
The Big Bang Theory (TV Series)
The Lunar Excitation (2010)
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- TV-PG
- 20min
- Comedy, Romance
- 24 May 2010
- TV Episode
Photos and Videos
Complete, Cast awaiting verification
Johnny Galecki | ... |
Leonard Hofstadter
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Jim Parsons | ... |
Sheldon Cooper
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Kaley Cuoco | ... |
Penny
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Simon Helberg | ... |
Howard Wolowitz
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Kunal Nayyar | ... |
Raj Koothrappali
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Sara Gilbert | ... |
Leslie Winkle
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Mayim Bialik | ... |
Amy Farrah Fowler
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Brian Thomas Smith | ... |
Zack Johnson
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Lauri Johnson | ... |
Mrs. Gunderson
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Directed by
Peter Chakos |
Written by
Chuck Lorre | ... | (created by) (creator) & |
Bill Prady | ... | (created by) (creator) |
Lee Aronsohn | ... | (teleplay) & |
Steven Molaro | ... | (teleplay) & |
Steve Holland | ... | (teleplay) |
Chuck Lorre | ... | (story) & |
Bill Prady | ... | (story) & |
Maria Ferrari | ... | (story) |
Maria Ferrari | ... | (executive story editor) |
Produced by
Lee Aronsohn | ... | executive producer |
Kristy Cecil | ... | co-producer |
Peter Chakos | ... | producer |
Mona Garcea | ... | coordinating producer |
David Goetsch | ... | co-executive producer (as Dave Goetsch) |
Steve Holland | ... | co-producer |
Eric Kaplan | ... | co-executive producer |
Kelly Lee | ... | co-producer (as Kelly-Anne Lee) |
Chuck Lorre | ... | executive producer (showrunner) |
Steven Molaro | ... | co-executive producer |
Faye Oshima Belyeu | ... | producer |
Bill Prady | ... | executive producer (showrunner) |
Mary T. Quigley | ... | co-producer |
Jim Reynolds | ... | producer |
Richard Rosenstock | ... | consulting producer |
Cinematography by
Steven V. Silver | ... | director of photography |
Editing by
Peter Chakos |
Editorial Department
Tony D'Amore | ... | final colorist (uncredited) |
Todd Morris | ... | assistant editor (uncredited) |
Casting By
Ken Miller | ||
Nikki Valko |
Production Design by
John Shaffner |
Set Decoration by
Ann Shea |
Costume Design by
Mary T. Quigley |
Makeup Department
Peggy Nichols | ... | makeup artist |
Faye Woods | ... | hair stylist |
Production Management
Kelly Lee | ... | unit production manager (as Kelly-Anne Lee) |
Ryan Berdan | ... | post-production supervisor (uncredited) |
Second Unit Director or Assistant Director
Chris Klausen | ... | second assistant director |
Howard Murray | ... | associate director |
Anthony Rich | ... | first assistant director |
Art Department
Scott L. London | ... | property master |
Francoise Cherry-Cohen | ... | set designer (uncredited) |
Christopher Harwood | ... | leadman (uncredited) |
Sound Department
Bob La Masney | ... | re-recording mixer |
Charlie McDaniel | ... | re-recording mixer |
Bruce Peters | ... | production sound mixer |
Ron Arnold | ... | sound recordist (uncredited) |
Stunts
Eddie Braun | ... | stunt coordinator (uncredited) |
Camera and Electrical Department
John Greene | ... | gaffer |
David Pearce | ... | key grip |
Roland Monty Reese | ... | dimmer board op |
John O'Brien | ... | video controller (uncredited) |
Robert Zeigler | ... | digital imaging technician (uncredited) |
Casting Department
Adam Hochfeld | ... | extras casting (uncredited) |
Costume and Wardrobe Department
Richard Boitano | ... | set costumer (uncredited) |
Music Department
Barenaked Ladies | ... | composer: theme music / performer: theme music |
Gregory Sweeney | ... | music coordinator (uncredited) |
Leo Tee | ... | music clearance manager (uncredited) |
Transportation Department
Michael Coady | ... | transportation co-captain |
Cyril O'Neil | ... | picture car consultant (uncredited) |
Additional Crew
Don Foster | ... | executive consultant |
Eddie Gorodetsky | ... | executive consultant |
Connie Luu-Vi | ... | Payroll Accountant |
Jennette Miller | ... | crafts service / key craft service |
Mark Roberts | ... | executive consultant |
David Saltzberg | ... | science consultant (as David Saltzberg Ph.D.) |
Russell Eida | ... | assistant: Lee Aronsohn (uncredited) |
Justin D. Hetzel | ... | assistant to line producer (uncredited) |
Jacob Murray | ... | production assistant (uncredited) |
Jason T. Welden | ... | computer/video playback (uncredited) |
Production Companies
Distributors
- Amazon Prime Video (2020) (Venezuela) (video) (VOD)
- CBS (2010) (United States) (tv)
- CTV Television Network (2010) (Canada) (tv)
- Channel 4 Television Corporation (2010) (United Kingdom) (tv)
- Cool TV (2012) (Hungary) (tv)
- NRJ12 (2011) (France) (tv)
- NRJ12 (2021) (France) (tv)
- TPS Star (2010) (France) (tv)
- Warner Home Video (2010) (United States) (DVD)
Special Effects
Other Companies
- Technicolor (post-production services)
- Warner Bros. Post Production Services (sound services)
- Panavision (camera equipment provided by)
Storyline
Plot Summary |
Penny and Leonard are still at the stage of their "post-coitus" relationship where they feel awkward doing friend type things together. Regardless, when the guys experiment with bouncing lasers off the moon, Leonard decides to invite Penny to watch. With her is her latest date, Zack, a less than bright guy. This encounter with Leonard and Zack together demonstrates to Penny that she can't go back to dating the type of guys she used to date: good looking but dumb. In a drunken stupor later, Penny takes some action to reclaim what she's missed no longer dating Leonard. Leonard in turn, takes a cue from Penny's actions. Meanwhile, Howard and Raj believe the answer to Leonard's Penny conundrum is to find another woman for him. After Leonard rejects Howard's idea of using on-line matchmaking services, Raj thinks an interesting experiment would be to see if such a service would produce anyone for Sheldon. Howard and Raj's experiment does produce a match for Sheldon. Will he agree to meet her and if so will she be his perfect match? Written by Huggo |
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Parents Guide | View content advisory » |
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Did You Know?
