| Photos (See all 14 | slideshow) | Videos (see all 7) |
| Malin Akerman | ... | Tes | |
| Nikki Reed | ... | Kara | |
| Deborah Ann Woll | ... | Dawn | |
| Forest Whitaker | ... | Ronny | |
| Bruce Willis | ... | Mel | |
| Shea Whigham | ... | Billy | |
| Jimmy Lee Jr. | ... | Jesse / Trucker | |
| Brad Dourif | ... | Sheriff Connors | |
| Jill Stokesberry | ... | Francine | |
| P.J. Marshall | ... | Deputy Elmore | |
| Dan Silver | ... | Businessman David (as Dan Sliver) | |
| Michael Rosenbaum | ... | Brandon | |
| Edrick Browne | ... | Davon | |
| Christopher Alan Weaver | ... | Male Diner Patron (as Christopher Allen Weaver) | |
| Amanda Bosley | ... | Female Diner Patron | |
| Ivory Dortch | ... | Strip Club Waitress | |
| rest of cast listed alphabetically: | |||
| Kevin Beard | ... | Mel's Driver (uncredited) | |
Directed by | |||
| Aaron Harvey | |||
Writing credits | ||
| Aaron Harvey | (written by) | |
Original Music by | |||
| Ben Zarai | |||
Cinematography by | |||
| Jeff Cutter | |||
Film Editing by | |||
| Richard Byard | |||
Casting by | |||
| Shannon Makhanian | |||
Production Design by | |||
| Gary Frutkoff | |||
Art Direction by | |||
| Gary Myers | |||
Costume Design by | |||
| Johanna Argan | |||
Makeup Department | |||
| Nikki I Brown | .... | key makeup artist | |
| Robin Mathews | .... | personal makeup artist: Forest Whitaker | |
| Aimee Stuit | .... | makeup department head | |
| Amy Wood | .... | hair department head | |
Production Management | |||
| Beau J. Genot | .... | post-production supervisor | |
| Will Greenfield | .... | production manager | |
| Tracey Landon | .... | unit production manager | |
| Michael J. Urann | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Kim Barnard | .... | additional second assistant director | |
| Erik J. Carpenter | .... | second assistant director | |
| Cristi Rickey | .... | second second assistant director | |
| Chad Rosen | .... | first assistant director | |
Art Department | |||
| Paul Blanchard | .... | leadman | |
| Daniel Coe | .... | construction coordinator | |
| Jeff Hinds | .... | assistant property master | |
| Jason Glenn Jimes | .... | scenic foreman | |
| Andree Lago | .... | lead scenic | |
| David Myers | .... | scenic | |
| Citlali Quintana | .... | art department production assistant | |
| Corie Savary | .... | property assistant | |
| Cydney Tucker | .... | art department production assistant | |
| Jason Wilson | .... | construction foreman | |
Sound Department | |||
| Steve C. Aaron | .... | production sound mixer | |
| David Barber | .... | sound re-recording mixer | |
| Gonzalo Espinoza | .... | foley artist | |
| David Kitchens | .... | sound supervisor | |
| Brad Lokey | .... | second boom operator | |
| Jared Watt | .... | boom operator | |
Special Effects by | |||
| Jason Babin | .... | special effects supervisor | |
Visual Effects by | |||
| Tegan Arnold | .... | visual effects artist | |
| Aaron Milus | .... | visual effects artist | |
Stunts | |||
| Kevin Beard | .... | stunt coordinator | |
| Lex D. Geddings | .... | stunt double: Bruce Willis | |
| Jill Stokesberry | .... | stunts | |
Camera and Electrical Department | |||
| Steve Dietl | .... | still photographer | |
| David Easley | .... | grip | |
| Carter Lee Garrett | .... | lighting technician | |
| Gonzalo Gonzalez | .... | best boy electric | |
| Daniel Hanych | .... | a camera | |
| Christopher D. Jones | .... | dolly grip: "b" camera | |
| Ryosuke Kawanaka | .... | additional second assistant camera | |
| Kevin Lippincott | .... | rigging electrician: Louisiana | |
| Chris Lyon | .... | digital imaging technician assistant | |
| Saul McSween | .... | camera intern | |
| Brent Swampy Mullins | .... | key rigging grip | |
| Robert Owen | .... | lighting technician | |
| Joseph Paolucci Jr. | .... | best boy rigging electrician | |
| Allen Parks | .... | gaffer | |
| Max Patrucco | .... | rigging grip | |
| Brice Reid | .... | b camera first assistant | |
| Kyle Spicer | .... | digital imaging technician | |
| Michael Stumpf | .... | Steadicam operator | |
| Michael Stumpf | .... | camera operator: "a" camera | |
Casting Department | |||
