
Nanny McPhee and the Big Bang (2010)
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- PG
- 1h 49min
- Comedy, Family
- 20 Aug 2010 (USA)
- Movie
- 1 win & 2 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
Maggie Gyllenhaal | ... |
Isabel Green
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Oscar Steer | ... |
Vincent Green
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Asa Butterfield | ... |
Norman Green
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Lil Woods | ... |
Megsie Green
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Eros V | ... |
Cyril Gray
(as Eros Vlahos)
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Rosie Taylor-Ritson | ... |
Celia Gray
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Daniel Mays | ... |
Blenkinsop
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Rhys Ifans | ... |
Phil Green
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Maggie Smith | ... |
Mrs Docherty
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Sinead Matthews | ... |
Miss Topsey
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Katy Brand | ... |
Miss Turvey
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Emma Thompson | ... |
Nanny McPhee
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Bill Bailey | ... |
Farmer Macreadie
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Ewan McGregor | ... |
Mr. Green
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Sam Kelly | ... |
Mr. Docherty
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Nonso Anozie | ... |
Sergeant Jeffreys
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Ralph Fiennes | ... |
Lord Gray
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Ed Stoppard | ... |
Lieutenant Addis
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Toby Sedgwick | ... |
Enemy Pilot
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Rest of cast listed alphabetically: | |||
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Lauren Barrand | ... |
Stand-In
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Julie Eagleton | ... |
City Woman (uncredited)
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Robert Ireland | ... |
Opera Drawers (uncredited)
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Nathan Robinson | ... |
Soldier (uncredited)
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Gillian Steventon | ... |
City Woman (uncredited)
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Directed by
Susanna White |
Written by
Emma Thompson | ... | (written by) |
Christianna Brand | ... | (characters) |
Produced by
Tim Bevan | ... | producer |
David Brown | ... | co-producer |
Liza Chasin | ... | executive producer |
Lindsay Doran | ... | producer |
Eric Fellner | ... | producer |
Amelia Granger | ... | associate producer |
Debra Hayward | ... | executive producer (as Debra Osborne) |
Emma Thompson | ... | executive producer |
Music by
James Newton Howard |
Cinematography by
Mike Eley |
Editing by
Sim Evan-Jones |
Editorial Department
Fiorenza Bagnariol | ... | digital film bureau |
Mark Bankhead | ... | dailies assistant |
Andrew Cave | ... | dailies assistant |
Rich Ellis | ... | dailies assistant (as Richard Ellis) |
Adam Glasman | ... | digital colorist |
Tania Goding | ... | first assistant editor (as Tania Clarke) |
Rob Gordon | ... | additional on-line editor |
Jon Gray | ... | Dailies Project Manager |
Emily Greenwood | ... | digital film editor |
Alastair Grimshaw | ... | visual effects editor |
Deborah Harding | ... | post production supervisor |
Patrick Malone | ... | digital intermediate head of department |
Steven Mates | ... | assistant visual effects editor |
Jamie Payne | ... | colorist: dailies |
Darren Rae | ... | colorist: dailies |
Debs Richardson | ... | avid assistant editor |
Nick Timms | ... | technical operator |
Laurent Treherne | ... | digital film technical supervisor |
Casting By
Lucy Bevan |
Production Design by
Simon Elliott |
Art Direction by
Suzanne Austin | ||
Bill Crutcher | ... | supervising art director |
