Berberian Sound Studio (2012)
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- Not Rated
- 1h 32min
- Drama, Horror
- 31 Aug 2012 (UK)
- Movie
A sound engineer's work for an Italian horror studio becomes a terrifying case of life imitating art.
Director:
Writers:
Stars:
Awards:
- 16 wins & 16 nominations.
- See more »
Reviews:
Photos and Videos
Cast
| Toby Jones | ... |
Gilderoy
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| Cosimo Fusco | ... |
Francesco Coraggio
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| Antonio Mancino | ... |
Giancarlo Santini
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| Fatma Mohamed | ... |
Silvia as Teresa
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Salvatore Li Causi | ... |
Fabio
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| Chiara D'Anna | ... |
Elisa as Teresa
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| Tonia Sotiropoulou | ... |
Elena
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| Eugenia Caruso | ... |
Claudia as Monica / Screamer: 'Equestrian Vortex Sound'
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Susanna Cappellaro | ... |
Veronica as Accused Witch
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| Guido Adorni | ... |
Lorenzo
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Lara Parmiani | ... |
Chiara as Signora Collatina
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Jozef Cseres | ... |
Massimo
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Pál Tóth | ... |
Massimo
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Katalin Ladik | ... |
Resurrected Witch
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Jean-Michel Van Schouwburg | ... |
The Goblin
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Justin Turner | ... |
Gong
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Miklós Kemecsi | ... |
Gong and Philicorda
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Elisa Librelotto | ... |
Audtionee
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Layla Amir | ... |
Auditionee
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| Hilda Péter | ... |
Auditionee
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Zsuzsanna Büksi | ... |
Auditionee
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Adam Bohman | ... |
Box Hill Rambler
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Jonathan Bohman | ... |
Box Hill Idler
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Ted Tomlin | ... |
Box Hill Narrator
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Tag | ... |
Alfonso
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| Salvatore Greco | ... |
Luigi's Assistant
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Massimo Marinoni | ... |
Gilderoy's Italian Voice (voice)
(as Massimo Maronini)
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| Suzy Kendall | ... |
Special Guest Screamer: 'Equestrian Vortex Sound' (voice)
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| Claire Crosby | ... |
Screamer: 'Equestrian Vortex Sound' (voice)
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Tracy Bolgar | ... |
Screamer: 'Equestrian Vortex Sound' (voice)
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Patsy Preston | ... |
Screamer: 'Equestrian Vortex Sound' (voice)
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Sarah Redpath | ... |
Screamer: 'Equestrian Vortex Sound' (voice)
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Kata Bartsch | ... |
Screamer: 'Equestrian Vortex Sound' (voice)
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Stephanie Kirby | ... |
Screamer: 'Equestrian Vortex Sound' (voice)
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Rachel McGrother | ... |
Screamer: 'Equestrian Vortex Sound' (voice)
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Diana Rogerson | ... |
Screamer: 'Equestrian Vortex Sound' (voice)
