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Savages (2012)
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Overview
User Rating:
Your Rating:
Director:
Writers:
Release Date:
6 July 2012 (USA)
See more »
Plot:
Pot growers Ben and Chon face off against the Mexican drug cartel who kidnapped their shared girlfriend. Full summary » | Full synopsis »
Awards:
6 nominations
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NewsDesk:
(1316 articles)
Gael Garcia Bernal, Mia Maestro join 'Evita'
(From Digital Spy - Movie News. 22 May 2013, 10:13 AM, PDT)
Casting Net: Kate Hudson joins Zach Braff's Kickstarter project. Plus: Liam Hemsworth, Peter Dinklage, more
(From EW.com - Inside Movies. 20 May 2013, 7:50 PM, PDT)
Jd Salinger documentary gets first screening
(From The Guardian - Film News. 17 May 2013, 4:12 PM, PDT)
(From Digital Spy - Movie News. 22 May 2013, 10:13 AM, PDT)
Casting Net: Kate Hudson joins Zach Braff's Kickstarter project. Plus: Liam Hemsworth, Peter Dinklage, more
(From EW.com - Inside Movies. 20 May 2013, 7:50 PM, PDT)
Jd Salinger documentary gets first screening
(From The Guardian - Film News. 17 May 2013, 4:12 PM, PDT)
User Reviews:
A good thriller that delivers
See more (211 total) »
Cast
(in credits order) (complete, awaiting verification)
Directed by | |||
| Oliver Stone | |||
Writing credits | ||
| Shane Salerno | (screenplay) & | |
| Don Winslow | (screenplay) & | |
| Oliver Stone | (screenplay) | |
| Don Winslow | (novel) | |
Original Music by | |||
| Adam Peters | |||
Cinematography by | |||
| Daniel Mindel | (director of photography) (as Dan Mindel) | ||
Film Editing by | |||
| Joe Hutshing | |||
| Stuart Levy | |||
| Alex Marquez | |||
Casting by | |||
| Sarah Finn | |||
Production Design by | |||
| Tomas Voth | (as Tomás Voth) | ||
Art Direction by | |||
| Lisa Vasconcellos | |||
Set Decoration by | |||
| Nancy Nye | |||
Costume Design by | |||
| Cindy Evans | |||
Makeup Department | |||
| Rhonda Ann Burns | .... | hair stylist | |
| Diana Choi | .... | wig maker | |
| Bill Corso | .... | makeup department head | |
| Sasha Glasser | .... | makeup production assistant | |
| Mary L. Mastro | .... | hair department head | |
| Randi Mavestrand | .... | makeup: second unit | |
| Mike Mekash | .... | makeup artist | |
| Elaine L. Offers | .... | key makeup artist | |
Production Management | |||
| Sheryl Benko | .... | post-production supervisor | |
| Meredith Meade | .... | production supervisor: splinter unit | |
| Daniel A. Mondschain | .... | production supervisor | |
Special Effects by | |||
| Mark R. Byers | .... | special effects supervisor | |
| Sam Dean | .... | special effects on-set technician | |
| Al Marangoni | .... | special effects technician | |
| Nick Marra | .... | special effects makeup | |
| Ken Rudell | .... | special effects technician | |
| Keith Suzuki | .... | special effects foreman | |
Visual Effects by | |||
| David Burton | .... | visual effects supervisor: With A Twist Studio | |
| Harry Eisenstein | .... | compositor | |
| Gizem Ersavas | .... | digital matte painter: Crazy Horse Effects | |
| Bradley Gaines | .... | compositor: With A Twist Studio | |
| Christina Graff | .... | visual effects producer | |
| Paul Graff | .... | visual effects supervisor | |
| Pam Hammarlund | .... | visual effects producer: With A Twist Studio | |
| Hetal Jain | .... | producer: BOT VFX | |
| Derek Ledbetter | .... | digital compositor | |
| Blake Loyd | .... | compositor | |
| Adam Matis | .... | digital compositor: Crazy Horse Effects | |
| David Matusek | .... | visual effects editor | |
| Luke McDonald | .... | digital effects supervisor: CHE | |
| Patrick Paul Mullane | .... | matte painting: Crazy Horse effects | |
| Howard Nourmand | .... | main title designer | |
| Brian Sales | .... | compositing supervisor: Crazy Horse Effects | |
| Sankarasubramanian | .... | paint & rotoscoping supervisor: BOT VFX | |
| Gregory S. Scribner | .... | compositing supervisor | |
| Hitesh Shah | .... | producer: BOT VFX | |
| Carl Stern | .... | compositor | |
| Judy Webster | .... | visual effects coordinator | |
| Sam Winkler | .... | compositor | |
| Magdalena Wolf | .... | visual effects production manager | |
| Christian Zeiler | .... | digital compositor: Crazy Horse Effects | |
| Brandon Bartlett | .... | cg supervisor: With A Twist Studio (uncredited) | |
| Srikanth | .... | lead paint artist (uncredited) | |
