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Directed by
Jonathan Demme |
Produced by
Brian Ackerman | ... | associate producer |
Glenn Allen | ... | executive producer |
Stephen Apkon | ... | producer |
Dominick Balletta | ... | associate producer |
Shane Bissett | ... | associate producer |
Rocco Caruso | ... | executive producer |
Jonathan Demme | ... | producer |
Abdul Franklin | ... | executive producer |
Lindsay Jaeger | ... | producer |
Simon Kilmurry | ... | executive producer |
Todd Sandler | ... | co-producer |
Daniel Wolff | ... | producer |
Cinematography by
Jonathan Demme |
Editing by
Ido Haar |
Editorial Department
Glenn Allen | ... | additional editor |
Cristina Esterás-Ortiz | ... | digital imaging producer (as Cristina Esteras-Ortiz) / digital intermediate producer (as Cristina Esteras-Ortiz) |
Abdul Franklin | ... | additional editor |
Caroline Goodman-Thomases | ... | assistant editor |
Brooke Marin | ... | post-production assistant |
Jenny McCormack | ... | additional editor / supervising editor |
Ben Perez | ... | colorist |
Todd Sandler | ... | post production supervisor |
Alexander White | ... | post-production assistant |
Chloe Zimmerman | ... | post-production assistant |
Sound Department
Leslie Bloome | ... | sound engineer (as Leslie Bloom) |
Lucas Cantor | ... | sound engineer |
Rick Chefalas | ... | sound editor |
Joshua Cipolla | ... | sound engineer |
Paul Urmson | ... | sound mixer |
Lawrence Zipf | ... | sound editor |
Visual Effects by
Cristina Esterás-Ortiz | ... | digital imaging producer (as Cristina Esteras-Ortiz) |
Camera and Electrical Department
Anthony S. Calypso | ... | additional camera |
Kathleen Corgan | ... | additional camera |
Brooklyn Demme | ... | additional camera |
Samantha Feltus | ... | additional camera |
Abdul Franklin | ... | additional camera |
Caroline Goodman-Thomases | ... | additional camera |
Ido Haar | ... | additional camera |
Lindsay Jaeger | ... | additional camera |
Declan Quinn | ... | additional camera |
Music Department
Amir Elsaffar | ... | musician |
Will Holshouser | ... | musician |
Jackie Mulhearn | ... | assistant music supervisor |
Suzana Peric | ... | music editor |
Zafer Tawil | ... | musician / original music by |
Jennifer Vincent | ... | musician |
Additional Crew
Shane Bissett | ... | associate producer |
Terry Brown | ... | digital imaging |
Sung Hee Cho | ... | title design |
Jill Cowan | ... | archival footage researcher |
Eitan Hakami | ... | digital imaging advisor |
Susan Kineke | ... | title design |
Thom O'Connor | ... | post production technical advisor |
Agatha Rybicki | ... | title design |
J. Amanda Sabater | ... | intern / intern/clinica estetico |
Maral Satari | ... | intern / intern/clinica estetico |
Justin Scutieri | ... | intern / intern/clinica estetico |
Mitchell Sharrock | ... | intern / intern/clinica estetico |
Karen Shatzkin | ... | legal services |
Tavis Smiley | ... | godfather |
Flor Tejada | ... | intern / intern/clinica estetico |
Thanks
Delores Cager | ... | special thanks |
Dick Connette | ... | special thanks |
Brandon Darby | ... | special thanks |
Barry Eastmond | ... | special thanks |
Anne Gisleson | ... | special thanks |
Gary Goetzman | ... | special thanks |
Charlie Griak | ... | special thanks |
Ron Harris | ... | special thanks |
Mel Jones | ... | special thanks |
Antoinette K-Doe | ... | dedicated to |
Sakura Kone | ... | special thanks |
Norman Lear | ... | special thanks |
James McBride | ... | special thanks |
Cyril Neville | ... | special thanks |
Nitzan Ofir | ... | special thanks |
Jenny Poplar | ... | special thanks |
Abby Popper | ... | special thanks |
Malik Rahim | ... | special thanks |
George Sheanshang | ... | special thanks |
Mary Spriggens | ... | special thanks |
Mary Steenburgen | ... | special thanks |
Maud Streep | ... | special thanks |
Leona Tate | ... | special thanks |
Ernest Taylor | ... | special thanks |
Cornel West | ... | special thanks |
Production Companies
Distributors
Special Effects
Other Companies
- Film Emporium (e&o insurance)
- Mega Playground (color grading)
- Sony Electronics (special thanks)
- Zeitgeist Multi-Disciplinary Arts Center (special thanks)
Storyline
Plot Summary |
I'm Carolyn Parker unfolds as an inspiring portrait of an extraordinary woman. Carolyn Parker was the last to leave her neighborhood when Hurricane Katrina approached New Orleans in the summer of 2005. After the floodwaters subsided, she was the first resident to return to her now flood-devastated community with what many thought was the "impossible dream" of bringing her ruined home back to life. A Jonathan Demme film. Written by Anonymous |
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Parents Guide | Add content advisory for parents » |
Certification |
Additional Details
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Box Office
Budget | $206,000 (estimated) |
Did You Know?
Movie Connections | Edited into I'm Carolyn Parker: The Good, the Mad, and the Beautiful (2012). See more » |