| Photos (See all 19 | slideshow) | Videos (see all 14) |
Directed by | |||
| Pete Travis | |||
Writing credits | ||
| John Wagner | (characters) and | |
| Carlos Ezquerra | (characters) | |
| Alex Garland | (screenplay) | |
Produced by | |||
| Michael Elson | .... | co-executive producer | |
| Stuart Ford | .... | executive producer | |
| Alex Garland | .... | producer | |
| Chris Kingsley | .... | co-producer | |
| Jason Kingsley | .... | co-producer | |
| Andrew Macdonald | .... | producer | |
| Michael S. Murphey | .... | co-producer | |
| Deepak Nayar | .... | executive producer | |
| Allon Reich | .... | producer | |
| Adi Shankar | .... | executive producer | |
| Joanne Smith | .... | associate producer | |
| John Wagner | .... | consulting producer | |
Original Music by | |||
| Paul Leonard-Morgan | |||
Cinematography by | |||
| Anthony Dod Mantle | |||
Film Editing by | |||
| Mark Eckersley | |||
Casting by | |||
| Denton Douglas | |||
| Kate Dowd | |||
| Sarah Finn | |||
Production Design by | |||
| Mark Digby | |||
Art Direction by | |||
| Paul Cripps | |||
| Christophe Dalberg | |||
| Katrina Dunn | |||
| Catherine Palmer | |||
| Patrick Rolfe | (supervising art director) | ||
| Emilia Roux | |||
Set Decoration by | |||
| Michelle Day | |||
Costume Design by | |||
| Diana Cilliers | (as Dianna Cilliers) | ||
| Michael O'Connor | |||
Makeup Department | |||
| Talia Barak | .... | makeup artist | |
| Christa Schoeman | .... | key hair: second unit | |
| Christa Schoeman | .... | key makeup: second unit | |
| Kerry Skelton | .... | key makeup artist | |
| Clinton Smith | .... | prosthetic consultant | |
| Simone Stubbs | .... | makeup artist | |
| Megan Tanner | .... | hair designer | |
| Megan Tanner | .... | makeup designer | |
| Francesca Van Der Feyst | .... | key hair stylist | |
| Francesca Van Der Feyst | .... | makeup artist | |
| Jenna Wyatt | .... | makeup artist: dailies | |
Production Management | |||
| Sara Desmond | .... | production manager: additional shoot | |
| Rebekka Garrido | .... | picture post supervisor | |
| Richard Hewitt | .... | unit production manager: second unit | |
| Marisa Soneman | .... | unit production manager | |
| Clare St. John | .... | post-production supervisor | |
Art Department | |||
| Lorraine Alvarez-Posen | .... | conceptual designer: hero concept art (as Lorraine Alvarez) | |
| Alex Baily | .... | draughtsman | |
| Zayne Bartley | .... | leatherworker | |
| Anneke Botha | .... | set dresser | |
| Faye Brinkworth | .... | graphics assistant | |
| Lars Canty | .... | conceptual artist | |
| Rob Carlisle | .... | fabricator | |
| Temple Clark | .... | storyboard artist | |
| Graeme Cowie | .... | conceptual designer: hero concept art | |
| Deon de Lange | .... | conceptual colorist: hero concept art | |
| Katrina Dunn | .... | stand-by art director | |
| Silke Eckard | .... | set dresser | |
| Lize Gene Gerneke | .... | art department assistant | |
| Kyle Grobbelaar | .... | art department runner | |
| Kathy Heaser | .... | graphic artist | |
| Daniël Hugo | .... | conceptual designer: hero concept art | |
| Andre Human | .... | concept artist | |
| Andre Human | .... | storyboard artist | |
| Jason Human | .... | concept artist | |
| Marit Jansen | .... | graphic designer | |
| Jock | .... | concept artist | |
| Paula Jones | .... | graphic designer | |
| Etienne Maree | .... | set dresser | |
| Aristedes Marinos | .... | leatherwork supervisor | |
| Alicia Grace Martin | .... | on-set art department assistant | |
| Thabile Fabio Mbazwana | .... | standby set dresser: second unit | |