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| Rest of cast listed alphabetically: | |||
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Claudia Duffy | ... |
Screamer: 'Equestrian Vortex Sound' (uncredited) (voice)
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Natalia Mattielighova | ... |
Screamer: 'Equestrian Vortex Sound' (uncredited) (voice)
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Luba Sefsikova | ... |
Screamer: 'Equestrian Vortex Sound' (uncredited) (voice)
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Directed by
| Peter Strickland | ... | (directed by) |
Written by
| Peter Strickland | ... | (written by) |
| Jon Croker | ... | (story editor: UK Film Council) |
Produced by
| Mary Burke | ... | producer (produced by) |
| Katherine Butler | ... | executive producer |
| Nicky Earnshaw | ... | line producer |
| Hans W. Geissendörfer | ... | co-producer (as Hans W. Geißendörfer) |
| Keith Griffiths | ... | producer (produced by) |
| Robin Gutch | ... | executive producer |
| Hugo Heppell | ... | executive producer |
| Michael Weber | ... | executive producer |
Music by
| Broadcast | ... | (original music by) |
| James Cargill | ... | (original music written and performed by) |
| Trish Keenan | ... | (original music written and performed by) |
Cinematography by
| Nicholas D. Knowland | ... | (as Nic Knowland) |
Editing by
| Chris Dickens | ||
Editorial Department
| Fiorenza Bagnariol | ... | digital film bureau: Deluxe 142 Features: digital intermediate provided by |
| Katie Bullock-Webster | ... | post production co-ordinator: second unit & pick-ups |
| Tonia Cohen | ... | negative checker |
| Peter Collins | ... | digital intermediate assistant: Deluxe 142 Features: digital intermediate provided by |
| Gisela Evert | ... | post production supervisor |
| Rob Farris | ... | digital intermediate producer: Deluxe 142 Features: digital intermediate provided by |
| Mátyás Fekete | ... | assistant editor: second unit & pick-ups |
| Marie Fernandes | ... | digital intermediate producer: Deluxe 142 Features: digital intermediate provided by |
| Cheryl Goodbody | ... | digital intermediate assistant producer: Deluxe 142 Features: digital intermediate provided by |
| Emily Greenwood | ... | digital online editor: Deluxe 142 Features: digital intermediate provided by |
| Andy Hague | ... | assistant editor: second unit & pick-ups |
| Neil Harrison | ... | systems administrator: Deluxe 142 Features: digital intermediate provided by |
| Dan Helme | ... | data wrangler: Deluxe 142 Features: digital intermediate provided by |
| Timothy P. Jones | ... | digital film bureau: Deluxe 142 Features: digital intermediate provided by |
| Rahat Kulshreshtha | ... | post production co-ordinator: Warp X |
| Patrick Malone | ... | digital intermediate head of department: Deluxe 142 Features: digital intermediate provided by |
| Laura Pavone | ... | digital film bureau: Deluxe 142 Features: digital intermediate provided by |
| Rob Pizzey | ... | digital colourist: Deluxe 142 Features: digital intermediate provided by |
| Gordon Pratt | ... | digital film bureau: Deluxe 142 Features: digital intermediate provided by |
| Aurora Shannon | ... | digital intermediate assistant: Deluxe 142 Features: digital intermediate provided by |
| Justin Tillett | ... | digital online editor: Deluxe 142 Features: digital intermediate provided by |
| Laurent Treherne | ... | digital film technical supervisor: Deluxe 142 Features: digital intermediate provided by |
| Jet Omoshebi | ... | digital colourist (uncredited) |
| John Palmer | ... | digital film bureau manager (uncredited) |
Production Design by
| Jennifer Kernke | ||
Art Direction by
| Sarah Finlay | ||
Costume Design by
| Julian Day | ||
Makeup Department
| Karen Hartley | ... | hair designer (as Karen Hartley Thomas) / make-up designer (as Karen Hartley Thomas) |
| Karen Teitge | ... | hair artist / make-up artist |
