A film crew goes to a tropical island for an exotic location shoot and discovers a colossal giant gorilla who takes a shine to their female blonde star. He is then captured and brought back to New York City for public exhibition.
Dr. Frankenstein and his monster both turn out to be alive, not killed as previously believed. Dr. Frankenstein wants to get out of the evil experiment business, but when a mad scientist, Dr. Pretorius, kidnaps his wife, Dr. Frankenstein agrees to help him create a new creature, a woman, to be the companion of the monster. Written by
John Oswalt <firstname.lastname@example.org>
James Whale was so set on having O.P. Heggie play the blind hermit that he shut down production from February 19 to March 2, 1935 while waiting for Heggie to finish a production at RKO. See more »
When the two hunters first discover the Monster in the hut with the blind hermit, one of them has a rifle and begins fumbling with it in an attempt to shoot, but drops it when the Monster knocks him down. He also loses his hat in the tussle. The hermit intervenes, but the hunters tell him that his 'friend' is a murderer and the Monster, hearing this, moves toward them again. The hunter then inexplicably has his hat back on his head and the rifle back in his hand and is hurriedly trying to cock it. As the Monster closes in, the camera pans back, showing the hunter now without his hat and rifle again and instead hiding behind a column. The quick scene of the hunter hurriedly trying to cock the rifle should be placed earlier in the sequence, when the hunters first appear in the doorway, and before the Monster knocks the hunter down. See more »
[looking out the window at a thunderstorm]
How beautifully dramatic! The cruelest savage exhibition of nature at her worst without.
[turns to face Mary and Percy Shelley, both seated]
And we three. We elegant three within. I should like to think that an irate Jehovah was pointing those arrows of lightning directly at my head. The unbowed head of George Gordon, Lord Byron. England's greatest sinner. But I cannot flatter myself to that extent. Possibly those thunders are for ...
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The closing credits have the heading "A good cast is worth repeating". See more »
Forget the likes of "The Godfather II" and "The Empire Strikes Back" - "Bride of Frankenstein" is THE greatest example of a sequel completely surpassing the original in terms of sheer brilliance. Coming four years after the original 'Frankenstein' in 1931, director James Whale was originally reluctant to make a sequel but changed his mind after being allowed to make the film more on his own terms. No other director has ever managed to blend horror, comedy and pathos as successfully Whale. The film features some of the most memorable scenes in cinema history, notably the monster's encounter with a lonely hermit and the introduction of 'The Bride'. The film has it all: superb casting, tremendous sets and make up, memorable dialogue ("To a new world of Gods and monsters") and a brilliant score by Franz Waxman. Boris Karloff must surely be one of the greatest actors to ever appear on film. He manages to improve on his initial characterisation of the Monster, due mainly to the addition of dialogue ("Friends, good!"), and, unlike in the first movie, actually makes us feel total empathy for the Monster. Colin Clive returns as the reluctant Doctor F, Una O'Connor makes a wonderful addition as the twittering and hysterical Minnie, but it is Ernest Thesiger who steals the film with his hilarious performance ("Have a cigar. They are my only weakness") as the sinister Dr. Pretorious. Although Elsa Lanchester appears as the Bride for only about 2 minutes at the film's finale, it will be the role for which she is forever associated. The film is regarded as the high point of the Universal horror series and stands as a testament to the genius of James Whale.
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