| David McHenry | .... | lead draughtsman | |
| Gary Middlewick | .... | set dresser | |
| Frederick Mpuuga | .... | storyboard artist | |
| Alan Munro | .... | assistant art director | |
| Patrick O'Connor | .... | assistant art director | |
| Tom Olive | .... | assistant set decorator | |
| Catherine Palmer | .... | draughtsman | |
| Daniel Pierce | .... | fabricator | |
| Joe Pistorius | .... | conceptual designer: hero concept art | |
| Amandeep Rahi | .... | petty cash buyer | |
| Mark Risk | .... | storyboard artist | |
| Nigel Salter | .... | property master: UK shoot | |
| William Sharp | .... | practical lighting technician | |
| Pierre Smit | .... | scenic artist | |
| Brendan Smithers | .... | construction manager | |
| Olly Steele | .... | key armourer | |
| Christo Strydom | .... | art department coordinator | |
| Ulf Suhrmuller | .... | art runner | |
| Ulf Suhrmuller | .... | model maker | |
| Cobus Van Der Waal | .... | set dresser | |
| Michael van Kesteren | .... | concept designer | |
| Kerry van Lillienfeld | .... | property master | |
| Mark Walker | .... | assistant art director | |
| Ivan Weightman | .... | concept artist | |
Sound Department | |||
| Hugo Adams | .... | foley editor | |
| Niv Adiri | .... | sound design editor | |
| Niv Adiri | .... | sound re-recording mixer | |
| Ben Barker | .... | sound design editor | |
| Courtney Bishop | .... | adr recordist | |
| Andrew Caller | .... | assistant re-recording mixer | |
| Gillian Dodders | .... | dialogue editor | |
| Danny Freemantle | .... | sound effects editor | |
| Glenn Freemantle | .... | sound designer | |
| Glenn Freemantle | .... | supervising sound editor | |
| Eilam Hoffman | .... | sound effects editor | |
| Conrad Kuhne | .... | production sound mixer | |
| Mitch Low | .... | additional sound mixer | |
| Stephane Malenfant | .... | boom operator (pickups) | |
| Dash Mason-Malik | .... | sound assistant: pickups | |
| Adam Mendez | .... | foley recordist | |
| Michael Miller | .... | adr mixer | |
| Emilie O'Connor | .... | assistant dialogue editor | |
| Emmet O'Donnell | .... | adr assistant | |
| James Shannon | .... | dolby sound consultant | |
| Jack Stew | .... | foley artist | |
| Ian Tapp | .... | sound re-recording mixer | |
| Stephen Lloyd | .... | sound design intern (uncredited) | |
Special Effects by | |||
| Kevin Bitters | .... | pyrotechnician | |
| Kevin Bitters | .... | special effects foreman: second unit | |
| Richard Conway | .... | special effects supervisor | |
| Sean Habib | .... | special effects technician | |
| Curtis Iggolden | .... | special effects technician | |
| Mathew Poolman | .... | company videographer | |
| Max Poolman | .... | special effects supervisor | |
| Nick Smith | .... | special effects | |
| Jack Whinnett | .... | special effects assistant | |
| Mark White | .... | floor supervisor | |
Visual Effects by | |||
| Abubakar Abrar | .... | stereo rotoscopy supervisor | |
| Pranay Agarwal | .... | digital compositor | |
| Carmine Agnone | .... | 3D generalist td: Baseblack | |
| Juan Antonio Alamo | .... | 3d technical director | |
| Dominic Alderson | .... | lighting technical director | |
| Maria Asim Ali | .... | stereoscopic compositor | |
| Oliver Allen-Wielebnowski | .... | stereoscopic conversion lead | |
| Rob Allman | .... | look development lead: Prime Focus Film | |
| Terence Alvares | .... | digital compositor | |
| Jaroslaw Ancuta | .... | senior roto artist | |
| Valeria Andino | .... | stereoscopic conversion producer | |
| Davey Atkinson | .... | stereoscopic conversion artist | |
