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Directed by | |||
| Eli Roth | |||
Writing credits(WGA) | ||
| Eli Roth | (written by) | |
Produced by | |||
| Chris Briggs | .... | producer | |
| Mike Fleiss | .... | producer | |
| Daniel S. Frisch | .... | co-producer (as Daniel Frisch) | |
| Eli Roth | .... | producer | |
| Scott Spiegel | .... | executive producer | |
| Quentin Tarantino | .... | executive producer | |
| Philip Waley | .... | co-producer | |
| Boaz Yakin | .... | executive producer | |
Original Music by | |||
| Nathan Barr | |||
Cinematography by | |||
| Milan Chadima | |||
Film Editing by | |||
| George Folsey Jr. | |||
Casting by | |||
| Filipp Grammatikos | |||
| Sigrún Sól Ólafsdóttir | (Casting Director, Iceland) (as Sigrun Sol Olafsdottir) | ||
| Ivan Vorlícek | |||
| Kelly Wagner | |||
Production Design by | |||
| Franco-Giacomo Carbone | |||
Art Direction by | |||
| David Baxa | |||
Set Decoration by | |||
| Karel Vanásek | |||
Costume Design by | |||
| Franco-Giacomo Carbone | |||
Makeup Department | |||
| Howard Berger | .... | on-set makeup effects artist | |
| Howard Berger | .... | special makeup effects designer and creator | |
| Jana Dopitová | .... | makeup artist | |
| Klaudie Havlova | .... | additional makeup artist | |
| Kveta Holasova | .... | additional makeup artist | |
| Grady Holder | .... | mold department: K.N.B. EFX Group | |
| Rini Lemanova | .... | key makeup artist | |
| Lorraine Martin | .... | assistant makeup artist | |
| Christopher Allen Nelson | .... | on-set makeup effects artist (as Chris Nelson) | |
| Gregory Nicotero | .... | special makeup effects designer and creator | |
| Andy Schoneberg | .... | makeup designer | |
| Kevin Wasner | .... | on-set makeup effects artist | |
Production Management | |||
| Philip Waley | .... | unit production manager | |
| Pavlina Zipkova | .... | production manager: Czech | |
Art Department | |||
| Milan Babik | .... | property master | |
| Radan Kapinos | .... | stand-by props | |
| Alice Kheilova | .... | assistant to art director | |
| Martina Ter-Akopowá | .... | art department coordinator | |
Sound Department | |||
| Kami Asgar | .... | adr supervisor | |
| Bob Beemer | .... | sound re-recording mixer | |
| Tomas Belohradsky | .... | sound mixer | |
| Brian Best | .... | supervising sound editor | |
| Vincent Guisetti | .... | foley artist | |
| Scott G.G. Haller | .... | supervising dialog editor | |
| Pamela Kahn | .... | foley artist (as P.K. Spencer) | |
| Tateum Kohut | .... | sound re-recording mixer | |
| Herwig Maurer | .... | sound editor | |
| Sean McCormack | .... | supervising sound editor | |
| Fred Peck III | .... | sound re-recordist | |
| Stuart Provine | .... | additional sound effects | |
| Kyle Rochlin | .... | foley mixer | |
| P.K. Spencer | .... | foley artist | |
| Petr Stuchlík | .... | boom operator | |
| Marcelo Teson | .... | sound editor | |
| Tim Tuchrello | .... | sound editor | |
| Pavel Vencl | .... | boom operator | |
Special Effects by | |||
| Ozzy Alvarez | .... | lab technician: K.N.B. EFX Group | |
| Martin Mottl | .... | special effects technician | |
| Martin Pryca | .... | special effects supervisor | |
| Caleb Schneider | .... | special effects technician | |
| Lindsay Vivian | .... | special effects runner | |
| Jenny Wallace | .... | special effects runner | |
| Kevin Wasner | .... | special effects makeup | |
Visual Effects by | |||
| Ulysses Argetta | .... | digital compositor | |
| Ozzie Carmona | .... | digital artist | |
| Miro Gal | .... | location visual effects supervisor | |
| Robert Kurtzman | .... | visual effects supervisor | |
| Jim O'Hagan | .... | digital compositor: Pacific Title | |
| Franklin Purtiman | .... | digital effects artist | |
| Andrew Sagar | .... | digital compositor | |
| Antonio Torres | .... | digital artist: Pacific Title | |
| Alan Tuskes | .... | digital effects artist | |
| Bob Wiatr | .... | digital compositor: Pacific Title | |
Stunts | |||
| Jindrich Klaus | .... | stunt double | |
| Miroslav Lhotka | .... | stunts | |
| Pavel Vokoun | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Libor Bruha | .... | first assistant camera | |
| Petr Cejka | .... | electrician | |
| Shane Daly | .... | additional cinematographer | |
| Ludek Hynek | .... | key grip | |
| Ales Kohout | .... | electrician | |
| Petr Konrád | .... | gaffer | |
| Zbynek Kunc | .... | additional photographer | |
| Zbynek Kunc | .... | focus puller | |
| Filip Majer | .... | focus puller: second unit | |
| Jan Matejka | .... | electrician | |
| Zdenek Mrkvicka | .... | second assistant camera | |
| Vlada Muller | .... | steadicam operator | |
| Martin Nahodil | .... | video playback operator | |
| Radek Skudrna | .... | additional photographer | |
| Radek Skudrna | .... | focus puller | |
| Lukas Srajer | .... | grip | |
| Martin Stepánek | .... | camera operator | |
| Martin Stepánek | .... | director of photography: second unit | |
| Dalibor Suchy | .... | electrician | |
