| Photos (See all 13 | slideshow) | Videos (see all 14) |
| Aaron Taylor-Johnson | ... | John (as Aaron Johnson) | |
| Kristin Scott Thomas | ... | Mimi | |
| David Threlfall | ... | Uncle George | |
| Josh Bolt | ... | Pete Shotton | |
| Ophelia Lovibond | ... | Marie | |
| Kerrie Hayes | ... | Marie's Friend | |
| Angela Walsh | ... | Schoolmistress | |
| Paul Ritter | ... | Popjoy | |
| Richard Syms | ... | Reverend | |
| Anne-Marie Duff | ... | Julia | |
| James Johnson | ... | Stan | |
| Alex Ambrose | ... | Young John | |
| Angelica Jopling | ... | Julia - Aged 8 | |
| Abby Greenhalgh | ... | Jackie (aged 6) | |
| David Morrissey | ... | Bobby | |
| Richard Tate | ... | Teacher | |
| Chris Coghill | ... | Cunard Yank (as Christopher Coghill) | |
| Ben Smith | ... | Boy with Knife | |
| Andrew Buchan | ... | Fishwick | |
| Baillie Walsh | ... | Postman | |
| Simon Lowe | ... | Guitar Shop Guy | |
| Frazer Bird | ... | Len | |
| James Jack Bentham | ... | Rod | |
| Jack McElhone | ... | Eric | |
| Daniel Ross | ... | Nigel | |
| Sam Wilmott | ... | Colin Hanton | |
| John Collins | ... | Ivan | |
| Thomas Brodie-Sangster | ... | Paul (as Thomas Brodie Sangster) | |
| Sam Bell | ... | George | |
| Colin Tierney | ... | Alf | |
| Nigel Travis | ... | Cavern Bouncer | |
| Lizzie Hopley | ... | Café Waitress | |
| Dan Armour | ... | Percy Phillips | |
| rest of cast listed alphabetically: | |||
| Riccardo Bacigalupo | ... | Teen at Fair (uncredited) | |
| Neil Broome | ... | Golfer (uncredited) | |
| Les Loveday | ... | Teddy in Gang (uncredited) | |
| Sarah Molkenthin | ... | Teen (uncredited) | |
| Abbie Murison | ... | Diane (uncredited) | |
| John Patten | ... | Bouncer (uncredited) | |
| Adele Heather Taylor | ... | Party guest (uncredited) | |
Directed by | |||
| Sam Taylor-Johnson | (as Sam Taylor-Wood) | ||
Writing credits(in alphabetical order) | ||
| Julia Baird | memoir (uncredited) | |
| Matt Greenhalgh | screenplay | |
Produced by | |||
| Robert Bernstein | .... | producer | |
| Matt Delargy | .... | co-producer | |
| Jon Diamond | .... | executive producer | |
| Tim Haslam | .... | executive producer | |
| Kevin Loader | .... | producer | |
| Jaynie Miller | .... | associate producer: Bus Stop Films | |
| Christopher Moll | .... | executive producer | |
| Douglas Rae | .... | producer | |
| Paul Ritchie | .... | co-producer | |
| Tessa Ross | .... | executive producer | |
| James Saynor | .... | co-producer | |
| Rhodri Thomas | .... | co-executive producer | |
| Bob Weinstein | .... | co-executive producer | |
| Harvey Weinstein | .... | co-executive producer | |
| Mark Woolley | .... | executive producer | |
Original Music by | |||
| Alison Goldfrapp | (as Alison Goldfrap) | ||
| Will Gregory | |||
Cinematography by | |||
| Seamus McGarvey | (director of photography) | ||
Film Editing by | |||
| Lisa Gunning | |||
Casting by | |||
| Nina Gold | |||
Production Design by | |||
| Alice Normington | |||
Art Direction by | |||
| Charmian Adams | |||
Set Decoration by | |||
| Barbara Herman-Skelding | (as Barb Herman-Skelding) | ||
Costume Design by | |||
| Julian Day | |||
Makeup Department | |||
| Heather Manson | .... | makeup trainee | |
| Paul Mooney | .... | hair stylist | |
| Lesley Smith | .... | hair stylist | |
| Lesley Smith | .... | makeup artist | |
| Jeremy Woodhead | .... | hair designer | |
| Jeremy Woodhead | .... | makeup designer | |
| Paul Boyce | .... | crowd makeup artist (uncredited) | |
| Sidony Etherton | .... | daily makeup trainee (uncredited) | |
Production Management | |||
| Lisa Jordan | .... | senior post-production producer: LipSync Post | |
| Marc Price | .... | unit manager | |
| Louise Seymour | .... | post-production supervisor | |
| Mark Walledge | .... | unit manager | |
| Jennifer Wynne | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Mark Hopkins | .... | second assistant director | |
| Bryn Lawrence | .... | second assistant director: crowd | |
| Alex Oakley | .... | first assistant director (as Alexander Oakley) | |
| Laura Windebank | .... | third assistant director | |
| Chris Cavanagh | .... | additional crowd assistant director (uncredited) | |
| Erin Lander | .... | crowd third assistant director: dailies (uncredited) | |
| Terry McShane | .... | crowd third assistant director (uncredited) | |