| Richard Baker | .... | stereoscopic consultant | |
| Priyanka Balasubramanian | .... | visual effects producer: Baseblack | |
| Reuben Barkataki | .... | lead compositor | |
| Hernan Barros | .... | stereoscopic conversion artist | |
| Peter Bartfay | .... | stereoscopic compositor | |
| Valentina Bartiromo | .... | roto artist | |
| Bryan Bartlett | .... | compositing supervisor | |
| Claudio Bassi | .... | digital compositor: Baseblack | |
| Rubén Bautista | .... | fx technical director: The Mill | |
| Kieran Belshaw | .... | digital matte painter | |
| Sara Bennett | .... | visual effects supervisor: The Mill | |
| Gabriel Blanco | .... | pipeline engineer | |
| Jean-Michel Boublil | .... | visual effects artist | |
| Zakaria Boumediane | .... | generalist td: Prime Focus | |
| Sheldon Brathwaite | .... | stereo compositor | |
| Matthew Bristowe | .... | stereoscopic producer | |
| Andre Brizard | .... | lead compositor: Prime Focus London | |
| Jason Lee Brown | .... | modeling & texturing | |
| Jon R. Brown | .... | lead data wrangler | |
| Marc Brzezicki | .... | stereoscopic compositor | |
| Andrew Bunday | .... | pipeline supervisor: Baseblack | |
| Nicolas Caillier | .... | digital compositor | |
| Marc Calvelo | .... | animator: Prime Focus VFX | |
| Francesco Capone | .... | stereoscopic training supervisor | |
| Mickael Caramelo | .... | pipeline technical director | |
| Tom Castellani | .... | show technical director for stereo conversion | |
| Sarah Cauchois | .... | visual effects coordinator | |
| Giuliano Cavalli | .... | digital compositor | |
| Kavitha Chockalingam | .... | stereo conversion artist | |
| Isabel Cody | .... | pre-visualization animator | |
| Will Cohen | .... | visual effects executive producer: Mill Film | |
| Esme Coleman | .... | stereoscopic conversion artist | |
| Stephanie Cooper | .... | stereoscopic compositor | |
| Will Correia | .... | digital artist: Baseblack | |
| Chris Coupland | .... | visual effects editor: prime focus | |
| John Cruise | .... | view-d editor | |
| Jaime Burés Cuco | .... | senior nuke technical director | |
| Amy Cuthbertson | .... | lead stereo matchmove artist: The Mill | |
| Jose Augusto David | .... | visual effects (stereoscopic conversion) | |
| Martin R. Davison | .... | digital compositor | |
| Angelo de Witt | .... | stereoscopic artist: The Mill | |
| Jean-Claude Deguara | .... | animation supervisor: The Mill | |
| Jake Delaney | .... | stereoscopic coordinator | |
| Ryan Delaney | .... | visual effects coordinator | |
| Alberto Della Regina | .... | effects technical director | |
| Gordan Derbogosijan | .... | stereoscopic compositor | |
| Prashant Dhotre | .... | lighting technical director: Prime Focus Film London | |
| Nick Drew | .... | Visual effects producer: The Mill | |
| Peter Dudley | .... | digital compositor | |
| Zahraa El Tatari | .... | stereoscopic coordinator | |
| Karen Elliott | .... | stereoscopic conversion compositor | |
| Stephen Elson | .... | visual effects executive producer | |
| Robin Emerson | .... | pipeline technical director | |
| Andrew Emmerson | .... | stereoscopic compositor | |
| Péter Farkas | .... | digital compositor: Baseblack | |
| Ryan Fear | .... | encoding | |
| Ricardo Ferreira | .... | stereo compositing artist | |
| Ricardo Ferreira | .... | stereoscopic conversion | |
| Tim Field | .... | visual effects producer | |
| Alex Fitzgerald | .... | visual effects coordinator | |
| Jacob Flint | .... | stereo matchmove artist | |
| Dániel Forgács | .... | visual effects artist | |
| Neville Freitas | .... | stereo matchmove artist: Prime Focus London | |
