| Anna Paquin | ... | Maggie (voice) | |
| Kirby Morrow | ... | Mosaic (voice) | |
| Cam Clarke | ... | Stephan / Italian Captain (voice) | |
| Garry Chalk | ... | Nathan Nelson (voice) (as Gary Chalk) | |
| Nicole Oliver | ... | Agent Newell (voice) | |
| Jim Ward | ... | Tour Guide / Belligerent Detective (voice) | |
| Kathleen Barr | ... | Facade / Mrs. Nottenmyer (voice) | |
| Scott McNeil | ... | Mr. Bullwraith / Landlord (voice) (as Scott Mcneil) | |
| rest of cast listed alphabetically: | |||
| Ron Halder | ... | Manikin (voice) (uncredited) | |
| Stan Lee | ... | Stanley (voice) (uncredited) | |
Directed by | |||
| Roy Allen Smith | |||
Writing credits | ||
| Stan Lee | (story) | |
| Scott Lobdell | (written by) | |
Produced by | |||
| Gill Champion | .... | executive producer | |
| Sidney Clifton | .... | executive producer | |
| Scott D. Greenberg | .... | executive producer | |
| John W. Hyde | .... | executive producer | |
| Stan Lee | .... | executive producer | |
| Rocky Solotoff | .... | producer | |
| Michael Wolf | .... | executive producer (as Mike Wolf) | |
Original Music by | |||
| William Anderson | (as William Kevin Anderson) | ||
Film Editing by | |||
| Shawn Logue | |||
Production Management | |||
| John Hoyos | .... | post-production supervisor | |
| Matthew Savalas | .... | production supervisor (as Matthew G. Savalas) | |
| Chuck Smith | .... | post-production supervisor | |
| Cynthia Turkington | .... | production manager | |
Art Department | |||
| John Fox | .... | storyboard artist | |
| Kevin Pawlak | .... | storyboard artist | |
| David Schwartz | .... | storyboard artist | |
| Dave Simmons | .... | storyboard artist (as David Simmons) | |
| Marty Warner | .... | prop design | |
Sound Department | |||
| Doug Andham | .... | sound editor (as Doug Andorka) | |
| Doug Andham | .... | sound re-recording mixer (as Doug Andorka) | |
| Timothy J. Borquez | .... | re-recording mixer | |
| Timothy J. Borquez | .... | supervising sound editor | |
| Eric Freeman | .... | sound editor | |
| Jeff Hutchins | .... | sound editor | |
| Sean Rowe | .... | foley artist | |
| Felix Sanchez | .... | adr editor | |
| Daisuke Sawa | .... | sound editor | |
| Thomas Syslo | .... | supervising sound editor (as Tom Syslo) | |
Visual Effects by | |||
| William L. Arance | .... | visual effects artist | |
| Brent M. Bowen | .... | visual effects artist | |
| Chadd B. Cole | .... | visual effects supervisor | |
| Harry Eisenstein | .... | visual effects artist (as Harry M. Eisenstein) | |
| Steven Fahey | .... | visual effects artist | |
| Peter Gend | .... | visual effects artist | |
| Jeff Howard | .... | 2D special effects supervisor | |
| Adam Klein | .... | visual effects artist | |
| Carol VanHook | .... | visual effects artist | |
| Andrea Yomtob | .... | visual effects artist (as Andrea N. Yomtob) | |
Animation Department | |||
| Kimberly Bowles | .... | character clean-up | |
| Mechele Boyett | .... | animatic editor | |
| Derek Carter | .... | background layout | |
| William Dely | .... | background colorist (as Bill Dely Junior) | |
| Barbara Dourmashkin | .... | animation timer | |
| James Gallego | .... | background colorist | |
| Brent Gordon | .... | character color designer | |
| Eric Gordon | .... | character color designer | |
| Dan Haskett | .... | character designer | |
| Warren 'Topper' Helmers | .... | background layout (as Topper Helmers) | |
| Wendy Jacobsmeyer | .... | checking | |
| Karen Peterson | .... | animation timer | |
| Karen Peterson | .... | timing: storyboard | |
| Jeff Purves | .... | background layout | |
| Nelson Shin | .... | main title animator: Akom Production | |
| Gwen Wetzler | .... | track reader (as Gwen A. Wetzler) | |
| Larry Whitaker | .... | character designer (as Larry Whitaker Jr.) | |
| Jungja Wolf | .... | animation timer (as Jung Ja Wolf) | |
| Woody Yocum | .... | animation timer | |
Editorial Department | |||
| John Hoyos | .... | editor: main title | |
| Brian Q. Kelley | .... | electronic editorial (segments) | |
| Steffie Lucchesi | .... | post-production coordinator | |
| Mark Seymour | .... | editor: main title | |
