Mourning his dead child, a haunted Vietnam vet attempts to discover his past while suffering from a severe case of disassociation. To do so, he must decipher reality and life from his own dreams, delusion, and perception of death.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
Harry Caul is a devout Catholic and a lover of jazz music who plays his saxophone while listening to his jazz records. He is a San Francisco-based electronic surveillance expert who owns and operates his own small surveillance business. He is renowned within the profession as being the best, one who designs and constructs his own surveillance equipment. He is an intensely private and solitary man in both his personal and professional life, which especially irks Stan, his business associate who often feels shut out of what is happening with their work. This privacy, which includes not letting anyone into his apartment and always telephoning his clients from pay phones, is in part intended to control what happens around him. His and Stan's latest job, a difficult one, is to record the private discussion of a young male/female couple meeting in crowded and noisy Union Square. The arrangement with his client, known only to him as "the director", is to provide the audio recording of the ... Written by
When Caul (escorted by Martin Stett) boards the elevator following a meeting with The Director, Caul holds the door open in order to complete an exchange (with Stett). Yet in the last shot of that sequence, it's Stett who's holding the door. See more »
Well, I want to go over to my place and start, you know, getting it on...
Oh, that's terrible.
Yeah. Do you ever, uh... ballet?
Be thankful. Do you have a quarter for them?
Yes, I do.
[gives it to street band]
What about me?
A lot of fun you are. You're supposed to tease me, give hints, make me guess, you know.
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To me The Conversation is one of most underrated movies ever. The movie carries on so quietly throughout that the suspense of the movie keeps on building up to one of the best endings in movie history.
The directing of this film was among one of the best I have ever seen. Coppola is able to craft his way through another one of his classics. The movie is just perfectly edited together and is so gripping throughout. His directing really takes the audiene to another world that most to almost all of us do not know about. That world is the world of security surveillance and spies. This though is not an ordinary spy movie, it is a very realistic psychological portrayal and the affects of knowing the real truth. Instead of this movie becoming a complete flop it becomes better and better as it carries on. Along with the cinematography and music he makes the audience feel how remote and controlled our society is. Coppola did not just show it he gave you the actual feeling of it. Coppola deserves much of the credit for this.
The writing was very good too. Once again Coppola uses his writing to keep the audience very much engaged into the movie. The writing in this movie ranks up their with his other screenplays such as The Godfather series, Apocalypse Now and Patton.
The acting was a bit of surprise to me. It was better than I expected. This film convinced me that Gene Hackman is prime talent. He is not just a man who plays the man always involved in a shouting match but in fact he is a versatile actor who has really limited himself rather than his abilities limiting him. He was perfect for this movie. The supporting cast was great as well. Robert Duvall who always gives the best cameos was good in here too. Harrison Ford who I wish actually had some more screen time was very convincing as a manipulative high ranking executive.
The ending in this movie to me is one of the best ever. It shows how or fears can consume us and alter our live. It displays how if our fears consume us we lose the feeling of life itself. That is at least my take of it. This is Coppola's hidden masterpiece that should be seen by all. It will definitely make you think.
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