A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
Walt Kowalski is a widower who holds onto his prejudices despite the changes in his Michigan neighborhood and the world around him. Kowalski is a grumpy, tough-minded, unhappy old man who can't get along with either his kids or his neighbors. He is a Korean War veteran whose prize possession is a 1972 Gran Torino he keeps in mint condition. When his neighbor Thao, a young Hmong teenager under pressure from his gang member cousin, tries to steal his Gran Torino, Kowalski sets out to reform the youth. Drawn against his will into the life of Thao's family, Kowalski is soon taking steps to protect them from the gangs that infest their neighborhood. Written by
According to Bee Vang, the Hmong actors were isolated from the rest of the cast and crew. According to Vang, efforts by the Hmong actors to correct the portrayal of Hmong traditions were ignored. Vang has also refuted claims that the Hmong actors were encouraged to improvise. According to Vang, when he tried to improvise Clint Eastwood told him to "stick to the script". Vang also stated that the cast and crew had a baseball game but the Hmong actors were not invited. It was assumed that the Hmong actors were immigrants and did not know about baseball. But Vang states that the majority of the Hmong actors were US natives. See more »
Walt has Thao paint the neighbors house. The painted house is clearly visible at one stage. Near the end of the movie, when Walt is mowing his lawn, the new layer of paint disappears. See more »
God, I am sorry for Dorothy, Walt. She was a real peach.
Thanks for coming, Al.
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The credits scroll over a highway overlooking the lake shore, with the Warner Logo appearing in black and white. See more »
Gran Torino - They don't make them like they used to....
Mr. Eastwood has a knack for storytelling. Instead of being preachy or having an all to obvious agenda, he lets his viewers make up their own minds. His characters don't have a message, they have a life and make no excuses for who they are. In so many subtle and intelligent ways we are allowed to make our own choices. Like with Kowalski in the movie, you are not confronted with a role model hammering home all those "life's important messages", but rather with a movie saying "Look! This is the way it worked out for me. And I think I know a few tricks that might help you, but in the end it's your own life. However, you have to trust me when I say that there are a some things you don't want to see or experience!". Some people will leave this movie entirely untouched, others will certainly be crying their guts out. Not because some people "get it" and others "don't", but because it is a brilliant piece of entertainment reaching out to every viewer in its own specific way.
Eastwood's acting is top notch again, although the years have not been very kind to his voice. The rest of the cast are fine, but one can certainly spot their more amateurish backgrounds here and there which is the main reason why I could not give this one a 10/10.
Apart from that there is little to criticize. It's not an action movie, not a drama movie and certainly not a comedy (even though you get a few laughs out of this one). It's simply a good story about life.....and death.
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