| Wesley Froud | .... | stereo matchmove artist | |
| Aron Galabuzi | .... | stereoscopic digital paint artist: Prime Focus | |
| Clement Gharini | .... | stereo prep artist | |
| Justas Giedraitis | .... | lighter | |
| Henning Glabbart | .... | digital compositor | |
| Frederikke Glick | .... | paint artist | |
| Alex Goodfellow | .... | matchmove artist | |
| Luke Gray | .... | stereoscopic lead | |
| Mai Gray | .... | stereo roto supervisor: Prime Focus | |
| Pablo Grillo | .... | lead animator | |
| Adam Gritt | .... | effects software developer: Prime Focus Film | |
| Andrew Guest | .... | visual effects artist | |
| Dong Guo | .... | stereoscopic conversion lead | |
| Shyam Gurumoorthy | .... | digital compositor: Primefocus, London | |
| Robert J. Hall | .... | paint/prep artist | |
| Rupert Hancock | .... | view-d artist: stereoscopic conversion | |
| Chris Hardman | .... | matchmove supervisor | |
| Ben Harrison | .... | stereoscopic vfx coordinator | |
| Jeremy Hattingh | .... | on-set visual effects supervisor | |
| Jason Hayes | .... | stereoscopic compositor | |
| Lionel Heath | .... | compositor: Prime Focus London | |
| Oliver Heinrich | .... | digital compositor: Prime Focus London | |
| Nicolas Hernandez | .... | cg supervisor | |
| Martin Hobbs | .... | executive producer: Prime Focus | |
| François Hoehl | .... | pipeline engineer | |
| Rudi Holzapfel | .... | visual effects supervisor: Baseblack | |
| Angela Hunt | .... | visual effects producer | |
| Marc Hutchings | .... | stereo compositor | |
| Andrew Hutton | .... | visual effects artist | |
| Ludovic Iochem | .... | lead digital matte painter | |
| Kwai Keung Ip | .... | stereo matchmove artist: The Mill | |
| Velichko Ivanov | .... | stereoscopic lead | |
| Albena Ivanova | .... | stereoscopic compositor | |
| Christian Jelen | .... | senior previz artist | |
| Berruel Jeremy | .... | modeling lead | |
| Viv Jim | .... | digital compositor: Prime Focus | |
| Asha Joseph | .... | line producer: vfx | |
| Marc Jouveneau | .... | compositing supervisor: Prime Focus Film | |
| Darpan Kataria | .... | stereo vfx compositor | |
| Tim Keene | .... | head of production: Prime Focus London | |
| Gary Kelly | .... | digital compositor: Prime Focus London | |
| Stephanie C. Kelly | .... | compositor | |
| Hemant Khairnar | .... | prep artist | |
| Asim Khan | .... | visual effects artist: Baseblack | |
| Rohit Korgaonkar | .... | stereoscopic conversion artist | |
| Ciril Koshyk | .... | visual effects artist: Cirux Render | |
| Delphine Laurent | .... | stereoscopic conversion compositor | |
| Andrew Lawson | .... | digital artist | |
| Robbie Lee | .... | visual effects editor: Baseblack | |
| Benoit Leveau | .... | lead software developer | |
| Joe Leveson | .... | pipeline technical director: Prime Focus Film London | |
| James Limm | .... | stereo matchmove artist | |
| Armando Lombardo | .... | stereoscopic conversion artist | |
| Gabriel Lopez | .... | stereo compositor | |
| Gianluca Lopez | .... | stereoscopic conversion compositor | |
| Lydia Lopez-Arteaga | .... | stereoscopic conversion artist | |
| Sam Lucas | .... | cg artist: The Mill | |
| Sophie Luto | .... | stereoscopic conversion artist | |
| Philip Maddock | .... | stereo matchmove artist | |
| Dhanjee Maheshwary | .... | stereo roto artist | |
| Pranav Malasi | .... | stereo qc | |
| Giorgio Marino | .... | lead digital compositor: Prime Focus London | |
| Edward Martin | .... | stereo matchmove artist: The Mill | |
| Mel Martin | .... | visual effects coordinator | |