| Victoria Wallen | ... | hair artist / make-up artist |
Production Management
| Cavin Dempsey | ... | production manager: Cavin Dempsey Film & TV Services |
| Tracey Josephs | ... | head of production: Film4 |
| Fiona Lamptey | ... | production manager: Film4 |
| Fiona Morham | ... | head of production: UK Film Council |
| Gerardine O'Flynn | ... | production manager |
| Barry Ryan | ... | head of production: Warp X |
| Polly Stokes | ... | production manager: second unit & pick-ups |
Second Unit Director or Assistant Director
| Anna Brabbins | ... | second assistant director |
| Amanda Dudley | ... | third assistant director |
| Alex Rendell | ... | first assistant director |
Art Department
| Luisa Aribe | ... | graphic artist |
| Chris Bruff | ... | carpenter: Cavin Dempsey Film & TV Services |
| Phill Claxton | ... | painter: Cavin Dempsey Film & TV Services |
| John Davis | ... | painter: Cavin Dempsey Film & TV Services |
| C.J. Dempsey | ... | standby chippie: Cavin Dempsey Film & TV Services (as CJ Dempsey) |
| Cavin Dempsey | ... | construction production manager: Cavin Demopsey Film & TV Services |
| Julian House | ... | graphic designer / title sequence: Equestrian Vortex |
| Krisztián Kristóf | ... | graphic artist |
| Joe Lobley | ... | prop hand |
| Richard Maris | ... | prop hand |
| Alex McDonnald | ... | painter: Cavin Dempsey Film & TV Services |
| Dan Montague | ... | painter: Cavin Dempsey Film & TV Services |
| Debra Overton | ... | standby art director |
| Antony Parnell | ... | prop hand |
| Steve Parnell | ... | prop master |
| Daisy Popham | ... | production buyer |
| Neil Robertson | ... | carpenter: Cavin Dempsey Film & TV Services |
| Bart Tuft | ... | standby props |
| Alex Wells | ... | carpenter: Cavin Dempsey Film & TV Services |
Sound Department
| The Bohman Brothers | ... | sound effects recordists: Equestrian Vortex Sound |
| Per Boström | ... | sound effects recordist: Equestrian Vortex Sound |
| Andy Botham | ... | re-recording engineer: second unit & pick-ups |
| Emanuele Carcone | ... | sound consultant: Alga Marghen |
| Jonathan Coleclough | ... | original composed effects: Equestrian Vortex Sound |
| Doug Cooper | ... | re-recording mixer: second unit & pick-ups |
| Alice Crosby | ... | booking co-ordinator: De Lane Lea, London: second unit & pick-ups |
| Rebecca Daly | ... | assistant sound editor: second unit & pick-ups |
| Matt Davies | ... | mix assistant: second unit & pick-ups |
| Gábor Erdélyi | ... | sound effects recordist: Equestrian Vortex Sound (as Gábor Erdélyi Jr.) |
| Colin Fletcher | ... | sound consultant / sound effects recordist: Equestrian Vortex Sound |
| Linda Forsén | ... | dialogue editor: second unit & pick-ups |
| Clive Graham | ... | sound effects recordist: Equestrian Vortex Sound |
| Michael Hamilton | ... | scheduling supervisor: De Lane Lea, London: second unit & pick-ups |
| Graham V. Hartstone | ... | sound consultant (as Graham Hartstone) |
| Dan Hayhurst | ... | sound demo: Equestrian Vortex Sound |
| Stevie Haywood | ... | sound recordist (as Steve Haywood) |
| Miia Jyrälä | ... | foley recordist: second unit & pick-ups (as Miia Nevalainen) |
| Tim Kirby | ... | original composed effects: Equestrian Vortex Sound |
| Heikki Kossi | ... | foley supervisor: second unit & pick-ups |
| Andrew Liles | ... | original composed effects: Equestrian Vortex Sound |
| Joe Maher | ... | re-recording engineer: second unit & pick-ups |
| Christer Melén | ... | sound effects editor: second unit & pick-ups / sound effects recordist: Equestrian Vortex Sound |
| Markus Moll | ... | re-recording mixer: second unit & pick-ups |
| Colin Potter | ... | original composed effects: Equestrian Vortex Sound |
| Jay Radosavljevic | ... | boom operator |
| Larry Sider | ... | sound consultant |
| Andy Stallabrass | ... | ADR mixer: second unit & pick-ups |
| Steven Stapleton | ... | sound effects recordist: Equestrian Vortex Sound |
