| Photos (See all 16 | slideshow) | Videos (see all 10) |
| Guy Pearce | ... | Snow | |
| Maggie Grace | ... | Emilie Warnock | |
| Vincent Regan | ... | Alex | |
| Joseph Gilgun | ... | Hydell | |
| Lennie James | ... | Harry Shaw | |
| Peter Stormare | ... | Scott Langral | |
| Jacky Ido | ... | Hock | |
| Tim Plester | ... | John James Mace | |
| Mark Tankersley | ... | Barnes | |
| Anne-Solenne Hatte | ... | Kathryn | |
| Peter Hudson | ... | President Warnock | |
| Nick Hardin | ... | Hostage Negotiator | |
| Dan Savier | ... | Duke | |
| Damijan Oklopdzic | ... | Slick | |
| Bojan Peric | ... | LOPD Technician 1 | |
| Evan Moses II | ... | LOPD Technician 2 (as Evan Timothy Moses) | |
| Greg De Cuir | ... | Radio Technician | |
| Thomas Kelly | ... | White House Doctor 1 (as Tom Kelly) | |
| Daryl Fidelak | ... | White House Doctor 2 | |
| Miodrag Stevanovic | ... | Frank Armstrong | |
| Charles Robertson | ... | Safe Room Technician | |
| Michael Sopko | ... | Rupert | |
| Yan Dron | ... | Hitman 1 | |
| Vanja Lazin | ... | Hitman 2 | |
| Marko Janjic | ... | LOPD Pilot 1 | |
| Stefan Buzurovic | ... | LOPD Pilot 2 | |
| Peter J. Chaffey | ... | MS1 Control Room Doctor (as Peter Chaffey) | |
| Bojana Bregovic | ... | Secretary | |
| Milorad Kapor | ... | Scar | |
| Jason Ryan | ... | Corridor Inmate with Knife | |
| Jovan B. Todorovic | ... | New Technician (as Jovan Todorovic) | |
| Milana Milunovic | ... | Street Girl | |
| Patrick Cauderlier | ... | Shuttle Pilot |
Directed by | |||
| James Mather | |||
| Stephen St. Leger | (as Stephen Saint Leger) | ||
Writing credits | ||
| Stephen St. Leger | (screenplay) (as Stephen Saint Leger) & | |
| James Mather | (screenplay) & | |
| Luc Besson | (screenplay) | |
| Luc Besson | (original idea) | |
Produced by | |||
| Luc Besson | .... | executive producer | |
| Marc Libert | .... | producer | |
| Leila Smith | .... | producer | |
| Andjelija Vlaisavljevic | .... | executive producer | |
Original Music by | |||
| Alexandre Azaria | |||
Cinematography by | |||
| James Mather | |||
Film Editing by | |||
| Camille Delamarre | |||
| Eamonn Power | |||
Production Design by | |||
| Romek Delmata | |||
Art Direction by | |||
| Oliver Hodge | |||
| Frank Walsh | (supervising art director) | ||
Set Decoration by | |||
| Malcolm Stone | |||
Costume Design by | |||
| Olivier Bériot | |||
Makeup Department | |||
| Kevin Carter | .... | special effects contact lenses | |
| Lucas Coulon | .... | key hair stylist | |
| Cécile Gentilin | .... | key hair stylist | |
| Laura Ozier | .... | key makeup artist | |
| Miljana Pakic | .... | assistant makeup artist | |
| Martina Subic-Dodocic | .... | makeup artist | |
Production Management | |||
| Tim Morris | .... | post-production supervisor | |
| Tricia Perrott | .... | post-production supervisor | |
| Miodrag Stevanovic | .... | unit production manager | |
Art Department | |||
| Milan Aleksic | .... | carpenter | |
| Nikola Ceh | .... | set dresser | |
| Branko Cvijic | .... | prop maker | |
| Dusan Demic | .... | set designer | |
| Jasna Dragovic | .... | assistant set decorator | |
| Jovana Grahovac | .... | props department assistant | |
| Ray Johnson | .... | storyboard artist | |
| Dragan Kaplarevic | .... | assistant construction manager | |
| Oisín Kelly | .... | on set motion graphics | |
| Chris Kitisakkul | .... | graphics | |
| Vladimir Maric | .... | painter | |
| Vlasto Maric | .... | painter | |
| Aleksandra Mihajlovic | .... | draftsman | |
| Radoslav Mihajlovic | .... | construction manager | |
| Milos Milivojevic | .... | prop maker | |
| Mirko Milosevic | .... | 3D concept modeller | |
| Marija Nikolic | .... | art department coordinator | |
| Graeme Purdy | .... | property master | |
| Daniel Shiels | .... | storyboard artist | |
| Ivana Stefanovic | .... | set dressing buyer | |
| Gert Stevens | .... | concept artist | |
| Matt Wynn | .... | set designer | |
