available to watch on the Academy website, increasing in volume until last month, when they received a batch of 77, with more to come. It’s a burden to watch them all, so the ones with the most attention move to the top of the much-watch list. Give the advantage to early box office hits that were made available in the summer such as “Won’t You Be My Neighbor?,” “Rbg,” and “Three Identical Strangers,” as well as September’s list including critically hailed “Dark Money,...
All year, branch members have been getting lists of secure online screeners available to watch on the Academy website, increasing in volume until last month, when they received a batch of 77, with more to come. It’s a burden to watch them all, so the ones with the most attention move to the top of the much-watch list. Give the advantage to early box office hits that were made available in the summer such as “Won’t You Be My Neighbor?,” “Rbg,” and “Three Identical Strangers,” as well as September’s list including critically hailed “Dark Money,...
- 11/8/2018
- by Anne Thompson
- Indiewire
A whopping 166 documentary features have been submitted to the academy for consideration at the 2019 Oscars. That is down by four from last year’s record 170 submissions. Among these contenders are all of the highest grossing documentaries of the year including “Free Solo,” “Rbg” and “Won’t You Be My Neighbor?”
To winnow the entries down to the 15 semi-finalists that will be announced on December 17, the academy is sending monthly packages of the newly eligible documentary feature screeners to all 400 or so members of the documentary branch. While all members are encouraged to watch as many of these as they can, one-fifth of the voters are assigned each title. In late November, each branch member will submit a preferential ballot listing their top 15 choices.
See 2019 Oscars: Foreign-language film entries from A (Afghanistan) to Y (Yemen)
All of these ballots will be collated to determine the 15 semi-finalists. Branch members will then be...
To winnow the entries down to the 15 semi-finalists that will be announced on December 17, the academy is sending monthly packages of the newly eligible documentary feature screeners to all 400 or so members of the documentary branch. While all members are encouraged to watch as many of these as they can, one-fifth of the voters are assigned each title. In late November, each branch member will submit a preferential ballot listing their top 15 choices.
See 2019 Oscars: Foreign-language film entries from A (Afghanistan) to Y (Yemen)
All of these ballots will be collated to determine the 15 semi-finalists. Branch members will then be...
- 11/8/2018
- by Paul Sheehan
- Gold Derby
The Academy of Motion Picture Arts and Sciences said today that 166 films have been submitted for Feature Documentary consideration for the 91st Academy Awards. Among them are box office success stories Rgb, Three Identical Strangers, Free Solo and Won’t You Be My Neighbor?
The Academy notes that several of the films have not yet had their required Los Angeles and New York qualifying releases. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules in order to advance in the voting process. This year, for the first time, films that have won a qualifying award at a competitive film festival or have been submitted in the Foreign Language Film category as their country’s official selection, are also eligible in the category.
A shortlist of 15 films will be announced on December 17, and Oscar nominations will be unveil January 22. The hardware...
The Academy notes that several of the films have not yet had their required Los Angeles and New York qualifying releases. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules in order to advance in the voting process. This year, for the first time, films that have won a qualifying award at a competitive film festival or have been submitted in the Foreign Language Film category as their country’s official selection, are also eligible in the category.
A shortlist of 15 films will be announced on December 17, and Oscar nominations will be unveil January 22. The hardware...
- 11/8/2018
- by Erik Pedersen
- Deadline Film + TV
In a year that has seen multiple documentaries find mainstream success, the Academy of Motion Picture Arts and Sciences released the list of 166 docs that have been submitted for Oscar consideration this year.
Among the films on the list are Michael Moore’s anti-Trump polemic “Fahrenheit 11/9,” as well as CNN Films’ Ruth Bader Ginsburg biography “Rbg” and Focus’ Mister Rogers retrospective “Won’t You Be My Neighbor?”
Other films considered frontrunners include “Three Identical Strangers,” the wild story of triplets who were separated at birth by a bizarre experiment, “Free Solo,” which documents the first ever attempt to climb Yosemite’s El Capitan without any climbing gear, and “Dark Money,” an investigative report into the influence of billionaires on American democracy through the lens of a Montana congressional race.
Also Read: Sorry, Oscar Documentary Voters: Your Workload Just Doubled
The contender field is slightly less than last year’s record field of 170 but does include,...
Among the films on the list are Michael Moore’s anti-Trump polemic “Fahrenheit 11/9,” as well as CNN Films’ Ruth Bader Ginsburg biography “Rbg” and Focus’ Mister Rogers retrospective “Won’t You Be My Neighbor?”
