British actress Naomie Harris has been nominated for an Oscar for her role as a crack-addicted mother in the 2016 indie drama Moonlight. "No Small Parts" takes a look at some other roles she's played in her career.
Lyle Jensen is subject to sudden and violent outbursts, and he is committed to the juvenile wing of the Northwood Mental Institution. Several other youths are there with a variety of ... See full summary »
Jordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embark on a sex and violence-filled journey through an America of psychos and quickiemarts.
Brian Lackey is determined to discover what happened during an amnesia blackout when he was eight years old, and then later woke with a bloody nose. He believes he was abducted by aliens, and N. McCormick, a fellow player on Brian's childhood baseball team, may be the key as to exactly what happened that night. As Brian searches for the truth and tries to track him down, Neil McCormick takes up hustling and moves to New York, in attempts to forget childhood memories that haunt him. Together, the two of them uncover the terrible truth of the scars they share. Written by
After Brian steals the picture of his baseball team from the archives, the film cuts to Neil announcing a baseball game. He says "That's two outs, Garfield the batter. Heim on deck." Scott Heim wrote the novel on which the film is based. See more »
Minivan and passenger car seen parked at 32:44 were manufactured after 2000. See more »
The summer I was 8 years old, five hours disappeared from my life. Five hours. Lost. Gone without a trace.
Last thing I remember I was sitting on the bench at my Little League game. It started to rain. What happened after that remains a pitch black void.
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Written by Dean Garcia, Toni Halliday
Performed by Curve
Courtesy of BMG UK & Ireland Ltd.
Under License from BMG Film & TV Music
Used by permission of EMI Virgin Songs Inc., Universal Songs of Polygram Int., Inc. o/b/o Anxious Music Ltd. See more »
I had high hopes for this film, since I have been a big fan of the novel on which it is based. The film exceeded my expectations in every way. Although quite faithful to the book (with many lines of dialogue and narration moving straight from Scott Heim's poetic prose), the movie has more drive and focus and pulls you so far into the troubled characters. Credit for the movie's strength goes all around -- director Araki put his mark on the story without taking it over. He got uniformily good performances (and somehow managed to direct scenes that any reader of the book would have thought completely unfilmable). Kansas has never looked better, or more sinister. The music is used well throughout.
And the acting is terrific. The two youngest leads, Chase Ellison and George Webster, were entirely convincing in their scenes (and I hope they feel proud of their work, seeing as how there's no way they'll get to see this movie until sometime next decade). Michelle Trachtenberg and Jeff Licon have fairly thankless roles, playing characters who are somewhat less clear and crucial in the film than their characters were in the book. But they don't sweat that, they just play what the screen play has them do, and they excel. Licon, especially, I think, although Trachtenberg is at a disadvantage, as her part is really pretty small.
And for me, at least, I think Mary-Lynn Rajskub, Brady Corbet, and Joseph Gordon-Levitt give about as good performances as one can give. Rajskub is so good that she gives the other actors in the film a space to react that is almost visible. Corbet is quiet and intense; if his performance sometimes lacks motivation, it is probably deliberate, as his character is struggling with identity and memory. And as for Gordon-Levitt, man, that guy can act. I really have a hard time thinking of any acting performance ever that has affected me as much.
It is a difficult story, although I felt it ends hopefully. Hopefully, you will agree. Content is very strong, although perhaps not NC-17 strong. Not for kids. Adults, if you can get past the 2nd scene, you can get through it, but there is a lot of outlawed sexuality and violence. It is painful to watch at times, but to me at least, that's because the actors and the director managed to immerse me in the characters.
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