Sound Department | |||
| Phillip Barrett | .... | foley mixer: Universal Sound (as Phill Barrett) | |
| Simon Bysshe | .... | boom operator | |
| Simon Chase | .... | supervising sound editor | |
| Paul Cotterell | .... | sound re-recording mixer | |
| Paul Hanks | .... | foley artist: Universal Sound | |
| James Harrison | .... | additional sound re-recording mixer | |
| James Harrison | .... | sound effects editor | |
| Eddy Joseph | .... | sound consultant: Soundelux | |
| Dash Mason-Malik | .... | sound trainee: FT2 | |
| John Midgley | .... | sound mixer | |
| Kevin Penney | .... | foley editor: Soundelux | |
| Ben Tat | .... | assistant sound re-recording mixer: LipSync Post | |
| George Trevis | .... | sound maintenance | |
| Martin Trevis | .... | sound mixer | |
| Simon Trundle | .... | foley mixer: Universal Sound | |
| Ian Waggott | .... | foley artist: Universal Sound | |
| Richard Fordham | .... | dialogue editor (uncredited) | |
| Martin Seeley | .... | playback operator (uncredited) | |
Visual Effects by | |||
| Chris Bentley | .... | digital lab operator: LipSync Post | |
| Alberto Buron | .... | digital lab operator: LipSync Post | |
| Luke Butler | .... | digital compositor: LipSync Post | |
| Stefan Drury | .... | head of visual effects: LipSync Post | |
| Laura Dubsky | .... | digital compositor: LipSync Post | |
| Matt Foster | .... | digital compositor: LipSync Post | |
| Yanni Goudetsidis | .... | systems engineer: LipSync Post | |
| Stephanie C. Kelly | .... | digital compositor: LipSync Post (as Stephanie Kelly) | |
| Philippe Ludivig | .... | digital compositor: LipSync Post | |
| John O'Lone | .... | digital compositor: LipSync Post | |
| Angela Stanley | .... | visual effects supervisor: LipSync Post (as Angela Rose) | |
| Jon Stanley | .... | senior systems engineer: LipSync Post | |
| Daniel Tomlinson | .... | senior digital lab operator: LipSync Post | |
| Samantha Tracey | .... | visual effects producer: LipSync Post | |
| Rick White | .... | technical support: LipSync Post | |
| Blake Winder | .... | digital compositor: LipSync Post | |
Stunts | |||
| Andy Bennett | .... | stunt coordinator | |
| Rob Cooper | .... | stunt performer | |
| Adam Kirley | .... | stunt performer | |
| Belinda McGinley | .... | stunt performer | |
| David Reed | .... | stunt rigger | |
| Gordon Seed | .... | stunt performer | |
| Rob Cooper | .... | stunt double: Aaron Johnson (uncredited) | |
| Dave Judge | .... | stunt rigger (uncredited) | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Kharmel Cochrane | .... | casting assistant | |
| Robert Sterne | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Charles Adesanya | .... | wardrobe trainee: UK Film Council | |
| Shahida Day | .... | assistant costume designer (as Shaida Day) | |
| Jenny Jarvis | .... | costume daily | |
| Jane Marcantonio | .... | wardrobe supervisor | |
| Anna Reynolds | .... | wardrobe trainee | |
| Laura Smith | .... | stand-by wardrobe | |
Editorial Department | |||
| Simon J. Brooks | .... | editing trainee: FT2 (as Simon Brooks) | |
| Billy A. Campbell | .... | additional first assistant editor (as Billy Campbell) | |
| James Clarke | .... | digital intermediate supervisor | |
| Eve Doherty | .... | editing trainee: FT2 | |
| Stuart Fyvie | .... | digital intermediate colorist | |
| Scott Goulding | .... | digital intermediate assistant colorist | |
| Stephen Haren | .... | first assistant editor (as Steve Haren) | |
| Mark Keady | .... | assistant editor | |
| Rachael Watmough | .... | dailies coordinator (uncredited) | |
Music Department | |||
| Sam Bell | .... | musician: vocals & guitar | |
| Peter Clarke | .... | music editor | |
| Sean Collins | .... | assistant engineer | |
| Andrea Contino | .... | assistant engineer | |
| Andrew Dudman | .... | score recording engineer (as Andy Dudman) | |
| Will Fry | .... | musician: washboard | |
| John Gosling | .... | composer: additional incidental music | |
| John Gosling | .... | musical director | |
| Isobel Griffiths | .... | orchestra contractor | |
| Stephen Hood | .... | musician: guitar | |
| Mathew Lane | .... | music/audio restoration | |
| Ben Lee | .... | composer: additional incidental music | |
| Catherine Marks | .... | assistant engineer | |