Nick Dent | ||
Gary Jopling |
Costume Design by
Jacqueline Durran |
Makeup Department
Nathaniel De'Lineadeus | ... | dental effects designer |
Tamsin Dorling Barbosa | ... | hair stylist (as Tamsin Barbosa) / makeup artist (as Tamsin Barbosa) |
Peter Swords King | ... | hair designer (as Peter King) / key makeup artist (as Peter King) / makeup designer (as Peter King) |
Chris Lyons | ... | special effects teeth |
Nicola Matthews | ... | hair stylist: second unit / makeup artist: second unit |
Flora Moody | ... | assistant makeup trainee |
Paula Price | ... | hair stylist / makeup artist |
Luca Saccuman | ... | crowd hair stylist |
Lesley Smith | ... | additional hair stylist / additional makeup artist |
Matthew Smith | ... | prosthetic sculptor |
Sarah Weatherburn | ... | wigs |
Nik Williams | ... | special makeup effects artist |
Production Management
Sobhan Afghari | ... | production manager |
Simon Fraser | ... | production manager |
Danny Gulliver | ... | unit manager (as Daniel Gulliver) |
Deborah Harding | ... | post-production supervisor |
Michelle Wright | ... | executive in charge of production |
Second Unit Director or Assistant Director
Victoria Banks | ... | second assistant director: second unit |
Dan Gill | ... | crowd assistant director (as Daniel Gill) |
Heidi Gower | ... | third assistant director |
Martin Harrison | ... | first assistant director |
Reshma Makan | ... | floor assistant director: dailies |
Finn McGrath | ... | first assistant director: second unit |
Christian Rigg | ... | crowd third assistant director: dailies |
Tony Slater Ling | ... | second unit director |
Chris Stoaling | ... | second assistant director |
Laura Windebank | ... | third assistant director: second unit |
Art Department
Roxana Alexandru | ... | draughtperson |
Marshall Aver | ... | props buyer |
Jo Berglund | ... | petty cash buyer |
Max Berman | ... | prop maker |
Gabor Biro | ... | greensman |
Steve Bohan | ... | construction manager |
Mark Buck | ... | plasterer |
Harry Cable | ... | stand-by props |
Dean Coldham | ... | plasterer |
Darren Collins | ... | action vehicle |
Gary Crosby | ... | head painter |
Paul Duff | ... | supervising carpenter |
Sarah Forbes | ... | assistant production buyer |
Steve Furneaux | ... | standby carpenter |
Annie Gilhooly | ... | production buyer |
Craig Gleeson | ... | chargehand |
Peter Hallam | ... | property master |
Rohan Harris | ... | paintings |
Syd Harvey | ... | art department runner |
Scott Hillier | ... | chargehand rigger |
Henry Hole | ... | greens |
Brendan Houghton | ... | storyboard artist |
Douglas Ingram | ... | storyboard artist |
Thomas Jones | ... | props mould-maker |
Mark Keene | ... | carpenter |
Tracy Low | ... | construction cordinator |
Jon Marson | ... | key greensman |
Lisa McDiarmid | ... | stand-by art director |
Paul Michel | ... | props |
John O'Connor | ... | supervising carpenter |
Russell Oxley | ... | scenic artist |
Heather Pollington | ... | graphic designer |
Nick Slater | ... | greensman |
Marcus Smart | ... | props |
Nick Smith | ... | carpenter |
James Staples | ... | scenic painter |
Nic Stubbings | ... | chargehand dressing propman |
Sophie Tarver | ... | propmaker |
Kristin Theyers | ... | stand-by props: second unit |
Bill Thomas | ... | props |
Kiera Tudway | ... | art department assistant |
Oli van der Vijver | ... | stand-by art director: second unit |
James Wakefield | ... | assistant art director |
Dicken Warner | ... | thatcher |
Adriaan Engelbrecht | ... | prop maker (uncredited) |
Melissa Eybers | ... | props mould maker (uncredited) |
Tanya Peacock | ... | prop maker and painter (uncredited) |
Sound Department
Hugo Adams | ... | foley editor / sound effects recordist |
Niv Adiri | ... | sound effects editor / sound re-recording mixer: pre-mix |
Ben Barker | ... | sound effects editor |
Sandy Buchanan | ... | adr recordist |
Mark DeSimone | ... | adr mixer |
Gillian Dodders | ... | adr editor |
Mike Dowson | ... | re-recording mixer |
Arthur Fenn | ... | boom operator |