| Matt Wynne | .... | set designer | |
Sound Department | |||
| Adrien Arnaud | .... | sound editor | |
| Peter Blayney | .... | dialogue editor | |
| Ivan Branisavljevic | .... | sound intern | |
| Stéphane Bucher | .... | sound mixer | |
| Morgan Carparelli | .... | assistant sound editor | |
| Blake Collins | .... | adr recordist | |
| Michelle Cunniffe | .... | adr recordist | |
| Matthieu Dallaporta | .... | sound re-recording mixer | |
| Paul Davies | .... | supervising sound editor | |
| Lionel Dousset | .... | boom operator | |
| Caoimhe Doyle | .... | foley artist | |
| Najib El Yafi | .... | sound recordist | |
| Vincent Hazard | .... | sound designer | |
| Dean Jones | .... | adr recordist | |
| Oleg Kulchytskyy | .... | sound re-recording mixer | |
| Gavin Little | .... | additional sound designer | |
| Didier Lozahic | .... | sound re-recording mixer | |
| Zoran Maksimovic | .... | adr recording | |
| Eoghan McDonnell | .... | foley artist | |
| Jean McGrath | .... | foley recordist | |
| Ian Morgan | .... | adr supervisor | |
| Nemanja Novicic | .... | second boom operator | |
| Mihailo Stevanovic | .... | sound assistant | |
Special Effects by | |||
| Olivier Afonso | .... | special effects makeup | |
| Harry Bryce | .... | senior special effects technician | |
| Mike Crowley | .... | special effects assistant supervisor | |
| Ray Johnson | .... | matchmove artist | |
| Chris Reynolds | .... | special effects supervisor | |
Visual Effects by | |||
| Vera Agati | .... | compositor | |
| Richard Bain | .... | visual effects supervisor | |
| Kevin Berger | .... | visual effects consultant | |
| Louise Brand | .... | head of operations: 4DMax | |
| James Cattell | .... | senior compositor | |
| Andy Clarke | .... | digital compositor | |
| Ciaran Crowley | .... | 2D supervisor: Windmill Lane VFX Ltd | |
| Louise Curran | .... | line producer: Windmill Lane VFX | |
| Ditch Doy | .... | head of 3D: Windmill Lane VFX Ltd | |
| Jason Edwards | .... | lead modeler | |
| Keith Fallon | .... | technical director | |
| Riccardo Gambi | .... | digital compositor | |
| Emmet Griffin | .... | digital compositor | |
| Robert Hartigan | .... | digital compositor | |
| Garrett Honn | .... | digital compositor | |
| Florentin Ionita | .... | digital compositor | |
| Zafar Janjua | .... | visual effects coordinator | |
| Ray Johnson | .... | matchmover | |
| Gerard Keating | .... | pipeline software developer | |
| Ciarán Keenan | .... | visual effects coordinator | |
| Lisa Kelly | .... | visual effects production assistant | |
| John Kennedy | .... | lead compositor | |
| James Kenny | .... | visual effects artist | |
| Uros Lasic | .... | visual effects | |
| Barry Lawless | .... | visual effects technical director | |
| Duncan Lees | .... | head of 3D services: 4DMax | |
| Matt Leonard | .... | Nuke trainer | |
| Miguel Macaya | .... | digital compositor | |
| Sean McGrath | .... | additional visual effects producer: Windmill Lane | |
| John McMahon | .... | digital compositor | |
| Adriano Mulè | .... | senior compositor | |
| Shayne Murphy | .... | compositor | |
| Ultan Murphy | .... | visual effects editor | |
| Rodney Musso | .... | assistant colorist | |
| Donal Nolan | .... | lead compositor | |
| Sona Pak | .... | visual effects producer | |
| Emanuele Pescatori | .... | senior td | |
| Jakub Pruszkowski | .... | digital compositor | |
| Luca Gabriele Rossetti | .... | digital compositor and matte painter | |
| Jean-Marc Rulier | .... | cyber scanning technician: 4DMax | |
| Leigh Russell | .... | visual effects artist | |
| Aleksandra Sienkiewicz | .... | digital compositor | |
| Ray Sullivan | .... | matchmove artist | |
| Simona Tositti | .... | animator | |
| Chris Ventress | .... | compositor | |
| Paul Vorsman | .... | senior compositor | |
| Nicky Walsh | .... | matchmove supervisor | |
| Dayne Cowan | .... | effects photographer: VFX (uncredited) | |
Stunts | |||