| Jason Ullrich | .... | compositor (uncredited) | |
Casting Department | |||
| Michelle Beatty | .... | extras casting | |
| Judith Bouley | .... | casting consultant | |
| Chris Bustard | .... | extras casting | |
| Joe Cappelletti | .... | adr voice casting | |
| Deborah Gabinetti | .... | casting: Indonesia | |
| Tamara Hunter | .... | casting associate | |
| Terry L. Lamfers | .... | casting executive | |
| Philip Walton | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Sarah Bowman | .... | costume assistant | |
| Michele Flynn | .... | head ager/dyer | |
| Karen Franke | .... | costumer coordinator | |
| Laurel Frushour | .... | set costumer | |
| Dana Kay Hart | .... | costume supervisor | |
| Jason M. Moore | .... | set costumer | |
| Daniel Grant North | .... | costume supervisor | |
| Lisa Parmet | .... | key costumer | |
| Marcy Rector | .... | costumer | |
| Marta Villalobos | .... | costumer | |
| Carmen L. Rodrigues | .... | costume coordinator (uncredited) | |
Editorial Department | |||
| Angel Askins | .... | digital intermediate producer | |
| David Bilow | .... | first assistant editor | |
| Richard A. Eisenstein | .... | post-production technician | |
| Elliott Eisman | .... | assistant editor | |
| Zack Fox | .... | post-production assistant | |
| Brian Gee | .... | assistant editor: Fotokem | |
| Andy Kaplan | .... | senior digital intermediate producer | |
| Stefan Sonnenfeld | .... | digital intermediate colorist | |
| Matthew W. Johnson | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Budd Carr | .... | music supervisor | |
| Geneviève Thomas Colvin | .... | music coordinator | |
| Bruce Fowler | .... | orchestrator | |
| Kevin Globerman | .... | digital score recordist | |
| Tom Hardisty | .... | music scoring recordist | |
| Stephen Hilton | .... | musician: keyboards and programming | |
| Bryce Jacobs | .... | guitars | |
| Carlton Kaller | .... | music editor | |
| Christopher Kaller | .... | ProTools music coordinator | |
| Kevin Kaska | .... | orchestrator | |
| Jonathan Krimstock | .... | guitarist | |
| Jonathan Krimstock | .... | musician | |
| T.J. Lindgren | .... | additional arranging and programming | |
| Frank Macchia | .... | music preparation | |
| Alan Meyerson | .... | music scoring mixer | |
| Mac Quayle | .... | additional programming | |
| Peter Rotter | .... | music contractor | |
| Carl Rydlund | .... | orchestrator | |
| Ruwanga 'Ru' Samath | .... | composer: additional music | |
| Robert Schaper | .... | music editor | |
| Adam Schmidt | .... | music recording engineer | |
| Monica Sonand | .... | composer assistant | |
| Christian Wenger | .... | mix assistant | |
| Devin Johnson | .... | assistant to the composer (uncredited) | |
Transportation Department | |||
| Ronald Augustus | .... | production van driver | |
| Karen Bathalter | .... | dot administrator | |
| Daniel Davis | .... | driver | |
| Ken Farnell | .... | transportation co-captain | |
| Keith D. Fisher | .... | transportation captain | |
| Margo Hunt | .... | driver | |
| Bill Lopez-Arjona | .... | transportation | |
| Charles Montgomery | .... | driver | |
| Cyril O'Neil | .... | picture car consultant | |
| Don Poole | .... | driver: Oliver Stone | |
| Tom Rebber | .... | picture car coordinator | |
| Richard C. Ryan | .... | driver/generator operator | |
| Aaron Skalka | .... | transportation coordinator | |
| Jay Thompson | .... | driver | |
| Paul Tumber | .... | transportation | |
| Gary Thomas Williams | .... | driver (as Gary 'Little G' Williams) | |
Thanks | |||
| Oliver Stone | .... | special thanks | |
Production CompaniesDistributors
- Pathé (2012) (France) (theatrical)
- Solar Entertainment (2013) (Philippines) (theatrical)
- Toho-Towa (2013) (Japan) (theatrical)
- United International Pictures (UIP) (2012) (Argentina) (theatrical)
- United International Pictures (UIP) (2012) (Greece) (theatrical)
- United International Pictures (UIP) (2013) (Philippines) (theatrical)
- United International Pictures (UIP) (2012) (Singapore) (theatrical)
- Universal Pictures Canada (2012) (Canada) (theatrical)
- Universal Pictures International (UPI) (2012) (Australia) (theatrical)
- Universal Pictures International (UPI) (2012) (Germany) (theatrical)
- Universal Pictures International (UPI) (2012) (Netherlands) (theatrical)
- Universal Pictures (2012) (USA) (theatrical)