Danny Freemantle | ... | sound effects editor |
Glenn Freemantle | ... | sound designer / supervising sound editor |
James Gibb | ... | sound assistant |
Howard Halsall | ... | dialogue editor |
Nina Hartstone | ... | supervising dialogue editor |
Simon Hayes | ... | production sound mixer |
Mark Heslop | ... | conform editor |
Eilam Hoffman | ... | temp sound editor |
Robert Ireland | ... | adr editor |
Robin Johnson | ... | boom operator |
Michael Miller | ... | adr mixer |
Emilie O'Connor | ... | assistant dialogue editor |
Jan Petrov | ... | adr recordist |
Richard Pryke | ... | re-recording mixer |
Tom Sayers | ... | sound design editor |
Adam Scrivener | ... | mix technician |
Jason Stevens | ... | sound negative |
Jack Stew | ... | foley artist |
Chris Sturmer | ... | dolby sound consultant |
Philip Young | ... | adr recordist |
Special Effects by
James Davis III | ... | special effects supervisor |
Hugh Goodbody | ... | special effects senior technician |
Karen Holt | ... | special effects assistant |
Mark Holt | ... | special effects supervisor |
Peter Kersey | ... | special effects technician |
Paul McGuinness | ... | special effects technician |
Dickon Mitchell | ... | special effects senior technician |
Patrick O'Sullivan | ... | special effects senior technician |
Visual Effects by
Antony Allen | ... | paint & roto artist |
Katarzyna Ancuta | ... | lead paint & roto artist |
Edward Andrews | ... | rotoscope artist- Framestore |
Jaume Arteman | ... | digital compositor: framestore |
Tony Atherton | ... | effects technical director: Framestore |
Manjusha Balachandran-Hall | ... | lighting technical director (as Manjusha Balachandran) |
Lizi Bedford | ... | crew manager: Framestore |
Jeremy Berruel | ... | modeler |
Jarnail Bhachu | ... | digital compositor: Framestore |
Michael Blain | ... | r&d developer |
Zachary Bloom | ... | scanning: Framestore |
Turea Blyth | ... | visual effects editorial |
Matt Boyer | ... | matchmove artist |
William Brand | ... | lead modelmaker |
Christophe Brejon | ... | lighting technical director |
Robin T. Brown | ... | digital paint & roto artist |
Allison Cain | ... | visual effects producer: Framestore |
Daniela Campos Little | ... | matchmove artist |
Ronan Carr Fanning | ... | digital modeller |
Helen Carr | ... | paint & roto artist |
Ronan Carr | ... | paint & roto artist |
Anthony Chadwick | ... | matchmover / visual effects |
Nardeep Chander | ... | effects technical director |
Malavika Chandrakanth | ... | digital paint and roto artist |
Chris Cooper | ... | matchmove artist |
Noemie Cruciani | ... | paint and roto artist: Framestore |
Alex Cumming | ... | digital compositor |
Eoghan Cunneen | ... | assistant technical director |
Sean Danischevsky | ... | lead compositor: Framestore |
Amy Davis | ... | prep artist |
Virginie Degorgue | ... | digital matte painter: Framestore |
Claire Denwood | ... | visual effects coordinator (as Claire Galpin) |
Rico Dober | ... | technical director |
Mike Eames | ... | head of animation: Framestore |
Richard Edwards | ... | data operator: Framestore |
Daniel Evans | ... | r&d: Framestore |
Michele Fabbro | ... | fx technical director |
Marie Fernandes | ... | digital intermediate producer |
Matt Fox | ... | vfx executive producer: Framestore |
Richard Frazer | ... | digital paint and roto artist |
Joe Gaffney | ... | lighting technical director: Framestore |
Rob Garner | ... | paint & roto artist |
Stefanie Gassel | ... | technical director: Framestore (as Stefanie Strauss) |
Sukh Gill | ... | visual effects coordinator: Framestore |
Stefano Giorgetti | ... | digital effects artist |
Adam Glasman | ... | di colourist |
Theodor Groeneboom | ... | compositor: Framestore |
Charlie Habanananda | ... | digital grading artist |
Pierre-Loic Hamon | ... | rigger: Framestore |
John Hardwick | ... | visual effects artist |
Steve Hardy | ... | matchmove artist |
Peter Hartless | ... | visual effects coordinator |
Oliver Hearsey | ... | tracker: Framestore |
Karsten Hecker | ... | film mastering engineer |
