| Tessie Santiago | ... | Maya | |
| Chris Bruno | ... | Harris | |
| Frank Whaley | ... | Duncan | |
| Bart Johnson | ... | Skylar | |
| Michael Flynn | ... | Kassel | |
| Amee Walden | ... | Penelope | |
| Charles Halford | ... | Deputy Finch | |
| Paul Kiernan | ... | Coroner | |
| Whitney Labrum | ... | Young Woman | |
| Elizabeth Barondes | ... | Snobby Woman | |
| rest of cast listed alphabetically: | |||
| Alicia Marie Emerson | ... | Dead Girl 4 (uncredited) | |
| Larry Filion | ... | Sheriiff Deputy (uncredited) | |
| Ben Naccarato | ... | Deputy Sheriff (uncredited) | |
Directed by | |||
| Tim Iacofano | |||
Writing credits | ||
| Lawrence Silverstein | (screenplay) & | |
| Alex Barder | (screenplay) and | |
| Erik Klein | (screenplay) and | |
| Rob Rinow | (screenplay) | |
| Lawrence Silverstein | (story) & | |
| Alex Barder | (story) | |
Original Music by | |||
| John Massari | |||
Cinematography by | |||
| Geno Salvatori | |||
Film Editing by | |||
| John Coniglio | |||
Casting by | |||
| Mandy Sherman | |||
Production Design by | |||
| Diane Millett | |||
Set Decoration by | |||
| Brian Lives | |||
Costume Design by | |||
| Amy Jean Roberts | |||
Makeup Department | |||
| Vanessa Cartier | .... | makeup artist: pickups | |
| Chris Hanson | .... | special makeup effects supervisor | |
| Gina Homan | .... | makeup department head | |
| Jenna Kilgrow | .... | department head hair | |
Production Management | |||
| J.M. Logan | .... | post-production supervisor | |
Art Department | |||
| Burke Bowthorpe | .... | assistant props | |
| Michelle Fairbank | .... | assistant property master | |
| Jason Haase | .... | leadman | |
| Ian Roylance | .... | property master | |
| Kino Scialabba | .... | concept artist | |
| Kino Scialabba | .... | matte painter | |
Sound Department | |||
| Rich Allison | .... | adr recordist | |
| Tom Balazs | .... | foley editor | |
| Tom Balazs | .... | foley recordist | |
| Nick Beljic | .... | adr mixer | |
| Wade Chamberlain | .... | sound re-recording mixer | |
| Adam Johnston | .... | sound designer | |
| Paul H. Maritsas | .... | sound mixer | |
| John Massari | .... | additional sound designer | |
| Serge Perron | .... | dialogue editor | |
| Monique Reymond | .... | foley artist | |
| Chris Reynolds | .... | sound supervisor | |
| Stephen Rippey | .... | boom operator | |
| James Young | .... | sound re-recording mixer | |
Visual Effects by | |||
| Eric Blevins | .... | matchmove artist | |
| Gregg Detrich | .... | CG Animation/VFX Artist (23D Films ) | |
| Bruce Holt | .... | digital effects artist | |
| Rick Iacobo | .... | compositor: Sandman Studios | |
| Joe Russo | .... | visual effects supervisor | |
| Kino Scialabba | .... | senior matte painter | |
| Shian Storm | .... | lead composite artist | |
Stunts | |||
| Kathy Jarvis | .... | stunt coordinator | |
| Katie Sciuto | .... | stunts | |
| Brent Steffensen | .... | stunt double | |
| Chester E. Tripp III | .... | stunt driver | |
Casting Department | |||
| Jeff Johnson | .... | Utah casting director | |
| Tye Nelson | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Kish Carter | .... | key tailor | |
| Mike Law | .... | costumer | |
| Natalie Pascual | .... | key costumer | |
| Joseph Anthony Vasquez | .... | costumes | |
Editorial Department | |||
| Gus Comegys | .... | on-line editor | |
| Shian Storm | .... | colorist | |
Music Department | |||
| Kim Blackburn Bowen | .... | music legal services | |
| John Massari | .... | composer: theme music | |
| John Massari | .... | midi mixer | |
| John Massari | .... | music editor | |
| John Massari | .... | music recorder: score | |
| John Massari | .... | music recording mixer | |
| John Massari | .... | music remixer | |
| John Massari | .... | music supervisor | |
| John Massari | .... | musician | |
| John Massari | .... | orchestrator | |
Transportation Department | |||
| Britani Alexander | .... | transportation coordinator | |
| Kelly Klindt | .... | driver: grip truck | |
| Ryan McDowell | .... | lead driver | |
| Thad Paget | .... | driver | |
Other crew | |||
| Hayley Badham | .... | production assistant | |
| Ross Beck | .... | office production assistant | |
| Erik Bright | .... | unit publicist | |
| Terry Gaertner | .... | production coordinator | |
| Nancy Govednik | .... | first assistant accountant | |
| Charles Heaphy | .... | production financing | |
| Andrew K. Hodge | .... | assistant location manager | |
| Andrew Langton | .... | location manager | |
| Tom Lewis | .... | production attorney | |
| Kristin Ludwin | .... | script supervisor | |
| Douglas W. McHenry | .... | production accountant | |
| Mike Miner | .... | assistant production office coordinator | |
| Peter Silberstein | .... | production assistant | |
| Joanne Valdez | .... | production assistant | |
| Tommy Woodard | .... | film commission specialist: Utah | |
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| A Nightmare on Elm Street 3: Dream Warriors | Fast Five | The Fugitive | Suspect Zero | The Black Widow |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning
Those cretins at LoveFilm, sure as day and night, sent me a film from the low priority section before I got one in one of the higher sections. And so I saw this made for DVD sequel to the 2000 horror film The Cell, which had pretensions of being a Silence of the Lambs style delve into the psyche of a serial killer but was in fact just an excuse for a former MTV music video director to show off his warped visual costumes and special effects. Hardly the springboard for a film that was going to get a sequel in theatres and surely enough, this has arrived like many other sequels nowadays arriving straight to DVD. And so we have a sexy (but scrawnily thin) young woman running around snow ridden America with a detective whose niece has been kidnapped, using her 'mind power' to hunt down the kidnapper, who's also a serial killer. Everyone involved just goes through the motions with some wearisome sets and dull dialogue until, after barely 70 minutes, the whole shebang comes to an end. Distracting enough if you've got nothing better to watch, but pretty pointless otherwise. **