While it is highly unlikely that Matthew Weiner and the writers and creators of Mad Men titled their ninth episode of the fifth season "Dark Shadows" before they knew it would be premiering the same weekend as the Burton/Depp adaptation hit the silver screen, it is incredibly fitting that they would give an episode of this show such a title. In fact, I had just been thinking about the new Tim Burton film (which I saw the night before) right before this episode premiered last night.
What struck me about the new film adaptation was how forced everything seemed. While staying relatively true to the time period the film is set in (1972), the film constantly seems to throw in extra set pieces or songs to beg its audience to buy that the film is set in the early seventies. Mad Men, meanwhile, is a show that is sometimes stunning to realize that it is being filmed a decade plus into the 2000s. Instead of putting a rock 'em sock 'em robot game on the screen or playing music that is some of the most popular from the period, Mad Men develops its era through character interactions, costume, and story arches.
Take last night for example. Our main story revolves around the relationship between Don and Betty as a split couple, namely Betty's attempts to make Don's life a little more unpleasant. While Betty is married to a very wealthy politician and she lives in an incredible and luxurious house, she struggles with many problems that women do around her age. As she stands in Don's apartment for the first time, she sees Megan in the bedroom putting a shirt on over her skinny torso. Betty can't look away for several seconds as she realizes this is what she used to be: Don's model/trophy wife that was everything the man could ever want. But who is Betty now: an overweight house wife that struggles with self-confidence and eating problems.
To read the rest of the review (IMDb form too short) visit: http://custodianfilmcritic.com/mad- men-5-9-dark-shadows/
What struck me about the new film adaptation was how forced everything seemed. While staying relatively true to the time period the film is set in (1972), the film constantly seems to throw in extra set pieces or songs to beg its audience to buy that the film is set in the early seventies. Mad Men, meanwhile, is a show that is sometimes stunning to realize that it is being filmed a decade plus into the 2000s. Instead of putting a rock 'em sock 'em robot game on the screen or playing music that is some of the most popular from the period, Mad Men develops its era through character interactions, costume, and story arches.
Take last night for example. Our main story revolves around the relationship between Don and Betty as a split couple, namely Betty's attempts to make Don's life a little more unpleasant. While Betty is married to a very wealthy politician and she lives in an incredible and luxurious house, she struggles with many problems that women do around her age. As she stands in Don's apartment for the first time, she sees Megan in the bedroom putting a shirt on over her skinny torso. Betty can't look away for several seconds as she realizes this is what she used to be: Don's model/trophy wife that was everything the man could ever want. But who is Betty now: an overweight house wife that struggles with self-confidence and eating problems.
To read the rest of the review (IMDb form too short) visit: http://custodianfilmcritic.com/mad- men-5-9-dark-shadows/