Winnie Ho | ... | prep artist |
Daren Horley | ... | lead texture artist: Framestore |
Jason Horley | ... | lead digital matte painter: Framestore |
Russell Horth | ... | lead compositor: Framestore |
Jamie Isles | ... | senior lighting artist |
Carl Jackson | ... | technical director |
Amy Elizabeth James | ... | visual effects production assistant |
Oliver Johnstone | ... | digital paint and roto artist |
Timothy P. Jones | ... | digital film bureau |
Per Karefelt | ... | r&d developer |
Christian Kesler | ... | digital matte painter: Framestore CFC |
Duncan Kinnaird | ... | visual effects artist |
Rikki Knight-Trembath | ... | rigger |
Jakob Kousholt | ... | modeller: framestore |
Jaye Krebs | ... | digital compositor: Framestore |
Chris Lawrence | ... | cg supervisor |
Patricia Llaguno | ... | digital compositor: Framestore |
Christian Manz | ... | visual effects supervisor: Framestore |
Luke Massingberd | ... | paint & roto artist |
Ian Mathews | ... | paint and roto artist |
Adam McInnes | ... | visual effects supervisor |
Edwin Metternich | ... | scanning: Framestore |
Thomas Montminy Brodeur | ... | paint & roto artist: Framestore (as Thomas Brodeur) |
Patrick Muylkens | ... | digital matte painter: Framestore |
Jeff Newton | ... | senior lighting technical director |
James Nicholl | ... | creature effects technical director |
Conor O'Mara | ... | visual effects artist |
Alex Oddbratt | ... | pipeline td: Framestore |
Conrad Olson | ... | digital compositor |
Sam Osborne | ... | digital compositor |
Adam Parker | ... | prep artist: Framestore |
Stuart Partridge | ... | senior compositor |
Russell Pawson | ... | visual effects editor |
Nigel Permane | ... | motion control assistant |
Ryan Pilcher | ... | matchmove artist |
Andrew Pinson | ... | digital paint & roto artist: Framestore (as Andy Pinson) |
Ed Plant | ... | in-house senior compositor |
Henriette Plum | ... | animator |
Marine Poirson | ... | lighting technical director |
Gunnar Radeloff | ... | visual effects artist |
Sagar Rathod | ... | technical director |
Nicholas David Reed | ... | creature effects technical director |
Marc Rice | ... | paint & roto artist |
Dominic Ridley | ... | lead data wrangler |
Scott Robertson | ... | digital paint and roto artist |
Dave Robinson | ... | systems engineer |
Andreas Rohr | ... | creature effects technical director |
Dale Rostron | ... | lead matchmove artist: Framestore |
Peter Rush | ... | motion control operator |
Nico Scapel | ... | head of rigging |
Aatesh Shah | ... | systems engineer: Framestore |
Aurora Shannon | ... | digital intermediate assistant |
Laurence Smith | ... | digital compositor: Framestore |
Jessica Soderstrom | ... | modeler (as Söderström Jessica) / modeler |
Marcin Stangel | ... | system engineer: Framestore |
Mark Taylor | ... | matte painter: Framestore |
Stephen Tew | ... | lead paint & roto artist |
Michael Adam Thompson | ... | matchmover: Framestore |
Iva Trajkovic | ... | digital compositor |
Alexander Turusov | ... | effects technical director: Framestore |
Dan Victoire | ... | digital grading artist |
Giuliano Dionisio Vigano | ... | digital compositor (as Giuliano Dionisio Vigano') |
Carlo Volpati | ... | digital effects |
Mark Wainwright | ... | digital effects artist |
Maggie Walby | ... | digital paint & roto artist: Framestore |
Tara Walker | ... | digital compositor |
Glenn Wells | ... | matchmove artist: Framestore |
Tom Whittington | ... | senior paint/prep and roto artist |
Rachel Williams | ... | fur groomer |
Kate Windibank | ... | senior compositor |
Kim Wiseman | ... | digital compositor: framestore |
Graham Wood | ... | matchmove artist |
Alvin Yap | ... | visual effects technical director |
Tim Young | ... | digital compositor: Framestore |
Antony Bluff | ... | visual effects producer (uncredited) |
Clym Dodds | ... | data operator: Framestore (uncredited) |
Christophe Meslin | ... | head of systems (uncredited) |
Andrew Palmer | ... | rigging intern (uncredited) |
