- 4 wins & 7 nominations.
- See more »
Photos and Videos
Cast
Helen Hunt | ... |
Mary Claire King
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Samantha Morton | ... |
Annie Parker
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Aaron Paul | ... |
Paul
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Rashida Jones | ... |
Kim
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Richard Schiff | ... |
Allen
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Alice Eve | ... |
Louise
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Bradley Whitford | ... |
Marshall
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Maggie Grace | ... |
Sarah
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Marley Shelton | ... |
Joan Parker
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Ben McKenzie | ... |
Tom
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James Tupper | ... |
Steve
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Kate Micucci | ... |
Rachel
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Spencer Garrett | ... |
David
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Mageina Tovah | ... |
Ellen
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Robert Pine | ... |
Dr. Frank
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Bob Gunton | ... |
Dr. Benton
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Chris Mulkey | ... |
Ralph Parker
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Katy Boyer | ... |
Irma Parker
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Julia Valentine Larson | ... |
Student
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Rizwan Manji | ... |
Assistant
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Ronnie Steadman | ... |
Male Researcher
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Benjamin Stockham | ... |
Young William (8)
(as Benjamin James Stockham)
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Ryan Wynott | ... |
Young William (12)
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Brie Bernstein | ... |
Miriam
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Jade Duncan | ... |
Young Annie Parker
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Olivia Rose Keegan | ... |
Young Joan Parker
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Ajay Mehta | ... |
OB / GYN Doctor
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Chad Lindberg | ... |
Funeral Home Employee
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Scott Klace | ... |
Mark
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Joanne Baron | ... |
Florence
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Johnathan Brownlee | ... |
Boyfriend
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Geoffrey Gould | ... |
Funeral Officiant
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Rest of cast listed alphabetically: | |||
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Trevor Bryant Clark | ... |
Joan's Fiancé
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LynNita Ellis | ... |
Funeral Attendant
(as LynNita Puma)
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Rachel Lane | ... |
Daughter
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Michelle Mace | ... |
Teenaged girl #1
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Ronald McAdams | ... |
Funeral officiant
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Rolanda Mendelle | ... |
Annie Parker Narrator
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Corey Stoll | ... |
Sean
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Joseph White | ... |
Young William, age 17
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Trent Hopkins | ... |
Janitor (uncredited)
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Directed by
Steven Bernstein |
Written by
Adam Bernstein | ... | () |
Steven Bernstein | ... | () |
Michael Moss | ... | () |
Produced by
Steven Bernstein | ... | producer |
Johnathan Brownlee | ... | executive producer |
Tara Finegan | ... | executive producer (as Tara Moross) |
Aaron L. Gilbert | ... | executive producer |
C. Steve Goldstein | ... | associate producer |
Margot Hand | ... | co-executive producer |
Brigitte Huff | ... | co-producer |
Keith Kjarval | ... | producer |
Neil MaCrea | ... | executive producer |
Nolan Mcdonald | ... | executive producer |
Michael Moss | ... | associate producer |
Patrick Murray | ... | co-executive producer |
Surina Narula | ... | producer |
Mick Partridge | ... | co-producer |
Clark Peterson | ... | producer |
Sidney Powell | ... | executive producer |
Laurie Rix | ... | executive producer |
Stuart W. Ross | ... | producer |
Ron Senkowski | ... | producer |
Randolf Turrow | ... | line producer |
Mary Vernieu | ... | producer |
Jaki West | ... | co-producer |
Oliver Wheeler | ... | associate producer |
Darlene Winter | ... | executive producer |
Music by
Steven Bramson |
Cinematography by
Ted Hayash |
Editing by
Douglas Crise |
Editorial Department
Tamara Gagarin | ... | post production supervisor |
Laura Geucherian | ... | DI Producer |
Daniela Ovi | ... | first assistant editor |
Lysandra Petersson | ... | assistant editor |
Thom Whitehead | ... | digital intermediate editor |
Casting By
Venus Kanani | ||
Mary Vernieu |
Production Design by
Rob Howeth |
Art Direction by
Chikako Suzuki |
Set Decoration by
Dorit Hurst |
Costume Design by
Karyn Wagner |
Makeup Department
Kathy Bayley | ... | assistant makeup artist |
Rhonda Ann Burns | ... | hair stylist |