| Ruben Mayor | .... | visual effects technical director | |
| Rick McMahon | .... | visual effects artist | |
| Dan McRae | .... | stereoscopic roto supervisor | |
| Gus Melton | .... | assistant viewd editor | |
| Ian Menzies | .... | encoding | |
| Neil Miller | .... | visual effects art director: Prime Focus Film | |
| Rebecca Miller | .... | mid level stereo matchmover: Primefocus | |
| Carlos Miras Sepulveda | .... | digital compositor | |
| Snehal Kumar Mohapatra | .... | digital compositor: prime focus | |
| Sandrine Moniez | .... | digital compositor | |
| Andrew Morley | .... | visual effects supervisor: FuzzyLogicFX | |
| Vishy Mothukury | .... | visual effects artist | |
| Andy Mulligan | .... | matchmover: Prime Focus | |
| Abhijit Mulye | .... | digital matte painter | |
| Atyeb Muneer | .... | stereo compositor | |
| Louise Mycielski | .... | visual effects coordinator | |
| Payankulath Nandakumar | .... | digital compositor | |
| Paul Nendick | .... | head of technology: Baseblack | |
| Torsten Neuendorf | .... | digital compositor | |
| Dan Newlands | .... | matchmove artist | |
| Tristan Nieto | .... | stereoscopic artist | |
| Ashwini Nimje | .... | 2D and stereo roto artist | |
| Donal Nolan | .... | digital compositor | |
| Barry O'Brien | .... | stereoscopic supervisor: Prime Focus | |
| Cian O'Laoi | .... | assistant visual effects editor | |
| Martin Ofori | .... | senior stereoscopic compositor: Prime Focus | |
| Fraehan Pagdiwalla | .... | visual effects line producer: Prime Focus Film | |
| Bhavesh Pandey | .... | effects technical director | |
| Prakhar Pant | .... | roto artist | |
| Vishal Rajendra Patel | .... | stereoscopic conversion artist (as Vishal R. Patel) | |
| Aleksandar Pejic | .... | CG supervisor: Prime Focus Film | |
| Miriam Pepper | .... | senior matchmove artist (stereo : Prime Focus) | |
| Matt Perrin | .... | previsualization animator | |
| Richard Perry | .... | previsualisation supervisor | |
| Ryan Pilcher | .... | matchmove artist | |
| Camil Planella | .... | lighting td | |
| Kevin Power | .... | stereo conversion artist | |
| Richard Pring | .... | senior view-d editor | |
| Chandraji Tharanga Rajakaruna | .... | stereoscopic compositor | |
| Sagar Rathod | .... | senior visual effects artist | |
| Daniel Rhein | .... | matte painter / td: Prime Focus London | |
| Tina Richardson | .... | visual effects editor | |
| Alessandro Righi | .... | matchmove artist | |
| Laszlo Rikker | .... | stereoscopic compositor | |
| Rosi Ruiz | .... | stereoscopic conversion lead artist | |
| Martin Ruizl | .... | charater td: Prime Focus | |
| Jasdip Sagar | .... | stereo prep artist | |
| Alessandro Salis | .... | lead stereoscopic compositor | |
| Raphael Santos | .... | digital compositor | |
| Milan Schere | .... | conceptual artist: Prime Focus VFX | |
| Andreas Schulz | .... | matchmove artist: The Mill | |
| Felix Serwir | .... | digital compositor | |
| Nidhi Seth | .... | production coordinator: prep dept | |
| Jimit Shah | .... | roto artist | |
| David Shere | .... | Compositing Supervisor: Prime Focus Film | |
| Ian Simms | .... | stereoscopic conversion compositor | |
| Siddharth Sinha | .... | 2D and stereo roto lead | |
| Chris Soyer | .... | visual effects artist | |
| Greg Spencer | .... | digital compositor | |
| Deepak Surendran | .... | stereoscopic conversion artist | |
| Junaid Syed | .... | lead effects technical director | |
| Jeremy Séguin | .... | digital compositor: PrimeFocus | |
| Julien Taton | .... | effects technical director | |
| Theajodharan | .... | stereoscopic compositor: The Mill | |