Rajat Roy | ... | senior compositor (uncredited) |
Stunts
Annabel Canaven | ... | stunt performer / stunts |
Ray De-Haan | ... | stunt double / stunt performer |
Paul Heasman | ... | stunt coordinator |
Paul Lowe | ... | stunt double / stunt performer (as Paul Vincent Lowe) |
Tina Maskell | ... | stunt performer |
Lee Sheward | ... | stunt coordinator |
Nick Wilkinson | ... | stunt performer |
Camera and Electrical Department
Ian Adrian | ... | camera operator |
David Ashby | ... | crane grip |
John Attwood | ... | gaffer: second unit |
John Bailie | ... | additional first assistant camera |
Hatti Beanland | ... | camera trainee: dailies |
Jeremy Braben | ... | aerial director of photography |
Roy Carter | ... | stand-by rigger |
Liam Daniel | ... | still photographer |
John Davis | ... | central loader |
Russell Diamond | ... | key grip |
Emma Edwards | ... | second assistant camera: "b" camera |
Russell Ferguson | ... | first assistant camera: "b" camera |
Ian Franklin | ... | rigging gaffer |
Jonny Franklin | ... | electrician |
Mark Funnell | ... | best boy |
Pete Gilmour | ... | lighting board operator |
Jamie Harcourt | ... | camera operator: second unit, dailies |
John Hembrough | ... | steadicam operator: daily |
Gabriel Hyman | ... | second assistant "a" camera: second unit |
Mark Joiner | ... | generator operator |
Oliver Kember | ... | camera trainee |
Nick Kenealy | ... | video assist operator |
Giles Keyte | ... | additional still photographer |
Sam Kite | ... | chief rigging electrician |
Jody Knight | ... | dolly grip: "b" camera |
Vince McGahon | ... | steadicam operator |
Kirstin McMahon | ... | first assistant camera: "a" camera second unit, additional photography |
David Mills | ... | camera trainee: dailies |
Paul Molloy | ... | on-set best boy |
Julian Morson | ... | steadicam operator |
Paul Murphy | ... | gaffer |
Doug Newton | ... | Grip: Visual Effects Unit |
Gary Parnham | ... | rigging electrician |
Matthew Poynter | ... | first assistant camera (as Matt Poynter) / first assistant camera / first assistant camera: "a" camera (as Matt Poynter) |
Luke Redgrave | ... | camera operator: b camera |
Jon Saunders | ... | additional set electrician (as John Saunders) |
Philip Sindall | ... | camera operator |
Tony Slater Ling | ... | second unit: cinematographer |
Erin Stevens | ... | second assistant camera |
James Summers | ... | rigging electrician |
Andy Thomson | ... | technocrane technician |
Roger Tooley | ... | steadicam operator |
Tom Unwin | ... | grip trainee |
Dean Foard | ... | electrician (uncredited) |
Larry Hurt | ... | stabilized head technician (uncredited) |
Animation Department
Viola Baldwin | ... | animator (as Viola Baier) |
Terence Bannon | ... | animator |
Ferran Casas | ... | animator |
Noel Donnellon | ... | animation producer: title sequence |
Paul Donnellon | ... | animation director: title sequence |
Stuart M. Ellis | ... | senior animator |
Emma Ewing | ... | animator |
Mike Ford | ... | animator |
Aldo Gagliardi | ... | senior animator |
Jordi Girones | ... | animator |
David Z. Obadiah | ... | animation producer: title sequence |
Liam Russell | ... | animator |
Alfonso Sicilia | ... | character animator |
Ricardo Silva | ... | animator |
Kevin Spruce | ... | animation supervisor |
Jonathan Symmonds | ... | animator |
Andrew White | ... | animation compositor: title sequence |
Petra Stefankova | ... | designer: VooDooDog Animation (uncredited) |
Casting Department
Abigail Barbier | ... | adr voice casting |
Louis Elman | ... | adr voice casting |
Pippa Hall | ... | casting: children |
Millie Scalchi | ... | casting assistant |
Costume and Wardrobe Department
Jennifer Alford | ... | costume cutter |
Esther St John Gray | ... | set costumer |
Jenny Hawkins | ... | costume supervisor |
Helen Ingham | ... | key costumer |
Edith Kähler | ... | costume assistant |
Gabriella Loria | ... | assistant costume designer |
Helen Mackenzie-Corby | ... | costume maker |
Gemma Rasmussen | ... | costume maker |
Helen Beasley | ... | costume maker (uncredited) |
