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Charlotte Eugène Guibeaud,
At the very beginning of the film, Elena calls Francesco to announce Gilderoy's arrival at the studio. Although the film is set in Italy, when she picks up the phone a continuous dial tone is heard, which is normal for the US or UK; however, the actual dial tone would have sounded very differently in Italy, a country where the phone system has a very distinctive and non-continuous dial tone (consisting of a 425Hz tone with a duration of 0.6sec followed by a 1 second pause, followed by a 0.2 sec tone then a 0.2 sec pause, repeated in a loop until the first digit is dialed). See more »
The opening credits are actually put together of those from The Equestrian Vortex, the fictional horror flick that's going to be post-dubbed in the movie, with fast-cut animations, medieval depictions of hell, demons, naves, animal skeletons and tortured female faces, mostly red and black colored. See more »
So I've read the raving reviews, not one bad one to be found, which is odd, as I heard at least 5 people leaving the cinema tonight muttering the words 'what a cr*p film that was'.
I understand it's a take on 1970's horror movies, blah, blah, blah. But imagine if you hadn't seen one?
The sound is amazing, interesting, atmospheric and amusing, (did they really make sound effects like that back then?) but once you realise that's all the film is all about you begin to lose interest. Personally I like a storyline, but isn't one.
As for the last 20 minutes, I have absolutely no idea what that was all about. Being a massive Kubrick fan I'd normally love surreal scenes like this. But it all felt a bit like we've run out of ideas here, lets just add a twist to make it more interesting. Which doesn't work at all.
If you like self indulgent stylized films then you'll love this. I prefer films with emotion that move you. This couldn't move me to the exit quick enough
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