| Wendy Anderson | ... | Mrs. Carlson | |
| Scott Bairstow | ... | Jute | |
| Ian Black | ... | Prisoner #2 | |
| Brian Dueck | ... | Bartender | |
| Mike Fleischhaker | ... | Batter (as Mike 'Fly' Fleishakker) | |
| Brian Hlushko | ... | Eric Carlson (as Brian Hlusko) | |
| Shannon Jardine | ... | Joy | |
| Chris Jericho | ... | TeeDee | |
| Neil Krause | ... | Prisoner #1 | |
| Joseph Lawrence | ... | DeeCee | |
| Terrance Leigh | ... | Trooper #1 / Transport Driver (as Terrance Leight) | |
| Corey Livingstone | ... | Borka | |
| Amy Matysio | ... | Rachael | |
| Darla Middlebrook | ... | Boss Lady | |
| Anne Bedian | ... | Tranc (as Anne Nahabedian) | |
| Mike O'Brien | ... | Link Hamilton | |
| Aidan Simpson | ... | Polton | |
| Troy Skog | ... | Varrta | |
| Jodi Stecyk | ... | Cop #1 / Prisoner #3 | |
| Ron Webber | ... | Tough Guy (as Ron Weber) | |
| rest of cast listed alphabetically: | |||
| Daniel Ford Beavis | ... | Moneyman (uncredited) | |
| Richard Dick | ... | The Talking Penis (uncredited) | |
Directed by | |||
| Paul Ziller | |||
Writing credits | ||
| Karl Schiffman | (written by) | |
Produced by | |||
| Kim Berlin | .... | producer | |
| Meyer Shwarzstein | .... | executive producer | |
| Gail Tilson | .... | producer | |
Original Music by | |||
| Todd Bryanton | |||
Cinematography by | |||
| Mark Dobrescu | |||
Film Editing by | |||
| Arthur Tarnowski | |||
Casting by | |||
| Paul Weber | |||
Production Design by | |||
| Bob Bottieri | |||
Costume Design by | |||
| Cathy McComb | |||
Makeup Department | |||
| Jennifer Forberg | .... | assistant makeup artist | |
| Tracy George | .... | makeup department head | |
| Nina McArthur | .... | key hair stylist | |
Production Management | |||
| Diane Boehme | .... | executive in charge of production | |
| Shelley Gillen | .... | executive in charge of production | |
| Pierre Thériault | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Dwain Dupley | .... | second assistant director (as Dwayne Duplies) | |
| Elizabeth Farrer | .... | third assistant director | |
| Kevin Leslie | .... | first assistant director | |
Art Department | |||
| Katie Bowes | .... | props assistant | |
| Bruce Gammell | .... | property master | |
| Simon Haywood-Anderson | .... | assistant set decorator | |
| Andrew Hudyma | .... | set decorator buyer | |
| Will Moffatt | .... | set dresser | |
| Chuck Prongua | .... | storyboard artist | |
Sound Department | |||
| Jay Debienne | .... | sound effects editor | |
| Danny Duperrault | .... | cable puller | |
| Danny Duperrault | .... | utility sound | |
| Tracy Gerlach | .... | assistant dialogue editor | |
| Steve Hasiak | .... | sound re-recording mixer | |
| Wade Maude | .... | boom operator | |
| Billy Morton | .... | foley artist | |
| Billy Morton | .... | foley editor | |
| Ron Osiowy | .... | location sound mixer | |
| Evan Rust | .... | sound re-recording mixer | |
| Ryan Schriml | .... | sound effects editor | |
| Al Sherbin | .... | background sound editor | |
| Jeff Smulan | .... | foley recordist | |
Special Effects by | |||
| Dean Campbell | .... | special effects assistant | |
| Bob David | .... | pyrotechnician | |
| Mike Friesen | .... | special effects technician | |
| Neil Krause | .... | special effects technician | |
| Wade Maurer | .... | special effects key | |
| Stacy Wegner | .... | special effects prosthetics | |
| Leo Wieser | .... | special effects supervisor | |
Visual Effects by | |||
| Philippe Langlois | .... | matte painter | |
| Paul Saint-Hilaire | .... | Flame artist | |
| Luc Sanfaçon | .... | digital artist | |
| Jean-Sébastien Savard | .... | digital artist | |
| Sebastien Veilleux | .... | digital compositor | |
Stunts | |||
| Daniel Ford Beavis | .... | stunt double | |
| Christian Fraser | .... | stunt double | |
| Terrance Leigh | .... | stunt coordinator | |
| Terrance Leigh | .... | stunt performer | |
| Lori MacKay | .... | stunt double | |
| Amy Matysio | .... | stunt performer | |
| Joel McGowan | .... | utility stunts | |
| Jodi Stecyk | .... | stunt double | |
| Ron Webber | .... | stunt double | |
Camera and Electrical Department | |||
| Dustin Allen | .... | best boy lighting | |
| Harley Bigstone | .... | grip | |
| Latif Cavanaugh | .... | lamp operator | |