| Roj Stevens | ... | sound demo: Equestrian Vortex Sound |
| Joakim Sundström | ... | supervising sound editor |
| Tamás Székely | ... | sound effects recordist: Equestrian Vortex Sound |
| Ruben Aguirre Barba | ... | adr recordist (uncredited) |
| Robert Karlsson | ... | dolby sound consultant (uncredited) |
Special Effects by
| Andy Lowe | ... | special effects: projector |
Visual Effects by
| Simone Coco | ... | compositor: Rushes Film&TV |
| Paul Jones | ... | VFX producer: Rushes Film&TV |
| Tim Sidell | ... | optical effects photography (as Tim Sidell-Rodríguez) |
Stunts
| Rod Woodruff | ... | stunt co-ordinator |
Camera and Electrical Department
| Sam Alberg | ... | best boy: desk operator |
| Gareth Brough | ... | practical electrician |
| Alex Brown | ... | additional electrician |
| Robbie Chapman | ... | camera assistant |
| Ashley Cutmore | ... | camera trainee: second unit & pick-ups |
| Rana Darwish | ... | clapper loader |
| Sean Davis | ... | electrician |
| Jack English | ... | unit stills |
| Márk Gyõri | ... | director of photography: mood reel: second unit & pick-ups |
| George Haldsworth | ... | electrician (as George Holdsworth) |
| Sam Heasman | ... | electrician |
| Jon Howard | ... | focus puller: second unit & pick-ups (as John Howard) |
| Anthony Hugill | ... | focus puller: second unit & pick-ups |
| Tony Kay | ... | focus puller: second unit & pick-ups |
| Andy Lowe | ... | gaffer |
| Bruno Martins | ... | electrician |
| Joseph Mastrangelo | ... | focus puller: second unit & pick-ups |
| Tom McFarling | ... | focus puller |
| Dan Norrish | ... | electrician |
| David Nye | ... | electrician (as Dave Nye) |
| Felix Pickles | ... | clapper loader: second unit & pick-ups |
| Jake Polonsky | ... | camera operator: second unit & pick-ups |
| James Ray Leary | ... | grip |
| Duncan Riedl | ... | electrician |
| Nick Rowson | ... | camera trainee: second unit & pick-ups |
| Chris Rusby | ... | grip |
| Tim Sidell | ... | camera operator: second unit & pick-ups (as Tim Sidell-Rodríguez) |
| Chris Stones | ... | best boy: rigging |
| Reuben Sutherland | ... | face photography: Equestrian Vortex |
| Marek Szold | ... | face photography: Equestrian Vortex / photography: behind the scenes |
| Simon Thorpe | ... | grip |
Casting Department
| Shaheen Baig | ... | casting director: UK |
| Aisha Bywaters | ... | casting associate: UK (as Aisha Walters) |
| Beatrice Kruger | ... | casting director: Italy |
| Veronika Mancino | ... | casting assistant: Italy: FBI Casting S.r.l. |
| Layla Wolf-Zarpak | ... | casting assistant: UK (as Layla Merrick-Wolf) |
Costume and Wardrobe Department
| Shahida Day | ... | wardrobe supervisor (as Shaida Day) |
| Jules Goldsmith | ... | costume assistant |
| Anna Reynolds | ... | costume assistant |
Location Management
| Emma Woodcock | ... | location manager |
Music Department
| Hugh Bean | ... | performed by: "The Lark Ascending" |
| Adrian Boult | ... | conducted by: "The Lark Ascending" (as Sir Adrian Boult) |
| Phil Canning | ... | music supervisor |
| Colin Fletcher | ... | licensed courtesy of: "Interculinary Dimension" (as Fletcher) / licensed courtesy of: "Peristaltic" (as Fletcher) / written by: "Interculinary Dimension" (as Fletcher) / written by: "Peristaltic" (as Fletcher) |
| Tim Kirby | ... | licensed courtesy of: "Interculinary Dimension" (as Kirby) / licensed courtesy of: "Peristaltic" (as Kirby) / written by: "Interculinary Dimension" (as Kirby) / written by: "Peristaltic" (as Kirby) |
| Luigi Nono | ... | performed by: "Musiche Per Manzu" / written by: "Musiche Per Manzu" |
| The Sonic Catering Band | ... | performed by: "Interculinary Dimension" / performed by: "Peristaltic" |
| Steven Stapleton | ... | written by: "Dada X" / written by: "Glory Hole" |
| Roj Stevens | ... | performed by: "Trance & Bilocation" (as Roj) / written by: "Trance & Bilocation" (as Richard Stevens) |