Location Management
Colin Giles | ... | location security |
Peter Gray | ... | location assistant |
Jon Hills | ... | location security/support |
Adam Richards | ... | location manager |
Dan Whitty | ... | location manager |
Charlotte Wright | ... | assistant location manager |
Music Department
Nick Angel | ... | music consultant |
Pete Anthony | ... | conductor / orchestrator |
Chris Bacon | ... | composer: additional music |
John Barrett | ... | score pro tools recordist |
James Bellamy | ... | temp music editor |
Mark Berrow | ... | musician: violin |
Dave Bishop | ... | musician: clarinet |
Tom Brown | ... | music preparation |
Nicholas Bucknall | ... | musician: clarinet |
Ben Castle | ... | musician |
Chris Clad | ... | violin |
Chris Cozens | ... | auricle control systems |
Robert Danzey-Persaud | ... | technical score advisor |
Grace Davidson | ... | Soprano / vocalist: soprano |
Ann De Renais | ... | singer |
Michael Doran | ... | musician: percussion |
Michael Dore | ... | singer |
Andrew Dudman | ... | music recordist (as Andy Dudman) |
Sarah Eyden | ... | singer |
Matt Franko | ... | music preparation |
Rick Giovinazzo | ... | orchestrator |
Mark Graham | ... | head of music preparation |
Isobel Griffiths | ... | orchestra contractor |
Jim Honeyman | ... | orchestrator |
Skaila Kanga | ... | musician: harp |
Paul Kegg | ... | musician: cello |
Jon Kull | ... | orchestrator |
Joanna Forbes L'Estrange | ... | singer (as Joanna Forbes) |
Kirsten Lane | ... | music consultant |
Callum McIntosh | ... | singer |
Jenny O'Grady | ... | choir master |
Victor Pesavento | ... | music preparation |
Tom Pigott Smith | ... | musician: violin |
Steven Price | ... | temp music editor |
Paul Pritchard | ... | assistant scoring engineer |
Joe E. Rand | ... | music editor |
Simon Rhodes | ... | music scoring mixer |
George Robertson | ... | musician: viola |
Steven L. Smith | ... | music preparation |
Pamela J. Sollie | ... | scoring coordinator |
John Ashton Thomas | ... | orchestrator |
Stuart Michael Thomas | ... | composer: additional music |
Steve Trowell | ... | singer |
Helen Tunstall | ... | musician: harp |
Lawrence Wallington | ... | singer |
Jonathan Williams | ... | musician: cello |
Gad Emile Zeitune | ... | additional music arranger |
Jeff Atmajian | ... | orchestrator (uncredited) |
Rachel Bolt | ... | musician: viola (uncredited) |
Brad Dechter | ... | orchestrator (uncredited) |
Steve Mair | ... | musician: double bass (uncredited) |
Allen Walley | ... | musician: double bass (uncredited) |
Bruce White | ... | musician: viola (uncredited) |
Script and Continuity Department
Irene Chawko | ... | script supervisor |
Sue Mahoney | ... | script supervisor: second unit |
Hannah Simons | ... | script supervisor: second unit |
Transportation Department
Michael Geary | ... | action vehicle supplier: Motorhouse |
Darren Helman | ... | driver |
Andy Levett | ... | grip driver |
David Lewis | ... | driver |
David O'Connor | ... | driver: director |
Additional Crew
Mandy Aldridge | ... | utility stand in |
Christina Angeloudes | ... | legal and business affairs: manager |
Celia Bannerman | ... | acting coach: children |
Lauren Barrand | ... | utility stand in |
Thom Berryman | ... | media transfer engineer |
Sebastien Betsch | ... | digital cinema supervisor |
Jamie Bolton | ... | assets administrator |
Angelica Bolognesi Bonacini | ... | voice actress: Lil Woods |
Matthew Boyd | ... | floor runner: second unit |
Elizabeth Brizzell | ... | trainee production accountant |
Jessica Cameron | ... | floor runner: dalies |
Shoky Carter | ... | unit base runner |
Hannah Collett | ... | production coordinator |
Michael Davis | ... | dailies assistant |
Hayley Dida | ... | animal administrator |
Chloe Dorigan | ... | assistant: Tim Bevan (as Chloé Dorigan) |
Denise Dove | ... | utility stand in |
Ian Evans | ... | helicopter pilot: aerial unit |
Kate Fasulo | ... | production coordinator: Working Title |
Neil Ferris | ... | floor runner: dailies |
Terry Francis | ... | utility stand in |