Trivia | First appearance of Amy Farrah Fowler (Mayim Bialik). The character is loosely based on Gilda, a character that was cut after the failed first pilot of the show. See more » |
Goofs | The guys are bouncing a light beam from a laser to a mirror on the moon and back to a parabolic receiver which is sitting behind the laser on the roof of their apartment building. This requires that both the laser and the parabolic receiver be pointed at the same angle at the moon in the sky, but the laser is set at a much lower angle than the receiver is, so one of them cannot be pointed at the moon. See more » |
Movie Connections | References Bride of Frankenstein (1935). See more » |
Soundtracks | History of Everything See more » |
Crazy Credits | CHUCK LORRE PRODUCTIONS, #288 Over the years, CBS executives have always been very generous when it comes to sharing their ideas as to how I might better do my job. I have never returned the favor regarding how they might run their network. Until now. Now I have a really good idea. Step One: Create an internal division with workers who do nothing but check out the claims of prospective advertisers. And I mean really check them out. If it's a car, have somebody drive it around to see if it accelerates into walls or slow-moving pedestrians for no particular reason. If it's beer, have someone drink it and report back if it gets them laid. If it's a pill, have someone take it for awhile, then wait to see if they grow a tail, get anal leakage, or commit suicide. Step Two: Quality control. All commercials must be aesthetically pleasing, seriously funny, poignant, or dramatic. Any commercials deemed loud, stupid and/or obnoxious are not aired. Period. No exceptions. Step Three: Tell the world that CBS only airs the coolest and most honest commercials. It's always Superbowl Sunday at CBS! Step Four: Watch the money roll in. A Final Thought: Don't worry about the initial loss of income created by dropping the dumb stuff (e.g. Cockney lizards who sell insurance). You'll more than make that money back by demanding that your high-quality advertisers cut you in for a piece of their action. You have, after all, earned it by giving them the CBS seal of approval. Another Final Thought: If you adopt my idea, my consulting fee is one million shares of CBS stock. Or better yet, one hundred shares of Apple stock. See more » |
Quotes |
[last lines]
Sheldon Cooper: In a few minutes when I gloat over the failure of this enterprise, how would you prefer I do it? The standard "I told you so" with the classic neener-neener, or just my normal look of haughty derision? [makes a face] Raj Koothrappali: You don't know we're wrong yet. Sheldon Cooper: Haughty derision it is. [makes the same face again] Amy Farrah Fowler: Excuse me. I'm Amy Farrah Fowler, you're Sheldon Cooper. Sheldon Cooper: Hello, Amy Farrah Fowler. I'm sorry to inform you that you have been taken in by unsupportable mathematics designed to prey on the gullible and the lonely. Additionally, I'm being blackmailed with a hidden dirty sock. Amy Farrah Fowler: If that was slang, I'm unfamiliar with it. If it was literal, I share your aversion to soiled hosiery. In any case, I'm here because my mother and I have agreed that I will date at least once a year. Sheldon Cooper: Interesting. My mother and I have the same agreement about church. Amy Farrah Fowler: I don't object to the concept of a deity, but I'm baffled by the notion of one that takes attendance. Sheldon Cooper: Well then, you might want to avoid East Texas. Amy Farrah Fowler: Noted. Now before this goes any further, you should know that all forms of physical contact, up to and including coitus, are off the table. Sheldon Cooper: May I buy you a beverage? Amy Farrah Fowler: Tepid water, please. [Sheldon and Amy walk over to the counter] Howard Wolowitz: [to Raj] Good God, what have we done? See more » |