Other films considered frontrunners include “Three Identical Strangers,” the wild story of triplets who were separated at birth by a bizarre experiment, “Free Solo,” which documents the first ever attempt to climb Yosemite’s El Capitan without any climbing gear, and “Dark Money,” an investigative report into the influence of billionaires on American democracy through the lens of a Montana congressional race.
Also Read: Sorry, Oscar Documentary Voters: Your Workload Just Doubled
The contender field is slightly less than last year’s record field of 170 but does include,...
- 11/8/2018
- by Jeremy Fuster
- The Wrap
Maggie Gyllenhaal’s “The Kindergarten Teacher” will open the 26th Hamptons International Film Festival on Oct. 4.
Gyllenhaal portrays a kindergarten teacher uses questionable methods to cultivate the poetic talents of one of her students.
Sara Colangelo directed the film, which also stars Parker Sevak, Rosa Salazar, and Gael García Bernal. Colangelo is a 2013 alumna of the festival’s annual screenwriters lab. She and Gyllenhaal will both attend the festival.
“The Kindergarten Teacher” premiered at the Sundance Film Festival in January and will also be screened at the Toronto International Film Festival in September. It is scheduled to be released Oct. 12 on Netflix.
The festival will also feature works from two other alums of its screenwriters lab: 2015 participant Ísold Uggadóttir’s “And Breathe Normally,” about the blossoming relationship of two women in Iceland — one an airport worker, the other a detained refugee; and 2016 participant Cathy Yan’s “Dead Pigs,” about the...
Gyllenhaal portrays a kindergarten teacher uses questionable methods to cultivate the poetic talents of one of her students.
Sara Colangelo directed the film, which also stars Parker Sevak, Rosa Salazar, and Gael García Bernal. Colangelo is a 2013 alumna of the festival’s annual screenwriters lab. She and Gyllenhaal will both attend the festival.
“The Kindergarten Teacher” premiered at the Sundance Film Festival in January and will also be screened at the Toronto International Film Festival in September. It is scheduled to be released Oct. 12 on Netflix.
The festival will also feature works from two other alums of its screenwriters lab: 2015 participant Ísold Uggadóttir’s “And Breathe Normally,” about the blossoming relationship of two women in Iceland — one an airport worker, the other a detained refugee; and 2016 participant Cathy Yan’s “Dead Pigs,” about the...
- 8/15/2018
- by Dave McNary
- Variety Film + TV
Films by three female alumni of the Hamptons Film Festival’s screenwriters lab have been confirmed for the lineup of the festival’s 26th annual edition in October. They include Sara Colangelo’s The Kindergarden Teacher, starring Maggie Gyllenhaal, which will open the 26th edition in October.
Other alums with films in the initial lineup unveiled today include a pair of pics that premiered this year at Sundance: Ísold Uggadóttir’s And Breathe Normally and Cathy Yan’s Dead Pigs. Yan was also the first recipient of support from the Melissa Mathison Fund, which supports female writers.
The festival, to be held this year over Columbus Day weekend October 4-8, also confirmed slots for the Oscar Wilde biopic The Happy Prince, starring Rupert Everett, Colin Firth and Emily Watson, which will screen in the fest’s Spotlight section; and the U.S. premiere of Cannes jury prize winner Capernaum from Nadine Labaki.
Other alums with films in the initial lineup unveiled today include a pair of pics that premiered this year at Sundance: Ísold Uggadóttir’s And Breathe Normally and Cathy Yan’s Dead Pigs. Yan was also the first recipient of support from the Melissa Mathison Fund, which supports female writers.
The festival, to be held this year over Columbus Day weekend October 4-8, also confirmed slots for the Oscar Wilde biopic The Happy Prince, starring Rupert Everett, Colin Firth and Emily Watson, which will screen in the fest’s Spotlight section; and the U.S. premiere of Cannes jury prize winner Capernaum from Nadine Labaki.
- 8/15/2018
- by Dade Hayes
- Deadline Film + TV
"He's a regular guy, but he comes to the racetrack and he's a hero!" Magnolia Pictures has debuted the first official trailer for a documentary titled The Last Race, which first premiered at the Sundance Film Festival earlier this year. The doc film profiles an iconic Long Island stock car racetrack and "the tribe of blue-collar drivers that call it home, struggling to hold onto an American racing tradition as the world around them is transformed by globalization and commercialization." This is more than just a simple documentary, merging slick imagery and immersive sound in a unique narrative form. This trailer features some intense footage, taking us right into the middle of the action both on & off the racetrack. A raw slice of Americana, captured beautifully by the filmmakers. Described by Sundance as an "evocative portraiture turns the raceway into a theater of catharsis while the track’s owners struggle to maintain an American tradition.
