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Directed by | |||
| Clint Eastwood | |||
Writing credits(WGA) | ||
| Nick Schenk | (screenplay) | |
| Dave Johannson | (story) & | |
| Nick Schenk | (story) | |
Produced by | |||
| Bruce Berman | .... | executive producer | |
| Clint Eastwood | .... | producer | |
| Bill Gerber | .... | producer | |
| Jenette Kahn | .... | executive producer | |
| Robert Lorenz | .... | producer | |
| Tim Moore | .... | executive producer | |
| Adam Richman | .... | executive producer | |
Original Music by | |||
| Kyle Eastwood | |||
| Michael Stevens | |||
Cinematography by | |||
| Tom Stern | (director of photography) | ||
Film Editing by | |||
| Joel Cox | |||
| Gary Roach | (as Gary D. Roach) | ||
Casting by | |||
| Ellen Chenoweth | |||
Production Design by | |||
| James J. Murakami | |||
Art Direction by | |||
| John Warnke | |||
Set Decoration by | |||
| Gary Fettis | |||
Costume Design by | |||
| Deborah Hopper | |||
Makeup Department | |||
| Kevin J Edwards | .... | assistant hair stylist | |
| Louise Holoday | .... | makeup artist | |
| Kimberly Jones | .... | makeup artist | |
| Kimberley Kirkpatrick | .... | makeup artist | |
| Tania McComas | .... | makeup department head | |
| Jay Wejebe | .... | key makeup artist | |
Production Management | |||
| Tim Moore | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Peter Dress | .... | second assistant director | |
| Michael Judd | .... | second second assistant director | |
| Donald Murphy | .... | first assistant director | |
Art Department | |||
| Kai Blomberg | .... | set dresser | |
| Steven Ladish | .... | set dresser | |
| James R. Lord | .... | propmaker gang boss | |
| Loren Nickloff | .... | general foreman | |
| Missy Parker | .... | assistant set decorator | |
| Edward J. Protiva | .... | leadman | |
| Douglas S. Reilly | .... | graphic designer: props | |
| Scott Schutzki | .... | set dresser | |
| Michael Semon | .... | assistant propmaster | |
| Robert Silcock | .... | propmaker foreman | |
Sound Department | |||
| Bub Asman | .... | supervising sound editor | |
| Gail Carroll-Coe | .... | utility sound/second boom operator | |
| William Cawley | .... | sound effects editor | |
| Flash Deros | .... | boom operator | |
| Michael Dressel | .... | supervising foley editor | |
| Juno J. Ellis | .... | adr supervisor | |
| Robert Fernandez | .... | score mixer | |
| Robin Harlan | .... | foley artist | |
| Jason King | .... | sound effects editor | |
| Lisa J. Levine | .... | adr editor | |
| Walt Martin | .... | supervising sound editor | |
| Sarah Monat | .... | foley artist | |
| Ryan Murphy | .... | sound mix technician | |
| Alan Robert Murray | .... | supervising sound editor | |
| Kevin Murray | .... | sound editor | |
| Randy Singer | .... | foley mixer | |
| Beth Sterner | .... | sound editor | |
| Shawn Sykora | .... | foley editor | |
| Katy Wood | .... | dialogue editor | |
Special Effects by | |||
| Hank Atterbury | .... | pyrotechnician | |
| Michael DePietro | .... | special effects pyrotechnician | |
| David A. Poole | .... | pyrotechnician | |
| Ryan A. Riley | .... | special effects technician | |
| Shari Ann Riley | .... | special effects assistant | |
| Steve Riley | .... | special effects supervisor | |
| Dominic V. Ruiz | .... | special effects technician | |
Visual Effects by | |||
| Bron Barry | .... | visual effects coordinator | |
| Andrea Caretta | .... | digital artist | |
| Chad E. Collier | .... | render i/o administrator: Digital Domain | |
| Janice Barlow Collier | .... | dustbuster: Digital Domain | |
| Yoshi DeHerrera | .... | visual effects artist: 3D scanning & modeling | |
| Joe Farrell | .... | senior digital compositor | |
| Mark Freund | .... | visual effects supervisor: Pacific Title | |
| Brian Hanable | .... | digital effects compositor: Pacific Title | |
| Brian Holligan | .... | digital coordinator: Digital Domain | |
