A Film with Me in It (2008)
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- 1h 29min
- Comedy, Thriller
- 01 Jan 2010 (USA)
- Movie
A broke, jobless actor and a broke, jobless screenwriter set out to make a movie and then find that life starts imitating art.
Director:
Writer:
Stars:
Awards:
- 1 win & 6 nominations.
- See more »
Photos and Videos
Cast
| Dylan Moran | ... |
Pierce
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| Mark Doherty | ... |
Mark
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| Keith Allen | ... |
Jack
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| Amy Huberman | ... |
Sally
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Aisling O'Sullivan | ... |
Policewoman
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| David O'Doherty | ... |
David
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| Rest of cast listed alphabetically: | |||
| Eileen Colgan | ... |
Neighbor
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| Neilí Conroy | ... |
Frances
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| Neil Jordan | ... |
Director
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| Hugh O'Conor | ... |
Detective
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| Jonathan Rhys Meyers | ... |
Pierce 2
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Laura Way | ... |
Casting Assistant
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Wilfred | ... |
Jersey the Dog
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| Ronan Wilmot | ... |
Mr. Finnegan
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Directed by
| Ian Fitzgibbon | ||
Written by
| Mark Doherty | ... | (writer) |
Produced by
| Mary Callery | ... | executive producer |
| Alan Moloney | ... | producer |
| Susan Mullen | ... | producer |
| Patrick O'Donoghue | ... | line producer |
Music by
| Denis Woods | ||
Cinematography by
| Seamus Deasy | ||
Editing by
| Tony Cranstoun | ||
Editorial Department
| Dave Hughes | ... | digital intermediate colorist |
| John Anthony Loftus | ... | assistant editor (as John Loftus) |
Production Design by
| Eleanor Wood | ||
Set Decoration by
| Sarah Kingston | ||
Costume Design by
| Maeve Paterson | ||
Makeup Department
| Rosie Blackmore | ... | chief makeup artist |
| Carole Dunne | ... | chief hair stylist (as Carol Dunne) |
Production Management
| Tim Morris | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Tony Aherne | ... | first assistant director |
| Jim Corr | ... | trainee assistant director |
| Catherine Dunne | ... | second assistant director |
| Aoife Thunder | ... | third assistant director |
Art Department
| Simon Boyd | ... | stand-by props |
| Mick Flood | ... | property master |
| Martin Kenny | ... | hod painter |
| Sarah Kingston | ... | production buyer |
| Ed Norton | ... | construction manager (as Edward Norton) |
| John Porter | ... | dressing props |
| Graham Williams | ... | trainee art director |
| Eleanor Wood | ... | designer |
Sound Department
| Anna Bertmark | ... | sound effects editor |
| Paul Davies | ... | supervising sound editor |
| Brendan Deasy | ... | sound recordist |
| Vincent Hazard | ... | sound effects editor |
| Ian Morgan | ... | dialogue editor |
| Emma Pegram | ... | assistant sound re-recording mixer |
| Eddie Quinn | ... | boom operator |
| Peter Shaw | ... | assistant sound editor |
| Dave Sloss | ... | foley artist / foley recordist |
| Andrew Stirk | ... | re-recording mixer |
| Mark Verner | ... | foley artist / foley editor |
Special Effects by
| Kevin Byrne | ... | special effects coordinator |
| Liam McDonald | ... | special effects technician |
| Andrew Nolan | ... | special effects technician |
| Kevin Nolan | ... | senior special effects technician |
Visual Effects by
| John Kennedy | ... | compositor |
Stunts
| Brendan Condren | ... | stunt coordinator |
Camera and Electrical Department
| Mark Byrne | ... | focus puller |
| Seamus Deasy | ... | director of photography |
| Colm Hogan | ... | still photographer |
| Joe Kerins | ... | gaffer |
| Louise MacEllin | ... | clapper loader (as Louise McEllin) |
| Niall Mannion | ... | best boy |
| Michael McGrath | ... | still photographer |
| Eugene O'Sullivan | ... | generator operator |
Costume and Wardrobe Department
| T.K. Lang | ... | Principal Standby / costume supervisor (as Ken Lang) |
Location Management
| Dermot Cleary | ... | location manager |
Script and Continuity Department
| Renee Burke | ... | script supervisor (as Renee Foley Burke) |
| Jeanette McGrath | ... | additional script supervisor |
Transportation Department
| Paul Cullen | ... | transportation captain |
Additional Crew
| Joanne Byrne | ... | publicist |
| Aoife Cassidy | ... | production coordinator |
| Susann Chandler | ... | assistant production coordinator |
| Tadhg Conway | ... | epk cameraman |
| Niall Delaney | ... | production accountant |
| Emmanuel Denizot | ... | French subtitles |
| Owen Derby | ... | title design |
| Bill Dowling | ... | epk director |
| Lee Ettinger | ... | sales and distribution head |
| Emer Fitzpatrick | ... | assistant accountant |
| Huma Khan | ... | legal post production |
Production Companies
Distributors
- European Film Partners (EFP) (2009) (Netherlands) (theatrical)
- IFC Films (2010) (United States) (theatrical)
- Impacto Cine (2011) (Argentina) (theatrical)
- Maximum Film Distribution (2008) (Canada) (theatrical)
- Maywin Media (2009) (Russia) (theatrical)
- Capelight Pictures (2010) (Germany)
- Film1 (2011) (Netherlands) (tv) (limited)
- Impacto Cine (2012) (Argentina) (DVD)
- Media 8 Entertainment (2008) (Non-US)
- Vendetta Films (2009) (New Zealand)
Special Effects
Other Companies
- Backstage Casting (extras casting)
- Cine Electric Ltd. (lighting equipment)
- Foodies (catering)
- Media Insurance Brokers (MIB) (insurance)
- Mint Post (foley studio)
- PD Sound Design (sound editorial services)
- Panavision (camera equipment provided by)
- Videosonics Cinema Sound (re-recorded at)
- Windmill Lane Pictures (post-production)
Storyline
| Plot Summary |
Mark is a wannabe actor--penniless, clueless, and inept. He cares for a paraplegic brother and has a girlfriend, Sally, who wants to be an ex-girlfriend. His idea of life is to go to the occasional audition, dodge his landlord (having spent the rent money Sally gave him), give Sally a hangdog look, and talk with Pearce, who lives upstairs. Mark's flat is in disrepair: the kitchen window slams shut, bits of plaster fall from the ceiling, a bulb fizzes, and the sitting-room chandelier sways. When an awful accident happens, Mark freezes, which precipitates additional accidents; he finally calls Pearce, perhaps the worst decision possible. Will Mark come to his senses?
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| Parents Guide | View content advisory » |
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Additional Details
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Did You Know?
| Goofs | When the garda (policewoman) calls to the door, some of her walkie talkie chatter can be heard. This is in an American accent which would not be the case in Ireland. The piece heard is in fact a standard foley effect of an American police officer speaking on the radio and is often heard in TV and film. See more » |
| Movie Connections | References The Conversation (1974). See more » |
| Quotes |
Mark:
This is a lie Pierce. Pierce: Shut up! It's not. It's the new truth. See more » |