For Tes (Akerman) and her two cohorts Kara (Nikki Reed) and Dawn (Deborah Ann Woll), the job sounded simple enough: intercept a double-cross drug shipment for their crime boss Mel (Willis) ... See full summary »
Ex-private dancer Beth aspires to be a Las Vegas cocktail waitress, when she falls in with Dink, a sports gambler. Sparks fly as she proves to be something of a gambling prodigy--much to the ire of Dink's wife, Tulip.
A comedy about a veteran NYPD cop whose rare baseball card is stolen. Since it's his only hope to pay for his daughter's upcoming wedding, he recruits his partner to track down the thief, a memorabilia-obsessed gangster.
Juan Carlos Hernández
At a Catholic high school, the popular girl teams up with a sophomore newspaper reporter to investigate a case of stolen SAT exams. Once the duo target their suspects, a larger conspiracy is unearthed.
When Davis Green's alluring young cousin Alexis shows up on his doorstep, he discovers a side of his family that had been kept secret his entire life. As the two get closer, they set out to... See full summary »
Deborah Ann Woll
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
For Tes (Akerman) and her two cohorts Kara (Nikki Reed) and Dawn (Deborah Ann Woll), the job sounded simple enough: intercept a double-cross drug shipment for their crime boss Mel (Willis) at an isolated diner. But when an unstoppable chain of events unfolds, everyone soon realizes no one is who they seem and the job may be something other than eliminating the competition. What started as simple instructions has now turned into a deadly cat-and-mouse game - with large guns pointed at everyone. Written by
All the blood and gore of a Quentin Tarentino movie without the clever dialog or interesting characters. I feel sorry for any actor who has to deliver lines this insipid, forced and downright dull. I kept hoping for a likable character or someone with a trace of moral fiber to show up but it just never happened. I imagine if Tarentino had written, directed, and cast this movie it would have been at least watchable. As it is, though, this kind of imitation doesn't constitute any sort of flattery whatsoever. If it were possible to do so I would advise Quentin Tarentino to sue the makers of this film for stealing his style without doing it any justice at all.
Bruce Willis is, as always, Bruce Willis. But they put some effort into making him appear repulsive and then give him very little to work with. Either in terms of some decent lines or actors who give him something to play off of.
If you absolutely have to see everything Bruce Willis does than you will have to sit through this movie. But that's the only reason I can think of for doing so.
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