| Peter Strickland | ... | licensed courtesy of: "Interculinary Dimension" (as Strickland) / licensed courtesy of: "Peristaltic" (as Strickland) / written by: "Interculinary Dimension" (as Strickland) / written by: "Peristaltic" (as Strickland) |
| Jean-Michel Van Schouwburg | ... | performed by: "The Main Thing" / written by: "The Main Thing" |
| Ralph Vaughan Williams | ... | written by: "The Lark Ascending" |
| Nurse With Wound | ... | licensed courtesy of: "Dada X" / licensed courtesy of: "Glory Hole" / performed by: "Dada X" / performed by: "Glory Hole" |
Script and Continuity Department
| Lola Dauda | ... | trainee script supervisor |
| Gladys San Juan | ... | trainee script supervisor |
| Marinella Setti | ... | script supervisor |
Additional Crew
| Geraldine Atlee | ... | senior business affairs executive: UK Film Council |
| Nicky Ball | ... | crew & freelance development manager: Screen Yorkshire |
| Alistair Binnie-Lubbock | ... | floor runner |
| Sue Bruce-Smith | ... | head of commercial development: Film4 |
| Eugenia Caruso | ... | ADR coach: Italy: Equestrian Vortex Sound |
| Tim Curtis | ... | legal services: Illumination Films |
| Claudia Duffy | ... | face: Equestrian Vortex |
| Zoe Flower | ... | unit publicist |
| Lizzie Francke | ... | senior production and development executive: UK Film Council |
| Federica Giudice | ... | translations: Italian |
| Jessica Guiffre | ... | ADR coach: Italy: Equestrian Vortex Sound |
| Mark Herbert | ... | CEO: Warp X |
| Patrick Hopkins | ... | EPK director |
| Chris Hordley | ... | production liaison manager: Screen Yorkshire |
| Jen Kenwood | ... | development assistant: Warp X |
| Orna Kustow | ... | translator: subtitling |
| Louise Long | ... | legal and business affairs: Film4 |
| Massimo Marinoni | ... | ADR coach: Italy: Equestrian Vortex Sound (as Massimo Maronini) |
| Alex Marshall | ... | business affairs: Warp X |
| Rachel Martin | ... | production secretary |
| Natalia Mattielighova | ... | face: Equestrian Vortex |
| Keeley Naylor | ... | unit publicist |
| Lita O'Sullivan | ... | production accountant |
| Amanda Pyne | ... | production finance: UK Film Council |
| Jim Richardson | ... | head of production support: Screen Yorkshire |
| Joana Maria Schmitzer | ... | international liaison: Illumination Films (as Joana-Maria Schmitzer) |
| Luba Sefsikova | ... | face: Equestrian Vortex (as Luba Šefsikova) |
| Tanya Seghatchian | ... | head of the film fund: UK Film Council |
| Nicola Sersale | ... | assistant translator: Italian |
| Niall Shamma | ... | head of finance: Warp X |
| Joel Stokes | ... | assistant production co-ordinator |
| Mary Wednesday | ... | translator: subtitling |
| Kate Wilson | ... | legal services: Warp X |
| Marysia Wisniewska | ... | floor runner |
| Henry Witten | ... | production assistant |
| Boyd Britton | ... | director observer (uncredited) |
| Mel Churcher | ... | dialogue coach: Antonio Mancino (uncredited) |
| David Johnstone | ... | insurance services: Media Insurance Brokers (uncredited) |
| Dóra Nedeczky | ... | production coordinator: pre-production (uncredited) |
Thanks
| Jim Backhouse | ... | thanks to |
| Linda Beath | ... | thanks to |
| Steve Beckett | ... | thanks to |
| Ian Benson | ... | thanks to |
| Ronald Bergan | ... | thanks to |
| Alessandro Bianco | ... | thanks to: Rossbin Records |
| Lisa Bines | ... | thanks to |
| Tim Burton | ... | thanks to: and the crew of Frankenweenie |
| Geoffrey Case | ... | thanks to |
| Teresa Cavina | ... | thanks to |
| Paul Collard | ... | thanks to |
| Claire Comiskey | ... | thanks to |
| Geoff Cox | ... | thanks to |
| Derek de Silva | ... | thanks to: and all the staff at: 3 Mills Studios |
| Marta Donzelli | ... | thanks to |
| Simon Field | ... | thanks to |
| Hana Geißendörfer | ... | thanks to (as Hana Geissendorfer) |
| Tudor Giurgiu | ... | thanks to |