| Andrew K. Thompson | .... | lead paint artist | |
| Andrew K. Thompson | .... | ocula supervisor | |
| Nick Thompson | .... | stereoscopic coordinator | |
| Jon Thum | .... | visual effects supervisor | |
| Alan Tormey | .... | stereoscopic compositor | |
| Iva Trajkovic | .... | stereo conversion artist: Prime Focus | |
| Iyi Tubi | .... | visual effects artist | |
| Pan Vafeiadis | .... | stereoscopic conversion artist | |
| Arturs Vaitilavics | .... | lead stereoscopic compositor | |
| Janis Vaitilavics | .... | generalist td | |
| Tom van Dop | .... | digital compositor: Prime Focus London | |
| Mohit Varde | .... | stereo conversion artist: Prime Focus | |
| Venkata Vardhireddy | .... | junior effects technical director | |
| Vikas Wadekar | .... | stereo roto artist | |
| Christian Waite | .... | senior Houdini artist | |
| Dan Warder | .... | fx artist | |
| Daniel Wennerholm | .... | stereoscopic conversion artist | |
| Stephen Willey | .... | head of systems | |
| Robert A. Willis | .... | compositor | |
| Sarah Wilson | .... | visual effects production manager | |
| Pat Wong | .... | senior compositor | |
| Steven Worsley | .... | visual effects assistant editor | |
| Tim Young | .... | digital compositor: Baseblack | |
| Salvador Zalvidea | .... | compositor | |
| Bruno Fernandes | .... | digital compositor (uncredited) | |
| Will Pryor | .... | rigging td (uncredited) | |
| Jorge Sanchez | .... | lighting technical director (uncredited) | |
Stunts | |||
| Firmani Brenda | .... | stunt double | |
| Dermot Brogan | .... | key stunt rigger | |
| Jared Cohen | .... | stunt performer | |
| Amanda Dyar | .... | stunts | |
| Dane Grant | .... | stunt performer | |
| Francois Grobbelaar | .... | stunt performer | |
| Francois Grobbelaar | .... | stunt rigger | |
| Paul Hampshire | .... | stunt double: Karl Urban | |
| Dan Hirst | .... | stunt double: Judge Chan | |
| Katja Hopkins | .... | stunt performer | |
| Adam Horton | .... | stunt double | |
| Adam Horton | .... | stunts | |
| Grant Hulley | .... | stunt coordinator | |
| Grant Hulley | .... | stunt supervisor | |
| Allen Irwin | .... | stunt driver | |
| Olivia Jackson | .... | stunt performer | |
| Julian Koberman | .... | stunt double | |
| Brandon Livanos | .... | stunts | |
| Leon Loots | .... | utility stunts | |
| Boris Martinez | .... | stunt performer | |
| Trayan Milenov-Troy | .... | stunt performer | |
| Trayan Milenov-Troy | .... | stunts | |
| Theuns Nothnagel | .... | utility stunts | |
| Benny Ou | .... | stunt performer | |
| Franz Spilhaus | .... | stunt coordinator | |
| Ryan Stuart | .... | stunt performer | |
| Fleur van Eeden | .... | stunt double | |
Camera and Electrical Department | |||
| Joe Alblas | .... | still photographer | |
| Telfer Barnes | .... | camera operator | |
| Peter Belcher | .... | camera operator: second unit | |
| Peter Berglund | .... | second unit stereographer | |
| Dermot Brogan | .... | cable cam operator | |
| Dermot Brogan | .... | key rigger | |
| Dan Carling | .... | digital imaging technician | |
| Michael Carstensen | .... | steadicam operator: second unit | |
| Stefan Ciupek | .... | digital camera supervisor | |
| Robert Fischer | .... | key grip | |
| Gavin Free | .... | slow motion cinematographer | |
| Rebekka Garrido | .... | digital lab supervisor | |
| Allan Gray | .... | key grip: second unit | |
| Luke Andrew Haddock | .... | digital video assistant | |
| Johan Horjus | .... | 3d phantom technician | |
| Phil Humphries | .... | stereo rig technician: second unit | |
| Larry Hurt | .... | flighthead technician | |