| Petr Sulc | .... | best boy | |
| Stepan Svoboda | .... | additional photographer | |
| Stepan Svoboda | .... | assistant camera | |
| Rico Torres | .... | still photographer | |
Casting Department | |||
| Ineke de Vos | .... | casting: Netherlands | |
| Jennifer Rudolph | .... | casting: New York | |
Costume and Wardrobe Department | |||
| Jitka Novotna | .... | wardrobe supervisor | |
| Hana Rambova | .... | wardrobe assistant | |
Editorial Department | |||
| Jacquelyn Dean | .... | post-production assistant | |
| Ian Elias | .... | post-production assistant | |
| Marc Fisher | .... | on-line editor | |
| Michael T. Forrest | .... | on-line editor | |
| Charles Kaplan | .... | associate editor | |
| Stephen R. Sheridan | .... | color timer | |
| Brad E. Wilhite | .... | associate editor | |
| Lawrence Howard Williams | .... | post digital media operator | |
Music Department | |||
| Gerry Cueller | .... | music supervisor | |
| Greg Danylyshyn | .... | music supervisor | |
| Michael Farrow | .... | music scoring mixer | |
| Karen Guthery | .... | orchestrator | |
| Penka Kouneva | .... | orchestrator | |
| Brian Richards | .... | music editor | |
| Allan Wilson | .... | conductor | |
Transportation Department | |||
| Jan Strasik | .... | transportation coordinator | |
Other crew | |||
| Travis S. Baker | .... | researcher | |
| Mark Bakunas | .... | production accountant | |
| Tawnya Brown | .... | assistant: Mr. Fleiss | |
| Veronika Brtova | .... | production assistant | |
| Marketa Dankova | .... | production assistant | |
| Eva Dvorakova | .... | on-set medic | |
| Olina Edney | .... | production secretary | |
| Jakub Eliasek | .... | production assistant | |
| Flax Glor | .... | publicist | |
| Milda Jedi Havlas | .... | production assistant | |
| Charles Heaphy | .... | production financing | |
| Vlasta Hynek | .... | production coordinator | |
| Kazi Kopecka | .... | script supervisor | |
| Julie McLean | .... | assistant: Mr. Tarantino | |
| Kevin Mockrin | .... | intern | |
| Tony Muro | .... | publicist | |
| Honza Ondrovcak | .... | location manager | |
| Hynek Pantucek | .... | key loader | |
| Gabriel Roth | .... | documentarian (as Gabe Roth) | |
| Pilar Savone | .... | assistant: Mr. Tarantino | |
| David Skacelik | .... | production assistant | |
| Jan Soufek | .... | production assistant | |
| Jed Strahm | .... | assistant: Raw Nerve | |
| Richard Tanne | .... | researcher | |
| Quentin Tarantino | .... | presenter | |
| Katherin-Ellen Zabehlicky | .... | production assistant | |
Thanks | |||
| Mick Garris | .... | special thanks | |
| Peter Jackson | .... | very special thanks | |
| Harry Jay Knowles | .... | very special thanks (as Harry Knowles) | |
| Takashi Miike | .... | very special thanks | |
| Fran Walsh | .... | very special thanks | |
| Ísleifur Þórhallsson | .... | thanks (as Isleifur Thorhallsson) | |
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| Corpi presentano tracce di violenza carnale, I | Kataude mashin gâru | Halloween | Yi boh laai beng duk | Koroshiya 1 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
| Add this title to MyMovies |
I was one of those people that hated everything about Cabin Fever. I wasn't anticipating Eli Roth's next film, but when I heard the Internet buzz around Hostel, and found it was showing at the 2005 TIFF (Toronto International Film Festival), I decided to check it out.
Eli Roth, who was at the screening, mentioned to the audience that this was the first public viewing in North America. He also told us what we were about to see was a work in progress print of the film. What I saw was one hell of a fierce horror flick that works on every level.
All the actors do a great job in this flick. I was especially impressed with Jay Hernandez, and Derek Richardson, two relatively unknown actors. There are a lot of funny scenes, and dialog in the early parts of the film. It's not that slapstick, forced stuff that was so prevalent in Cabin Fever. There also lots of nudity in the early parts in the film as well. When things begin to turn towards horror, you truly feel the sense of terror the characters are going through. The build up to the climax is just done so well. I loved the fact the story is very believable.
Make no mistake about it, this is a violent, sick, and gory flick. It's not for the squeamish. I haven't seen this type of extreme violence in a North America mainstream cinema. The Takashi Miike, and Asian Cinema influences are clearly seen here.
This is a film that will shock people, and remain in there heads well after the film is over. It will be interesting to see how the film is edited, and rated. In it's current state, I don't see how it could get anything less than the dreaded NC-17 rating. I just hope that it's not butchered too much, as the audience deserves to see the film how it was intended. Eli Roth has completely redeemed himself for what I thought was a very poor film in Cabin Fever, and has made one kick-ass horror film.