| Photos (See all 62 | slideshow) | Videos (see all 14) |
Directed by | |||
| Clint Eastwood | |||
Writing credits(WGA) | ||
| Nick Schenk | (screenplay) | |
| Dave Johannson | (story) & | |
| Nick Schenk | (story) | |
Produced by | |||
| Bruce Berman | .... | executive producer | |
| Clint Eastwood | .... | producer | |
| Bill Gerber | .... | producer | |
| Jenette Kahn | .... | executive producer | |
| Robert Lorenz | .... | producer | |
| Tim Moore | .... | executive producer | |
| Adam Richman | .... | executive producer | |
Original Music by | |||
| Kyle Eastwood | |||
| Michael Stevens | |||
Cinematography by | |||
| Tom Stern | (director of photography) | ||
Film Editing by | |||
| Joel Cox | |||
| Gary Roach | (as Gary D. Roach) | ||
Casting by | |||
| Ellen Chenoweth | |||
Production Design by | |||
| James J. Murakami | |||
Art Direction by | |||
| John Warnke | |||
Set Decoration by | |||
| Gary Fettis | |||
Costume Design by | |||
| Deborah Hopper | |||
Makeup Department | |||
| Janice Alexander | .... | hair stylist (as Jan Alexander) | |
| Dawn Baker | .... | makeup artist | |
| Carol Branston | .... | hair stylist | |
| Clifton Chippewa | .... | hair stylist | |
| Lauri Cuppetilli | .... | assistant makeup artist | |
| Debbie Darakoljian | .... | makeup artist | |
| Kevin J Edwards | .... | hair stylist (as Kevin Edwards) | |
| Louise Holoday | .... | makeup artist | |
| Kimberly Jones | .... | makeup artist | |
| Kimberley Kirkpatrick | .... | makeup artist | |
| Tania McComas | .... | makeup department head | |
| Carol A. O'Connell | .... | hair department head | |
| Jay Wejebe | .... | makeup artist | |
Production Management | |||
| Tim Moore | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Peter Dress | .... | second assistant director (as Pete Dress) | |
| Michael Judd | .... | second second assistant director | |
| Donald Murphy | .... | first assistant director | |
Art Department | |||
| Kai Blomberg | .... | set dresser | |
| James Fernandez | .... | on-set dresser | |
| Steven Ladish | .... | set dresser | |
| James R. Lord | .... | propmaker gang boss | |
| Jared A.J. Muscarella | .... | carpenter | |
| Michael Muscarella | .... | construction coordinator | |
| Loren Nickloff | .... | general foreman | |
| Missy Parker | .... | assistant set decorator | |
| Edward J. Protiva | .... | leadman | |
| Douglas S. Reilly | .... | graphic designer: props | |
| Scott Schutzki | .... | set dresser | |
| Michael Semon | .... | assistant propmaster | |
| Robert Silcock | .... | propmaker foreman | |
| Chris M. Young | .... | art department production assistant | |
Sound Department | |||
| David A. Arnold | .... | supervising dialogue editor (as David Arnold) | |
| Bub Asman | .... | co-supervising sound editor | |
| Gail Carroll-Coe | .... | utility sound/second boom operator | |
| William Cawley | .... | sound effects editor (as Bill Cawley) | |
| Lucy Coldsnow-Smith | .... | dialogue editor | |
| Flash Deros | .... | boom operator | |
| Michael Dressel | .... | supervising foley editor | |
| Juno J. Ellis | .... | adr supervisor | |
| Robert Fernandez | .... | score mixer | |
| Robin Harlan | .... | foley artist | |
| Jason King | .... | sound effects editor | |
| Jonathan Klein | .... | foley editor | |
| Lisa J. Levine | .... | adr editor | |
| Walt Martin | .... | supervising sound editor | |
| Sarah Monat | .... | foley artist | |
| Ryan Murphy | .... | sound mix technician | |
| Alan Robert Murray | .... | supervising sound editor | |
| Kevin Murray | .... | sound effects editor (as Kevin R.W. Murray) | |
| Rupert Nadeau | .... | assistant adr editor | |
| Andy Potvin | .... | dolby sound consultant | |
| John T. Reitz | .... | sound re-recording mixer (as John Reitz) | |
| Gregg Rudloff | .... | sound re-recording mixer | |
| Brian Seagrave | .... | audio post-conform | |
| Randy Singer | .... | foley mixer | |
| Beth Sterner | .... | dialogue editor | |
| Beth Sterner | .... | sound editor | |
| Shawn Sykora | .... | foley editor | |
| Katy Wood | .... | dialogue editor | |
Special Effects by | |||
| Hank Atterbury | .... | pyrotechnician | |
| Hank Atterbury | .... | special effects technician | |
| Michael DePietro | .... | special effects pyrotechnician | |
