Seinfeld (1989–1998)
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The Boyfriend: Part 1 

In the first hour-long episode, Jerry hooks up with Keith Hernandez at the gym. He tries to meet with Keith only to be shunned because Keith is infatuated with Elaine. George tries to keep ... See full summary »

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Episode complete credited cast:
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Keith Hernandez ...
Keith Hernandez
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...
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Carrie (credit only)
Lisa Mende ...
Carol (credit only)
Roger McDowell ...
Himself
Stephen Prutting ...
Michael (credit only)
Richard Assad ...
...
Tall Woman (credit only)
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Storyline

In the first hour-long episode, Jerry hooks up with Keith Hernandez at the gym. He tries to meet with Keith only to be shunned because Keith is infatuated with Elaine. George tries to keep his unemployment money coming in when he tells the unemployment officer that he got a job with "Vandelay Industries", a company that manufactures latex. Kramer and Newman recall an incident in which Keith spit on them after a really bad Mets game. The details of the incident strangely mirror that of the JFK assassination. Written by halo1k

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Comedy

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12 February 1992 (USA)  »

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4:3
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Trivia

This originally aired as an hour-long episode. The script timed out at forty-five minutes but Seinfeld and Larry David did not want to cut it any of it. So they asked NBC's permission to do a one hour episode. See more »

Goofs

George gets into Jerry's apartment without being buzzed in by Jerry's intercom just before he explains "Vandelay Industries" to Jerry. See more »

Quotes

George Costanza: [George rushes into Jerry's apartment] Did anybody call here asking for Vandelay Industries?
Jerry: No, what happened to you?
George Costanza: All right, listen closely, I was at the unemployment office and I told them I was very close to getting a job with Vandelay Industries, and I gave them your phone number. So now, when the phone rings, you have to answer "Vandelay Industries".
Jerry: I'm Vandelay Industries?
George Costanza: Right.
Jerry: What is that?
George Costanza: You're in latex.
Jerry: What do I do with latex?
George Costanza: I don't know, you manufacture it.
Elaine: Right here in ...
[...]
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Connections

Featured in Seinfeld: Highlights of a Hundred (1995) See more »

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User Reviews

 
"And you want to be my latex salesman..."
2 December 2008 | by (Italy) – See all my reviews

Baseball, spitting, the JFK assassination: those are just a few of the ingredients that make two-part episode The Boyfriend an essential dish in Seinfeld's third year. On my personal list, it ranks right after The Parking Garage and The Fix Up as the absolute best of the entire season. It's silly, inspired and downright hilarious. Translation: a classic.

Premise: Jerry has a casual run-in with Mets player Keith Hernandez and the two become friends, quite unexpectedly. The situation takes an ugly turn, however, when Keith shows an interest in Elaine. George, on the other hand, has to come up with a scheme in order to keep collecting his unemployment checks, and tells the concerned people he has found a job at a latex-manufacturing firm, Vandelay Industries (what else?). Oh, and Kramer and Newman claim Hernandez spat at them once after a game.

This episode marks the first time that a celebrity appears as himself in a slightly self- spoofing mode, something that has since become a tradition of sorts in NBC sitcoms. Hernandez, whom I had never heard of before watching the show (partly because I'm not into sports, partly because I'm not American), does a superb job, especially when he shares scenes with Julia Louis-Dreyfus. Jason Alexander is equally memorable in the now immortal Vandelay scene, which involves a phone, Kramer, underwear and an iconic ad-lib on Jerry's part.

The real gem, though, is the Simpsons-worth parody of JFK's "magic bullet" moment, with Jerry reconstructing and subsequently destroying Kramer and Newman's recollection of the spit incident. The whole thing is made exponentially funnier by the fact Wayne Knight jokingly recreates his own role from Oliver Stone's movie. Proof, if any was ever needed (probably, given crap like Scary Movie has branded the genre in a bad way), that when a spoof is done correctly, with intelligence and wit, no film is too sacred.


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