Boston Public (TV Series)
Chapter Sixty-Six (2003)
Full Cast & Crew
Directed by
| Jonathan Pontell | ||
Writing Credits
| David E. Kelley | ... | (created by) |
| Jason Katims | ... | (written by) |
Cast (in credits order)
Produced by
| Constance M. Burge | ... | consulting producer |
| Peter Burrell | ... | producer |
| Chuck Conway | ... | associate producer |
| Kerry Ehrin | ... | consulting producer |
| Jason Katims | ... | executive producer |
| Kerry Lenhart | ... | co-executive producer |
| Mike Listo | ... | co-executive producer |
| Philip Carr Neel | ... | producer (as Philip Neel) |
| Jonathan Pontell | ... | executive producer |
| John J. Sakmar | ... | co-executive producer |
| Douglas Steinberg | ... | consulting producer |
Music by
| Danny Lux | ||
Cinematography by
| Richard M. Rawlings Jr. | ... | director of photography (as Richard Rawlings Jr.) |
Editing by
| John A. Keris | ... | (as John Keris) |
Casting By
| Laura Schiff | ||
Production Design by
| Steven Wolff | ||
Set Decoration by
| Barbara Cassel | ... | (as Barbara Brennan-Cassel) |
Makeup Department
| Rebecca George | ... | key hair stylist |
| Michelle Keck | ... | key makeup artist |
| Kathy C. King | ... | makeup department head |
| Joely Upchurch | ... | makeup artist |
Production Management
| Peter Burrell | ... | production manager |
Second Unit Director or Assistant Director
| Joel DeLoach | ... | first assistant director |
| Alicia Lewis | ... | second second assistant director (as Alicia L. Lewis) |
Art Department
| SaraJane Bos | ... | on-set dresser |
| Michael A. Casey | ... | assistant props |
| Robert Dean | ... | construction coordinator |
| Steven Curtis Husch | ... | property master |
| David McKlveen | ... | propmaker gang boss |
| Aaron Nadler | ... | art department coordinator |
| Shelley Adajian | ... | set painter (uncredited) |
Sound Department
| Russell C. Fager | ... | production sound mixer |
| David Hadder | ... | boom operator |
| Peter Kelsey | ... | re-recording mixer |
| David Rawlinson | ... | supervising sound editor |
| Herbert Rawlinson | ... | dialogue editor |
| Nello Torri | ... | re-recording mixer |
| Von Varga | ... | sound utility/second unit mixer |
Special Effects by
| John P. Cazin | ... | special effects coordinator |
| Joe Heffernan | ... | special effects foreman |
| Ron Petruccione | ... | special effects technician |
Camera and Electrical Department
| Eric Albert | ... | grip |
| Lee Auerbach | ... | Rigging gaffer |
| Mario Cisneros | ... | grip |
| Christopher Crivier | ... | grip |
| Christopher Hood | ... | camera operator (as Chris Hood) |
| Matthew Thomas Moles | ... | key grip |
| Rod Robertson | ... | gaffer |
| Michael Santoro | ... | rigging grip foreman |
| Lee Schmicker | ... | best boy electrician |
| Ryan Sirles | ... | grip |
| Joshua E. Smith | ... | lighting technician |
| Penny Sprague | ... | first assistant camera: "a" camera |
| Shannon Van Metre | ... | second assistant camera |
Casting Department
| Carrie Audino | ... | casting associate |
Costume and Wardrobe Department
| Robert Bolger | ... | set costumer |
| Andrea Federman | ... | wardrobe supervisor |
| Zelda Lambrecht | ... | costumer |
Editorial Department
| Greg Faluszczak | ... | on-line editor |
| Jeremy-Voissem | ... | colorist: dailies |
Music Department
| Thomas Newman | ... | composer: main theme |
Transportation Department
| Gina August | ... | driver |
| Mitch Friedman | ... | production driver |
Additional Crew
| Wendy Altman-Cohen | ... | principal eyewear |
| Shane Birdsill | ... | assistant production coordinator |
| Mike Hoover | ... | production accountant |
| David E. Kelley | ... | executive consultant |
| Stacey Luchs | ... | production associate |