| Michael DePietro | .... | special effects technician (as Michael V. De Pietro) | |
| David A. Poole | .... | pyrotechnician | |
| David A. Poole | .... | special effects technician | |
| Ryan A. Riley | .... | special effects technician (as Ryan Riley) | |
| Shari Ann Riley | .... | special effects assistant | |
| Steve Riley | .... | special effects supervisor (as Steven Riley) | |
| Dominic V. Ruiz | .... | special effects foreman | |
| Dominic V. Ruiz | .... | special effects technician | |
Visual Effects by | |||
| Bron Barry | .... | visual effects coordinator | |
| John Campuzano | .... | visual effects coordinator | |
| Andrea Caretta | .... | digital artist | |
| Greg Cheng | .... | digital artist | |
| Chad E. Collier | .... | render i/o administrator: Digital Domain | |
| Janice Barlow Collier | .... | dustbuster: Digital Domain | |
| Michael Degtjarewsky | .... | lead compositor | |
| Yoshi DeHerrera | .... | visual effects artist: 3D scanning & modeling | |
| Gregory Duncan | .... | dustbuster: Digital Domain | |
| Joe Farrell | .... | senior digital compositor | |
| Mark Freund | .... | visual effects supervisor: Pacific Title | |
| Navjit Singh Gill | .... | technical assistant | |
| Brian Hanable | .... | digital effects compositor: Pacific Title | |
| Brian Holligan | .... | digital coordinator: Digital Domain | |
| Julian Levi | .... | visual effects producer | |
| Darin McCormick-Millett | .... | visual effects producer (as Darin Millett) | |
| Kyle Mulqueen | .... | digital artist: scan data cleanup | |
| Erin L. Nelson | .... | digital restoration | |
| Lee Nelson | .... | 3D artist | |
| Jessica Noll | .... | compositor | |
| James P. Noon | .... | tracking | |
| Darren Poe | .... | digital effects supervisor | |
| Kelly Port | .... | visual effects supervisor | |
| Francisco Ramirez | .... | assistant visual effects editor: Digital Domain | |
| Prateep Siamwalla | .... | tracking | |
| Wilson Tang | .... | digital restoration | |
| Justin van der Lek | .... | 3D integration: Digital Domain | |
| Bob Wiatr | .... | digital compositor: Pacific Title | |
| Xye | .... | tracking | |
| Lisa de la Garza | .... | visual effects senior staff: Digital Domain (uncredited) | |
| Amanda Hampton | .... | software engineer (uncredited) | |
| Ian A. Harris | .... | digital artist: Digital Domain (uncredited) | |
| Michael Owens | .... | visual effects supervisor (uncredited) | |
| Michelle Winze | .... | digital producer (uncredited) | |
Stunts | |||
| Buddy Van Horn | .... | stunt coordinator (uncredited) | |
Camera and Electrical Department | |||
| Greg Brooks | .... | dolly grip | |
| Buzzy Burwell | .... | lighting technician | |
| Stephen S. Campanelli | .... | camera operator | |
| Trevor Carroll-Coe | .... | film loader | |
| Jesse Cecchini | .... | additional set lighting technician | |
| Bill Coe | .... | camera: "a" camera | |
| Bill Coe | .... | first assistant camera | |
| Michael J. Conner | .... | additional lamp operator | |
| Ross Dunkerley | .... | gaffer | |
| Bill Hong | .... | camera car operator | |
| John Lacy | .... | assistant chief lighting technician | |
| William MacLeod | .... | grip (as Bill MacLeod) | |
| Bobby McMahan | .... | second assistant camera | |
| Brian Minzlaff | .... | set lighting | |
| Liz Radley | .... | camera operator: high definition camera | |
| Tony Rivetti Jr. | .... | still photographer | |
| Charles Saldana | .... | key grip | |
| T. Daniel Scaringi | .... | key rigging grip | |
| Dean M. Simmon | .... | first assistant camera: "b"camera | |
| Scott Zuckerberg | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Melanie August | .... | costume staff assistant | |
| Diana Edgmon | .... | costumer | |
| Cheryl Scarano | .... | costume supervisor | |
Editorial Department | |||
| Jill Bogdanowicz | .... | digital film colorist | |
| Tony Dustin | .... | digital film colorist | |
| Blu Murray | .... | first assistant editor | |
| Hailey Murray | .... | post-production assistant | |
| Bob Peishel | .... | digital intermediate producer | |
| Mark Sahagun | .... | digital intermediate editor | |
| Kurt Smith | .... | film color timer | |
| Larry D. Webster | .... | post-production | |
| Jeff Pantaleo | .... | dailies colorist (uncredited) | |
Music Department | |||