Fiona Garland | ... | production coordinator: second unit |
Kya Garwood | ... | stand-in/double: Maggie Gyllenhaal |
Nick Gold | ... | floor runner |
Lisa Heathcote | ... | food stylist |
Paula Hind | ... | production assistant |
Patrick Hopkins | ... | assistant: Susanna White |
Jonathan Houston | ... | assistant production coordinator |
Kevin Hudson | ... | utility stand in |
Viv Irish | ... | assistant: Emma Thompson |
Abbie James | ... | stand in / double: Emma Thompson |
Richard J.R. Jones | ... | daily runner: second unit (as Richard Jones Jr.) |
Claudia Kalindjian | ... | unit publicist |
Natasha Khrolenko | ... | assistant: Lindsay Doran, US |
Rachel King | ... | unit nurse |
Natasha Lane | ... | assistant animal handler |
Rachel Lloyd | ... | Chaperone |
Nick Luddington | ... | floor runner |
Reshma Makan | ... | production company legal intern - Working Title |
Agnese Marteddu | ... | italian voice dubbing: Celia Gray |
Zoe Midgley | ... | child stand-in |
Sharon Milton | ... | tutor |
Kat Moore | ... | PG APATS Trainee / accounts trainee |
Chris Norman | ... | assistant accountant |
Darren O'Connell | ... | floor runner |
Simon O'Connell | ... | aviation liason |
Shelly O'Mahony-Masso | ... | assistant: Maggie Gyllenhaal (as Shelly O'Mahony) |
Tim Pascoe | ... | utility stand in |
Benjamin Perkins | ... | head chaperone |
Katherine Pomfret | ... | assistant: Eric Fellner |
Darren Price | ... | floor runner |
Rudy Reyes | ... | personal trainer: Emma Thompson, Asa Butterfield & Susanna White |
James Richardson | ... | production accountant |
Kirsty Robinson-Ward | ... | assistant to Angela Morrison |
Max Rothery | ... | floor runner |
Mark Rowan | ... | fire officer |
Hamish Secrett | ... | animal trainer |
Toby Sedgwick | ... | director of movement |
Edwina Sercombe | ... | daily floor runner: second unit |
Cara Shine Ballarini | ... | assistant: Eric Fellner (as Cara Shine) |
Cassandra Sigsgaard | ... | clearances |
Cassandra Sigsgaard | ... | clearances |
Rob Silva | ... | assistant: Lindsay Doran, UK (as Robert Silva) |
Roisin Stevenson | ... | assistant accountant (as Roisin McVeigh) |
Neil Swain | ... | dialect coach |
Michele Tandy | ... | financial controller |
Mariia Viita | ... | additional floor runner |
Ian B. Williams | ... | assistant: Susanna White (as Ian Willism) |
Rob Wise | ... | production runner |
Mike Woodley | ... | aviation consultant |
Sarah Jane Wright | ... | production executive (as Sarah-Jane Robinson) |
John Hamilton | ... | publicity coordinator: Universal Studios Home Entertainment (uncredited) |
Gale Hansen | ... | studio executive (uncredited) |
Ben Hope | ... | security (uncredited) |
Mick Hurrell | ... | health and safety advisor (uncredited) |
Thanks
Kathryn Craig | ... | thanks |
Josse Davis | ... | thanks |
Sarah Kate Edwards | ... | thanks |
Alison Elliott | ... | in memory of |
Stephen Godwin-Austen | ... | thanks |
Lulu Guinness | ... | thanks |
Beth Sanderson | ... | thanks |
Simon Saunders | ... | thanks |
Production Companies
- Universal Pictures (presents)
- StudioCanal (in association with)
- Relativity Media (in association with)
- Working Title Films
- Three Strange Angels (in association with)
Distributors
- Universal Pictures International (UPI) (2010) (United Kingdom) (theatrical)
- Universal Pictures (2010) (United States) (theatrical)
- Forum Cinemas (2010) (Lithuania) (theatrical)
- StudioCanal (2010) (France) (theatrical)
- United International Pictures (UIP) (2010) (Denmark) (theatrical)
- United International Pictures (UIP) (2010) (Norway) (theatrical)
- United International Pictures (UIP) (2010) (Sweden) (theatrical)
- Universal Pictures International (UPI) (2010) (Germany) (theatrical)
- Universal Pictures International (UPI) (2010) (Netherlands) (theatrical)
- Universal Pictures (2010) (Mexico) (theatrical)
- Zon Lusomundo Audiovisuais (2010) (Portugal) (theatrical)
- United International Pictures (UIP) (2010) (Singapore) (theatrical)
- United International Pictures (2010) (Argentina) (theatrical)
