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Tim Orr (II)


Tim Orr was born in 1968 in North Carolina, USA. He is known for his work on Pineapple Express (2008), Seeking a Friend for the End of the World (2012) and Your Highness (2011). See full bio »
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2 wins & 5 nominations. See more awards »

Known For

Filmography

Hide Hide Show Show Cinematographer (40 credits)
 2016 Pee-wee's Big Holiday (TV Movie) (filming)
 2014 Search Party
 2014 Cymbeline
 2014 Manglehorn
 2014 Red Oaks (TV Series) (1 episode)
- Pilot (2014)
 2013/I Joe (director of photography)
 2013 Prince Avalanche (director of photography)
 2012 Stuck in Love
 2012 Local Talent (TV Series) (2012)
 2011 The Sitter
 2011 Your Highness (director of photography)
 2011 His Way (TV Movie documentary)
 2010 Bloodworth
  Eastbound & Down (TV Series) (1 episode, 2009) (director of photography - 5 episodes, 2009)
- Chapter 6 (2009) ... (director of photography)
- Chapter 5 (2009) ... (director of photography)
- Chapter 4 (2009) ... (director of photography)
- Chapter 3 (2009) ... (director of photography)
- Chapter 2 (2009) ... (director of photography)
 2009 Observe and Report (director of photography)
 2008 Sex Drive (director of photography)
 2008 Pineapple Express (director of photography)
 2008 Choke (director of photography)
 2007/I Year of the Dog (director of photography)
 2007/I Snow Angels
 2006 Off the Black
 2006 Come Early Morning (director of photography)
 2005 Trust the Man (director of photography)
 2005 The Baxter (director of photography)
 2004 Undertow (director of photography)
 2004 Dandelion
 2003 All the Real Girls (director of photography)
 2002 EvenHand
 2002 The Rough South of Larry Brown (Documentary)
 2000 George Washington (director of photography)
 1998 Laundry (Short)
Show Show Camera and Electrical Department (1 credit)
Show Show Self (1 credit)

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Did You Know?

Personal Quote:

As much as I love film, and still prefer to shoot it, I think the move to digital is a good thing. It is another tool for the cinematographer. Film is not as much of an option as it used to be, but digital offers certain advantages over film that I embrace as a good thing, particularly low light performance. I can shoot in much lower light, which I prefer.[2015]

Trivia:

One of 105 people invited to join AMPAS in 2008. See more »

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