| Patrick Murdoch | .... | musician: guitar & banjo | |
| Ian Neil | .... | music supervisor | |
| Ben Parker | .... | composer: additional incidental music | |
| Ben Parker | .... | music arranger: vocal and instrumental | |
| Ben Parker | .... | music producer | |
| Ben Parker | .... | music tutor: vocal and instrunental | |
| Ben Parker | .... | musician: guitar, banjo & vocals | |
| Emre Ramazanoglu | .... | composer: additional incidental music | |
| Emre Ramazanoglu | .... | music producer | |
| Emre Ramazanoglu | .... | musician: drums | |
| Emre Ramazanoglu | .... | recording producer | |
| Simon Rogers | .... | musician: guitar | |
| Jimmy Sims | .... | musician: tea chest, bass & guitar | |
| Sam Swallow | .... | musician: piano & vocals | |
| Aaron Taylor-Johnson | .... | musician: vocals & guitar (as Aaron Johnson) | |
| Nat Woodcock | .... | musician: piano | |
| John Barrett | .... | assistant score mixing engineer (uncredited) | |
| John Barrett | .... | assistant scoring engineer (uncredited) | |
| Andrew Dudman | .... | score mixing engineer (uncredited) | |
Transportation Department | |||
| Alan Bristow | .... | unit driver | |
| Symon Butcher | .... | unit driver | |
| Dave Carter | .... | driver: facilities | |
| Terry Collins | .... | unit driver: David Morrissey | |
| Steve Cooke | .... | unit driver: Kristin Scott Thomas | |
| Jimmy Coutts | .... | driver: facilities | |
| Devis Damonte | .... | runner driver | |
| Dave Fisher | .... | driver: facilities | |
| Martin Foard | .... | driver: facilities (as Martyn Foard) | |
| Tathyana Genova | .... | driver: facilities (as Tatyana Genova) | |
| David Grose | .... | unit driver | |
| Alex Jeffrey | .... | runner driver | |
| Brian Kelly | .... | unit driver | |
| James Ott | .... | driver: facilities | |
| Ben Quirk | .... | runner driver | |
| Peter Soteriou | .... | unit driver | |
| Joss Spry | .... | runner driver | |
Other crew | |||
| Carolyn Allen | .... | tutor | |
| Aaron Anderson | .... | creative coordinator: UK Film Council | |
| Oana Anghel | .... | title designer: LipSync Post (as Oana Eisel) | |
| Jamie Atkins | .... | assistant chef | |
| Nick Atkinson | .... | creative coordinator: UK Film Council | |
| Kate Bailey | .... | assistant chef | |
| Matthew Baker | .... | representative: HanWay Films | |
| Natalie Bass | .... | legal services: Lee and Thompson, Northwest Vision and Media | |
| Kevin Bell | .... | film office: Liverpool, Northwest Vision and Media | |
| Mona Benjamin | .... | production coordinator | |
| Helen Bingham | .... | accounts assistant | |
| Elizabeth Brizzell | .... | accounts assistant | |
| Dexter Bryant | .... | floor runner | |
| Daniel Budd | .... | assistant production accountant (as Dan Budd) | |
| Katherine Butler | .... | head of development: Film4 | |
| Sally Caplan | .... | head of premiere fund: UK Film Council | |
| Rosalie Carew | .... | script researcher | |
| Karen Carr | .... | tutor | |
| Jon Carter | .... | unit medic | |
| Les Child | .... | choreographer | |
| Ross Clarke | .... | epk: director | |
| Tonia Cohen | .... | negative checks and script: Capello Media Solutions | |
| William Conacher | .... | dialogue coach | |
| Tara B. Cook | .... | head of film: Northwest Vision and Media (as Tara Cook) | |
| Sara Curran | .... | production legal services | |
| Maxine Davis | .... | accountant: post-production | |
| Christian De-vos | .... | head of security | |
| Peter Dickinson | .... | title designer: LipSync Post | |
| Harry Dixon | .... | head of business affairs: Film4 | |
| Amanda Dudley | .... | floor runner | |
| Jeanine East | .... | financial controller: Ecosse Films | |
| Gareth Edwards | .... | floor runner | |
| Will Evans | .... | head of business affairs: UK Film Council | |
| Sarah Fahy | .... | insurance broker: Totally Entertainment | |
| Sophie Falkner | .... | office manager: Ecosse Films | |
| Elton Farla | .... | unit medic | |
| Anna Green-Armytage | .... | assistant: Robert Bernstein and Douglas Rae | |
| Julia Hall | .... | title designer: LipSync Post | |
| Peter Hampden | .... | representative: Lip Sync Productions | |
| Vince Holden | .... | head of production finance: UK Film Council | |
| Andrew Holt | .... | location scout | |
| Andy Holt | .... | location manager | |