| Giorgio Gosetti | ... | thanks to |
| János Hajdú | ... | thanks to |
| Ian Helliwell | ... | thanks to |
| Trish Keenan | ... | original music in memory of: 1968-2011 |
| Philipp Kreuzer | ... | thanks to |
| Tony Lyons | ... | thanks to |
| Frédéric Maire | ... | thanks to |
| Manfred & Geert | ... | thanks to |
| Laura Marcellino | ... | thanks to |
| Zoltan Nagy | ... | thanks to |
| Ágnes Pajtók | ... | thanks |
| Martin Pike | ... | thanks to |
| Ferenc Pusztai | ... | thanks to: KMH Film |
| Zsolt Páll | ... | thanks to |
| Owen Reynolds | ... | thanks to |
| Mac Ruth | ... | thanks to |
| Ross Saunders | ... | thanks to |
| Jo Selby | ... | thanks to |
| Peter Selby | ... | thanks to |
| Bálint Seress | ... | thanks to (as Bálint Seres) |
| Zsolt Sores | ... | thanks to (as Zsolt Sőrés) |
| Andrew Starke | ... | thanks to: Mondo Macabro (as Andy Starke) |
| Rastislav Steranka | ... | thanks to |
| The Strickland Family | ... | thanks to (as Strickland Family) |
| Endre Szkárosi | ... | thanks to |
| Pete Tombs | ... | thanks to: Mondo Macabro |
| John Wyver | ... | thanks to |
Production Companies
- The Match Factory
- Film4
- UK Film Council
- The National Lottery
- Screen Yorkshire
- Geißendörfer Film- und Fernsehproduktion (GFF)
- Film4 (present)
- UK Film Council (present)
- Screen Yorkshire (in association with)
- Geißendörfer Film- und Fernsehproduktion (GFF) (in association with)
- Illuminations Films (production)
- Warp X (production)
- Film4 (for)
- UK Film Council (for)
- Screen Yorkshire (for)
- Geißendörfer Film- und Fernsehproduktion (GFF) (for)
- Madman Entertainment (in association with)
- The Match Factory (in association with)
- UK Film Council's Film (made with the support of the)
- UK Film Council Development Fund (made with the support of the)
- Screen Yorkshire Production Fund (made with the support of the)
Distributors
- Eye Film Institute (2013) (Netherlands) (theatrical)
- IFC Midnight (2013) (United States) (theatrical)
- Interior13 Cine (2013) (Mexico) (theatrical)
- Le Pacte (2013) (France) (theatrical)
- Paradise Group (2013) (Russia) (theatrical)
- Rapid Eye Movies (2013) (Germany) (theatrical)
- Shochiku (2013) (Japan) (theatrical)
- Wild Side Films (2013) (France) (theatrical)
- Zeta Films (2014) (Argentina) (theatrical)
- Artificial Eye (2012) (United Kingdom) (DVD)
- Film4 (2013) (United Kingdom) (tv)
- Filmfreak Distributie (2014) (Netherlands) (DVD)
- Films We Like (2012) (Canada)
- La Aventura (2016) (Spain)
- Madman Entertainment (2013) (Australia) (DVD)
- Rapid Eye Movies (2014) (Germany) (DVD)
- Remain In Light (2014) (Netherlands) (DVD)
- VL-Media (2014) (Finland) (DVD)
- Yleisradio (YLE) (2014) (Finland) (tv)
Special Effects
- Rushes Film & TV (visual effects)
Other Companies
- Alga Marghen (sound consultant)
- FBI Casting (casting assistant: Italy)
- Cavin Dempsey Film & TV Services (construction by)
- Cavin Dempsey Film & TV Services (production manager & standby chippie)
- Cavin Dempsey Film & TV Services (carpenters & painters)
- 1st Choice Animals (animal handler)
- Warner Bros. De Lane Lea (post sound facility: second unit & pick-ups)
- Warner Bros. De Lane Lea (scheduling supervisor & booking co-ordinator: second unit & pick-ups)
- Warner Bros. De Lane Lea (ADR studio: second unit & pick-ups)
- Zound (ADR studio: second unit & pick-ups)
- Mayflower Studios (ADR studio: second unit & pick-ups)
- Deluxe 142 Features (digital intermediate provided by)
- Deluxe 142 Features (digital colourist & digital online editors: digital intermediate provided by)
- Deluxe 142 Features (digital intermediate head of department & digital intermediate producers: digital intermediate provided by)
- Deluxe 142 Features (digital intermediate assistant producer & digital film technical supervisor: digital intermediate provided by)
- Deluxe 142 Features (digital film bureau & systems administrator: digital intermediate provided by)