| Niels Reedtz Johansen | .... | director of photography: second unit | |
| Nye Jones | .... | digital imaging technician: additional photography | |
| Ilze Kitshoff | .... | on-set still photographer | |
| Brad Maloney | .... | libra technician | |
| Danny McGee | .... | practical electrician | |
| Carlos Medina Montero | .... | assistant stereoscopic | |
| Peter Myslowski | .... | key best boy grip: UK unit | |
| Thomas Neivelt | .... | gaffer | |
| Sarel Pretorius | .... | a camera operator | |
| Sarel Pretorius | .... | steadicam operator | |
| Keith Saayman | .... | libra head technician | |
| Karl Schmidt | .... | set digital image technician | |
| Jeff Shrimpton | .... | location electrician | |
| Dean Slotar | .... | 3d qtake operator: second unit | |
| Keith Smith | .... | key rigging grip | |
| Keith Smith | .... | key rigging grip | |
| Paul Snell | .... | second assistant camera: pick-ups | |
| Tom Stansfield | .... | grip trainee: UK unit | |
| Valentin Steiner | .... | data wrangler | |
| Chris Summers | .... | first assistant camera | |
| Vincent E. Toto | .... | lead stereographer | |
| Jacques van Tonder | .... | digital imaging technician | |
| Daniel P. Venti | .... | 3d rig tech | |
| Amy Yeats | .... | second assistant camera | |
Animation Department | |||
| Martin Lanzinger | .... | animator | |
| Matt Mitchell | .... | animator | |
Casting Department | |||
| Denton Douglas | .... | casting: South Africa | |
| J.P. van der Merwe | .... | extras casting | |
Costume and Wardrobe Department | |||
| Robert Allsopp | .... | key principal costumer | |
| Kristine Berg | .... | specialty costume fabricator | |
| Hetta Burger | .... | set costumer | |
| Rick de Souza | .... | set costumer | |
| John Eldred-Tooby | .... | special costume fabricator | |
| Gillian Florence | .... | key costumer | |
| Inge Hough | .... | set costumer | |
| Jacomina Jankowitz | .... | costume supervisor | |
| Stephen Kill | .... | leather costume fabricator | |
| Maleen Nokel | .... | assistant costume designer | |
| Clinton Smith | .... | special costume fabricator | |
Editorial Department | |||
| Alexander Beyer | .... | digital lab 3D supervisor | |
| Emanuele Giraldo | .... | first assistant editor | |
| Steve Harrow | .... | post production consultant | |
| Adam Inglis | .... | colorist | |
| Dirk Meier | .... | 3D rushes colourist | |
| Dirk Meier | .... | additional colorist | |
| Lance Spindler | .... | color timer | |
| Tessa Verfuss | .... | second assistant editor | |
| Steven Worsley | .... | second assistant editor | |
Music Department | |||
| Rupert Coulson | .... | score mixer | |
| Yann McCullough | .... | music editor | |
Transportation Department | |||
| Bradley Sweetman | .... | transportation coordinator | |
| Paul Deluce | .... | unit minibus driver (uncredited) | |
Thanks | |||
| Chris Cunningham | .... | thanks | |
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| Judge Dredd | The Running Man | Priest | Sleeper | Brazil |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb UK section |
In 1995 when Judge Dredd starring Sylvester Stallone in the title role hit theatres; critics derided it, audiences dismissed it as "dumb" and it failed to achieve commercial success. Even though this film has gained a cult following, it just wasn't the Judge Dredd movie fans wanted. Now a low key British film company has had another crack at bringing Dredd to the silver screen, and the result is a great science fiction action film that holds no punches and gives the audience a gritty, gory and surprisingly relatable take on the comic book hero.
