In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Damien and Leito return to District 13 on a mission to bring peace to the troubled sector that is controlled by five different gang bosses, before the city's secret services take drastic measures to solve the problem.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
The future America is an irradiated waste land. On its East Coast, running from Boston to Washington DC, lies Mega City One - a vast, violent metropolis where criminals rule the chaotic streets. The only force of order lies with the urban cops called "Judges" who possess the combined powers of judge, jury and instant executioner. Known and feared throughout the city, Dredd is the ultimate Judge, challenged with ridding the city of its latest scourge - a dangerous drug epidemic that has users of "Slo-Mo" experiencing reality at a fraction of its normal speed. During a routine day on the job, Dredd is assigned to train and evaluate Cassandra Anderson, a rookie with powerful psychic abilities thanks to a genetic mutation. A heinous crime calls them to a neighborhood where fellow Judges rarely dare to venture - a 200 storey vertical slum controlled by prostitute turned drug lord Ma-Ma and her ruthless clan. When they capture one of the clan's inner circle, Ma-Ma overtakes the compound's ... Written by
The firing modes for the Lawgiver: Standard, High-Ex, Armour Piercing, Hot Shot, Incendiary, Rapid Fire, and Stun. See more »
When Dredd throws Kay across the room, he rolls over a desk and his arms come apart even though he is handcuffed. See more »
America is an irradiated wasteland. Within it lies a city. Outside the boundary walls, a desert. A cursed earth. Inside the walls, a cursed city, stretching from Boston to Washington D.C. An unbroken concrete landscape. 800 million people living in the ruin of the old world and the mega structures of the new one. Mega blocks. Mega highways. Mega City One. Convulsing. Choking. Breaking under its own weight. Citizens in fear of the street. The gun. The gang. Only one thing fighting ...
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Jubilee (Don't Let Nobody Turn You Around)
Written by Bobby Womack, IIarold Payne, Damon Albarn and Richard Russell
Published by ABKCO Music, Inc. (BMI),
Chrysalis Music ltd, Copyright Control
Performed by Bobby Womack
licensed courtesy of XL Recordings ltd.
By arrangement with Beggars Croup Media ltd.
® 2012 XL Recordings ltd. See more »
Relax 2000AD fans, he keeps his helmet on and there's no Rob Schneider.
Seventeen years ago, a Sylvester Stallone sci-fi action vehicle was released into the world under the title 'Judge Dredd'. Based on the character from the popular 2000AD comic book series, the film was a huge disappointment with critics and a source of much heartache for Dredd devotees in the way it seemed to blatantly disregard crucial aspects of the source mythology both in look and tone. Fast forward to present day, a world in which comic book characters mean big money for film studios, surely enough time has passed to give the old Judge another crack of the whip right? I'm happy to say fans of the comic book should be able to relax and enjoy this much darker and tougher representation of their much loved character. Although the film, and it's (permanently) helmeted protagonist is a straightforward and simple beast, it actually works all the better for it. Dredd isn't given a back story or imbued with much in the way of humanity, he's instead portrayed more as the mysterious 'man with no name' whose dialogue is limited to one-liners that usually precedes some serious ass kicking. Where the 1995 Judge film was light and comedic, this version is hardcore and extremely violent with some surprising explosions of brutality meted out in a world that's long since gone to hell. As is pleasingly more and more the case in mainstream action cinema, we have strong female representation in Olvia Thirlby as Dredd's rookie sidekick and a nasty Lena Headey on form and fresh from bad girl duties in the celebrated TV series Game Of Thrones. Dredd 3D can't and won't be considered a classic of the genre, but it's a huge step-up from the Stallone version and should satisfy any and all sci-fi action fans looking for a fun Friday night thrill. Visually arresting and with a sensible running time, Dredd rocks. 3.5/5
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