| Steve Jarvis | .... | assistant chef | |
| Tracey Josephs | .... | head of production: Film4 | |
| Sarah Kenyon | .... | floor runner | |
| Sheerin Khosrowshahi-Miandoab | .... | production trainee: FT2 | |
| David King-Taylor | .... | health and safety officer (as David King Taylor) | |
| Clyde Lane | .... | chef | |
| John Lane | .... | assistant chef | |
| Tracey Larcombe | .... | epk: producer | |
| Susanna Lenton | .... | script supervisor | |
| Cathy Lorimer | .... | floor runner | |
| Jonathan Lynch-Staunton | .... | representative: HanWay Films | |
| Richard Mansell | .... | representative: HanWay Films | |
| Charles McDonald | .... | unit publicist | |
| Josey McNamara | .... | floor runner | |
| John Miles | .... | production accountant | |
| Fiona Morham | .... | head of production: UK Film Council | |
| Sofia Neves | .... | representative: HanWay Films | |
| Dave Nicholas | .... | unit medic | |
| Clive Noakes | .... | laboratory contact | |
| Erika Zeckser Owen | .... | script supervisor trainee: FT2 | |
| Terry Paskins | .... | assistant chef | |
| Kerry Patten | .... | production assistant | |
| Zelda Perkins | .... | assistant: Sam Taylor-Wood | |
| Michelle Pianca | .... | assistant location manager | |
| David Quli | .... | legal advisor: Aver Media, Wiggin | |
| Richard Rogan | .... | production trainee: FT2 | |
| Lynn Saunders | .... | film office: Liverpool, Northwest Vision and Media | |
| Thorsten Schumacher | .... | representative: HanWay Films | |
| Anne Shanley | .... | health and safety officer | |
| Ben Spicer | .... | assistant: Sam Taylor-Wood | |
| Jan Spielhoff | .... | representative: HanWay Films | |
| Emma Stanyer | .... | head of legal: Ecosse Films | |
| Nicola Stean | .... | assistant development producer: Ecosse Films | |
| Kelly Taylor-Dias | .... | assistant production coordinator | |
| Evertyman Theatre Liverpool | .... | adr voices: teenage crowd | |
| Derek Townshend | .... | insurance broker: Totally Entertainment | |
| Howard Watkins | .... | title designer: LipSync Post | |
| Chris Webb | .... | location manager | |
| Jason Wheeler | .... | location manager | |
| Lisa Williams | .... | assistant: Kevin Loader | |
| Charles Wilson | .... | plant hire | |
| Thomas Woods | .... | assistant location manager (as Tom Woods) | |
| Helen Varty | .... | assistant: Tessa Ross (uncredited) | |
| Anna Wilton | .... | production assistant (uncredited) | |
Thanks | |||
| Anthony Minghella | .... | dedicatee | |
| Yoko Ono | .... | thanks | |
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Sam Taylor-Wood's story of the adolescent John Lennon is an entertaining and occasionally touching film. I enjoyed it for the story of a young lad belligerently (and often fearfully) confronting the inevitable revelation of his past and constructing some sort of future. Taylor-Wood has consciously avoided any direct reference to the man that we all knew John Lennon would become, although there are implicit signposts placed in the visual narrative. Instead, his part in creating The Beatles assumed, the director concentrates on the (far from) simple facts of his coming of age, acquaintance with music and with real panache, the social climate in which this all came about.
The central narrative concerns the ying and yang relationships that John has with his aunt Mimi and rediscovered mother Julia. It is hard to imagine how these three parts would be better played than by you're-not- fooling-anyone-ice-queen Kristin Scott-Thomas and the effervescent life- force of Anne Marie Duff (respsectively). There's some fine screen acting going on here. Yet the tortured break with a prosaic, echt- English aunt and the intense, Oedipal love for a irresistible mother would be nothing without the right John - and where Aaron Johnson's been, I've no idea. His great ability is to trip off endless social anachronisms, turns of phrase that would seem un-PC, ill-advised or simply too cheeky today with a body language to suggest that he has no idea of the ramifications or combativeness of such an attitude. This is what makes the rock-n-roll, about to burst from the back of the screen (like the Third Reich in Haneke's White Ribbon) so palpable, so believable.
A good film, told, briskly and with rich nuance. 7/10