Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
The story of a cab driver in Yanji City, a region between North Korea, China and Russia. His wife goes to Korea to earn money, but he doesn't hear from her since in 6 months. He plays ... See full summary »
In California, the former Navy SEAL Chon and his best friend, the peaceful botanist Ben, are successful entrepreneurs producing and dealing high-quality weed. Chon brought seeds from Afghanistan and Ben used his knowledge to develop the best marijuana in the country. Chon and Ben share the pothead lover Ophelia and she loves both of them since they complete each other - Chon is a powerful and strong lover and Ben is a sensible and loving lover. Their comfortable life changes when the Mexican Baja Cartel demands a partnership in their business. Chon and Ben refuse the deal and the leader of the cartel Elena sends her right-arm in America, Lado, to abduct Ophelia to press the American drug dealers. Chon and Ben ask the support of the dirty DEA Agent Dennis and get inside information to begin a secret war against the Baja Cartel to release Ophelia. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
For legal reasons, all the marijuana plants in the film are artificial. The production designers visited legal medical marijuana growers to get the details right. See more »
The headrests in Chon and Ben's Jeep disappear are reappear several times depending on the scene. They are missing when Dennis the DEA agent gets in to talk with them. Later in the desert ambush scene, they have been replaced. See more »
Just because I'm telling you this story doesn't mean I'm alive at the end of it. This could all be pre-recorded and I could be talking to you from the bottom of the ocean. Yeah, it's that kind of a story. Because things just got so out of control.
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There are many bad things about this movie, but let's list the good things first. The plot makes sense, kind of. It's nicely shot, and the beach looked pretty. And... I guess John Travolta looked as though he was having fun? Which is more than I could say for the poor buggers who had to sit through this mess.
Your two leads, ladies and gentlemen, are Aaron Johnson, last seen being upstaged by a preteen girl, and Taylor Kitsch, who Hollywood keeps casting as the lead in blockbusters which then tank spectacularly at the box office. You know why that is, Hollywood? It's because Taylor Kitsch has no charisma. None. The furniture was more interesting than he was, and had more emotional range. Even he's better than Johnson, a black hole of tedium from which nothing interesting can escape. These are two of the blandest leads I've ever seen, and I've seen movies that starred rappers.
But dear God in heaven, they are much, much better than Blake Lively. I haven't seen much else of her acting, so I can only think she can do much better than this. But here she's playing a 30-year-old ingénue, a woman-child who knows Shakespeare but doesn't know what 'savages' means. She's meant to be sexy and alluring, but she comes across as so boundlessly stupid that no man could seriously find her attractive. I don't think that's her fault, but the no-nudity clause that made the sex scenes in this movie so absurd? Yeah, that was her fault.
Even that isn't the worst. There's still... that voice-over. The narration that infests this whole movie, but especially the early scenes, is some of the worst writing I've ever heard. 'I had orgasms, he had wargasms' is a phrase that will live with me until I die. And now, even if you haven't seen the movie, it'll haunt your nightmares, too. You're welcome.
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