At an undisclosed location and time an Empress has seven years to provide her Emperor with an heir to his throne. If she does not succeed during this time, the Emperor is free to marry a ... See full summary »
Jonathan Rhys Meyers,
Mark is a wannabe actor, penniless, clueless, and inept. He cares for a brother who's paraplegic, and he has a girlfriend, Sally, who wants out of the relationship. His idea of life is to go to the occasional audition, dodge his landlord (having spent the rent money Sally gave him), give Sally a hang-dog look, and talk with Pearce, who lives upstairs. Mark's flat is in disrepair: the kitchen window slams shut, bits of plaster fall from the ceiling, a bulb fizzes, and the sitting-room chandelier sways. When an awful accident happens, Mark freezes, which precipitates additional accidents; he finally calls Pearce, perhaps the worst decision possible. Will Mark come to his senses? Written by
So, what's going on?
I get to start? It's um, it's good, it was good. I, I got you a copy on DVD. And it's one of those medical... drama... hospital things.
Concerned neighbor. This the part here?
Doesn't really matter whether he looks like, does it?
I was going to say, uh, I really like the script.
It's a good script.
Okay thank you...
Great, thanks Martin.
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This black comedy is a story of Pierce (Dylan Moran) and Mark (Mark Doherty), two jobless Irish friends sharing a run down apartment with Mark's girlfriend Sally (Amy Huberman), and Mark's disabled brother David (David O'Doherty). The apartment is owned by a disgruntled Jack (Keith Allen). The movie suddenly takes a turn for the worse one day in their uneventful and eroding lives.
The movie really takes the very definitive yet subtle elements of black comedy and ties it together with very interesting plot twists. Although no comparison can be made, for the sake of a relative scale- A Film with Me in It is abreast with some of the blackest comedy works of the Coen Brothers (such as Burn After Reading, Barton Fink and The Man Who Wasn't There).
The movie tends to drag a little here and there, but makes up for it in the fine character development and cinematography. As the plot progresses, the viewer is often subtly taunted to question their understanding of the story so far.
I'm a fan of Dylan Moran's stand-up work, and he has lived up to my expectations of him on the screen as well. All in all, it's definitely a good watch.
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