Karl Urban plays the titular "Dredd", not the most recognisable or bankable actor working, but certainly one of the most versatile. He has a far better hold on the role than Stallone did, Stallone gave a performance that was robotic and almost comical. Stallone would growl and maintain an immovable fanaticism to upholding the law, strutting about in his ostentatious costume. There was very little humanity to the character and it was difficult to relate to him, he was basically playing Robocop.
Urban brings more humanity into it, when innocent bystanders get caught in the mayhem he's sombre and vengeful. He treats upholding the law more as a burden, he would rather issue a life sentence than gun a criminal down. Only when the odds are stacked against him and he has to defend himself against armed goons does he act violently. Urban gets as much out this character as possible with half his face covered up. It's not just an improvement on Stallone's take on the character it's an expansion of the comic book character too.
The supporting cast are all excellent, and they all give great performances and have strong characters to work with. Olivia Thirlby as rookie judge Anderson deserves praise, playing a character with psychic powers is not easy, her approach on the role makes you believe everything her character can do. She is not a weak female role either she is never once the damsel in distress and there is no attempt and sexualisation. Lena Headey as the villain Ma-Ma steals every scene she's in, a crazy blood crazed woman who almost seems to enjoy going toe-to-toe with someone as lethal as Judge Dredd. She doesn't care who gets in the way she just loves the thrill of it all. An insane villain who is ready to just about pull anything is captivating and intense to watch, i really wish she had been in the film more.
The Megacity in this movie is not the Blade-Runner-Esque city seen in the 1995 film, it resembles a modern day overpopulated inner city slum. This gritty realism is one of the films biggest strengths. Dredd himself is not a superhero, he gets shot and bleeds like everyone else this feeling of vulnerability makes it easier to relate to the character.
There's no Rob Schneider in this movie, oh no, no desperate comedy at all there's just no laughs to be had whatsoever. This film is gritty to the extreme, people are seen being shot to ribbons, blown up, set alight, crushed, splattered, skinned, tortured etc etc etc. Yet it never feel over exploitative, just the right amount. It's just how this stuff would happen in real life, once again coming back to the films visceral reality.
The film is not without its flaws, coming off the heels of The Raid a similar film in premise about law enforcers scaling a tower block to get someone at the top floor makes one draw comparisons watching it. The Raid had amazing martial arts to make up for its slower parts and was consistently upping itself while being as gritty as it could be. Dredd doesn't have anywhere near the impressive stunts featured in The Raid and it makes you wish you had seen The Raid after you saw this, because you keep thinking to yourself: "this scene was done better in The Raid".
The slow-motion sections showcasing the effects of the "Slow-Mo Drug" are a little overused, the colour is over-saturated and these are the only times in the film where the 3D is used to a noticeable degree.
Overall it's a far superior Judge Dredd film to the one that came before it, and has enough action and doesn't over-complicate itself to the point where people aren't bored watching it. It takes a comic book that has been tagged as notoriously impossible to adapt, give it a gritty and realistic setting and cast some great actors to give the movie some life. I hope there is a sequel because it would be really great to see more of this version of Dredd, Urban has a better grip on what the character should be and i can see him taking it a long way.