- Universal Pictures Home Entertainment (UPHE) (2010) (United States) (DVD)
- Universal Pictures Home Entertainment (UPHE) (2010) (United States) (Blu-ray) (DVD)
- Universal Pictures Home Entertainment (2010) (Mexico) (Blu-ray)
- Universal Pictures Home Entertainment (2010) (Mexico) (DVD)
- Universal Pictures Home Entertainment (2010) (Netherlands) (Blu-ray)
- Universal Pictures Home Entertainment (2010) (Netherlands) (DVD)
- Universal Studios (2010) (World-wide)
- Toho-Towa (2011) (Japan) (theatrical)
- Film1 (2011) (Netherlands) (tv) (limited)
- Sony Pictures Home Entertainment (2011) (Greece) (Blu-ray) (DVD)
- Moviemax Family (2016) (Turkey) (tv) (Cable)
- SBS6 (2016) (Netherlands) (tv)
- American Movie Classics (AMC) (2020) (United States) (tv)
- 9Go! (2023) (Australia) (tv)
Special Effects
- Framestore (animation and visual effects)
- Fangs FX (false teeth)
Other Companies
- VooDooDog (title sequence)
- ARRI Lighting Rental (lighting equipment)
- ARRI Media (camera and grip equipment provided by)
- Abbey Road Studios (score recorded and mixed at)
- Angels the Costumiers (costumes)
- Anvil Post Production (foley recording)
- Brandon Thatchers Film Services (thatching services)
- Casting Collective (extras casting)
- Digital DTS Sound (acknowledgement)
- Dolby Digital (in selected theatres)
- Eastwood (Sound and Vision) (additional Pro Tools Systems supplied by)
- Fuji Photo Film (motion picture film supplied by)
- Goldcrest Post Production London (sound post-production)
- Helicopter Film Services (aerial filming & coordination)
- Helicopter Film Services (aerial filming services provided by)
- HireWorks (Avid symphony nitris DX Rental)
- Howard Ray Film Transport Services (transport provider)
- Intelligent Media (international monitoring agency)
- Isobel Griffiths Limited (orchestra contractor)
- Metro Voices (choir)
- SDDS Sony Dynamic Digital Sound (in selected theatres)
- Soundtrack New York (ADR Facility)
- Technicolor (release printing)
- The Bluff Hampton Company (visual effects by)
- The London Session Orchestra (orchestra)
- The Movie Lot (unit security)
- Varèse Sarabande (soundtrack)
- West Trend Apartments (accommodation agent)
Storyline
Plot Summary |
The 1940s. With her husband away fighting Adolf Hitler's Nazis, overworked Isabel Green finds herself caught between a hectic life of tending to the family farm and raising three mutinous children. In desperate need of a helping hand and at the end of her tether, Isabel can't believe her eyes when Nanny McPhee, the extraordinary government nanny, shows up at her front door after the events of Nanny McPhee (2005). As Isabel's scheming brother-in-law, Phil, tries to talk her into selling her half of the farm, the poor mother is going to need all the help she can get. Will a sprinkle of good old magic do the trick once more? Written by Nick Riganas |
Plot Keywords | |
Taglines | You'll Believe That Pigs Can Fly! See more » |
Genres | |
Parents Guide | View content advisory » |
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Box Office
Budget | $35,000,000 (estimated) |
Opening Weekend United Kingdom | GBP2,586,760, 28 Mar 2010 |
Cumulative Worldwide Gross | $97,799,865 |
Did You Know?
Trivia | One of the problems with filming the scene with the piglets running away from the children was that the little pigs enjoyed being caught and cuddled, so they were very disinclined to run away. See more » |
Goofs | Farmer MacReadie says he heard of a pig which played Scrabble, but the game was known as Criss-Crosswords until 1948. See more » |
Movie Connections | Featured in Episode #1.130 (2010). See more » |
Soundtracks | The Best Things In Life Are Free See more » |
Crazy Credits | After the credits finish, the baby elephant enjoys the Scratchomatic. See more » |
Quotes |
Mrs. Docherty:
You seem to have forgotten the way she works. When you need her but do not want her, then she must stay. When you want her, but no longer need her, then she has to go. I know from personal experience. See more » |