LOCKOUT is the story of an American man who gets fired when he fails to adapt to certain changes in the company where he's worked for over ten years. As a result of this, he and his family ... See full summary »
Jack Irish has no shortage of friends, but family members are few and far between. His wife was murdered by an ex-client and his father is a fading photo on the pubs football wall of fame. ... See full summary »
A former criminal lawyer is getting his life back together and now spends his days as a part-time investigator, debt collector, apprentice cabinet maker, punter and finding those who don't ... See full summary »
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
With her life at a crossroads, 25 year old Sophie Conway returns home to the small town she always wanted to forget. Once home, she is faced with the friends and lovers she left behind, a tangled relationship with her Mother, and Harry Pleasant, an Alzheimer's Disease patient who, in an opposing way, shares Sophie's struggle to remember.
In 2079, in Washington, the ex-CIA Operative Snow is brutally interrogated, accused of treason against the United States. The chief of the secret service Scott Langral believes that he shot the agent Frank in a hotel room. Meanwhile, the idealistic daughter of the president of the USA, Emilie Warnock, is visiting MS One, a maximum security prison in outer space expecting to find evidences that the prisoners are actually guinea pigs of a huge corporation. When one of her bodyguards loses a hidden pistol to the dangerous prisoner Hydell, he subdues the staff in the central control room and releases the prisoners, including his brother Alex who becomes the leader of the riot. Now the veteran agent Harry Shaw offers freedom to Snow if he succeeds in rescuing the president's daughter. But the idealistic Emilie does not want to leave MS-One without the hostages. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
WILHELM SCREAM: The inmate who trips and falls right after coming out of stasis. See more »
Earlier in the film Snow punches Emilie to toughen her up which leaves a bruise/cut. This changes in place and appearance on her face. See more »
Again, what happened in that hotel room?
Oh, it was coupon night and I was trampolining your wife.
[Snow is punched in the face]
You're a real comedian aren't you, Snow?
Well I guess that's why they call it the punch line.
[Snow is punched again]
You don't like me, do you?
Don't flatter yourself. I don't like anybody.
With that attitude, I can see why nobody likes you.
[...] See more »
I was kind of inclined to headline this as being the movie guaranteed to make highbrow film fans froth with incredulity. That anyone could enjoy such a derivative, tongue-in-cheek, low ambition piece of schlock, is surely cause for venomous spleen venting from the serio film brigade. They call them guilty pleasures, but thing is, I just don't feel guilty about having such a wonderfully fun filled great time with the Luc Besson produced Lockout.
Plot? Well it's the future and basically Guy Pearce (Snow) is wrongly convicted of a crime and sentenced to do stir in stasis until whenever. But up in space at the MS1 prison facility, home to all the maniacs found in Demolition Man, the president's daughter, do-gooder babe Emilie Warnock (Maggie Grace), is suddenly taken captive and it's a big hostage situation. This looks like a mission for a serious hard bastard type! Well Snake Plissken wasn't available, so they get Snow, who is bulked up, full of wise cracks and has a point to prove. Guess what follows? Yep, complete popcorn frenzy as Pearce and Grace cut a swathe through MS1 and have a date with coolness personified.
On the way, via a truly gorgeous sci-fi affected Blu-ray print, we will tick off the homages and influences and compare notes with our viewing partners about how it's a Snake Plissken movie but with Shane Black type dialogue. While those who are partial to a bit of sci-fi design are well served here. Because even though there might be the worst CGI effects ever during a chase scene (that mercifully only runs for 50 seconds), the space ships, sets and Torsion System sequence, prove that you don't need Michael Bay type bucks to please the eyes. From the quite brilliant and hilarious opening interrogation beat down, to the big reveal and punch line, this Besson produced piece is serving popcorn with a smile to a certain segment in the film watching populace.
With bits of the Snake Plissken movies, Fortress, Die Hard, Commando, Demolition Man, Minority Report, Last Boy Scout and any other quip laden dude/wronged man on a mission movie, Lockout clearly lacks originality. But seriously! Was anyone involved playing it as anything other than a sly homage movie? No, they wasn't. Pearce is great fun in the role, but he isn't trying to worry the highbrow crowd's votes for films of the year. Anyone viewing it expecting something cerebral should feel more guilty than those who stand up to say they had a great time watching it. Ingem Ferem. 7/10
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