Jigsaw locks a few unlucky people in a booby trapped shelter and they must find a way out before they inhale too much of a lethal nerve gas and die. But they must watch out, for the traps Jigsaw has set in the shelter lead to death also.
Darren Lynn Bousman
In this third installment of the Final Destination series, a student's premonition of a deadly rollercoaster ride saves her life and a lucky few, but not from death itself which seeks out those who escaped their fate.
Mary Elizabeth Winstead,
3 backpackers are in Amsterdam where they get locked out of their youth hostel. They are invited into a man's house where he tells them of a hostel somewhere in eastern Europe where the women are all incredibly hot and have a taste for American men. When they get there, everything is too good to be true - the hostel is "to die for" Written by
I was one of those people that hated everything about Cabin Fever. I wasn't anticipating Eli Roth's next film, but when I heard the Internet buzz around Hostel, and found it was showing at the 2005 TIFF (Toronto International Film Festival), I decided to check it out.
Eli Roth, who was at the screening, mentioned to the audience that this was the first public viewing in North America. He also told us what we were about to see was a work in progress print of the film. What I saw was one hell of a fierce horror flick that works on every level.
All the actors do a great job in this flick. I was especially impressed with Jay Hernandez, and Derek Richardson, two relatively unknown actors. There are a lot of funny scenes, and dialog in the early parts of the film. It's not that slapstick, forced stuff that was so prevalent in Cabin Fever. There also lots of nudity in the early parts in the film as well. When things begin to turn towards horror, you truly feel the sense of terror the characters are going through. The build up to the climax is just done so well. I loved the fact the story is very believable.
Make no mistake about it, this is a violent, sick, and gory flick. It's not for the squeamish. I haven't seen this type of extreme violence in a North America mainstream cinema. The Takashi Miike, and Asian Cinema influences are clearly seen here.
This is a film that will shock people, and remain in there heads well after the film is over. It will be interesting to see how the film is edited, and rated. In it's current state, I don't see how it could get anything less than the dreaded NC-17 rating. I just hope that it's not butchered too much, as the audience deserves to see the film how it was intended. Eli Roth has completely redeemed himself for what I thought was a very poor film in Cabin Fever, and has made one kick-ass horror film.
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