IMDb > Joe (2013/I)
Joe
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Joe (2013/I) More at IMDbPro »

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Joe -- An ex-con, who is the unlikeliest of role models, meets a 15-year-old boy and is faced with the choice of redemption or ruin.
Joe -- An ex-con, who is the unlikeliest of role models, meets a 15-year-old boy and is faced with the choice of redemption or ruin.
Joe -- An ex-con, who is the unlikeliest of role models, meets a 15-year-old boy and is faced with the choice of redemption or ruin.

Overview

User Rating:
6.9/10   39,020 votes »
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Popularity: ?
Down 11% in popularity this week. See why on IMDbPro.
Director:
Writers:
Gary Hawkins (written by)
Larry Brown (based on the novel by)
Contact:
View company contact information for Joe on IMDbPro.
Release Date:
11 April 2014 (Turkey) See more »
Genre:
Plot:
An ex-con, who is the unlikeliest of role models, meets a 15-year-old boy and is faced with the choice of redemption or ruin. Full summary » | Add synopsis »
Plot Keywords:
Awards:
4 wins & 9 nominations See more »
NewsDesk:
(2 articles)
User Reviews:
A Refreshing, Unsentimental Portrayal of Southern Americana See more (123 total) »

Cast

  (Cast overview, first billed only)

Nicolas Cage ... Joe

Tye Sheridan ... Gary
Gary Poulter ... Wade a.k.a. G-Daawg

Ronnie Gene Blevins ... Willie-Russell

Adriene Mishler ... Connie
Brian Mays ... Junior (as Brian D. Mays)
Aj Wilson McPhaul ... Earl (as A.J. Wilson McPhaul)

Sue Rock ... Merle

Heather Kafka ... Lacy

Brenda Isaacs Booth ... Mother (as Brenda Isaacs-Booth)

Anna Niemtschk ... Dorothy
Elbert Hill III ... Shorty (as Elbert Evan Hill III)
Milton Fountain ... Milton
Roderick L. Polk ... Roscoe

Aaron Spivey-Sorrells ... Sammy
See more »

Additional Details

Also Known As:
MPAA:
Rated R for violence, disturbing material, language and some strong sexual content
Runtime:
117 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Filming Locations:

Did You Know?

Trivia:
David Gordon Green often casts locals in his movies. Gary Poulter was a homeless man in Austin. Poulter died on the streets of Austin on Feb. 19, 2013, 2 months after filming ended.See more »
Goofs:
Continuity: When Joe and Gary are looking for the dog, Gary climbs into the driver's seat of the truck. When they arrive, Joe is driving.See more »
Quotes:
[first lines]
Gary:Hey, you old man, you look at me. I got som'in' to say to you. Every time we land someplace new, you say it's gonna be different, but it ain't. You mess up... a lot... then you leave a mess for me and Momma and Dorothy to clean up, and that ain't right. That's all I'm sayin'. Hell, I do what I gotta do. You do whatever the hell you want - whatever you can get away with. You're just a...
[...]
See more »
Movie Connections:
References A Fistful of Dollars (1964)See more »
Soundtrack:
Forest of Evil (Dawn)See more »

52 out of 64 people found the following review useful.
A Refreshing, Unsentimental Portrayal of Southern Americana, 7 May 2014
Author: GSP_the_Moviegoer from United States

There's a quote about midway through David Gordon Green's Joe that I believe is crucial to understanding the film's thematic core. Forgive me if I'm paraphrasing but it goes something like 'These men have no more frontiers'. The line is in reference to the men Joe works with and in many ways applies to the titular character himself. Joe is a man that knows he is stuck; he has no where to go because his surroundings can't let him. Even though he thinks five steps ahead of the average man it is only delaying the inevitable. The conflict of the story however is not whether or not Joe lives but if he can save the future of a promising child, named Gary.

Joe is the kind of film that proves that a small story can be much more meaningful than a larger one. This kind of unsentimental character piece needs a small tight focus so all of the nuances of said characters shines through. Thankfully David Gordon Green understands this; his approach to directing the film is subtle and organic, allowing the actors to shine first and foremost. There are some understated flourishes and several instances of visual poetry but for the most part Green keeps things taut and unsentimental. He wants the audience to be immersed in the volatile world Gary and Joe inhabit.

And what a convincing world it is. Green's depiction of Southern lower class Americana is unsentimental, austere and straightforward. The film doesn't feel the need to overemphasize aspects of these characters live. Nothing is glamorized, nothing romanticized; the film aims for a hard hitting depiction of the character's world which only serves to further highlight the core conflict. Green understands that the audience needs to understand how close Gary and his sister are to harm and in doing so has crafted a thoroughly realized community teeming with details and nuances.

But the real centerpiece of the film is it's acting; three performances in particular stick out. Cage's Joe, Sheridan's Gary and Gary Poulter's Wade. Cage's depiction of Joe is not quite the subdued performance many critics made it out to be. Instead it is a silent colossus of a performance. One of Cage's biggest strengths as an actor is the ability to convey a character's thought process without saying a word. He makes a perfect fit for Joe; a man who is always moving, thinking, never given to slowing down. He is a frank straightforward man and Cage does the character justice. Equally excellent is Sheridan's Gary. Coming off his sterling performance in Mud, Sheridan proves himself one of the most promising actors of the younger generation. He brings balances both the character's more mature and intelligent feelings and ambitions with a raw, primal rage that surfaces in a truly explosive manner. Finally we have Gary Poulter, the dark horse of this movie. A non-actor Poulter was hired due to his similarity to the character he was portraying. And boy does he nail it. Seething with a kind of disheveled rage, imbued with a selfish nostalgic anger for a time he had a future; Wade is a truly terrifying character only made more terrifying by Poulter's raw, thoroughly convincing performance. If Joe is symbolizes a man in societal stagnation, Wade is that stagnation taken to it's logical, horrific end.

Joe is a gritty, hard movie about gritty hard people but it's also intelligent, heartfelt and riveting from the first frame to the last. It solidifies the comeback for David Gordon Green as a unique presence in American cinema and hopefully is a sign that Cage will do more of these kinds of austere, gripping character pieces more often in the future.

9/10

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