| Robert Weaver | .... | director of post-production | |
Music Department | |||
| William Anderson | .... | orchestrations (as William Kevin Anderson) | |
| Patrick Griffin | .... | orchestrations | |
| Patrick Griffin | .... | composer: additional music (uncredited) | |
Other crew | |||
| Stephen Apostolina | .... | adr voice: Off The Walla Voice Talent | |
| Peter Baghdassarian | .... | business and legal affairs (as Peter Baghdassarian Esq) | |
| Brett Coker | .... | operations | |
| Bradley Cooper | .... | information technology | |
| Elaine De Mari | .... | information technology (as Elaine Demari) | |
| Dixon Q. Dern | .... | business and legal affairs (as Dixon Q. Dern Esq) | |
| Michael Dreyer | .... | production assistant | |
| Alex Epstein | .... | information technology | |
| Amie Hawes | .... | technical director: main title | |
| Sheruldon P. Herron | .... | production accountant (as Sheruldon Herron) | |
| Steve Kramer | .... | adr voice: Off The Walla Voice Talent | |
| Stan Lee | .... | presenter | |
| Charles McCaskill | .... | information technology (as Charles Mccaskill) | |
| Mike Medaris | .... | information technology | |
| Steve Mills | .... | technical director: main title | |
| Peggy O'Neal | .... | adr voice: Off The Walla Voice Talent | |
| Lia Sargent | .... | adr voice: Off The Walla Voice Talent | |
| Geoffrey Schroeder | .... | production assistant | |
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| The Matrix Reloaded | The Sorcerer's Apprentice | Batman Forever | SubZero | The Animatrix |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb USA section |
The beginning credits for this animated Stan Lee production contains scenes of superhero ripoffs of other popular characters like Batman, Captain America and the Hulk. Not a good omen, I thought, of an original superhero film by Stan Lee. Imagine my surprise when I found that this film had a freshness and joy to it I found contagious. Is the movie great? Nope, but I'll get to that in a minute.
Let me focus on the reason the movie works: the hero. None of the powers Maggie (Anna Paquin) gain are original. Shape shifting, invisibility, wall-crawling, super-strength...they've all been done before. In fact, before this film I would have argued that there were no original heroes left to be had. Somehow, this combination of powers with the character of a high-school female drama student seemed original to me. Yes, we've seen teenage heroes before but I really found myself taken with how Maggie's reactions to her abilities seemed more real than scripted. There are very, very few original female superheroes (Wonder Woman and the Invisible Girl are all that come to mind right now) and a majority of them are thinly-veiled excuses to have chesty woman in tight, revealing clothes. The character of Maggie is never used in an overtly sexy way (though when she turns invisible her outline looks rather naked and she has a dream of being in her underwear) and she is written with more depth than would be expected from a direct-to-DVD animated feature.
Unfortunately, the rest of the film doesn't support its main character. From writing to animation, everything else is lackluster. It would be nice to see someone put more effort and money into animating these direct-to-DVD films (Ultimate Avengers I and II) beyond the level of..well..direct-to-DVD animated fare.
The tone of the movie tries to go beyond Saturday morning fare with some mild swearing and scenes of violence but Batman: The Animated Series routinely found ways of being far more sophisticated without cursing or on-screen bloodletting.
So, why do I give this an 8 out of 10? Is the main character that good? Yes. I think strong, smart, realistic female superheros are rare and must be embraced even if the films they are in aren't up to par. Stan Lee struggled for a while after Marvel with characters that never found the glory of his original run at Marvel. Mosaic is the first project that I feel touches that magic everyone felt in the 60s when Fantastic Four, Spider-Man, Hulk, and the X-Men first hit the shelves. I can now say I can't wait to see what's next.
The Fuzzy Dan Speaketh