| Kevin Bassinson | .... | music editor: uncredited | |
| Robert Fernandez | .... | score mixer (as Bobby Fernandez) | |
| Daniel J. Johnson | .... | music editor | |
| Jenny Leite | .... | assistant music editor | |
| David Low | .... | orchestra contractor | |
| Renzo Mantovani | .... | composer: additional music | |
| Chris McGeary | .... | music editor | |
| Lennie Niehaus | .... | conductor | |
| Lennie Niehaus | .... | orchestrator | |
Transportation Department | |||
| Nicholas Acquaviva | .... | picture car wrangler | |
| Tony Barattini | .... | driver: production van | |
| Mike Bilkovic | .... | transportation | |
| Michael Bjerke | .... | driver | |
| Demond Dickerson | .... | transportation | |
| Sue Grasso | .... | driver | |
| David B. Jackson | .... | unit driver | |
| Ken Kupchick | .... | transportation | |
| Reno S. Mifsud | .... | driver | |
| Billy Neckrock | .... | driver | |
| Kirk Roberts | .... | driver: Clint Eastwood | |
| Domiciano Rodriquez | .... | transportation co-captain | |
| Alana Stelling | .... | transportation captain | |
| Larry Stelling | .... | transportation coordinator | |
| John 'Detroit' White | .... | transportation | |
| David Schmidt | .... | driver (uncredited) | |
Other crew | |||
| Tarrance Alfred | .... | assistant location manager | |
| Susan Bliss | .... | post script services | |
| Jennifer Burdick-Baklarov | .... | additional production assistant | |
| Sue Chipperton | .... | animal wrangler | |
| Tony X. Deale | .... | production associate | |
| Joe Elrom | .... | location assistant | |
| David Fencl | .... | key armorer | |
| Alex Fields | .... | assistant location manager | |
| Dyane Garvey | .... | cultural advisor: Hmong | |
| Carrie Gillogly | .... | assistant: Mr. Gerber | |
| Jason Gondek | .... | production accountant | |
| Matthew Goodwin | .... | additional set production assistant | |
| Holly Hagy | .... | production coordinator | |
| Cindy Ichikawa | .... | assistant production coordinator | |
| Cedric Lee | .... | cultural advisor: Hmong | |
| Cedric N. Lee | .... | cultural consultant | |
| Mark D. Lee | .... | staff assistant | |
| Deana Lou | .... | assistant: Mr. Eastwood | |
| Jessica Meier | .... | assistant: Mr. Lorenz | |
| Eddie Merino | .... | key assistant location manager | |
| Patrick Mignano | .... | location manager | |
| Matt Miller | .... | key set staff assistant | |
| Tizzie Onderko | .... | stand-in | |
| Gui Sauder Pinto | .... | location assistant | |
| Jason Roby | .... | additional set production assistant | |
| Michael Roccuzzo | .... | post accounting | |
| Dimitrios Rongakis | .... | production assistant | |
| Cary Scaringi | .... | staff assistant | |
| Karen Shaw | .... | production coordinator | |
| Mindy Silberman | .... | production secretary | |
| Peter Skorupskas | .... | production assistant | |
| Cathy Thomas | .... | location scout | |
| Joel Tokarsky | .... | first assistant accountant | |
| Landon Trawny | .... | second assistant accountant | |
| Renee Trawny | .... | accounting clerk | |
| Stephanie Tull | .... | set staff assistant | |
| Karen Turner | .... | payroll accountant | |
| Karen Turner | .... | payroll accountant | |
| Stephanie Whallon | .... | travel accountant | |
| Gowhnou Yang | .... | stand-in | |
| Trina Naz | .... | production assistant (uncredited) | |
|
|
|
|
|
| Giant | The Kite Runner | Mystic River | The Departed | In Bruges |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Drama section |
| IMDb USA section |
As Clint Eastwood reaches the end of his life, he presents us with yet another performance which is nothing short of legendary. Wishing to preserve the element of surprise, I will not reveal anything by trying to analyse this great work of art.
I will say this. There are similar qualities to his previous work, but I would say that both his directing and acting have reached a level of maturity comparable to that of an excellent wine. The story was compelling and, mixed with the drama was a refined touch of humour; the perfect combination for a pleasant evening.
I would like to finish by thanking Mr. Eastwood for sharing this touching moment with his audience at a time when most of the cinematic "art" produced in Hollywood consists of stunts and bad jokes.