- Deluxe 142 Features (digital intermediate assistants & data wrangler: digital intermediate provided by)
- Rushes Film & TV (visual effects by)
- Rushes Film & TV (VFX producer & compositor)
- IFTC (subtitling services)
- Denham Subtitling (subtitling services)
- Film4 (head of production & production manager)
- Film4 (legal & business affairs)
- Film4 (head of commercial development)
- UK Film Council (head of the film fund)
- UK Film Council (senior production & development executive)
- UK Film Council (story editor & head of production)
- UK Film Council (senior business affairs executive & production finance)
- Screen Yorkshire (production liaison manager)
- Screen Yorkshire (crew & freelance development manager)
- Screen Yorkshire (head of production support)
- Illuminations Films (legal services & international liaison)
- Warp X (CEO & head of production)
- Warp X (head of finance & business affairs)
- Warp X (development assistant & post production co-ordinator)
- Warp X (legal services)
- 3 Mills Studios (studio facility)
- Media Insurance Brokers (MIB) (production insurance)
- Fayre Do's (catering)
- Movietech (camera equipment)
- Ice Cameras (camera equipment)
- ARRI Rental (lighting equipment)
- The Match Factory (world sales)
- Freeway CAM B.V. (world revenues collected and distributed by)
- Inaudible Records (licensed courtesy of: "The Main Thing")
- Ghost Box (licensed courtesy of: "Trance & Bilocation")
- Universal Music Publishing (licensed courtesy of: "Musiche Per Manzu")
- New Philharmonia Orchestra (performed by: "The Lark Ascending")
- Oxford University Press (licensed courtesy of: "The Lark Ascending")
- RM EMI Records (licensed courtesy of: "The Lark Ascending")
- Andy Dixon Facilities (thanks to)
- Rossbin Records (thanks to)
- 3 Mills Studios (thanks to)
- Goodmayes Hospital, Ilford, Greater London (thanks to)
- Instituto Italiano di Cultura, Londra (thanks to)
- Mondo Macabro (thanks to)
- KMH Film (thanks to)
- Ventura Film (thanks to)
- Fatts (post production script services)
- Hyperactive Broadcast (Avid technical support)
- Hyperactive Broadcast (editing support infrastructure)
- Pivotal Post (editing equipment: Avid HD)
- Universal Extras (extras casting)
- Visual Icon (exclusive clip and still licensing)
Storyline
| Plot Summary | |
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| Parents Guide | View content advisory » |
| Certification |
Additional Details
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Did You Know?
| Trivia | The title of the fictional studio refers to Cathy Berberian, the US soprano who married Luciano Berio, a pioneer of electronic music and a key influence on Strickland's film. See more » |
| Goofs | At the very beginning of the film, Elena calls Francesco to announce Gilderoy's arrival at the studio. Although the film is set in Italy, when she picks up the phone a continuous dial tone is heard, which is normal for the US or UK; however, the actual dial tone would have sounded very differently in Italy, a country where the phone system has a very distinctive and non-continuous dial tone (consisting of a 425Hz tone with a duration of 0.6sec followed by a 1 second pause, followed by a 0.2 sec tone then a 0.2 sec pause, repeated in a loop until the first digit is dialed). See more » |
| Movie Connections | Featured in Top 10 Scary Movies to Watch If You Hate Horror (2023). See more » |
| Soundtracks | Dada X See more » |
| Crazy Credits | The opening credits are actually put together of those from The Equestrian Vortex, the fictional horror flick that's going to be post-dubbed in the movie, with fast-cut animations, medieval depictions of hell, demons, naves, animal skeletons and tortured female faces, mostly red and black colored. See more » |
| Quotes |
Giancarlo Santini:
Gilderoy, this is going to be a fantastic film. Brutal and honest. Nobody has seen this horror before. See more » |