| Andrei Constantinescu | .... | extras casting director | |
Costume and Wardrobe Department | |||
| Kasey C. Bazil | .... | costumer: Forest Whitaker | |
| Rochelle Best | .... | costume supervisor | |
| Andree Fortier | .... | ager/dyer | |
| Rachel A. Walker | .... | set costumer | |
| Jessica Wenger | .... | assistant costume designer | |
| Margaret Wren | .... | costume assistant | |
| Jessica Posada | .... | costume production assistant (uncredited) | |
Editorial Department | |||
| Tegan Arnold | .... | colorist | |
| Tegan Arnold | .... | conform artist | |
| Jeff Brue | .... | digital intermediate film consultant | |
| Emily Koonse | .... | assistant editor | |
| Alan Pao | .... | digital intermediate producer | |
| Sebastian Perez-Burchard | .... | additional colorist | |
| Heather Toll | .... | post-production coordinator | |
Music Department | |||
| Joe Paganelli | .... | music supervisor | |
| Fernando Perdomo | .... | musician | |
Transportation Department | |||
| Gary L. Horton | .... | driver | |
| David Jennings | .... | driver | |
| Cindi Randall | .... | transportation captain | |
| Beverly Reeves | .... | driver | |
Other crew | |||
| Samantha Bonilla | .... | accounting clerk | |
| Aaron T. Brown | .... | set production assistant | |
| Christina DeCharles | .... | location manager | |
| Shellie Gillespie | .... | production accountant | |
| Harrison Huffman | .... | office production assistant | |
| R. Todd Jones | .... | photo double/stand in for Bruce Willis | |
| Chris Kibler | .... | first assistant accountant | |
| Andre Le | .... | key assistant location manager | |
| Tanya Leal Soto | .... | assistant to mr. whitaker | |
| Brian A. Litman | .... | assistant post-production accountant | |
| Marco Martinez | .... | dialect coach: Forest Whitaker | |
| Travis Alan McAfee | .... | key set production assistant | |
| Patrick McBride | .... | office production assistant (as Patrick Tollett) | |
| Tim McDuffee | .... | production assistant | |
| Aaron Milus | .... | title designer | |
| Phillip Noorani | .... | assistant to producer | |
| Rick Rosenthal | .... | production counsel | |
| Dee Schuka | .... | post production accountant | |
| Druscilla Smith | .... | production secretary | |
| Timothy C. Sullivan | .... | assistant to producer | |
| Julia Tasker | .... | script supervisor | |
| Michelle Tonjes | .... | stand-in (as Michelle Lott) | |
| David Lee Valle | .... | armorer/gun handler | |
| Chevy White | .... | photo double/stand-in (as Cheavis White) | |
| Daryl Wilsford | .... | location assistant | |
| Courtney Shay Young | .... | stand-in/photo double: Nikki Reed | |
Thanks | |||
| Joshua Carl Allen | .... | special thanks | |
| Eric Binns | .... | special thanks | |
| Jeremy Fox | .... | special thanks | |
| Nicholas McCarthy | .... | special thanks | |
| Nils Timm | .... | special thanks | |
| Daniel Zirilli | .... | special thanks (as The General) | |
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| The Hard Easy | The Specialist | Death Wish | Outbreak | The Stunt Man |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
I am only thankful that I have the option of turning off a film when my eyes begin to bleed. I have the feeling that Bruce Willis is either contractually obligated to make these films, or that he is desperate for work. I have been a big fan of Forest Whitaker for a long time and his performance is the only aspect of this nightmare on stilts that is not contemptible to the nth degree. Giving nothing away, let me just say that watching three airhead bimbos acting like tough guys for an hour and a half is an objective and honest summation of this "film". Willis has very minor scenes-where he is "less" than usual- and the rest is a haphazard mix of of terrible acting on the parts of our three "heroines". The actresses are all snotty and so dumb that it seems like the producers deliberately made a bloody gangster film for angry teenage drama queens. I do not mind ultra-violence, but targeting children - the way this movie seems to do- is reprehensible. Where are all the good writers. Why cant we put the art back into "blown apart"?