| Julian Levi | .... | visual effects producer | |
| Kyle Mulqueen | .... | digital artist: scan data cleanup | |
| Erin L. Nelson | .... | digital restoration | |
| Darren Poe | .... | digital effects supervisor | |
| Kelly Port | .... | visual effects supervisor | |
| Francisco Ramirez | .... | assistant visual effects editor: Digital Domain | |
| Wilson Tang | .... | digital restoration | |
| Bob Wiatr | .... | digital compositor: Pacific Title | |
| Amanda Hampton | .... | software engineer (uncredited) | |
| Ian A. Harris | .... | digital artist: Digital Domain (uncredited) | |
Stunts | |||
| Buddy Van Horn | .... | stunt coordinator (uncredited) | |
Camera and Electrical Department | |||
| Greg Brooks | .... | dolly grip | |
| Buzzy Burwell | .... | lighting technician | |
| Stephen S. Campanelli | .... | camera operator | |
| Trevor Carroll-Coe | .... | film loader | |
| Jesse Cecchini | .... | electrician | |
| Bill Coe | .... | camera: "a" camera | |
| Bill Coe | .... | first assistant camera | |
| Michael J. Conner | .... | additional lamp operator | |
| Ross Dunkerley | .... | gaffer | |
| Bill Hong | .... | camera car operator | |
| John Lacy | .... | assistant chief lighting technician | |
| Bobby McMahan | .... | second assistant camera | |
| Brian Minzlaff | .... | set lighting | |
| Liz Radley | .... | camera operator: high definition camera | |
| Charles Saldana | .... | key grip | |
| T. Daniel Scaringi | .... | key rigging grip | |
| Dean M. Simmon | .... | first assistant camera: "b"camera | |
| Scott Zuckerberg | .... | electrician (uncredited) | |
Casting Department | |||
| Cedric N. Lee | .... | extras casting | |
| Geoffrey Miclat | .... | casting associate | |
| Kathy Mooney | .... | casting Michigan | |
| Janet Pound | .... | casting: Michigan | |
| Janet Pound | .... | extras casting | |
| Molly Pound | .... | extras casting | |
Costume and Wardrobe Department | |||
| Melanie August | .... | costume staff assistant | |
| Diana Edgmon | .... | costumer | |
| Cheryl Scarano | .... | costume supervisor | |
Editorial Department | |||
| Jill Bogdanowicz | .... | digital film colorist | |
| Tony Dustin | .... | digital film colorist | |
| Blu Murray | .... | first assistant editor | |
| Mark Sahagun | .... | digital intermediate editor | |
| Larry D. Webster | .... | post-production | |
Music Department | |||
| Daniel J. Johnson | .... | music editor | |
| David Low | .... | orchestra contractor | |
| Renzo Mantovani | .... | composer: additional music | |
| Chris McGeary | .... | music editor | |
Transportation Department | |||
| Nicholas Acquaviva | .... | picture car wrangler | |
| Tony Barattini | .... | driver: production van | |
| Mike Bilkovic | .... | transportation | |
| Demond Dickerson | .... | transportation | |
| Billy Neckrock | .... | driver | |
| Kirk Roberts | .... | driver: Clint Eastwood | |
| Domiciano Rodriquez | .... | transportation co-captain | |
| Alana Stelling | .... | transportation captain | |
| Larry Stelling | .... | transportation coordinator | |
| John 'Detroit' White | .... | transportation | |
| David Schmidt | .... | driver (uncredited) | |
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This movie made me laugh and cry at the same time. It deals with both grimy old bastards as well as with more serious matters as racism. Good acting from Clind as well as all his supporting actors and once again Clint has shown that he is capable of making movies that involves both emotions and stereotypes! The "olidish" bitterness of Clint's character and the mix between comedy and drama is just genius. The only criticism of the movie would be that the gang-bangers were pretty and does not correspond very well to all of the reports of gang violence all around the world. But overall I thought this was a great movie with lots of potential for being one of those films that you will actually remember when you visit the video rental store in five years from now.