- Zon Audiovisuais (2012) (Portugal) (theatrical)
- Feelgood Entertainment (2013) (Greece) (DVD) (blu-ray)
- Film1 (2013) (Netherlands) (TV) (limited)
- Universal Home Entertainment (2013) (UK) (DVD)
- Universal Home Entertainment (2013) (UK) (DVD) (Blu-ray)
- Universal Pictures Benelux (2013) (Netherlands) (DVD)
- Universal Pictures Benelux (2013) (Netherlands) (DVD) (Blu-ray)
- Universal Pictures Home Entertainment (2013) (Germany) (DVD)
- Universal Pictures Home Entertainment (2013) (Germany) (DVD) (Blu-ray)
- Universal Studios Home Entertainment (2012) (USA) (DVD)
- Universal Studios Home Entertainment (2012) (USA) (DVD) (Blu-ray)
- Crazy Horse Effects (visual effects)
- BT Industrial Supply expendables
- Bali Film Commission production services
- Cayman Music music publisher
- Central Casting extras casting
- Central City Studio location services and facilities
- Chapman/Leonard Studio Equipment camera cranes
- Chapman/Leonard Studio Equipment camera dollies
- Company 3 digital intermediate
- De Lane Lea ADR recording
- Direct Tools & Fasteners expendables
- Dolby Laboratories sound mix
- High Times special thanks
- Intelligent Media international monitoring agency
- Pictorvision Eclipse aerial camera system
- Runway Editing post-production
- Runway post-production
- Scarlet Letters end titles
- Scenechronize production management software
- Soundelux post-production sound services
- Todd-AO Studios post-production sound services
- Transportation Resources transportation equipment
- Varèse Sarabande soundtrack
Additional Details
Also Known As:
See more »
MPAA:
Rated R for strong brutal and grisly violence, some graphic sexuality, nudity, drug use and language throughout
Parents Guide:
Runtime:
131 min | USA:141 min (unrated version)
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Certification:
USA:R (certificate #47564) | Canada:18A (Ontario) | Singapore:R21 | Norway:15 | South Korea:18 | UK:15 (cut) (cinema release) | Sweden:15 | Ireland:16 | Portugal:M/16 | Australia:MA15+ | New Zealand:R16 | Netherlands:16 | Hong Kong:III | Germany:16 (theatrical version) | Brazil:18 | Mexico:C | Italy:VM14 | Argentina:18 | UK:18 (uncut) (video release) | Japan:R15+ | Philippines:R-18 | France:12 | Germany:18 (extended version)
Filming Locations:
Did You Know?
Trivia:
Uma Thurman was cast as Paqu, O's mother but her scenes were cut from the movie.See more »
Goofs:
Incorrectly regarded as goofs: When the cartel 'motorcycle cop' comes up to the guy's car, after pulling him over, he has his hand on his holstered pistol. The pistol does not protrude through the bottom (barrel) - standard issue type. But, when the hit-man shoots the guy, there's a silencer on the barrel. There was no time to have screwed one on. However the hit-man has a holstered pistol on his right hip; he grabs the weapon that he uses to kill Frankie with his left hand from the back of his body.See more »
Quotes:
Movie Connections:
Referenced in "South Park: A Nightmare on Facetime (#16.12)" (2012)See more »
Soundtrack:
Cartel ThemeSee more »
FAQ
Is this a true story?What is the first song?
What are the differences between the Theatrical Version and the Unrated Version?
See more »
See more (211 total) »
Message Boards
Discuss this movie with other users on IMDb message board for Savages (2012) See more »Recommendations
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In reading some of the very negative reviews posted here, I sensed that some of those writers were more interested In Oliver Stone then the actual contents of the movie. I am not such a great fan of Oliver Stone and thought Wall Street 2 was not well done. Savages, on the other hand, was quite close to the book, gritty, and well done. If you have a problem with the portrayal of Seals or the realism of the scenarios then lay the blame on the book not Mr. Stone. Some of the scenes were certainly quite gory, an increasingly common occurrence in many films these days. So if that turns you off then don't watch the movie. On the other hand if you want to see a good thriller that will keep you entertained and are comfortable with the topic area, drug dealing and violence, then by all means see this movie and do not be put off by the any bad reviews.
As for the ending, it was changed from the book and I think for the better. That's my personal opinion and I thoroughly enjoyed the movie, despite my dislike for Mr. Stone.