| Milan Alavanja | .... | safety supervisor | |
| Milan Alavanja | .... | stunt rigger | |
| Alexandre Cauderlier | .... | stunt double | |
| Alexandre Cauderlier | .... | stunt rigger | |
| Patrick Cauderlier | .... | stunt supervisor | |
| Lyne Doffagne | .... | stunt double | |
| Yan Dron | .... | stunt rigger | |
| Bariller Hugo | .... | fight choreographer | |
| Slavisa Ivanovic | .... | local stunt coordinator | |
| Tomislav Mitrovic | .... | stunts | |
| Nebojsa Simic | .... | stunt rigger | |
| Ilija Vekic | .... | stunts | |
Camera and Electrical Department | |||
| Dave Brennan | .... | camera operator: 'a' camera | |
| Sasa Djordjevic | .... | grip | |
| Srdjan Gojkovic | .... | local gaffer | |
| David Grennan | .... | camera operator: "a" camera, second unit, additional photography | |
| Oisín Kelly | .... | camera operator | |
| Oisín Kelly | .... | grip | |
| Nenad Maksimovic | .... | grip | |
| Robert McRae | .... | lighting gaffer | |
| Djordjevic Milan | .... | crane arm | |
| Miodrag Popovic Misko | .... | video assist operator | |
| David Pavlasevic | .... | camera trainee | |
| Slobodan Pikula | .... | still photographer | |
| Douglas G. Reid | .... | rigging gaffer | |
| Branislav Stojanovic | .... | focus puller | |
| Cedomir Subotic | .... | grip | |
| Veljko Vukasovic | .... | digital imaging technician | |
Animation Department | |||
| Darragh Duffy | .... | previs artist | |
| Chris Dymond | .... | animator | |
| Dave McEvoy | .... | animator | |
| Matt Pidgeon | .... | animator | |
Costume and Wardrobe Department | |||
| Momirka Bailovic | .... | assistant costume designer | |
| Magali Cohen | .... | assistant costume designer | |
Editorial Department | |||
| Fabrice Blin | .... | colorist | |
| Matt Branton | .... | on-line conform | |
| Sarah Caraher | .... | post-production coordinator | |
| Uros Lasic | .... | assistant editor | |
| Eoghan McKenna | .... | conform assistant | |
| Eoghan McKenna | .... | dailies colourist | |
| Ultan Murphy | .... | on-set first assistant editor | |
| Blanchet Thibaut | .... | assistant editor | |
| Jamie Turpin | .... | first assistant editor | |
Music Department | |||
| Nicolas Duport | .... | music mixer | |
| Najib El Yafi | .... | assistant music engineer | |
| Gisèle Gérard-Tolini | .... | conductor | |
| Gisèle Gérard-Tolini | .... | orchestrator | |
| Anne Le Pape | .... | musician: violin | |
| Alexandre Mahout | .... | head of music | |
| Laurent Malet | .... | musician: trumpet | |
| Nicolas Vaslier | .... | musician: violin | |
| Fabien Wallerand | .... | musician: tuba | |
Transportation Department | |||
| Vladan Aleksic | .... | driver | |
| Igor Kokot | .... | driver | |
| Slavko Novakovic | .... | transportation coordinator | |
Other crew | |||
| Jelena Beatovic | .... | cashier | |
| Jelena Blazic | .... | production coordinator | |
| Milica Bregovic | .... | cast assistant | |
| Kristina Colic | .... | supervising accountant | |
| Laurence Couturier | .... | script supervisor | |
| Danijela Djokanovic | .... | assistant accountant | |
| Sandra Djurickovic | .... | production accountant | |
| Romuald Drault | .... | production accountant supervisor | |
| Kris Edlund | .... | adr voice | |
| Gary Hetzler | .... | adr voice | |
| Sanja Ilic | .... | first assistant accountant | |
| Tamara Jovic | .... | production assistant | |
| Charlie Kranz | .... | adr voice | |
| Uros Lukovac | .... | location manager | |
| Sinead McDonald | .... | post production runner | |
| Frances O'Reilly | .... | post production coordinator | |
| Milica Pajevic | .... | production secretary | |
| Tamara Pesic | .... | key production assistant: office | |
| Mark Schrier | .... | adr voice | |
| Todd Spears | .... | production accountant: US | |
| Aleksandar Tadic | .... | location manager | |
| Aleksandra Vlaisavljevic | .... | assistant production coordinator | |
Thanks | |||
| Luc Besson | .... | thanks | |