Elisabeth Dietrich-Fry | ... | makeup department head (as Elisabeth Fry) |
Ketty Gonzalez | ... | hair department head |
Martina Kohl | ... | key makeup artist |
Michael Mosher | ... | special makeup effects artist |
Jennifer Petrovich | ... | key hair stylist |
Production Management
Randolf Turrow | ... | unit production manager |
Jaki West | ... | assistant unit production manager |
Second Unit Director or Assistant Director
Kyle Hollingsworth | ... | second second assistant director |
Marisol 'Ari' Oyola | ... | second second assistant director |
Marge Piane | ... | second assistant director |
Cynthia A. Potthast | ... | first assistant director (as Cynthia Potthast) / first assistant director |
Art Department
Carolyn Baumert | ... | graphic designer |
Michelle Mace | ... | art department intern |
Becky Martinez | ... | on set dresser |
Brendan Maze | ... | set dresser |
Adee Serrao | ... | graphic designer |
Andy Stumme | ... | assistant art director |
Aiyana Trotter | ... | art department coordinator |
Erica Willis McCormick | ... | set decorations buyer |
John Bruce Zawacki | ... | general foreman |
Tom Zawacki | ... | set dresser |
Jai Field | ... | graphic designer (uncredited) |
Sound Department
David Alvarez | ... | sound mixer |
Kevin Cheng | ... | sound utility |
Seth Cooper | ... | boom operator |
Lara Dale | ... | foley artist |
Chris David | ... | re-recording mixer |
Brian Dunlop | ... | sound designer / sound effects editor |
Jesse Ehredt | ... | sound recordist |
Justin Herman | ... | sound engineer |
Ellen Heuer | ... | foley artist |
Tim Limer | ... | sound recordist |
A. Josh Reinhardt | ... | sound mixer |
Eric Thomas | ... | boom operator |
Martyn Zub | ... | sound editor |
Visual Effects by
Blazej Floch | ... | digital compositor |
Clark Graff | ... | visual effects supervisor |
Eric Westphal | ... | digital compositor |
Camera and Electrical Department
Chris D. Chapman | ... | "a" dolly grip |
Alexandre Dumas | ... | electrician |
Erik Emerson | ... | first assistant camera |
Michael Ferris | ... | camera operator |
Mike Gioulakis | ... | gaffer |
Dan Kneece | ... | camera operator |
Jessica Ramos | ... | second assistant camera |
Marc-Antoine Serou | ... | lighting technician |
Jennifer Stuart | ... | second assistant camera |
Igor Tochilnikov | ... | set lighting technician |
Chris Way | ... | grip |
Chuck Whelan | ... | first assistant b-camera |
Vanessa Wolf | ... | best boy electric |
Casting Department
Michelle Wade Byrd | ... | casting associate (as Michelle Wade) |
Costume and Wardrobe Department
Ariel Boroff | ... | costumer |
Nicky Hirata | ... | costume assistant |
Molly Isabelle | ... | costume coordinator (as Molly McCurdy) |
Elizabeth Lancaster | ... | key costumer |
Valerie Laven-Cooper | ... | costume supervisor |
Jessica Mauricio | ... | costume production assistant |
Susan Nininger | ... | costumer |
Paulette Sladinski | ... | costume assistant |
Location Management
Iris Lincoln | ... | location assistant |
Dennis R. Williams | ... | location manager (as Dennis Williams) |
Music Department
Marcus Barone | ... | music supervisor |
Charles M. Barsamian | ... | music business & legal executive |
Nick Murray | ... | composer: Trailer Music |
Meghan Persons | ... | music clearance and licensing (as Meghan Kozlosky) |
Script and Continuity Department
Nick Bergthold | ... | script coordinator |
Anne Melville | ... | script supervisor |
Transportation Department
Mike Barton | ... | driver: cast |
George Bolton | ... | transportation |
Norma Leonard | ... | transportation assistant |
Mario Simon | ... | transportation coordinator |
Al Valentine | ... | driver |
Additional Crew
Erik Altstadt | ... | set production assistant |
Chrissie S. Vides Alvarado | ... | executive assistant: Aaron L. Gilbert (as Chrissie Vides Alvarado) |
Roger Berard | ... | production assistant |
Greg Bernstein | ... | legal services |
Matthew Curran | ... | production assistant |
Kevin Davies | ... | technical consultant |
Jennifer Gable | ... | stand-in |
Michael Kolko | ... | production consultant |
Zach Laliberte | ... | production assistant |
Lysandra Petersson | ... | production office supervisor |
Jamie Lynn Schultz | ... | set production assistant (as Jamie Schultz) |
Ryan Thompson | ... | production assistant |
Tyler Vernieu | ... | production assistant |
Thanks
Charles Bernstein | ... | in memory of (as Dr. Charles Bernstein) |
Silvia Bernstein | ... | in memory of |
Robert Berry | ... | very special thanks |
John Brady | ... | very special thanks |
Ian Crombie | ... | very special thanks |
Ann Cusack | ... | very special thanks |
Joel Diamond | ... | very special thanks |
Bob Dylan | ... | very special thanks |
Mary Jane Esplen | ... | very special thanks (as Mary Jane Esplen PH.D RN) |
Joel Evans | ... | very special thanks |
Bradley Isaac Fisher | ... | very special thanks |
Steve Hanson | ... | very special thanks |
Lovell Holder | ... | very special thanks |
Gale Anne Hurd | ... | very special thanks |
Jenny Jacob | ... | very special thanks |
Deborah L. Johnson | ... | very special thanks (as Deborah L. Johnson PH.D) |
Mary Jones | ... | very special thanks |
Tatiana Kelly | ... | very special thanks |
Stephen L'Heureux | ... | very special thanks |
Alliene Liden | ... | very special thanks |
Rita Mansour | ... | very special thanks |
Wendy S. Meschino | ... | very special thanks (as Dr. Wendy S. Meschino) |
Carlos Rivera | ... | very special thanks |
Don Rix | ... | in memory of (as Dr. Don Rix) |
