Andrew Garfield, Mahershala Ali, Ruth Negga, and five others received their first-ever acting nominations for 2017. While these actors are new to the Academy Awards, you may recognize them from their earlier work.
In the beautiful, otherworldly Carpathian Mountains a woman is traveling with a small boy in a horse and cart, looking to punish those who once abused her. For years, Katalin has been ... See full summary »
Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.
Amid the Civil War in 17th-century England, a group of deserters flee from battle through an overgrown field. Captured by an alchemist, the men are forced to help him search to find a hidden treasure that he believes is buried in the field.
At the very beginning of the film, Elena calls Francesco to announce Gilderoy's arrival at the studio. Although the film is set in Italy, when she picks up the phone a continuous dial tone is heard, which is normal for the US or UK; however, the actual dial tone would have sounded very differently in Italy, a country where the phone system has a very distinctive and non-continuous dial tone (consisting of a 425Hz tone with a duration of 0.6sec followed by a 1 second pause, followed by a 0.2 sec tone then a 0.2 sec pause, repeated in a loop until the first digit is dialed). See more »
Gilderoy, this is going to be a fantastic film. Brutal and honest. Nobody has seen this horror before.
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The opening credits are actually put together of those from The Equestrian Vortex, the fictional horror flick that's going to be post-dubbed in the movie, with fast-cut animations, medieval depictions of hell, demons, naves, animal skeletons and tortured female faces, mostly red and black colored. See more »
Great original concept, but lacks a clear direction towards the end
This film is a pleasant homage to Italian giallo and to the under-recognized art of sound editing. A bit like Hélène Cattet & Bruno Forzani's "Amer" did, but in a more conventional, more "easy watching" way.
It begins as an amusing comedy with a cast of characters gently mocking the 70's Italian machismo. The very exciting central concept of the film is to deal with graphical horror without showing any real violence on the screen. This counter-fashion idea clearly marks its distance from the recent escalation in the graphic horror genre cinema, which I find honorable.
The imagination of the spectator is highly put to use compared to these days' standards. A truly outstanding atmosphere is obtained thanks to a really terrific sound editing. The atmosphere moves from light fun to disturbing fantasy with elegance.
But near the end, the story lost me. I eventually didn't understand where the film wanted take me. For that disappointing feeling, I don't rate it very high, but this movie is definitely a good piece of artwork and is more interesting than most of what is to be seen nowadays.
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