| Deborah Boulanger | .... | thanks | |
| Colin Devlin | .... | thanks | |
| Claire Farrell | .... | thanks | |
| Gareth Upton | .... | thanks | |
| Josh Varney | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb France section |
It's fair to say Luc Besson has gotten a bit giddy ever since "Taken." The man who once upon a time brought us "La Femme Nikita" and "Leon: The Professional" has instead taken to lighter action fare, in this case recruiting amateurs James Mather and Stephen St. Leger to help write and direct his "original idea." Exactlynot a "story by" credit, but "original idea."
That's not to say "Lockout" isn't creative, but it's definitely not original. Some might dub it "Taken in space," especially considering it borrows that film's starlet in Maggie Grace, but it's much more akin to "Escape from New York in space." Either way, "Lockout" is another simple- concept action film from Besson, only it has a bigger ego that gets in the way sometimes.
"Lockout" is good for kicks, a fact of which it's very aware. Guy Pearce's Snow, the morally questionable and reluctant hero written so closely to the archetype he almost transcends it, weirdly. He has a sense of humor best described as abundant (though sometimes quite clever), and Pearce plays him especially wry; most actors (think Nicolas Cage) would've hammed it up too much or been unconvincing.
Snow is tasked with rescuing the president's daughter (Grace), who is stuck on a maximum security prison in space that has incurred a major security breach. These are the world's most dangerous criminals, plus they have been in stasis for any number of years, which has made them even nuttier. Joseph Gilgun as Rydell, one of two Scottish prisoners trying to run the uprising, is a particularly deranged fellow reminiscent of a demented Groundskeeper Willie.
Both Rydell and the other main baddie, Alex (Vincent Regan), have a cold-blooded edge that could have made for an effective R-rated ransom thriller reminiscent of late '90s films like Air Force One, but the devil-may-care attitude of the entire movie ultimately clashes with these darker moments, even though they do make you take the movie more seriously than you would otherwise.
After a little bit of context at the beginning to properly motivate Snow, both he and us are effectively shot from a canon. The story only slows down a bit toward the end, but it mostly plays out as a series of dominoes. The action doesn't satisfy so much as the pace and the threat of violence (now here's a good example of how you do PG-13 violence), but it's well done aside from an opening motorcycle sequence shot on green screen and outfitted with an effects job that really shows the budget.
Aside from that, the futuristic sci-fi elements stay pretty classynothing overdone or distracting. The gadgets provide some creativity to a number of the sequences and the script manages to inject some unpredictability into a story that could not have a more obvious trajectory.
Despite the self-awareness at points, with a lot of that credit going to Pearce, Lockout tries especially hard to be entertaining on too many fronts, aspiring to be the consummate popcorn flick rather than just identifying one tone and sticking with it. The final scene on the space prison strangely evokes the original "Star Wars" Death Star run, as if to make sure the audience gets to munch on some sci fi/fantasy before the credits roll.
It's hard to fault "Lockout" for aiming to please considering that that spirit seems to be the driving force behind the movie's strengths as well as its weaknesses. Although the number of attempts at humor might catch some folks off guard, "Lockout" offers what anyone interested in the film would expect, if for no other reason than its built upon tons of tropes from previously effective movies. In turn, "Lockout" is effective, but not too much more.
~Steven C
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