Directed by
| Brinton Bryan | ||
Writing Credits (in alphabetical order)
| Brinton Bryan | ||
| Christopher S. Bryson | ||
Cast (in credits order)
| Julie Gonzalo | ... | Lucy | |
| Brandon Quinn | ... | Mick | |
Produced by
| Braden Bowen | ... | producer (as Brady Bowen) |
| Brinton Bryan | ... | producer |
| Julie Gonzalo | ... | executive producer |
Music by
| Chris Carlberg | ||
Cinematography by
| James W. Apted | ||
Editing by
| Paul Covington | ||
Production Design by
| Katie Abiad | ||
Art Direction by
| Pedro Aguilera | ||
Costume Design by
| Maria Lorenzana | ||
Makeup Department
| Christina Lerchen | ... | head stylist (as Christina Farrell) / key makeup artist (as Christina Farrell) |
Second Unit Director or Assistant Director
| Christopher S. Bryson | ... | first assistant director |
| Carey Field | ... | second assistant director |
| Jeff Saville | ... | second assistant director |
Sound Department
| Omar Fadel | ... | sound mixer |
| Jim Lakin | ... | sound mixer |
| Jason Prowell | ... | boom operator |
| Scott Stolz | ... | sound mixer |
| Tara Stillions Whitehead | ... | boom operator (as Tara Stillions) |
Camera and Electrical Department
| Michael Alba | ... | Steadicam operator |
| Chris Carlberg | ... | still photographer |
| Caz Duffy | ... | gaffer |
| Brad Heiner | ... | key grip |
| Jeremy Kerr | ... | grip |
| John V. Lindsay | ... | assistant camera |
| Michael Nie | ... | assistant camera |
| Michael Velarde | ... | electrician |
| William Rick Young | ... | best boy grip |
Script and Continuity Department
| Katie Eastridge | ... | script supervisor (as Katie Hodgkins) |
Additional Crew
| Richard MacFarlane | ... | set production assistant |
| Mike Manasewitsch | ... | weapons specialist |
Thanks
| The Ebony | ... | special thanks |
| Gregory J. Pawlik Jr. | ... | special thanks |
| Chris Shadley | ... | special thanks |
| Mark Vandermeulen | ... | special thanks |