| Cal Fehr | .... | still photographer | |
| Dean Frank | .... | first assistant camera: second unit | |
| Donovan Fraser | .... | first assistant camera | |
| Shawn Fulton | .... | lighting technician | |
| Curt Galindo | .... | lamp operator (as Curtis Calindo-Orozco) | |
| Andrew Gordon | .... | gaffer | |
| Rob Hillstead | .... | lamp operator (as Bob Hillsttead) | |
| Nick Lamb | .... | second assistant camera: "a" camera | |
| Kevin Lheritier | .... | grip | |
| Murray O'Shea | .... | generator operator | |
| Johnny Radzik | .... | Steadicam operator | |
| Johnny Radzik | .... | camera operator: "a" camera | |
| Johnny Radzik | .... | director of photography: second unit | |
| Scott Storm | .... | best boy grip | |
| Nicole Wiwchar | .... | second assistant camera | |
| Geoff Yates | .... | dolly grip | |
Animation Department | |||
| Tammy Smith | .... | motion designer | |
Costume and Wardrobe Department | |||
| Jafar Alizada | .... | wardrobe dailies | |
| Candace Bank | .... | wardrobe dailies | |
| Roxanne Brown | .... | wardrobe dailies | |
| Sonja Clifton-Remple | .... | costume coordinator | |
| Deanne Grass | .... | costume truck supervisor | |
| Kerri La Londe | .... | cutter | |
| Charity Martin | .... | on-set wardrobe supervisor | |
| Robin Merrifield | .... | costume cutter | |
| Beatrix Moersch | .... | costumer | |
| Suzanne Rondeau | .... | wardrobe dailies | |
| Cindy Rottenbucher | .... | wardrobe dailies | |
| Joanna Vollhoffer | .... | assistant costume designer | |
| Danika Wright | .... | wardrobe dailies | |
Editorial Department | |||
| Myriam Hoss-Desmarais | .... | post-production coordinator | |
Other crew | |||
| Dale Ross Braun | .... | production accountant | |
| Jason Bryant | .... | lead stand-in | |
| Sandi Cameron | .... | script supervisor | |
| Paul Compton | .... | assistant production coordinator | |
| Nigel Crook | .... | accountant: post-production | |
| Derek J. Finnik | .... | photo double-scott bairstow | |
| Tyler Forrest | .... | production assistant | |
| Stephan Fuchs | .... | assistant location manager | |
| Jemma Gilboy | .... | assistant script supervisor | |
| Clinton Kleisinger | .... | location manager | |
| Tim Kleisinger | .... | production assistant | |
| David Lapp | .... | assistant accountant | |
| Dana Lesiuk | .... | production coordinator | |
| Jeff Martel | .... | writing assistant | |
| Charity Martin | .... | set supervisor | |
| Greg Morley | .... | assistant production manager | |
| Nathan Mosewich | .... | location production assistant | |
| Jon Tewksbury | .... | office production assistant | |
| Recent Posts (updated daily) | User |
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| what was jericho? | familiariv |
| Will air again...... | LDfan13 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Sci-Fi section | IMDb USA section |
I was expecting little, seeing as how awful a lot of SyFy original movies are. Actually while not great, Android Apocalypse is not that bad. It does have a lot of flaws, which I sensed were going to be there. The CGI has been worse before and since but definitely could've done with more clarity and believability, they did look flat and fake-looking. I do agree also about the set design, they don't look bad and are decently lit but they are never authentic, when you should see a prison, then one you should see, not what looks like a factory. The writing is rather shallow and cheesy, and again never feels natural in how it flows, while the story is structurally thin with a lot of the action unexciting and the final twenty minutes were far too overly-silly for my tastes. However, the editing is less haphazard than it often is with SyFy, and the music less generic, actually having a haunting tone. But the real improvements were with the characters and the acting. Instead of the underdeveloped, stereotypical characters we usually see, there is a noble and mostly successful attempt to give the characters some humanity and depth. The acting is often bland, overdone or non-existent, I also didn't find that to be the case here, the leads are especially likable. So all in all, definitely one of Syfy's more tolerable movies though it was still lacking. 5/10 Bethany Cox