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The Conversation (1974)

 -  Drama | Mystery | Thriller  -  June 1974 (France)
8.0
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Ratings: 8.0/10 from 60,319 users   Metascore: 86/100
Reviews: 282 user | 126 critic | 6 from Metacritic.com

A paranoid, secretive surveillance expert has a crisis of conscience when he suspects that a couple he is spying on will be murdered.

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Title: The Conversation (1974)

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Nominated for 3 Oscars. Another 14 wins & 11 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
Bernie Moran
...
...
Ann
Michael Higgins ...
Paul
...
Meredith (as Elizabeth Mac Rae)
...
Amy
...
...
Receptionist
Robert Shields ...
The Mime
Phoebe Alexander ...
Lurleen
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Storyline

Harry Caul is a devout Catholic and a lover of jazz music who plays his saxophone while listening to his jazz records. He is a San Francisco-based electronic surveillance expert who owns and operates his own small surveillance business. He is renowned within the profession as being the best, one who designs and constructs his own surveillance equipment. He is an intensely private and solitary man in both his personal and professional life, which especially irks Stan, his business associate who often feels shut out of what is happening with their work. This privacy, which includes not letting anyone into his apartment and always telephoning his clients from pay phones, is in part intended to control what happens around him. His and Stan's latest job, a difficult one, is to record the private discussion of a young male/female couple meeting in crowded and noisy Union Square. The arrangement with his client, known only to him as "the director", is to provide the audio recording of the ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Harry Caul will go anywhere to bug a private conversation. See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

June 1974 (France)  »

Also Known As:

The Conversation  »

Box Office

Budget:

$1,600,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| (restored version)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In the original script, Harry Caul was the owner of the building in which he lived. There was a deleted scene where he had a meeting with the other tenants. One of the people there was Mrs. Evangelista. Now, we only know of her character when Caul speaks to her on the phone after she leaves him a birthday present. See more »

Goofs

When Caul (escorted by Martin Stett) boards the elevator following a meeting with The Director, Caul holds the door open in order to complete an exchange (with Stett). Yet in the last shot of that sequence, it's Stett who's holding the door. See more »

Quotes

[first lines]
Passerby: Well, I want to go over to my place and start, you know, getting it on...
Ann: Oh, that's terrible.
Mark: Yeah. Do you ever, uh... ballet?
Ann: Be thankful. Do you have a quarter for them?
Mark: Yes, I do.
Ann: [gives it to street band]
Ann: What about me?
Mark: You'll see.
Ann: A lot of fun you are. You're supposed to tease me, give hints, make me guess, you know.
See more »

Connections

Referenced in Catch Me If You Can (2002) See more »

Soundtracks

I Remember You
(1941)
Music by Victor Schertzinger
Lyrics by Johnny Mercer
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Paranoia and alienation.
7 February 2000 | by (L.A. CA) – See all my reviews

The Conversation is a quiet film that slowly builds on the central theme of paranoia. Gene Hackman is hired to record a conversation between two people. As Hackman pieces the dialouge together, we get to hear more and more of what's being said. Only thing is, we don't know exactly what is being referred to. Hackman seems to have an idea, as does the audience. As he starts to realize what's at stake, Hackman starts to develop a feeling of regret and refuses to hand over the tapes to the "director." Along the way, we see just how alone Gene Hackman's character is. His only solace in life is playing the saxaphone along with jazz records. He values his privacy and has trouble connecting with people, even members of his own team. Francis Ford Coppola keeps the story moving and lets it build naturally. He gives us glimpses into Hackman's mind as he "thinks" he knows what's going to happen to the people he recorded. The only way to see what happens in the end is to watch this quiet masterpiece. To tell about the ending would ruin the fun, not to mention the suspence of this understated thriller.


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