- 7/29/2018
- by Alex Billington
- firstshowing.net
Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: What better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? This week […]
The post This Week In Trailers: The Wild Boys, The Last Race, Bad Reputation, When the Beat Drops, Love, Gilda appeared first on /Film.
The post This Week In Trailers: The Wild Boys, The Last Race, Bad Reputation, When the Beat Drops, Love, Gilda appeared first on /Film.
- 7/28/2018
- by Christopher Stipp
- Slash Film
Magnolia Pictures picked up the U.S. distribution rights to The Last Race, the documentary film which had its world premiere at the Sundance Film Festival. From renowned photographer and first-time feature director Michael Dweck, the pic, which is slated for release sometime this year, centers on Riverhead Raceway, the last operating stock-car racetrack on Long Island. Riverhead Raceway has hosted showdowns between local residents who bring their Mad Max-inspired stock…...
- 3/27/2018
- Deadline
Magnolia Pictures has acquired the U.S. rights to The Last Race, renowned photographer Michael Dweck’s feature documentary debut about Riverhead Raceway, the last operating stock car racetrack on Long Island.
Magnolia plans a 2018 release for the film, which had a world premiere at the Sundance Film Festival. "Michael has crafted an incredibly immersive film about grassroots racing,” said Magnolia President Eamonn Bowles in a statement.
The Riverhead Raceway is the last track remaining from a circuit of more than 40 that formerly dotted Long Island. Owned and operated by octogenarians Barbara and Jim Cromarty, Riverhead sponsors weekend races on...
Magnolia plans a 2018 release for the film, which had a world premiere at the Sundance Film Festival. "Michael has crafted an incredibly immersive film about grassroots racing,” said Magnolia President Eamonn Bowles in a statement.
The Riverhead Raceway is the last track remaining from a circuit of more than 40 that formerly dotted Long Island. Owned and operated by octogenarians Barbara and Jim Cromarty, Riverhead sponsors weekend races on...
- 3/27/2018
- by Etan Vlessing
- The Hollywood Reporter - Movie News
The documentary debut from fine art photographer Michael Dweck, The Last Race screens five times in competition at the 2018 Sundance Film Festival. The film tells the story of Riverhead Raceway, a decades-old race track on Long Island. At one time Long Island hosted roughly 40 such tracks; today, Riverhead is the only one that remains. Filmmaker Gregory Kershaw served as both cinematographer and co-producer on the film. Below, he spoke with Filmmaker about the physical toll of filming at a loud and fume-filled race track, the influence of Errol Morris’ early films and the logistical madness of having “10 cameras mounted on […]...
- 1/26/2018
- by Scott Macaulay
- Filmmaker Magazine - Blog
Charlotte Munch Bengtsen began her career as an editor in the mid-2000s on a number of documentaries and shorts. Her break came in 2012 when Joshua Oppenheimer hired her as an editor on his seismic work The Act of Killing. Munch Bengtsen’s newest project is The Last Race, the feature doc debut from visual artist Michael Dweck. Below, she shares her thoughts on the importance of test screenings, rushes and how her experience as a dancer influences her work as an editor. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes […]...
- 1/24/2018
- by Filmmaker Staff
- Filmmaker Magazine - Blog
As you made your film during the increasingly chaotic backdrop of the last year, how did you as a filmmaker control, ignore, give in to or, conversely, perhaps creatively exploit the wild and unpredictable? What roles did chaos and order play in your films? The track where we shot The Last Race was a reflection of the speedway next to my childhood home where I would sneak under the fence to watch races on hot Saturday summer nights. Later, as an adult, I spent years creating still photographs there, and during that time, I lived and breathed the world of […]...
- 1/22/2018
- by Filmmaker Staff
- Filmmaker Magazine - Blog
On the heels of the 39th edition of the Toronto Int. Film Festival (Sept 4-14), Ifp’s Independent Film Week is where a plethora of fiction, non-fiction and new this year, web-based series from the likes of Desiree Akhavan and Calvin Reeder find future coin. Sectioned off as projects at the very beginning of financing to those that are nearing completion, there happens to be tons of Sundance alumni in the names below. Among those that caught our attention we have Medicine for Melancholy‘s Barry Jenkins’ sophomore feature, produced by Bad Milo!‘s Adele Romanski, Moonlight is about “two Miami boys navigate the temptations of the drug trade and their burgeoning sexuality in this triptych drama about black queer youth”. Concussion‘s Stacie Passon digs into the thriller genre with Strange Things Started Happening. Produced by vet Mary Jane Skalski (Mysterious Skin), this is about “a woman who has...
- 7/24/2014
- by Eric Lavallee
- IONCINEMA.com
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.