For Tes (Akerman) and her two cohorts Kara (Nikki Reed) and Dawn (Deborah Ann Woll), the job sounded simple enough: intercept a double-cross drug shipment for their crime boss Mel (Willis) ...
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Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
An aging alcoholic cop is assigned the task of escorting a witness from police custody to a courthouse 16 blocks away. There are, however, chaotic forces at work that prevent them from making it in one piece.
John McClane travels to Russia to help out his seemingly wayward son, Jack, only to discover that Jack is a CIA operative working undercover, causing the father and son to team up against underworld forces.
For Tes (Akerman) and her two cohorts Kara (Nikki Reed) and Dawn (Deborah Ann Woll), the job sounded simple enough: intercept a double-cross drug shipment for their crime boss Mel (Willis) at an isolated diner. But when an unstoppable chain of events unfolds, everyone soon realizes no one is who they seem and the job may be something other than eliminating the competition. What started as simple instructions has now turned into a deadly cat-and-mouse game - with large guns pointed at everyone. Written by
Lizzy Caplan dropped out of the project and Deborah Ann Woll was cast as Dawn. See more »
Before Mel shoots Rony he cocked the Hammer of his revolver. When he shoots Ronny one can clearly see the hammer fall. In the next shot the hammer is cocked again and Mel decocks it. Revolvers do not cock themselves after firing a shot, unlike semi-automatic pistols. See more »
It's sad, isn't it? I've been working with you seven years. Seven years. I always liked you. I Always looked after you. But I never trusted you.
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I am only thankful that I have the option of turning off a film when my eyes begin to bleed. I have the feeling that Bruce Willis is either contractually obligated to make these films, or that he is desperate for work. I have been a big fan of Forest Whitaker for a long time and his performance is the only aspect of this nightmare on stilts that is not contemptible to the nth degree. Giving nothing away, let me just say that watching three airhead bimbos acting like tough guys for an hour and a half is an objective and honest summation of this "film". Willis has very minor scenes-where he is "less" than usual- and the rest is a haphazard mix of of terrible acting on the parts of our three "heroines". The actresses are all snotty and so dumb that it seems like the producers deliberately made a bloody gangster film for angry teenage drama queens. I do not mind ultra-violence, but targeting children - the way this movie seems to do- is reprehensible. Where are all the good writers. Why cant we put the art back into "blown apart"?
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