Lior Suchard | ... | very special thanks |
Clarice Sharon Tulino | ... | in memory of |
Patrick Tuzzolino | ... | very special thanks |
Ellen Warner | ... | very special thanks (as Dr. Ellen Warner) |
Martha Weale | ... | very special thanks |
Merill Weale | ... | very special thanks |
Shawn Whelan | ... | in memory of |
Beverly Woods | ... | very special thanks |
Jim Young | ... | very special thanks |
Jeannette Zepeda | ... | very special thanks |
Production Companies
Distributors
- Entertainment One (2014) (United States) (theatrical)
- Atlantic Film (2015) (Finland) (DVD)
- Entertainment One (2014) (United States) (DVD)
- Entertainment One (2014) (United States) (Blu-ray) (DVD)
- Film1 (2015) (Netherlands) (tv) (limited)
- GEM Entertainment (2014) (Non-US)
- Just Bridge Entertainment (2014) (Netherlands) (DVD)
- KVH Media Group (2014) (World-wide) (ships)
- KVH Media Group (2016) (World-wide) (Ships)
- NOS Audiovisuais (2014) (Portugal)
Special Effects
Other Companies
- Brauer & Co. (film tax credits)
- Chapman/Leonard Studio Equipment (camera dollies)
- Cutting Edge Group (music services)
- Davoli Davids (financial legal services)
- Dorado Media and Capital (funding)
- Eastman Kennedy (production accounting services)
- Fintage CAM (collection account management)
- Wildfire Studios (post-production sound services)
Storyline
Plot Summary |
Eleven-year-old Annie Parker is living the perfect young life, loved by all, and especially by her mother, father, and older sister. But none of them knows that something horrible is stalking their perfect family. On a fall afternoon in 1976, young Annie hears a noise from upstairs. Her mother has collapsed and died, and an agonizing downward spiral begins. At U.C. Berkeley, a brilliant research geneticist named Mary-Claire King (Helen Hunt) is embarking on something of a personal crusade to uncover the genetic roots of breast cancer. While still in her twenties, she has already made a famous discovery that made the cover of the prestigious journal Science -- quantifying the genetic variation between humans and chimpanzees. But her conviction that there is a hereditary basis to at least some forms of breast cancer is not widely shared. Nevertheless, her tireless research throughout the 1980's would end in a medical breakthrough -- the discovery of the location of the BRCA1 hereditary breast cancer gene --- considered one of the most important scientific discoveries of the twentieth century. At the age of 19, after the sudden death of her father, Anne (Jade Duncan) marries Paul (Aaron Paul) and soon is pregnant. She struggles to find a way in the world with her equally young but misguided husband and her older sister, Joan Parker (Marley Shelton) who tries to become a surrogate parent to Anne. But, cruelly, Joan contracts the same cancer that killed their mother, and in a few months, she, too, is dead. Annie (Samantha Morton) is diagnosed with the same disease that killed her mother and sister -- breast cancer. It is severe, and surgery and chemotherapy, with all the accompanying difficulties, soon follow. She loses her hair, and if that wasn't enough to endure, her husband, never really mature or stable, has begun an affair with Anne's closest friend Louise (Alice Eve), and leaves her. Paul is soon diagnosed with cancer and expires shortly before she is diagnosed with a second cancer. While Annie struggles, King is pursuing her belief that some forms of breast and ovarian cancer have a hereditary basis. While she captures headlines for her work applying DNA fingerprinting to help reunite "the disappeared" with their families in Argentina, her priority is to map the breast cancer gene. King focuses on collecting families with a particularly high incidence of breast cancer, suspecting that these cases are most likely to reveal any genetic predispositions. Advances in genetic mapping through the 1980's gradually allow her team to embark on studies to map the location of the BRCA1 gene. Finally, in 1990, King and her team find conclusive evidence linking DNA markers on chromosome 17 with an inherited flaw in a gene dubbed BRCA1. The work was presented at the American Society of Human Genetics conference in Cincinnati, and published in Science a short time later. Mary Claire King ended up on the cover of Time, and Anne Parker finally had the answer she herself had long sought. Anne Parker happily remarried (Bradley Whitford), and a few years later contracts cancer for a third time. And survives again. And she laughed while being treated, for reasons only she knew and understood. |
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Taglines | Two women. One of them is going to change her life, the other is going to change the world. See more » |
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Parents Guide | View content advisory » |
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Box Office
Budget | $2,000,000 (estimated) |
Opening Weekend United States | $16,781, 04 May 2014 |
Did You Know?
Trivia | Michelle Mace's debut, playing the role of "Teenaged Girl No. 1." See more » |
Goofs | In a scene set in the late 70's/early 80's, Paul is seen wearing a vest made out of German Bundeswehr camouflage pattern "Flecktarn". This type of pattern was introduced in 1991. See more » |
Movie Connections | Featured in Episode #8.68 (2014). See more » |
Soundtracks | She'd Rather Be With Me See more » |
Quotes |
Annie Parker:
My life was a comedy. I just had to learn to laugh" See more » |